Anonyme:Livre Rare Book
420 résultats
188311306Zürich, sans nom, [1883]. Leporello format carte postale sous chemise verte décorée ton sur ton.
1876303823Philadelphia Thomas Hunter 1876. 1876. Oblong small 4to 11 3/8" x 7 1/2". 6 color lithographs on 6 separate sheets. Very good few short tears. Views of Machinery Hall U.S. Government Building Horticultural Hall Agricultural Hall Judges Hall Main Building. No Binding. Very Good. Philadelphia, Thomas Hunter, 1876. unknown
1876303823Philadelphia Thomas Hunter 1876. 1876. Oblong small 4to 11 3/8" x 7 1/2". 6 color lithographs on 6 separate sheets. Very good few short tears. Views of Machinery Hall U.S. Government Building Horticultural Hall Agricultural Hall Judges Hall Main Building. No Binding. Very Good. Philadelphia, Thomas Hunter, 1876. unknown books
189360899Chicago & Philadelphia PA: Globe Bible Publishing Co. 1893. Thick oblong 4to. 11.25 x 9 x 2.25 in. 528 2 pp. including over 250 photo plates all w/ facing explanatory text and Exposition map. Half-black embossed calf over blue cloth gilt lettering front cover spine decorated in blind gilt lettering decorated endpapers expertly rebacked very minor chipping loss head of spine some scuffing offsetting from inner-joint glue at gutters still a VG copy from the library of Prof. Marvin Nathan. First edition of this splendidly illustrated photographic guidebook of the 1893 Columbian Exposition and perhaps the most detailed of all of the illustrated view books to the Chicago World’s Fair. The majority of the pavilions are well-detailed and the Arnold photographs meticulously document the splendor of the Fair. Along with the immense Ferris Wheel which towered over the Exposition there also are images of the Street in Cairo Egyptian Wedding Sudanese villagers Egyptian belly-dancers the Chinese theatre and the Alaskan Kwakiutl Indians together with their totem polls and native dress. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1667. Globe Bible Publishing Co., hardcover
1867List01217Boston Paris: J.P. Whitney 1867. First Edition Thus. . 8vo publisher’s green cloth 107 pp. Some tearing and fraying to boards particularly at head of spine text block excellent very good minus overall. Very Good. The scarce Paris Universal Exposition edition of J.P. Whitney’s early title on the silver mines of Colorado. Whitney a wealthy sportsman from Boston with investments in Colorado traveled as the sole commissioner from Colorado to the Paris Universal Exposition in an effort to entice foreign investment in the mining industry which was suffering from a poor reputation as the costs of extraction grew higher. Whitney had published this title in pamphlet form a year earlier. Whitney shipped his own collection of Colorado minerals to France where it was the most extensive of any of the North American regions to be displayed receiving a gold medal from Napoleon III. A new title on Colorado minerals Colorado in the United States of America: Schedule of Ores Contributed by Sundry Persons to the Paris Universal Exposition of 1867 With Some Information about the Region and its Resources. Whitney also brought with him copies of his pamphlet in a special hardcover edition which we offer here. This is the second example we find on the market. Whitney would gain great popularity in Colorado for his efforts which did much to improve its standing. J.P. Whitney unknown
187660903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
1876S121013Bruxelles, Imp. Felix Callewaert père 1876-1884 Ensemble de 5 cataloges des expositions annuelles, 28 + 27 + 28 + 28 + 33pp., avec mention de quelques prix de vente (en crayon), brochures originales, 23cm., [chaque catalogue contient une liste de plus de 200 oeuvres exposés], [Contient une liste de 410 tableaux et objets d'art exposés], S121013
189360749New York: Charles Scribner’s Sons 1893. 8vo. 10 123 1 pp. Title w/ sepia-tinted vignette. With frontisp. plates and illustrations throughout. Beige-coloured softcovers w/ gray illustrated linen d.j. flaps folded and affixed on versos of front & back covers cover art of young woman at the 1893 World’s Fair fresh in Morning tired and seated at Noon and asleep in a chair by Night minor dustsoiling thumbing splitting at joints of spine ex-lib stamps on pastedown title and rear still G/G- copy w/ The Library Company of Philadelphia bookplate on front pastedown dated 12/5/1893 stamped “Duplicate Sold†from the library of Prof. Marvin Nathan. First edition of this nicely illustrated anthology detailing each artist’s experiences and visits to the Columbian Exposition. Millet 1848-1912 displayed work at the 1893 Columbian Exposition and died with the Titanic; Mitchell 1845-1918 was a publisher architect & artist who records his observations of Fair visitors; Low 1853-1932 was a noted Albany NY muralist and Barbizon landscape painter; Gibson 1850-1896 was a noted magazine artist and natural history illustrator whose illustrations graced Harper’s Weekly Scribner’s Monthly and Century magazines and noted for his drawings of the buildings and landscape at the 1893 World’s Fair published by Scribner’s; Smith 1838-1915 traveled extensively exhibited later at the 1901 Pan-American Exposition in Buffalo and also had contributed earlier to the 1876 Centennial Exposition in Philadelphia. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 930. Charles Scribner’s Sons, paperback
