2 143 résultats
1961720Paris, Maeght éditeur, 1961. In-folio (380 x 280 mm) en feuilles, 32 pages. ÉDITION ORIGINALE. 14 LITHOGRAPHIES ORIGINALES EN NOIR dont 3 en double page. Texte de Olivier Larronde, Léna Leclercq et Isaku Yanaihara. Exposition de peintures et sculptures de GIACOMETTI à la Galerie Maeght. Tirage original sur Canson devenu très rare.
196613293Kunstverein, Hamburg, 1966. ca 50 nnSeiten, ca 18x17cm, illustrierter OBroschur, großer s/w-Abbildungsteil. Auf dem Vorsatz und der Titelseite datierte Widmung und ganzseitige Zeichnung von Seitz. Gewidmet für W.W. (d.i. Wilhelm Wagenfeld, Bauhaus). Katalog zur Ausstellung im Kunstverein HH vom 29. Oktober bis 27. November 1966. Vorwort: Alfred Hentzen. Gutes Exemplar. Unikat.
19501471DLM n° 34. UBAC. Décembre 1950: 3 LITHOGRAPHIES ORIGINALES en couleurs. - DLM n° 74/75/76. UBAC. Avril-mai-juin 1955: 3 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double page et 1 en quadruple page. - DLM n° 105/106. UBAC. Mai-juin 1958: 9 LITHOGRAPHIES ORIGINALES en couleurs dont 1 en double page. - DLM n° 130. UBAC. Novembre 1961: 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page. - DLM n° 142. UBAC. Mars 1964: 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page. - DLM n° 161. UBAC. Octobre 1966: 5 LITHOGRAPHIES ORIGINALES EN COULEURS. 2 LITHOGRAPHIES ORIGINALES EN NOIR en double page. - DLM n° 195. "MAEGHT ÉDITEUR". Décembre 1971: 1 lithographie originale en couleurs de Ubac et lithographies en couleurs de Mirò, Calder, Ubac, Tàpies, Chillida, Giacometti, Palazuelo, Bury, Riopelle, Gardy-Artigas, Le Yaouanc, Fiedler. - DLM n° 196. UBAC. Mars 1972: 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page, 3 lithographies en noir. - DLM n° 251. UBAC. Février 1982: 2 LITHOGRAPHIES ORIGINALES. Très nombreuses reproductions photographiques d'œuvres (sculptures, pierres et ardoises gravées, peintures, dessins, etc.) en noir et en couleurs. Textes d' André Frénaud, Yves Bonnefoy, Georges Limbour, Jean Bazaine, Francis Ponge, Pierre Volboudt, Yves Bonnefoy, Gaëtan Picon, Claude Esteban. Premières éditions. Paris, Maeght éditeur. 9 volumes in-folio (380 x 280 mm) en feuilles.
1930HAY380951930-1931. Hanoï Imprimerie d'Extrême-Orient et pour la 2ème partie et l'annexe : Imprimerie Mac-Dinh-Tu / Le-Van-Tan. brochés. Excellent état. 3 volumes gds in-8. les débuts les premiers avions l'aviation militaire création d'un service civil les premiers vols sur Bréguet les missions les terrains liaison Hanoi-Saigon une mission au Laos bombardement aérien du pays Moi les liaisons postales aériennes etc. illustré de nombreuses planches de photos gravures et cartes dans et surtout hors-texte ; avec une grande gravure en frontispice et une grande photo du Sergent pilote Cao-Dac-Minh en frontispice du volume Annexe. unknown
1911100851Souvenir pamphlet 8vo colored printed pictorial wrappers illustrated 16 pp. Folded and creased down the middle with a little wear at the fold some minor rubbing to wrappers normal aging; otherwise very good. This is a scarce piece of ephemera commemorating the 1911 groundbreaking ceremony by President William H. Taft for the exhibition in the Golden Gate Park. While the purpose of the exhibition was to celebrate the completion of the Panama Canal it seemed to function more as a worlds fair held in San Francisco. It took over three years to construct and the exhibition ran from February through December 1915. There are a number of black and white photographs in the booklet including a double page panoramic view of the city of San Francisco. The activities of the ceremony are recorded in this pamphlet which feature speakers songs marches and what they had for dinner Blair-Murdock Co.,
1911100851Souvenir pamphlet 8vo colored printed pictorial wrappers illustrated 16 pp. Folded and creased down the middle with a little wear at the fold some minor rubbing to wrappers normal aging; otherwise very good. This is a scarce piece of ephemera commemorating the 1911 groundbreaking ceremony by President William H. Taft for the exhibition in the Golden Gate Park. While the purpose of the exhibition was to celebrate the completion of the Panama Canal it seemed to function more as a worlds fair held in San Francisco. It took over three years to construct and the exhibition ran from February through December 1915. There are a number of black and white photographs in the booklet including a double page panoramic view of the city of San Francisco. The activities of the ceremony are recorded in this pamphlet which feature speakers songs marches and what they had for dinner Blair-Murdock Co., books
