421 résultats
1849WRCAM38909New York 1849. 4pp. Minor creasing to edges. Near fine. Promoting "the taste for the Fine Arts" this small pamphlet outlines the General Plan of the International Art-Union. In exchange for an annual fee of five dollars the subscriber received an engraving equal to the value of the subscription as well as the opportunity for an American student to study in Europe for two years subsidized by the Union. The final two pages advertise the engravings held by the Art-Union. Among those listed under the "Committee of Reference" are Washington Irving and N.P. Ellis. unknown books
189050922NY: Radtke Lauckner & Co 1890. Single sheet 10 3/8 x8 inches with a copper etching of a rustic cabin on a lake with a sail boat in the background. In holograph on the lower margin is " At Brennan & Davis' Monday & Tuesday Apr 20th & 21st." Faint foxing else very good. The firm of Radtke Lauckner & Co. were publishers and importers of etchings engravings and photographs located at 6 East 18th Street New York during the 1890's. Apparently they arranged traveling exhibitions of their wares at various locations; this elaborate invitation was for a showing at Brennan & Davis' a jewelry stationary and book store in Bradford Pennsylvania. <br/><br/> Radtke, Lauckner & Co unknown books
1873122615Milano. 1873. Illustriertes Reihentitelblatt, ein weiteres Zwischentitelblatt u. 598, (2) Seiten. Mit unzähligen, teils ganzseitigen u. doppelblattgrossen Illustrationen u. Ansichten im Text und auf fünf mehrfach gefalteten Tafeln. (Papier teils etwas fleckig u. mit leichten Knickspuren, Zwei Falttafeln mit größeren Einrissen u. an den Rändern mit stärkeren Knickspuren versehen). Halbleder-Einband der Zeit auf 4 Bünden mit marmorierten Deckeln. 31x23 cm
1867PL36Paris, Librairie internationale, A.Lacroix, Verboeckhoven et cie, 1867. Deux volumes in-12 (15 cm x 12 cm), XIV-5 (fac simile signature des auteurs)-XLIV (Introduction par Victor Hugo)-902-27 (Nomemclature des rues) pp- Prix des places des théâtres (non paginé)-Présentation de la seconde partie de Paris Guide (non paginé)-XIV-9 (fac-smilé signature des auteurs)-2135 pp. La pagination est continue pour les deux volumes. Deuxième édition. Abondante illustration, gravures, cartes et plans. Pleine percaline noire de l'éditeur. Décoré de caissons dorés sur le dos. Quelques frottements à la reliure. Quelques rousseurs. Formidable guide de la vie parisienne sous le second Empire qui a été conçu pour les visiteurs de l'Exposition universelle de 1867.
1896WOC-607Genève, Prime du Journal de Genève/F. Boissonnas, Photographe Genève, 1896. 2 volumes in-4 (20x34cm) en feuilles à l'italienne percaline rouge avec titre et décors dorés, sans les attaches et dos cassé de la 2ème série, sommaire de chaque volume contrecolle au premier contreplat. Collection complète en 36 photographies de Fred. Boissonnas, contrecollées sur carton, ici manque 3 photos de A Travers le Village Suisse. Rare ensemble de cette promenade
188254311882 Paris imprimerie A. Lahure 1882 In8 Demi chagrin noir dos à 5 nerfs, 2 pièces de titre tranche jaspées, 328 pages - Haut des premières pages abimées - très bon état de la reliure et de l'intérieur du livre. Edition originale rare
1889159271889 percaline rouge éditeur, Ier plat décoré (reliures frottées, 4 tomes en 2 volumes in-folio, (2ff.), 324pp. et (2ff.), 324pp., Paris Librairie Illustrée, 1889
1876S121013Bruxelles, Imp. Felix Callewaert père 1876-1884 Ensemble de 5 cataloges des expositions annuelles, 28 + 27 + 28 + 28 + 33pp., avec mention de quelques prix de vente (en crayon), brochures originales, 23cm., [chaque catalogue contient une liste de plus de 200 oeuvres exposés], [Contient une liste de 410 tableaux et objets d'art exposés], S121013
188929897Paris, Librairie Illustrée, 1889. Tome I + II. In-folio, 324 p., 324 p., Reliure demi-cuir. - French text. Bindings worn, inside slightly foxed, some pages worn at the margings.