189548150Portland: Leighton and Frey Souvenir View 1895. Hardcover. Very good. Hardcover. 9 by 5.75 inches 9 by 48 inches unfolded. Publisher's cloth back boards lettered in gilt. Lettering dulled with some minor spots of loss to the spine else a very good example with images in fine condition. Containing nine 9 by 5 black and cards most with multiple images each labeled: "General View; Fine Arts Building; Agricultural Building Manufactures and Liberal Arts Building Machinery Hall; Transportation Building AuditoriumGovernment Building; Fire Building Women's Building Georgia State Building and Negro Building; Administration Building and Main Entrance Minerals and Forestry Building; Peachtree Street Henry W. Grady Monument Post Office & Custom House; Aragon Hotel Grand Opera House Marietta Street Kimball House; Ballard House W.H. Inman's Residence Equitable Building Residence of Major Mimms Grady Hospital. <br/><br/> Leighton and Frey Souvenir View hardcover
189548150Portland: Leighton and Frey Souvenir View 1895. Hardcover. Very good. 9 by 5.75 inches 9 by 48 inches unfolded. Publisher's cloth back boards lettered in gilt. Lettering dulled with some minor spots of loss to the spine else a very good example with images in fine condition. <br/><br/>Containing nine 9 by 5 black and cards most with multiple images each labeled: "General View; Fine Arts Building; Agricultural Building Manufactures and Liberal Arts Building Machinery Hall; Transportation Building AuditoriumGovernment Building; Fire Building Women's Building Georgia State Building and Negro Building; Administration Building and Main Entrance Minerals and Forestry Building; Peachtree Street Henry W. Grady Monument Post Office & Custom House; Aragon Hotel Grand Opera House Marietta Street Kimball House; Ballard House W.H. Inman's Residence Equitable Building Residence of Major Mimms Grady Hospital. Leighton and Frey Souvenir View hardcover books
1878004906Paris and London: No Publisher 1878. Two items both from the Exposition Universelle Paris in 1878. First item - embossed binding title in gilt to upper cover folding out to approximately 1330mm in length; second item - card cover 64mo in size folding out to approximately 735mm in length probably published by Bodega. Minor rubbing but generally fairly bright and clean. Concertina style view books of the exhibition the larger one showing several of the buildings for different countries and of Parisian landmarks the smaller one including Notre Dame and the Champs Elisees. First Edition. Hardback. Good. 16mo. No Publisher Hardcover
1878157061878 percaline verte gaufrée, titre doré sur le Ier plat. in-16, 25 planches montées en accordéon, P. 1878
1888EEzz5415nMchn., Behrens (1888). 64 S., mit zahlr. Textzeichn., ill. OBrosch., klammergeh., Einbd. abgegriff. m. kl. Braunfl., innen schwach gebr.; 24 S., ill. OBrosch., klammergeh., abgegriff., staubdunkel, kl. Randläs., innen gebr.
189651879ABStuttgart, Verlag von Stähle und Friedel, 1896. 4° (34x24), (IV), 644 S., reich illustriert, reichlich Werbung, Oln mit goldPrägung, [5 Warenabbildungen] Einband/Vorsatz etwas angeschmutzt, gering gealtert, geringe Lesespuren, gutes gepflegtes Exemplar,
1896146655Stuttgart. Druck und Verlag von Stähle und Friedel 1896. (4), 644 Seiten. Mit sehr zahlreichen Abbildungen und vielen teils dekorativ bebilderten Werbeanzeigen. Geprägter u. titelvergoldeter Original-Leinwand-Einband. (Einband an den Kanten teils etwas berieben u.am Rücken einige Zentimeter eingerissen sowie mit einem Bibliotheks-Aufkleber auf dem Rücken. Bindung teils gelockert. Zwei Blätter lose). 34x25 cm
1894008457San Francisco: H. S. Crocker 1894 Book. Fine. Hardcover. MIDWINTER FAIR. Oblong quarto. 10x13 inches. Three parts bound together. Illustrated with 8 full-page lithographed color plates by Dickman-Jones Co. of San Francisco plus the full set of 24 full-page lithographed color plates by H. S. Crocker Co. plus over 213 full-page black & white photographs with extensive descriptive text including 13 of 14 double-page panoramas. Publisher's binding of three-quarter brown morocco darker cloth sides gilt lettering and pictorial element on cloth cover gilt-lettered spine. Outer hinges and spine ends rubbed 3 corners show light wear. A fine clean copy. First edition. With the bookplate of Thomas Wayne Norris and included in the famous Norris Catalogue. An incredibly scarce tile with the full complement of 24 full-page color lithographs Series I & II of scenes and buildings at the Midwinter Fair also issued by H. S. Crocker Co. and the addition of the souvenir grouping Glimpses of the Midwinter Fair issued by Dickman-Jones Co. to their customers with 8 full-page color lithographs of the Fair bound in with its original wrappers. Sunset City and Sunset Scenes is usually found only with the Taber black & white reproductions. We