[original artwork]; Inglis, Jane AnneBiblio.com
22 résultats
1858SW476-7251England 1858. Ephemera. Fine. Highly skilled watercolor landscape 180 x 255 mm attirubted to Jane Anne Inglis nee Mason. Pencilled notations on the verso indicate the Isle of Wight and the painting suggests the White Cliffs of Dover in the background. <br/><br/> unknown
1858SW476-7251England 1858. Ephemera. Fine. Highly skilled watercolor landscape 180 x 255 mm attirubted to Jane Anne Inglis nee Mason. Pencilled notations on the verso indicate the Isle of Wight and the painting suggests the White Cliffs of Dover in the background. <br/><br/> unknown books
1847SW476-7250England 1847. Ephemera. Near Fine. Highly skilled watercolor landscape showing farm workers in a field; 180 x 290 mm; signed by Bryson and dated July 1847 in the lower left-hand corner. <br/><br/> unknown
1847SW476-7250England 1847. Ephemera. Near Fine. Highly skilled watercolor landscape showing farm workers in a field; 180 x 290 mm; signed by Bryson and dated July 1847 in the lower left-hand corner. <br/><br/> unknown books
1866SW476-7246England 1866. Ephemera. Fine. High skilled watercolor portrait of a seated woman in profile 330 x 245 mm initialed J. R. and dated 1866. <br/><br/> unknown
1866SW476-7246England 1866. Ephemera. Fine. High skilled watercolor portrait of a seated woman in profile 330 x 245 mm initialed J. R. and dated 1866. <br/><br/> unknown books
1849SW476-7252England c. 1849-1886. Ephemera. Fine. Highly skilled watercolor landscape titled and signed on the verso; 370 x 260 mm; showing a ravine near Amalfi between Amalfi and Positano. <br/><br/> unknown
1849SW476-7252England c. 1849-1886. Ephemera. Fine. Highly skilled watercolor landscape titled and signed on the verso; 370 x 260 mm; showing a ravine near Amalfi between Amalfi and Positano. <br/><br/> unknown books
1850100076AG1850. London J.Newman & Co. c.1850. Original chalk lithograph mounted on carton / stiff paper. 325 cm x 24 cm. Closely cropped but in very good condition with only mild signs of foxing. A very rare work of early decorative tourist art for the 19th century traveller to Killarney; beautifully executed. unknown
1875D6816likely England c. 1875. Hardcover. Very Good. Full black morocco ornate border and initials "S. M. B." gilt-stamped on boards details gilt-stamped in spine compartments 5 raised bands; square 8vo 7.5 x 8.75 inches; contains 24 tipped-on reproductions of famous portraits and scenes usually religious printed in sepia or b/w and surrounded by original watercolors beautifully accomplished botanical borders in full-color. Corners and spine tips gently scuffed; faint waterstain at the very top edge of a few leaves small trimmable. A lovely variety -- bluebells snowdrops lily of the valley branches ivy and more. <br/><br/> hardcover
1819D4304France late 18th to early 19th century. Hardcover. Very Good. Mottled cloth over boards approx. 16-by-12 inches; contains 5 original pencil drawings the first a taxonomy of 11 tress then 4 landscapes average size about 11-by-8 inches with handwritten labels in the wide margins in blue ink in French. Artist's name pencilled lightly in the images appears to be "A. Borrel." Scuffing along spine and edges of boards. Drawings are lovely and accomplished rich in texture and tone with intricate details and white highlights -- features a castle cottage lake and train station with small human figures in the wide landscape. Some very faint rubbing else fine suitable for display. <br/><br/> hardcover
1819D4304France late 18th to early 19th century. Hardcover. Very Good. Mottled cloth over boards approx. 16-by-12 inches; contains 5 original pencil drawings the first a taxonomy of 11 tress then 4 landscapes average size about 11-by-8 inches with handwritten labels in the wide margins in blue ink in French. Artist's name pencilled lightly in the images appears to be "A. Borrel." Scuffing along spine and edges of boards. Drawings are lovely and accomplished rich in texture and tone with intricate details and white highlights -- features a castle cottage lake and train station with small human figures in the wide landscape. Some very faint rubbing else fine suitable for display. <br/><br/> hardcover books
1875D6816likely England c. 1875. Hardcover. Very Good. Full black morocco ornate border and initials "S. M. B." gilt-stamped on boards details gilt-stamped in spine compartments 5 raised bands; square 8vo 7.5 x 8.75 inches; contains 24 tipped-on reproductions of famous portraits and scenes usually religious printed in sepia or b/w and surrounded by original watercolors beautifully accomplished botanical borders in full-color. Corners and spine tips gently scuffed; faint waterstain at the very top edge of a few leaves small trimmable. A lovely variety -- bluebells snowdrops lily of the valley branches ivy and more. <br/><br/> hardcover books
