Gegenbach Ernest de :Livre Rare Book
965 résultats
19706484Eric Losfeld, 1970. In-12 broché, couverture illustrée. Couverture très légèrement défraîchie, pour le reste en belle condition, non coupé.
197418901Christian Bourgois 1974 Paris, Christian Bourgois éditeur, 1974. In-8 broché de 242 pp. Couverture illustrée, à rabats. Un pli de lecture au dos sinon très bon état.
200061213ABBayeux., Musee Baron Gerard., 2000. 32 x 24 cm. 95 S. OKarton mit OKlappenumschlag., 61213AB 1. Ausgabe. Umschlag minimal angestaubt. Sehr gutes Exemplar.
AMA-962Galerie Gérard Filtzer, 1992. In 8° carré, broché. 127 pp., illustrations en noir et en couleurs, papillon d’errata (p. 48).
199033001Leningrad, 1988/Amsterdam, 1989 Catalogue in-4 broché de 280 pages, rétrospective complète de l'uvre de Malevitch, rassemblant pour la première fois les collections de son travail conservées par la Russie et les Pays-Bas. Nombreuses reproductions en noir et en couleurs. Très bon état.
A clean, unmarked book with a tight binding. Full cream-colored cloth boards. 9 5/8"w x 11 1/4"h. Slight edge wear to dust jacket. "In 1915, Kazimir Malevich (1878-1935) changed the future of Modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism - an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpieces, including Black Square (1915) and White Square on White (1920-27), continue to inspire artists throughout the world." [blurb]
1937904421937. Avant Garde Kindai Bijutsu ShichÅ KÅza L'Idee et L'Esprit de L'Art Moderne　近代美術æ€æ½®è¬›åº§Â Atelier-sha. Tokyo. Shôwa 12 13 1937 1938. Six volumes in printed publisher's slipcases. 22.5 x 16.3 cm. Cloth bound western-style. A fascinating series of volumes. The critics Sagara Tokuzô and Araki Sueo wrote REALISME and FAUVISME respectively. The artists Ihara Usaburo Fukuzawa Ichiro Kanbara Tai & Hasegawa Saburô wrote CUBISME; SURREALISME; FUTURISME EXPRESSIONISME DADAISME; and ABSTRACT ART. The product of a time when Japan justly felt itself to be firmly in the vanguard of world art. The spines are a bit darkened one has a small gouge and the slipcases a bit soiled but overall a very good copy of this very unusual and important set. Some folded promotional sheets laid in. Not merely painting and printmaking but also the plastic arts and a bit of architecture etc. are addressed in these wide-ranging and well-illustrated volumes. Complete as issued. unknown
1937904421937. Avant Garde Kindai Bijutsu ShichÅ KÅza L'Idee et L'Esprit de L'Art Moderne　近代美術æ€æ½®è¬›åº§ Atelier-sha. Tokyo. Shôwa 12 13 1937 1938. Six volumes in printed publisher's slipcases. 22.5 x 16.3 cm. Cloth bound western-style. A fascinating series of volumes. The critics Sagara Tokuzô and Araki Sueo wrote REALISME and FAUVISME respectively. The artists Ihara Usaburo Fukuzawa Ichiro Kanbara Tai & Hasegawa Saburô wrote CUBISME; SURREALISME; FUTURISME EXPRESSIONISME DADAISME; and ABSTRACT ART. The product of a time when Japan justly felt itself to be firmly in the vanguard of world art. The spines are a bit darkened one has a small gouge and the slipcases a bit soiled but overall a very good copy of this very unusual and important set. Some folded promotional sheets laid in. Not merely painting and printmaking but also the plastic arts and a bit of architecture etc. are addressed in these wide-ranging and well-illustrated volumes. Complete as issued. books
2720Galleri Riis, Wang Kunsthandel, Oslo, 1986. In-4, broché sous couverture en couleur, s.p. [4 pp. - pl.]. Det Gjennomtenkte Landskapet, Paal-Helge Haugen - Dissolving -
47938Paris Centre Georges Pompidou - Musée national d'Art Moderne 1985 in 4 (30x21) 1 volume broché, couverture illustrée, 198 pages [1], avec 154 illustrations en noir et en couleurs, et 10 figures dans le texte. Texte imprimé sur papier bleu. Ouvrage publié à l'oocasion de l'exposition présentée au Centre Georges Pompidou, Musée national d'art moderne, du 10 octobre 1985 au 1er janvier 1986. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Library rebound, but front cover preserved. Wear to cover edges; age spotting to paper cover; library stamp and library plate on front inside cover; former owner's name erased at top of back title page; yellowing to pages; pencil marks and underlining throughout the text; otherwise text tight and bright. Russian imazhinist poet, cycle of Mayakovskii and Balmont. Poet’s neologism "Koevangelieran" is meant to acknowledge the two sources of his inspiration, the Gospels and the Koran, which he would like to integrate. Ex - Library
199417229DBBerlin., Galerie Stolz., 1994. 22 x 20 cm. 96 S. Illustrierter OKarton., 17229D.jpg Erste Auflage. Einbandkanten mit kleinen Bereibungen, oberer Rücken minimal beschabt. Sonst gutes bis sehr gutes Exemplar.
