McCaffery, SteveMareMagnum
151 résultats
An excellent book that shows the lightest of shelf wear only; sharp corners, no creases to covers, text/interior is spotless. Inscribed by author on front end paper. A critic, poet, and professor, McCaffery was part of the Canadian avant-garde poetry scene in the 1970s.
P. Philippe Sers éditeur, 1981. In-4 broché, 256 pp. Nombreuses illustrations noir et blanc. Complet des feuillets donnant la liste des photographies exposées.
fort volume in-8°, 521 pages, broché Bel exemplaire. [NAN-4]
in-8°, 180 pages, broché Bel exemplaire. [109B-13]
in-8°, 167 pages, broche, couverture illustree. Bel exemplaire. [HI-1/2] Constitue le quatrième tome des écrits de Malévitch.
Book is in excellent condition with a tiny bump to lower front corner, scuffing to back cover as the only flaws. Binding is solid and square, covers otherwise have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Large format: 9.25x11.25 inches with introduction by the author. Profusely illustrated with b&w and color plates: photos and reproductions of Greek vases, sculpture, classic and current painting from many genres, photos of same, most featuring nude men, 162 illustrations, many full page. Contents include: The heroic nude, The child, youth and the feminized male, Naked victims, The noble savage, Naked not nude, The triumph of the female, The male nude and the avant-garde, The mirror of homosexual desire.
Paris, Méconnaissance, 1958. In-4 en feuillets. Edition originale illustrée d'un frontispice de Victor Brauner. Tirage à 488 exemplaires, celui-ci portant le n° 371. Très bon état
A clean, unmarked book with a tight binding. 175 pages. Some pages turned down at corners.
Library rebound, but front cover preserved. Wear to cover edges; age spotting to paper cover; library stamp and library plate on front inside cover; former owner's name erased at top of back title page; yellowing to pages; pencil marks and underlining throughout the text; otherwise text tight and bright. Russian imazhinist poet, cycle of Mayakovskii and Balmont. Poet’s neologism "Koevangelieran" is meant to acknowledge the two sources of his inspiration, the Gospels and the Koran, which he would like to integrate. Ex - Library
A clean, unmarked book with a tight binding. Full black cloth boards. Small tears on worn dust jacket. Full black cloth boards. 308 pages. ""In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art." [publisher]
Ouvrage complet en 2 forts volumes: 377 + [+/- 300] pp., + joint (in fine): facsimile-édition de la revue "Het Overzicht" février 1925, reliures toiles d'éditeur, jaq. illustrées (petite déchirure restaurée en haut du dos du t.2), sous étui, très bon état, [textes en français et en néerlandais], poids total de 5kg., S84302
Gutes Exemplar; der illustr. Einband berieben u. gering nachgedunkelt; minimale Gebrauchs- und Lagerspuren. - Englisch. - Erstes Blatt mit hs. Besitzvermerk von (Oskar) Wiener. - Oskar Wiener (* 4. März 1873 in Prag; † 20. April 1944 im KZ Theresienstadt) war ein deutsch-tschechoslowakischer Autor. ... (wiki) // INHALT : Dadaism and Today's Avantgarde / Raoul Hausmann ------ Poetry and Theatre / John Arden Who ------ Are the Situationists? / Jorgen Nash ------ The Concrete Poets of Brazil / Decio Pignatari ------ Advance Through Obscenity? / Maurice Girodias ------ Programmed Art / Bruno Munari ------ Back to the Wall / Allen Ginsberg ------ Letters as Picture and Language / Franz Mon ------ Culture and Technology / Marshall McLuhan ------ Theory and Practice of Text / Max Bense ------ From a letter / Diter Rot ------ The Development of Group Zero / Otto Piene ------ The Literary Techniques of Lady Sutton-Smith / W S Burroughs ------ Paradada / Dom Sylvester Houedard ------ The Vienna Group / Konrad Bayer ------ The Use of Computers to Make Semantic Toy Models of Language / Margaret Masterman ------ In the Event / R Watts ------ Poems & 1 Filmscript. --- ... The Franco-Belgian situationists base themselves on the same principles as Pascal, Descartes, Croce and Gide. Action precedes emotion. You only begin to feel religious after you have muttered your prayers. According to Scandinavian situationist philosophy action is the result of emotion and arises out of emotion. Emotion is a primary, non-reflective intelligence; passionate thought/thinking passion. We are not saying that the French method is wrong or that it cannot be used successfully. We merely say that our two outlooks are incompatible, but they can be made to supplement one another. The second Situationist International is a freely organised movement. It is a voluntary association of autonomous work groups. At the moment there exist four such groups on the Hallandsasen in the southern part of Sweden, and two more in Denmark and Finland. It also works together with the German avant-garde group SPUR in Munich, whose books have partly been published at Draka-bygget. The latest, SPUR im Exil, caused a pornography and blasphemy case to be brought against the group in the court of Munich. A periodical against popes, politicians and atomic bombs called Drakabygget has been edited since 1962, with the journalist and painter Katarina Lindell as editor. … (Seite 6; aus d. Text von Jörgen Nash: "Who are the Situationists")
La Cité Des Arts, Editions L'age De L'homme SA Lausanne, 1962. In-4 carré relié cartonnage éditeur sous jaquette illustrée en couleurs, 326 pages ornées de nombreuses illustrations couleurs, vignettes contre-collées.