1878150659Paris, Turfin, 1878. 32 S, Or.br., 16°. Beschreibung des kugelförmigen Fesselballons den Henry Giffard (1825-1882) anlässlich der Weltausstellung in Paris von 1878 aufsteigen liess. Der Fessellballon (Le Grand Ballon Captil) wurde an einem 600 Meter langen Seil aufgelassen und beförderte in der Zeit über 30000 Personen. Softcover Umschlag etwas angestaubt und gering fleckig, Schnitt etwas angestaubt. Brochure populaire
19005944paris Imprimerie des Annales 1900 -in-4 demi-toile reliure demi toile rouge in-quarto, dos long - titre frappé or -, nombreuses illustrations d'Albert Robida, Grosclaude..etc.sur différents papiers de couleurs différentes, 56 pages, 1900 Paris Imprimerie des Annales Editeur,
188060949Montreal Canada: Imprime par J.B. Laplante 245 rue St. Jacques 1880. Two vols. 68 16; 15 1 pp. Blue-tinted printed softcovers for both vols. black lettering on front covers minor age toning slight chipping very minor creasing still both VG copies w/ presentation slip of Major. L.A. Huguet-Latour of the Prince of Wales Regiment of Rifles Montreal Canada noted bibliophile and manuscript collector ink inscription on 2nd piece at upper fore-edge. First editions of these uncommon original catalogue and the official list of contributing schools colleges and educational institutions to the 1880 Canada Dominion Exhibition held in Montreal for 10 days and also featured displays of industrial machinery farm products flowers along with horse racing lacrosse tournament and Highland games. The Dominion Exhibition was held annually in Canada from 1879-1913 and every year the location changed to assorted Provinces typically to coincide with local Fairs. It ceased at the outset of World War I. These catalogues detail all of the Catholic and Protestant schools convents monasteries colleges and universities appeared in Montreal often with samples of their student’s achievements in arithmetic geography literature history & art. Worldcat locates 7 copies of 1st Canada Archives U of Montreal Bibliotheque Nat. Strasbourg NYPL Cambridge Queens Univ. U of ONT IT; 4 copies of 2nd York U Lib. Leiden U of Torino Archives Nationales Quebec. Imprime par J.B. Laplante, 245 rue St. Jacques, paperback
1862100967AParis & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page.<br /><br /><b>Published for the London World Fair 1862 </b>with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread!
18621009671862. Paris & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread! hardcover
189511780Washington Government Printing Office 1895 In-8 411 pp, (.) With special papers. Nombreuses figures in-texte et planches hors-texte dont une en quadrichromie. Intérieur très correct, quelques rousseurs sur les gardes. Reliure à la Bradel, titre estampé à chaud au dos ; ensemble frotté, avec une mouillure en tête du 2d plat.
1851108971851 London : The Illustrated London news,1851,folio broché non rogné,12 numeros trés rare,sans le 3,pagination continue 208p.,bon etat texte,marges un peu effrangées,timbre rouge du Illustrated London news,bon état.
1851194442London : J. Cassell 1851 1851. First Edition. Hardback. Finely and period sympathetically bound in modern aniline calf over marble boards. An exceptional copy; of presentation quality - scans and additional bibliographic detail on request.; 8vo 8"" - 9"" tall; Physical description 30 v in 1. xliv 556 p. 10 leaves of plates : ill. ; 25 cm. 8vo. Frontis lacking the first section; full Crystal Palace and caption remains. Notes; Originally issued weekly in 30 parts between June 7 and December 27 1851. No more published. Subjects; Industrial arts. London : J. Cassell, [1851] hardcover
187319017ABStockholm, Haeggstrom, 1873. 26,5 : 18 cm. 37; 11 pages. Original cloth with the Swedish coat of arms in gold on the front board.
188136186Philadelphia: Nagle & Ryckman 1881. First Edition. Wraps. Fair. Folio sized wraps approximately 14" x 10." 24 pages. Illustrated. Two page illustration in the middle. Original illustrated covers with contents printed on the front. Fragile condition. Fair condition. Very old tape repairs to the covers and pages 1 and 2 with old tape stains upper corners first 3 pages. Front cover chipped on the edge. Pages have some creasing and small edge tears. Contents generally clean. Atlanta businessman H. I. Kimball was the Director General of the International cotton Exposition. This exposition preceded the more famous Atlanta Cotton States exposition in 1895. From the New Georgia Encyclopedia:<br /> <br /> Atlanta held its first exposition named the International Cotton Exposition in Oglethorpe Park in 1881. The city then had fewer than 40000 residents and the primary sense in which the first exposition was “international†was the display of cotton plants from around the world. Nevertheless Atlantans were eager to host the 1881 exposition to promote investment and to help the city toward its goal of becoming an industrial center which was a primary component of Grady’s “New South†concept. Although attendance was lower than expected fewer than 200000 in paid attendance during its two-and-a-half-month run city leaders demonstrated that they could work together to host a major event and that Atlanta was serious about its role in textile production at a time when the North was beginning to grow dissatisfied with the efficiency of southern cotton processing. The exposition displayed new crop planters and cotton seed cleaners along with a model of Eli Whitney’s original cotton gin and speakers addressed the crowds about agricultural technology and political reforms. Nagle & Ryckman unknown