196516006Kestner Gesellschaft, Hannover, 1965. 182 Seiten + Abbildungsteil + Werbung, ca. 21x16,5 cm, OBroschur. Auf dem Vorsatz Zeichnung mit Kugelschreiber von Janssen (Motiv: Selbstporträt). Datiert (3.5.66), unleserlich gewidmet und signiert. Katalog zur Ausstellung vom 9.12 1965 - 9. 1.1966 in der Gesellschaft. Der empfindliche helle Einband etwas verschmutzt. Auf dem Titelblatt handschriftlicher unterhalb von Janssens Namen eine Adresse und Telefonnummer. Gutes Exemplar. With a dedicated and signed drawing by Janssen.
190160932Buffalo NY & Littleton NH: C.D. Arnold B.W. Kilburn 1901. Nine original stereoview albumen Woodburytype photographs sized 6 x 3 in. mounted on beige-coloured studio boards sized 7 x 3.5 in. all w/ printed captions & photographer’s imprints a couple w/ former ownership markings on versos in ink manuscript 7 w/ scalloped upper fore-edges minor dustsoiling minor wear to fore-edges still a VG set of images from the library of Prof. Marvin Nathan. Nine scarce and original albumen stereoview photographs detailing the exhibits sights and the sensational lighting effects achieved at the Pan-American Exposition in Buffalo NY in 1901. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. Arnold 1844-1927 was previously the official photographer of the 1893 World’s Columbian Exposition in Chicago and it appears Kilburn contracted to produce and distribute stereoview images using Arnold photos. See: The Pan-American Exposition: Selected Sources in the Grosvenor Room RBR T485.C1 F5; Opening of the New York Electrical Society Season Electrical World & Engineer Vol. XXVIII No. 17 Oct. 26 1901 p. 674. [C.D. Arnold], B.W. Kilburn, hardcover
1903216817大阪. Osaka.: 大阪朝日新聞. Ōsaka Asahi Shinbun. Meiji 36 1903. Folding colour guide map to the site of the 5th Domestic Industrial Promotion Exposition held in Osaka in 1903 text on top right 54 x 78.5cm. Reverse a little soiled minor wear folds a very good copy. This guide map of the 5th Domestic Promotion Exposition depicts the layout of the exposition grounds and provides detailed information about the various pavilions. The exposition was held at the site where Tennoji Park now stands. Over 5 million people visited the event between March and July 1903. <br><br>The map highlights agricultural and industrial pavilions along with a pavilion showcasing a refrigeration machine. The Taiwan pavilion features produce from the recently acquired territory. Displays of local produce and numerous food stalls offered entertainment and refreshments for visitors. An inset map of an aquarium in Sakai is also included. . 大阪朝日新聞. [Ōsaka Asahi Shinbun]. unknown
20001ivBa0011New York: Guggenheim Museum Publications/Distributed by Harry N. Abrams Inc. 2000. Book. Illus. by Takaaki Matsu;moto Matsumoto Incorporated New York Catalogue Design. Like New. Hardcover. Copyright © 2000. 2o or 2° Folio: 12" x 19" tall. 381 xxiii pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. An excellent & beautiful copy. Nearly flawless copy with solid and tight binding and dust jacket with minimal external and internal wear crisp pages and clean text. Dust jacket suffers minor wear around edges. Guggenheim Museum Publications/Distributed by Harry N. Abrams, Inc. Hardcover
1959009919Sao Paulo V Bienale do museu de arte moderna 1959 In-4 Agrafé
19491476DLM n° 23. BAZAINE. Octobre-Novembre 1949: 3 LITHOGRAPHIES ORIGINALES EN COULEURS et 1 lithographie originale en noir. - DLM n° 55-56. BAZAINE. Mai 1953: 2 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en quadruple page. - DLM n° 96-97. BAZAINE. Avril-mai 1957: 4 LITHOGRAPHIES ORIGINALES EN COULEURS et 3 lithographies originales en noir dont 1 en double page. - DLM n° 170. BAZAINE. Mars 1968: 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page. - DLM n° 197. BAZAINE. Avril 1972: 10 LITHOGRAPHIES ORIGINALES EN COULEURS dont 3 en double page. - DLM n° 215. BAZAINE. Octobre 1975: 7 LITHOGRAPHIES ORIGINALES EN COULEURS. Nombreuses reproductions d'œuvres, fac-similés, etc. Textes de Henri Maldiney, André Frénaud, Marcel Jouhandeau, Marcel Arland, écrits de peintres. Premier tirage pour tous les numéros, certains très rares. Paris, Maeght éditeur. Volumes in-folio (380 x 280 mm) en feuilles.