A clean, unmarked book with a tight binding. Full red cloth boards. 8 3/4"w x 11 1/4"h. 496 pages.
This is a fine softcover copy with no wear at all. Completely clean. Text in Czech and English translation at the rear. This catalog was prepared to accompany an exhibition held at the Moravska galerie in Brno, from October 24 to November 24, 1996. Illustrated in black & white with Jaromir Funke's abstract modernist photographs. Bibliography. 12" high X 8" wide, 205 pages. This book will be securely packed and shipped with tracking.
P., Minuit, 1978. In-8 broché sous couverture verte illustrée, 71 pages, quelques illustrations. Bon état.
A clean, unmarked book with a tight binding. Full cream-colored cloth boards. 9 5/8"w x 11 1/4"h. Slight edge wear to dust jacket. "In 1915, Kazimir Malevich (1878-1935) changed the future of Modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism - an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpieces, including Black Square (1915) and White Square on White (1920-27), continue to inspire artists throughout the world." [blurb]
871pp. met meer dan 650 illustraties in kleur (with over 650 illustrations in colour), 29cm., gebroch. (softcover), trilingual: Nederlands-English-Deutsch, goede staat, [Inhoud-content: chronologie en essays over de Russische avant-garde, Chronology and essays, Chronologie und Essays], weight: 2kg. (extra shipping expenses might apply), S95306
2 vols.: xvii,461 + 351pp. + buitentekstplaten, 24cm., in de reeks "Studia Flandrica" nr.3, mooie staat, T73682
269pp. met illustraties in kleur en zw/w, 30cm., catalogus van gelijknamige tentoonstelling (Brussel musem voor Moderne Kunst & Antwerpen KMSK), goede staat, S95814
439pp. met enkele zw/w ills., 22cm., gebroch., goede staat, S95148
A clean, unmarked book with a tight binding. 240 pages. Slight edge wear. 104 illustrations, and eight color plates.
in-8°, 32 pages, agrafe, couv. Bon etat général - RARE. [DV-8]
petit in-12° (17x13 cm), 141 pp, broche, couverture originale, dos muet. Tres bon etat (titre manuscrit au dos, interieur impeccable à l'exception du nom du proprietaire precedent au faux titre). RARE. [BU-11]
[8] pages Broché, feuillets réunis par une agrafe, couverture rose illustrée, chemise demi-chagrin noir moderne avril 1922, avril 1922, in-8, [8] pages, Broché, feuillets réunis par une agrafe, couverture rose illustrée, chemise demi-chagrin noir moderne, "Aucun de nos collaborateurs n'engage son prochain aux propos qu'il tient ici. Quelques affirmations de certains sont la preuve que notre autobus n'est qu'un journal sans pare-boue". Unique numéro de cette célèbre revue dadaïste, publiée par Tristan Tzara en réponse aux attaques dirigées contre lui par André Breton dans le Comoedia du 2 mars 1922 ; elle est intégralement imprimée sur papier rose, y compris la couverture emblématique de l'esthétique Dada. Outre Tzara, les collaborateurs de ce journal éphémère sont Georges Ribemont-Dessaignes, Paul Éluard, Th. Fraenkel, Vincent Huidobro, Mathew Josephson, Benjamin Péret, Erik Satie, Serner, Rrose Sélavy (Marcel Duchamp) et Philippe Soupault. Annonce importante à la dernière page de la publication de « Champs délicieux » de Man Ray. Le 6 juillet 1923, Tzara organise la fameuse "Soirée du Coeur à barbe" au théâtre Michel, qui marque la rupture entre dadaïstes et surréalistes. Exemplaire en bel état
