151 résultats
- Paul Lacomblez & Lib. de l'Art indépendant, Bruxelles & Paris Mars-Avril 1891, 16,5x25,5cm, broché. - Edition originale. Contributions de S. Mallarmé "Pauvre enfant pâle", G. Kahn "extraits d'un livre d'images", Toto "Album à Toto", E. Demolder "Entrée de ville", A. Leune "Contes"... Petits manques et légères déchirures angulaires sur le dos et les plats, plats marginalement passés et piqués, agréable état intérieur. [ENGLISH DESCRIPTION ON DEMAND]
- Paul Lacomblez & Lib. de l'Art indépendant, Bruxelles & Paris Juillet-Août 1892, 16,5x25,5cm, broché. - Edition originale. Contributions de G. Eekhoud "L'honneur de Luttérath", G. Garnir "L'apôtre", L. Wallner "Le premier récit du podiatchy", I. Gilkin "Satan"... Petits manques et légères déchirures angulaires sur le dos et les plats, plats marginalement passés et piqués, agréable état intérieur. [ENGLISH DESCRIPTION ON DEMAND]
Library rebound, but front cover preserved. Wear to cover edges; age spotting to paper cover; library stamp and library plate on front inside cover; former owner's name erased at top of back title page; yellowing to pages; pencil marks and underlining throughout the text; otherwise text tight and bright. Russian imazhinist poet, cycle of Mayakovskii and Balmont. Poet’s neologism "Koevangelieran" is meant to acknowledge the two sources of his inspiration, the Gospels and the Koran, which he would like to integrate. Ex - Library
petit in-12° (17x13 cm), 141 pp, broche, couverture originale, dos muet. Tres bon etat (titre manuscrit au dos, interieur impeccable à l'exception du nom du proprietaire precedent au faux titre). RARE. [BU-11]
- Cahiers de l'étoile, Paris Mars-Avril 1930, 16,5x24,5cm, broché. - Edition originale. Au sommaire, 'La vérité limitée' par Krishnamurti, des contributions de Suarès, Manziarly ou Benjamin Fondane ('Gide suivant Montaigne'), et en hors-texte des peintures de Joseph Sima. Un petit accroc en tête du dos passé comportant également un léger manque en pied, agréable état intérieur. [ENGLISH DESCRIPTION ON DEMAND]
- Cahiers de l'étoile, Paris Septembre-Octobre 1930, 16,5x24,5cm, broché. - Edition originale. Ce numéro consacré aux enfants propose des articles de Krishnamurti, R. Nussbaum, F. Raymond ou Alexandrine Gr. Cantacuzene, entre autres. Il comprend en outre des hors-textes, dessins et récits d'enfants. Rare. [ENGLISH DESCRIPTION ON DEMAND]
- Cahiers de l'étoile, Paris Septembre-Octobre 1928, 16,5x24,5cm, broché. - Edition originale. Au sommaire de ce numéro, des poèmes de Jiddu Krishnamurti, des articles de Carlo Suarès, Manziarly ou encore André Berge. Rare. Exemplaire défraîchi. [ENGLISH DESCRIPTION ON DEMAND]
- Cahiers de l'étoile, Paris Novembre-Décembre 1928, 17x25cm, broché. - Edition originale. Dans ce numéro, notamment, des poèmes de Jiddu Krishnamurti, un 'portrait de Sada, petite singe' par Francis de Miomandre, un hors-texte de Léopold Survage. Rare. [ENGLISH DESCRIPTION ON DEMAND]
- Cahiers de l'étoile, Paris Juillet-Août 1930, 16,5x24,5cm, broché. - Edition originale. Au sommaire, 'Le sentier' par Jiddu Krishnamurti, 'Les légendes épiques du nouveau monde', par Tatiana Vacquier, ainsi que des contributions de Fondane, Crespelle, Jouhandeau, Nelli, Ribemont-Dessaignes, Suarès, entre autres. Couverture insolée comportant des rousseurs, sinon bel exemplaire. Rare. [ENGLISH DESCRIPTION ON DEMAND]
- L'oeuf dur, Paris Novembre 1921, 14x22,5cm, agrafé. - Edition originale. Contributions de G. Kahn, M. Martin du Gard, le Prince des pompiers élu, L. Pierre-Quint... Bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
- L'oeuf dur, Paris Février 1922, 14x22,5cm, agrafé. - Edition originale. Contributions de Francis Carco "Montmartre", Raymond Radiguet "Les fiancés de treize ans", Georges Gabory, Robert Honnert... Agréable exemplaire en dépit des plats mérginalement et légèrement insolés en têts et en pieds. [ENGLISH DESCRIPTION ON DEMAND]
A clean, unmarked book with a tight binding. 38 pages. 8 7/8"w x 10 7/8"h. The catalogue for the exhibition titled Insound/Instructure. Essays by Yoko Ono, artworks from the sixties and the seventies, many film scripts with the film stills and instruction pieces. An essay by Ina Blom in Finnish and in English. Black and white photographs of Yoko Ono's films and works
New English Paperback. 4to. Edition in English. 191 p., color ills. The Russian avant-garde dreaming the future through art and design. [Exhibition catalogue]. The exhibition is co-curated by Dr. Nazan Ölcer Head of Sakip sabanci Museum and Dr. Maria Tsantsanoglou, Head of the George Costakis Collection at State Museum of Contemporary Art, Thessaloniki, and besides the Costakis Collection it contains a selection of 513 works from Moscow's All-Russian Museum of Decorative Arts and Multimedia Art Museum and works from leading private collections in Europe shown together for the first time thus shedding a light upon the important place Russian Avant-Garde occupied in the history of art. The 'Dreaming the Future. Russian Avant-garde Art and Design' exhibition does not only focus on the dramatic changes and radical developments that happened during first quarter of the 20th century and prepared the groundwork for intellectual and artistic progress, not just within the Russian artistic culture, but it is designed to hod a mirror to the effect on world art. The exhibition shows the Russian avant-garde artists that in the early 1900s tried to introduce art as a lifechanging power, the ground-breaking work of the artists in this period where the reformist atmosphere had been brought about by the October Revolution in 1917, and the social design they tried to put into practice supported by the new regime and also the wide boundaries of the future they dreamed of. The exciting technological developments and industrialisation that occurred in the early 20th century turned the avant-garde artists towards science and overcoming the boundaries of the earth, dreams of space reflected the beliefs the artists had in the future and tihs is very vividly reflected in the works displayed in this exhibition.