1964375Paris, Maeght éditeur, 1964. In-folio (380 x 280 mm) en feuilles, 28 pages. 4 LITHOGRAPHIES ORIGINALES EN NOIR dont 1 en double page. 15 reproductions en noir. Texte de Carola Giedon-Welcker "La Poésie de l'espace chez Chillida". Exposition de 12 sculptures et de dessins et collages à la Galerie Maeght en avril 1964. TIRAGE ORIGINAL.
190116137Paris 1901 1 in-12 Paris, Comité Français des Expositions à l'étranger, Bourse du Commerce, 1901, in-12, plein chagrin rouge, filet d'encadrement au trait et décor végétal, dos à 5 nerfs, nerfs et entre nerfs ornés, filets sur les coupes et les coiffes, décors à la roulette sur la garde, exemplaire doré à toutes tranches, 2 feuilles, frontispice, faux-titre, titre, 472 pages, achevé d'imprimer, 3 feuilles.
1930B108734Antwerpen, Gazet van Antwerpen 1930 Volledige verzameling van alle 189 gepubliceerde nummers ingebonden in 4 forse volumes (uniforme gecart. banden met roodlinnen rug en titel in goudopdruk, gemarbreerde platten) met samen meer dan 3000 pagina's rijkelijk geïllustreerd met foto's en tekeningen, 40cm., goede staat, totaal gewicht: 15kg., B108734
1998002936Paris, Galerie Piltzer, avenue Matignon, 1998
1924395515London : Fleetway Press 1924. 1st edition. Hardcover. Good copy in the original illustrated paper-covered boards. Boards dust-toned. Spine bands and panel edges somewhat bumped and rubbed as with age with tape to spine head and tail. Remains quite well-preserved overall. Physical description; 55 pp.: illustrations. Subjects; Exhibitions England London. British colonies. Pictorial works. London : Fleetway Press hardcover
190959318Seattle WA: Robert A. Reid Publisher 488 Arcade 1909. Oblong 4to. 12.5 x 9.5 in. 54 pp unpaginated. photo-illustrated title. With photographic illustrations throughout 1 large double-page panorama of Arctic Circle & Formal Garden 1 large map at rear of the Exposition. Gray-illustrated softcovers yapp fore-edges panoramic mounted photo cover art of Exposition decorative gilt & black lettering slight shelfwear very slight rubbing still NF copy. First edition of this very scarce photographic souvenir chronicling the Alaska-Yukon-Pacific Exposition. The photos encompass the Manufactures Building Forestry Building many of the States Buildings and courts. In addition there are views of the Japan Exhibit the Formosa Tea House sponsored by the Japanese Imperial government to justify controlling present-day Taiwan the Japanese Village the Pay Streak attractions which included a roller-coaster like scenic railway the Temple of Palmistry the Oriental Village the Igorrote Village wherein Philippine natives were on display as well as the decidedly racist “Dixieland†attraction putting a shiny gloss on the antebellum South and “festivities and pastimes of the negro in the Sunny South.†No copies in Worldcat. Robert A. Reid, Publisher, 488 Arcade, paperback
191560910San Francisco CA & Oakland CA: Panama-Pacific International Exposition The Wahlgreen Co. Official Publishers 1915. Three pieces. 1st two - 8vo. 11-132 pp. w/ clipped Exposition map backed in linen mounted onto title page photo & text illustrations throughout. Colour-illustrated softcovers covered in white linen manuscript annotation of J.F. Rodgers 853-36th St. Oakland CA on front cover minor edgewear creasing; with large 28 x 8 in. Map of the Exhibition grounds issued by the Southern Pacific backed in linen on verso w/ extensive ink manuscript notes of itinerary and visits on verso list of 17 dates neatly written in upper fore-edge of recto some dustsoiling at fold creases edgewear still G set; 2nd - 8vo. 160 pp. With 1 large folding 4-panel frontisp. map of Exposition on recto birds-eye of San Francisco Bay on verso w/ photo ads at margin illustrated ads at front & rear. Colour-illustrated softcovers cover art of the City of Domes colour ad for Southern