1850D4292c. 1850. Fine. Half leather and marbled paper over boards 9-by-11 inches; approx. pp. 200 different color papers. Includes 11 beautiful hand-colored landscapes on heavy cardstock 7-by-10.5 inches; and 14 pencil sketches on lighter gauge paper studies of the human form seemingly with Greek and Roman statues of men and women as their inspiration. A lovely collection of original drawings and paintings. The landscapes include castles from the Isle of Man and Rudesheim Germany as well as mountain scenes lake scenes bridges and more. All artwork is easily removed from the book and suitable for framing. <br/><br/> hardcover books
1846SW476-7257England 1846-1891. Hardcover. Near Fine. Contemporary full dark green morocco lavishly stamped in blind and gilt on boards and spine; 4to 210 x 265 mm; approx. pp. 200 nearly full with handwritten poetry and prose original artwork albumen photographs and ephemera -- sometimes adhered to the page direct on the page or loosely inserted via corner slots. A little scuffing along spine and edges of boards else fine. A varied collection of highly skilled original artwork including 6 paintings en brunelle 12 in watercolor or gouache and 7 in black ink wash; plus 11 pencil drawings 4 sepia albumen photographs mounted direct to the page ranging in size from 122x85 to 132x195 mm about a dozen handwritten contributions of prose and poetry including one in Spanish and more than 50 pieces of ephemera. Decades in the making and with contributions from numerous hands this is a rich and remarkably accomplished volume -- one wonders if it was perhaps created by a circle of artists. Landscapes and landmarks of England appear in the original artwork such as a finely detailed drawing of the house where Sir Isaac Newton was born and photographs St. Mary's Church; New College from the Gardens as well as the ephemera numerous engraved illustrations of castles neatly clipped from unknown sources. Far-flung locales are also represented: View on the Medina River pencil drawing Martaban at Sunrise beautiful watercolor of Burma an architectural drawing that suggests India. Prose and poetry contributions mostly original offer religious sentiments thoughts on love and friendship and a bit of humor in particular a piece entitled "Georgy on Shakespeare" argues that the Bard is greatly over-rated. Ephemera includes holiday greetings numerous illustrations extracted from unknown sources and the occasional die-cut. Landscapes birds flowers -- all the hallmarks of a typical album of the period -- though this one is particularly nice. <br/><br/> hardcover
1846SW476-7257England 1846-1891. Hardcover. Near Fine. Contemporary full dark green morocco lavishly stamped in blind and gilt on boards and spine; 4to 210 x 265 mm; approx. pp. 200 nearly full with handwritten poetry and prose original artwork albumen photographs and ephemera -- sometimes adhered to the page direct on the page or loosely inserted via corner slots. A little scuffing along spine and edges of boards else fine. A varied collection of highly skilled original artwork including 6 paintings en brunelle 12 in watercolor or gouache and 7 in black ink wash; plus 11 pencil drawings 4 sepia albumen photographs mounted direct to the page ranging in size from 122x85 to 132x195 mm about a dozen handwritten contributions of prose and poetry including one in Spanish and more than 50 pieces of ephemera. Decades in the making and with contributions from numerous hands this is a rich and remarkably accomplished volume -- one wonders if it was perhaps created by a circle of artists. Landscapes and landmarks of England appear in the original artwork such as a finely detailed drawing of the house where Sir Isaac Newton was born and photographs St. Mary's Church; New College from the Gardens as well as the ephemera numerous engraved illustrations of castles neatly clipped from unknown sources. Far-flung locales are also represented: View on the Medina River pencil drawing Martaban at Sunrise beautiful watercolor of Burma an architectural drawing that suggests India. Prose and poetry contributions mostly original offer religious sentiments thoughts on love and friendship and a bit of humor in particular a piece entitled "Georgy on Shakespeare" argues that the Bard is greatly over-rated. Ephemera includes holiday greetings numerous illustrations extracted from unknown sources and the occasional die-cut. Landscapes birds flowers -- all the hallmarks of a typical album of the period -- though this one is particularly nice. <br/><br/> hardcover books