189359216Chicago: A. Wittemann 67 & 69 Spring St. 211 & 213 Wabash Ave. The Albertype Co. 1893. Oblong 12mo. 7.25 x 4.25 in. 13 leaves unnumbered. With 12 sepia- and aqua-tinted photogravure plates. Embossed limp brown covers raised lettering w/ gilt highlights on front cover punch-sewn at gutter margin w/ blue silk ribbon yapp edges slight curving to cover very minor shelfwear still NF copy. First edition of these nicely executed photogravure images of the magnificent Columbian Exposition in 1893. The historic World’s Fair which ran almost six months with grounds and gardens laid out by Fredrick Olmsted covering 630 acres and a Midway skyline dominated by the 250-foot Ferris wheel designed by George Ferris. These photogravures depict the Machinery Hall Admin Building and Court of Honor the Lagoon The Art Palace Woman’s Building the Japanese Hooden Palace on Wooded Island The Krupp Gunworks building and even the Monastery of “La Rabida.†Adolph Wittemann and his brother Herman began working as printers in New York in 1867 and first started printing books and postcards under the Albertype name in 1887. Adolph acted not only as agent finding customers for their services but taking photographs across the country to be made into postcards. See: World’s Columbian Exposition Collection Ryerson & Burnham Archives Art Institute of Chicago 2002; Annie Schentag Photography at the World’s Fair: Construction “Official†Images Architourism Cornell University 2011. A. Wittemann, 67 & 69 Spring St., 211 & 213 Wabash Ave., The Albertype Co., unknown
189050922NY: Radtke Lauckner & Co 1890. Single sheet of thin laid paper 10 3/8 x8 inches with a copper etching of a rustic cabin on a lake with a sail boat in the background. In holograph on the lower margin is " At Brennan & Davis' Monday & Tuesday Apr 20th & 21st." Faint foxing which is less pronounced than in the scan; else very good. The firm of Radtke Lauckner & Co. were publishers and importers of etchings engravings and photographs located at 6 East 18th Street New York during the 1890's. Apparently they arranged traveling exhibitions of their wares at various locations; this elaborate invitation was for a showing at Brennan & Davis' a jewelry stationery and book store in Bradford Pennsylvania. Radtke, Lauckner & Co unknown
190032023Paris: Piublisher not identified 1900. First edition. 4to. 102 pp. portrait frontispiece with tissue guard illustrations in text 10 plates with tissue guards 1 of these in color. Printed wrappers expertly repaired with a new paper spine. Moderate wear; a very good copy. Housed in a new cloth clamshell box. A history of photography and processes which includes two chapters by Léon Vidal - one is a history of photogravure and the other on color photography. Details several other photomechanical processes and their inventors. Illustrations include those by Robert Demachy and by Puyo. <br /> <br /> There are several issues of this report three of which vary only in size; a fourth a later issue has a slightly different wording to the title and is dated 1903. Étienne-Jules Marey was the president of the committee.<br /> <br /> Roosens and Salu No. 3704. Piublisher not identified unknown
190023220Paris & Pise: Antonin L. Neurdein and Étienne Neurdein 1900. A good large-sized image of some of the buildings of this expo along the river with tour boats in the foreground and crowds of visitors along the opposite avenue; albumen process photograph mounted on pale ivory gilt-edged cardstock; with the studio stamp of N.D. Phot. at lower right margin Antonin L. Neurdein and Étienne Neurdein; photo is approx. 10 1/2" x 17" size the mount makes it 12 1/2" x 18 3/4" overall; light edge tips wear to the cardstock one corners' surface scraped away; image a bit faded still good; an interesting original Paris Exposition and photographic history photograph. Photograph. Not Bound. Very Good. Antonin L. Neurdein and Étienne Neurdein Paperback books
18767352New York: Francis Hart & Co. Printers & Stationers 63 and 5 Murray Street cor. College Place 1876. Large octavo in wrappers 26 x 17 cm. 40 pages. Illustrated with frontispiece and four additional full-page engravings. ~ FIRST EDITION. Contents include a description of the principal buildings of the Centennial Exhibition; a detailed description of the malt liquor trade; medical aspects of malt liquor; medical opinions in support of malt liquor consumption; and statistics in support of the same. The full-page illustrations are of the Brewers' Industrial Exhibition Main Exhibition Building Machinery Hall Horticultural Hall Agricultural Hall and the Art Gallery. The rear panel of the wrapper includes a list of committee members of the various departments including Malt Liquor Machinery Maltsters and Hops. In pale blue printed wrappers; wrappers soiled and worn at the creases; lightly chipped at the edges. A good copy. OCLC locates twelve copies. Francis Hart & Co., Printers & Stationers, 63 and 5 Murray Street, cor. College Place unknown books
1893elala1335Chicago: Stone Kastler & Painter 1893. 1893. 4to. pp. 320. profusely illus. many full-page. original cloth top edge gilt rear cover bit puckered & stained dampstain to lower inner margin of title. First Edition. 1st Edition. Hardcover. Chicago: Stone, Kastler & Painter, 1893. Hardcover