Pacific on back minor chipping head & foot of spine some creasing edgewear still VG- copy all from the library of John Francis Rodgers 1863-1932 and Prof. Marvin Nathan. First editions stated of these uncommon guidebooks to the 1915 Panama-Pacific International Exposition together with the well-used map and manuscript notes of the Southern Pacific Railroad’s “Lost Properties†department head who attended the Fair 17 times through the year. These offer an intimate historical portrait of the frequency and popularity of visits by many fairgoer’s during the run of the PPIE. The neat manuscript notes list all the band performances he managed to catch through the year of festivities including John Philip Sousa conducting his popular marching band; the Philippine Constabulary Band which had originally played in 1904 at the St. Louis World’s Fair and whose performances at the PPIE proved very popular including 1 conducted by Sousa; and the Marimba Band “of Honduras†which was actually the Hurtado Brothers Royal Marimba Band the official Guatemalan Representatives at the PPIE who performed standing room only and wildly popular packed concerts; as well as the U.S. Marine Corps Band Arizona 1st Infantry Band St. Vincent’s Orphan Asylum Band Oakland School Band and more. He was also actively interested in the aerial shows performed at the PPIE featuring flights by pioneering aviators four of whom would not see 1917 as Silas Christofferson 1890-1916 perhaps best remembered for his dramatic leap off of the roof of the Multnomah Hotel in downtown Portland; Lincoln Beachey 1887-1915 who drowned while performing loop aerial maneuvers in a test Beachey-Eaton Monoplane crashing into San Francisco Bay in front of the PPIE crowd; Art Smith 1890-1926 who replaced Beachey and pioneered sensational aerial displays with fireworks and magnesium flares over the night skies; Charles Niles 1868-1916 who performed with Petrossi only to die a year later in OshKosh WI; and finally the Paraguayan daredevil Silvio Petrossi 1887-1916 noted for his illuminated night flights as well and even survived a crash in San Francisco Bay only to die in 1916. Rodgers also attended the PPIE during Contra Costa Day March 3 Tuolumne Day April 14 an Oakland School concert in Festival Hall April 16 Japan Day August 31 Liberty Bell Day July 7 and even Illinois Day - held July 24 1915 in honor of the Chicago Limited SS Eastland disaster after the ship rolled over at the pier killing 844 passengers & crew. Panama-Pacific International Exposition, The Wahlgreen Co., Official Publishers, paperback
190889233New York & London: Privately Published De Vinne Press 1908. First Limited Edition. No. 65 of 300 numbered copies. Quarto 29.5cm. Half-morocco by Stikeman; 21pp text plus 23 unnumbered leaves of plates photogravures mounted on heavy card stock each with tissue guard and a facing page of text description. Occasional faint foxing to plate margins; small puncture at center of one tissue-guard else a tight Near Fine copy in an attractive Stikeman binding slightly rubbed at joints and spine ends. Introduction signed by J. Taylor Ellyson; main text unattributed. This copy with the engraved bookplate of noted Virginia bibliophile John W. Hancock Sr.; laid in are 1 a 1925 note from Stikeman to Hancock noting that the book is ready to be shipped; 2 the original mailing label from Goodspeed's where the book was originally purchased; and 3 TNS from Hancock to Thomas F. Ryan dated October 26 1925 transmitting details regarding this copy. <br /> <br /> Attractive copy of this lavishly-produced volume published by Ryan ".for private circulation among his friends who may not have the privilege of seeing the originals.which he preserved as a reminder of one of the most historic of Expositions ever held in America." Doubtless Ryan was concerned as to how one of these freely distributed copies might have entered the trade in 1925 prompting the query to which Hancock's letter preserved here was in answer. [Privately Published] De Vinne Press unknown
1938124798Paris, SPEC 1938 In-folio 36 x 25 cm. Reliure éditeur simili-cuir rouge, dos à nerfs avec report du titre doré, 394 pp., nombreuses héliogravures, table des matières. Exemplaire en bon état.