1899007992London: The Lutetian Society 1899. First Edition Thus. Full Straight-Grained Morocco. Fine. An exceptional copy. No. 415 of 500 copies limitation. Also extra-illustrated with 23 hand-colored engraved plates 21 of which depict scenes from the play and are after J. M. Moreau and two portraits one of Joan of Arc the other of Voltaire. There are also 25 b/w engravings these proofs of plates done by Duplessis-Bertaux. Bound beautifully by R. Wallis for Robson & Co. a rare bookseller at the turn-of-the-twentieth century stated in full straight-grained morocco with five raised bands and gilt spine decoration gilt turn-ins and gilt edges. And plates are all printed on a luxuriant and thick vellum paper. 8vo. 22 by 16 cm. 406 pp. Pagination continuous between two volumes. Some of the Moreau plates are dated 1788 or 1789. We can assume all of the Moreau plates are from that time. They were created for an earlier French edition of the poem and most of them have two line captions quoting the poem. The Condition: Light rubbing evident on raised bands and spine extremities. Otherwise binding fresh tight. Overall a fine copy. The Lutetian Society unknown
1872036246Munich / Berlin: Friedrich Bruckmann 1872. 1st Edition Reprint. Hardcover. Very Good . 97 Pp With Mounted Plates. Red Cloth Heavily Embossed In Gilt Beveled Edges With Double Borders Embossed In Blind All Edges Gilt Cloth Endpapers. Bookplate Of Leopold Duke Of Albany. Inscription On Second Free Endpaper From Queen Victoria Of England To Her Son Leopold "For Dear Leopold From Illegible Two Words Dea---- ---A---A Shortened Name Used By Queen Victoria Osborne January 1 1873." Leopold Was Then A Student At Oxford. A Fine New Year's Gift With What May Be Viewed As Exceptionally Romantically Maternal Germanic-Victorian Plates. <br/> <br/> Friedrich Bruckmann hardcover
1834D4554London 1834-1835. Hardcover. Near Fine. Bound by Delarue Cornish and Rock of London. Lavishly embossed contemporary black morocco gilt-stamped border and detail on boards and spine inside gilt dentelles a. e. g. pink moire endpapers; 4to; approx. 100 heavy cardstock leaves in different colors many with a decorative blind-stamped border. Joints lightly scuffed else fine. Showcases manuscript poetry and a wonderful array of artwork by numerous contributors as a few signed or initialed pieces attest names mentioned include Phillis S. Samuel and Caroline Samuel. With 11 engravings 8 of them hand-colored and 7 original pencil drawings 12 original paintings watercolors and gouaches 4 original silhouettes. Very nicely accomplished images of birds and animals landscapes portraits of women some in oriental dress and scenes like a group of men drinking and smoking at a table. A pleasing collection including an original trompe l'oeil piece that appears to be a collaged collection of cards. <br/><br/> hardcover
1885006223London: R. H. Porter 1885-1897 1898. First edition. Half Morocco. Very Good. 4to. 26 by 18 cm. 421 color plates which are either hand-colored lithographs or chromolithographs. Photogravure portrait frontis. The greatest number of plates were drawn by Archibald Thornburn. The survey includes many birds that are infrequent visitors to Britain making it very complete. With generally short texts on each species this is primarily a visual source work. Publisher's half morocco. Pebbled cloth on boards. Condition: pencilled numbers on the plate that relate to an organizing system of a prior owner. Light scuffs and wear to the binding. Occasional light foxing. <br/><br/> R. H. Porter unknown books
1898006223London: R. H. Porter 1898. First edition. Half Morocco. Very Good. 4to. 26 by 18 cm. 421 color plates which are either hand-colored lithographs or chromolithographs. Photogravure portrait frontis. The greatest number of plates were drawn by Archibald Thornburn. The survey includes many birds that are infrequent visitors to Britain making it very complete. With generally short texts on each species this is primarily a visual source work. Publisher's half morocco. Pebbled cloth on boards. Condition: pencilled numbers on the plate that relate to an organizing system of a prior owner. Light scuffs and wear to the binding. Occasional light foxing. R. H. Porter unknown
1805007272Paris: Chez J. E. Gabriel Dufour. Printer: L'Imprimerie de Crapelet 1805. First Edition. Full Calf. Very Good. Large paper copy! Elephantine Folio 52 by 33 cm. 112 pp. With 72 engraved plates of tropical birds. Plates were actually printed in color with hand-coloring then augmenting that color to create exquisitely beautiful depictions of birds. Light scattered foxing a bit more on the text leaves than the plates. Generally though the plates read quite clean and they are always bright and fresh. Binding rebacked with original spine mostly preserved and laid on but the rebacking obvious along the joints. And there is some loss and cracks to the mounted original spine. Rubbing along the edges. Still the full diced calf binding which is contemporary remains attractive especially with its impressed diamond pattern. Chez J. E. Gabriel Dufour. Printer: L'Imprimerie de Crapelet unknown