have never had a copy bound with the full series of color lithographs although over the years we've seen a few odd plates. The large number of black and white photographic reproductions include a number of views of the buildings and grounds of the Midwinter Fair held in Golden Gate Park; they are interspersed with select views of the natural wonders of the State. Nearly all the photographs are by Isaiah W. Taber official photographer of the Fair. The text for the non-Fair images was written by J. M. Hutchings; the twenty-four lithographs issued by Crocker were drawn by the famous western artist H. W. Hansen. Norris Norris Catalogue this copy: 3493; Rocq Glimpses of the Midwinter Fair: 11355; Rocq Sunset City: 11359; no Auction Records that include the color plates. . H. S. Crocker hardcover
1893186002Chicago: the exposition; Printed in Germany 1893. Single long leaf of light cardstock about 6.5x35 inches long recto printed with heavily glazed b&w lithos and folded to 6.5x3.25 inches; images at either end are laid down on stiff cloth boards which enclose the concertina'd views. Upper boards is decorated with lady showing one breast and a cupid clutching a US shield-thingie. A poor-to-fair exemplar; the cardstock is quite acidic and fragile and while it supports individual images well enough has split away from both covers with one ragged loss and further splits are developing. Complete as called for with all faults. The scenes are exclusively of buildings little sailing craft negotiating the lagoon-grid one armored gunboat and trees with people shown as dots. the exposition; Printed in Germany unknown books
18934247New York 1893. Fair. 3213840pp. plus two folding plates. Pagination a bit irregular. Illustrated. With dual text in English and Spanish. 12mo. Original blue publisher's cloth stamped in black; spine perished boards loose. Light toning to exterior leaves internally clean. A bilingual guide to the World's Fair in Chicago. The text is printed with English on the upper half of the page and Spanish below. Illustrated with scenes of the fabulous buildings on the grounds and obviously sponsored by "Knox the Hatter" with ads for the haberdasher throughout on the covers and at each end of the main text. A slightly sad copy and obviously used at the event. Still a rare and interesting survivor. unknown
18573220484<p><em>Small folio; pp. 4 vii i 3-300 4 'Index' with two chromolithographic frontispieces showing the exterior and interior of the exhibition building bound within the preliminaries; numerous wood-engraved illustrations throughout the text; a little browned and spotted in places; in the original publisher's red cloth ornamented and lettered in gilt blind-stamped fleurons in the corners; hinges repaired and overall a good copy.</em></p><p>1857 was a turning-point in the history of art appreciation. The exhibition with its 16000 items on display made the public aware of the fabulous wealth of pictures by old masters and objects of art of every kind hidden away in English country houses and at the same time it opened up a new period of art-historical studies. The preface is at pains to extol the education value of the exhibition and to make known to the people of England the art-wealth of their own country and by inducing a greater familiarity with the beautiful to increase and extend its refining influence.</p><p>gThe Art-Treasures Examinerg contains a series of articles probably under the editorship of the journalist William Blanchard Jerrold who contributed articles on various subjects. Other contributors included Henry Ottley on art criticism schools of painting and engraving; the poet Charles Swain contributing short plays on art; James Astbury Hammersley on watercolour art; George Jackson on photography; Charles Allen Duval on the spirituality of art; G.W. Anthony 'Peregrine Sketchly' on British landscapes and modern painting; a 'History of Caricature' by the radical Dr Robert Blakey and possibly as the most interesting contribution a series of fourteen autobiographical articles by Henry Merritt 1822–1877 the picture conservator and art critic who had risen from a very poor background: 'Where my shoes came from was never satisfactorily explained'.</p><p>British landscape painters and the modern gallery by gBritish Art and Artistsg; a gHistory of Caricatureg by the radical Dr Robert Blakey gModern Galleryg by G.W. Anthony and possibly as the most interesting contribution a series of fourteen autobiographical articles by Henry Merritt 1822–1877 the picture conservator and art critic who had risen from a very poor background: 'Where my shoes came from was never satisfactorily explained'.</p> Manchester, Alexander Ireland & Co., 22, Market Street, … W. H. Smith & Son, 186, Strand, London,