- L'oeuf dur, Paris Juin 1922, 14x22,5cm, agrafé. - Edition originale. Contributions André Spire, Matthias Lübeck, Max Jacob, Robert Honnert, Pascal Pia, Léon Pierre-Quint, Pierre Drieu La Rochelle et Maurice David. [ENGLISH DESCRIPTION ON DEMAND]
- Au sans pareil, Paris 1923, 14x22,5cm, agrafé. - Edition originale. Contributions de J. Cocteau "Mystères de Vénus et des fusiliers marins", M. Jacob "Très XVIIIè", F. Mauriac, A. Salmon, P. Naville... [ENGLISH DESCRIPTION ON DEMAND]
- L'oeuf dur, Paris Février 1922, 14x22,5cm, agrafé. - Edition originale. Contributions de F. Carco "Montmartre", R. Radiguet "les fiancés de treize ans", G. Gabory, R. Honnert... Agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
- L'oeuf dur, Paris Mars 1922, 14x22,5cm, agrafé. - Edition originale. Contributions de P. Mac Orlan, A. Salmon, R. Chalupt, M. Lübeck... [ENGLISH DESCRIPTION ON DEMAND]
- Les soirées de Paris, Paris Juin 1913, 16,5x25cm, broché. - Edition originale. Contributions de Jean Pellerin, Maurice Raynal, Emile Zavie, Jean Paulhan et André Billy, souvenirs anonymes sur René Vivien. Rare. [ENGLISH DESCRIPTION ON DEMAND]
- Mercure de France, Paris 1er Février 1912, 14x23cm, broché. - Edition originale. Revue littéraire fondée par Alfred Vallette en 1890 avec un groupe d'amis dont Jean Moréas, Émile Raynaud, Pierre Arène, Remy de Gourmont, Alfred Jarry, Albert Samain et Charles Cros : la génération symboliste. Mallarmé et Heredia y font paraître quelques inédits. Au sommaire, des contributions de Guillaume Apollinaire, Paterne Berrichon (sur Rimbaud et Verlaine), Ricciotto Canudo, Rémy de Gourmont ou Gustave Kahn. [ENGLISH DESCRIPTION ON DEMAND]
Ex-library book with the usual stamps and markings. Full teal cloth boards. Interior pages clean and unmarked; tight binding. 232 pages.
An excellent book that shows the lightest of shelf wear only; sharp corners, no creases to covers, text/interior is spotless. Inscribed by author on front end paper. A critic, poet, and professor, McCaffery was part of the Canadian avant-garde poetry scene in the 1970s.
A beautifully-produced bilingual (French and English) monograph on Exter, with several hundred color plates. Unfortunately, the scholarship is not on a par with the production values: several dozen fakes are reproduced as authentic works here, and one can only guess at the possible motivations (I suppose it is to "authenticate" the fakes, all of which, interestingly enough, are in a "Collection privee" in Paris). Filatoff, furthermore, seems to know next to nothing about art. Finally, the English text has been prepared by someone with limited abilities as a translator. Still, this is the first major monograph (besides one in Russian) dedicated to one of the most important and intriguing Russian avant-garde painters. Furthermore, there is an extensive section on Exter's role as a book artist, especially her unparalleled illuminated manuscripts. This aspect of her work had been almost entirely ignored by other scholars. Large 4to. Publisher's cloth. FINE AND BRIGHT, in a fine dj. Until some capable scholar comes up with something better, this will be the best introduction to Exter's work.
116pp. + frontispice door Floris Jespers, 1e uitgave, gedrukt op Engels Vergé Antique, 22cm., originele omslag, luttele roestplekjes op bladsneden, tekst helder en fris, goede staat, T102403
147pp., "2e uitgave", in feite betreft dit echter geen tweede druk ; het restant van de eerste druk (in een oplage van 525 exx.) werd herbruikt voor deze 2e editie waarvoor enkel de omslag en de eerste 4 blz. werden vervangen, 22cm., originele oranje omslag intact en in goede staat, luttele kleine roestvlekjes op zijdelingse bladsneden, verder in zeer goede staat, T102404
- In l'Esprit nouveau, Paris 1924, 16,5x25,5cm, agrafé. - Edition originale de ce numéro entièrement consacré à Guillaume Apollinaire. Contributions de Guillaume Apollinaire, Trstan Tzara, Pierre Albert-Birot, Paul Dermée. Iconographie, illustrations, fac-similés, exemplaire bien complet du portrait de Guillaume Apollinaire par Marcoussis. Léger accroc en pied du dos, petites taches sans gravité sur le premier plat illustré d'un portrait de Guillaume Apollinaire par Pablo Picasso. [ENGLISH DESCRIPTION ON DEMAND]