1931T102405Antwerpen, De Sikkel 1931 159 + [4] pp., 1e druk, beperkte en genummerde oplage van 525 exemplaren, dit is nr.255, 27cm., originele omslag (licht verkleurd, rug bovenaan wat hersteld, fraai beschermd door extra kristalpapieren omslag), verder in goede staat, T102405
159 + [4] pp., 1e druk, beperkte en genummerde oplage van 525 exemplaren, dit is nr.255, 27cm., originele omslag (licht verkleurd, rug bovenaan wat hersteld, fraai beschermd door extra kristalpapieren omslag), verder in goede staat, T102405
19269071Prague: Prokop Laichter 1926. First edition. 4to 81 1pp. Illustrated initials and full page illustrations by Laichter Prokop. Publisher's cloth backed purple paper boards with large paste on illustration on front cover. Boards somewhat toned and faded around edges internally clean and bright. A near fine copy. <br /> <br /> A stunning production from the Czech painter illustrator set designer and actor Laichter Prokop 1898-1975 who was also son of the influential publisher Jan Laichter. In 1924 Prokop's first wife the author of this book Annuše died prematurely of tuberculosis and Laichter printed this book as a remembrance two years later. The introduction translates as "A few words spoken over the grave of a prematurely deceased fairy-teller." Likely printed in a very small number for friends and family we find 3 copies only in OCLC: Princeton and 2 in the Czech Republic. Prokop Laichter unknown
9124Wallraf-Richartz Museum, Köln, 1970. Fort in-4, dos en pexiglas fixé par des vis, plats transparents et gaufrés, 169 pp.
198163316ABDodenburg., Selbstverlag Ferdinand Kriwet., 1981. 30 x 21 cm. 56 unpaginierte S. OKarton., 63316AB 1. Auflage. Adresse Kriwets auf dem Titel korrigiert. Gutes bis sehr gutes Exemplar.
198138483ABDodenburg., Selbstverlag Ferdinand Kriwet., 1981. 30 x 21 cm. 56 unpaginierte S. OKarton., 38483AB 1. Auflage. Titelblatt mit Ausschnitt im unteren Rand, sonst gutes Exemplar.
198165589ABDodenburg., Selbstverlag Ferdinand Kriwet., 1981. 30 x 21 cm. 56 unpaginierte S. OKarton., 38483AB 1. Auflage. Umschlagkanten etwas berieben, vom Rücken her etwas knickspurig. Ordentliches Exemplar.
181946939Tbilisi.: 'Feniks'. December 1918 - 1919 February / March. Stapled as issued in original publisher's printed paper wrappers with titles to front covers in black issue no. 2 in red and black issues 2 and 3 /4 with publisher's vignettes issue 1 with advertisements to rear cover; repair to spine of issue 1 front cover of issue 2 detached. 4 issues in 3. 4to. c.220 x 190 mm. Printed text and verse in Russian throughout no. 1 with 3 mounted monochrome zincograph illustrations by A. N. Geevski no. 2 with monochrome illustrations by Terent'ev and P. Iashvili issue 3 with monochrome illustrations by Goncharova and Kruchenykh. An excellent complete set of the very scarce avant garde periodical 'Kuranty'.The short-lived literary and artistic periodical 'Kuranty' produced in Tbilisi during the Russian Civil War features contributions from many of the most important Russian and Georgian avant garde figures of the time: Alexei Kruchenykh and Igor Terent'ev contributed a large body of material but the contributions of Kyril Zdanevich the editor Boris Korneev Nikolai Sudeikin Tatiana Vechorka Rafalovich and others cannot be overlooked. Natalia Goncharova's 'Portrait of A. Kruchenykh' is reproduced in the final issue together with portraits by Kruchenykh himself.This Tbilisi-produced 'Kuranty' is not to be confused with the review 'Kuranty' published in Kiev in the same year and also of considerable rarity.'Kuranty' is extremely scarce and we can locate no complete sets in libraries although a facsimile is held and Johns Hopkins holds a copy of issue 1; auction records feature one complete copy only that sold at Christie's in 2014 as well asone other incomplete set also Christie's in 2007. 'Feniks'. unknown
1926912451926. AVANT-GARDE MURAYAMA Tomoyoshi. KOSEIHA KENKYU. Research on Constructivism. Tokyo Taisho 15 1926. First Printing. 1081pp. 31 plates finals and ads. Decorated wrappers with cover design by Murayama printed in red and black. The plates cover works by European and Japanese proponents of Constructivism. An unusual and fragile work here in its original edition - with the wonderful dinosaur on the cover. There is soiling to the covers and ownership notes to the rear endpaper. About good overall and important. unknown
1976RO90012527EDITION ET PUBLICATIONS PREMIERS. 1976. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 217 Pages.. . . . Classification Dewey : 704.948-Erotisme
2003ARTCOLLECT331224Paris, Editions Plume, 1998, 25 x 30,5, 176 pages sous percaline éditeur et jaquette illustrée. Traduit par Yves Cantraine. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion des expositions présentées au Musée d'Ixelles ainsi qu'au Museum van Elsene à Bruxelles du 11 mars au 30 mai 1998.
199823928Musée d’Ixelles 1998 In-4 broché 30 cm sur 24. In-4 24 x 30 cm. Broché sous couverture illustrée en couleurs, 176 pp., 87 planches couleurs, nombreuses illustrations dans le texte en noir et blanc. Texte sur 2 colonnes. Appareil critique. Exemplaire en excellent état.. 176 pages. Très bon état d’occasion. Poids sans emballage : 996 grammes. Témoignage singulier sur la naissance et l’épanouissement des mouvements artistiques russes, puis soviétiques, tel le Constructivisme, et sur leurs influences sur le développement de l’art moderne en Europe.