189536172Chicago: Adler Art Publishing Company 1895. Hardcover. Fair. Oblong folio. 193 pages. Brown cloth hardcover with gilt illustration on the front cover. Fair condition only. Spine missing and boards are held together by an old linen tape repair on the spine. Covers are scuffed partly affecting the gilt illustration on the front cover. The right front flyleaf front blank end sheet and title page are detached. Original end sheets are chipped around the edges. Some light soiling and stains to the front and back end sheets. Faint toning to the early pages in the text. Interior contents are mostly clean. Interior contents clean. Previous owner inscription on the front blank end sheet "Lou C. Wylie 570 Spring Street Atlanta Ga." Beneath that inscription is another "My Aunt by Marriage David Y Wylie." "Augusta Wylie King" written on the rear end sheet. The Wylie and King families were prominent citizens in Atlanta history. <br /> <br /> Scarce. Not in the Georgia Derenne catalog. 15 copies located in OCLC. From wikipedia: The Cotton States and International Exposition was a world's fair held in Atlanta Georgia United States in 1895.1 The exposition was designed "to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and Europe."1 The Cotton States and International Exposition featured exhibits from six states including various innovations in agriculture and technology and exhibits about women and African Americans.1 President Grover Cleveland presided over the opening of the exposition remotely by flipping an electric switch from his house in Massachusetts on September 18 1895.1 The event is best remembered for the "Atlanta Compromise" speech given by Booker T. Washington on September 18 promoting racial cooperation.1. Adler Art Publishing Company hardcover
1894003PARThe Bancroft Company Chicago and San Francisco: 1893-1894. 1894 Issued by subscription. Twenty-three of 25 original parts. Lacks parts 1 & 25. Folio. 310 x 415 mm. Forty pages in each part. Numerous photo illustrations. A very well preserved set. Books in parts are works which were published piecemeal mainly in the 19th century over a period of months or years. Each unit usually having a separate magazine-like cover. This method of publishing benefited the publisher as it was thought that the price of a weekly or monthly part at one shilling or a quarter was affordable to a wider readership than the price of pound sterling or $ 5.00 for a bound volume. Though this particular set was very costly at $ 1.00 for each part! Since they were meant to be bound by the purchaser very few have survived into our present era. This set is extremely scarce in parts format. A wonderful artifact of the World's Columbian Exposition Chicago: 1893. This edition apparently not in Arents 1957. RARE. PRICE JUST REDUCED! PARTS 2 Language: eng. Soft cover. Very Good. The Bancroft Company, Chicago and San Francisco: 1893-1894. paperback
1892232951New York: Brentano 1892. First. hardcover. good. 12 photogravure plates. 4pp. of text. Oblong folio 1/2 blue cloth boards soiled edges of boards worn front flyleaf with several tears light foxing to plates. New York: Brentano's 1892. First Edition<br/><br/> Brentano unknown books
189360955Chicago & New York: Rand McNally & Co. 1893. Oblong 4to. 11.5 x 9 in. 226 pp unpaginated. with photo plates throughout. Publisher’s maroon-coloured cloth over beveled boards decorative gilt lettering & illustration on front cover minor soiling light bumping to corners minor spotting & very light stain spot on back cover still VG- copy from library of Prof. Marvin Nathan w/original purchase invoice dated Jan. 30 1996 from the inimitable Charles B. Wood III bookseller. First edition of this nicely illustrated photographic souvenir of the 1893 Columbian Exposition including many depicting the ethnic villages and groups which acted as curiosities on the Midway Plaisance including West Africans Samoan singers Syrians Inuit the Turkish bazaar tent Ceylon tea house and more. Rand McNally issued this in several formats although this 226 pp. version was the most expansive. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1596. Rand, McNally & Co., hardcover
18513220040<i>Engraved panoramic view measuring 460×235mm overall image 415×145 mm. </i><br /><br /><br />Steel-engraved panoramic view published by Boyd & Cannavan London Wall & J. H. Woodley in the City. Text beneath the image provides statistics for the building such as length 1848 feet and cost for use & maintenance £79800. the commity decided to add three feet of steps at on end to make the leanght up to a more satisfying 1851 feet Boyd & Cannavan
18939662Detroit: The American Engraving Company Publishers & Printers 1893. First Printing. Saddle-stapled wrappers. Good-. Oblong 4to. Unpaginated. Saddle-stapled wraps with printed illustrated front cover. Both covers detached and with age-toning to edges. Interior quite sound. A remarkable exhibition-in-print of the variety of world ethnicities arrayed at the Chicago World's Fair. This aspect of the midway was an exploitative carnie-like objectification of human beings featuring a Kurd a female Turkish dancer swordsmen from Damascus a "donkey boy" from Cairo et al. Scarce: OCLC locates only two cataloged institutional copies at the University of Michigan and the Michigan State Library. Now housed in a removable clear archival sleeve with an acid-free backing. The American Engraving Company Publishers & Printers unknown