199815985Kestner Gesellschaft / Scalo Verlag, Hannover/Zürich, 1998. 207(1) Seiten, ca. 28x22cm, OPappband m. OU. Von Helmut Newton auf dem Vorsatz signiert. Durchgängig mit z.T. farbigen Abbildungen. Katalog zur Ausstellung 14.3. - 24.5.1998. Leicht schiefgelesenes, aber gutes Exemplar. Selten. Good copy. Hand signed by Newton. Rare. HELMUT NEWTON (1920-2004).
1943SPN-1059Paris, Galerie René Drouin, [1943]. Grande plaquette in-4 (28,5x23,5cm), couverture imprimée en noir et rempliée, 17 pages, une planche photographique en noir d'une œuvre non titrée de Fautrier* montée sur onglet, cousu dans le corps de l'ouvrage (d'origine donc ) + Quelques opinions de 1929, Œuvres exposées (peintures, sculptures, gravures, dessins). Envoi de Jean Paulhan à Georges Lecomte (janvier 1945) à l'encre de couleur (bleu-vert). * la lithographie "Le Compotier", tirée en couleur par Mourlot, n'apparaît pas dans notre exemplaire. Toutefois, une photographie en noir et blanc s'y trouve, désignant une œuvre que nous n'avons pu identifier, peut-être aujourd'hui disparue ou indécelable (collection privée ?), qui semble s'inscrire dans la période tachiste du peintre et évoquer des fruits ou des feuillages. Quelques toiles connues s'en rapprochent, toutes datées de 1943 (certaines au catalogue de l'exposition) : Le Quartier d'orange (1943, collection particulière), Les Fruits ouverts ou Bol de Fruits (1943, Musée de Sceaux.) , Paysage (Buissons) (1943, collection particulière Cologne) ou encore la Nature morte : Les Pommes à cidre (1943, Musée Reina Sophia à Madrid) et Feuillages (1943). Celle qui lui ressemble le plus par l'esprit est : Les Pommes (Le Jour et la Nuit - 1940), avec cette importante tache noire pour représenter l'obscurité dans laquelle sont plongés les fruits (nous la joignons aux photos du livre). Utilisant une technique mixte, souvent sur papier marouflé, Fautrier poursuivait l'informel depuis les années 20 : ses étranges fruits qui n'en sont plus, qui peuvent aussi bien s'intituler Paysage ou Arbre, ne conservent qu'un contour schématique travaillé au couteau sur un enduit épais et s'éloignent du concret.
19874263Prestel Verlag, München, 1987. 432 S., OLn m. OU. 4°. Mit Reproduktionen von 926 Katalogseiten mit Abbildungen von mehr als 20000 Gläsern. Dreisprachiger Text. Behandelte Firmen: Orrefors, Kosta, Elme, Eda, Strömbergshyttan. Schönes Exemplar. Behandelt die wichtigste Phase des schwedischen Glas-Designs. Standardwerk. Sehr selten und sehr gesucht. Rare copy. Important book about swedish glasses. Fine copy.
1948003890Paris Claude Imbert 1948 In-4 Broché, couverture illustrée Edition originale
