36 résultats
Tibet, circa 1955-60. An original pastel portrait of a Tibetan native by world renowned artist Goray Douglas, with signature. Beautifully framed behind glass. Image measures approximately 32.5 x 25cm. Gold colour frame measures approximately 40 x 50 cm. Very Good Condition, an exceptionally well rendered pastel painting on grey paper laid to a wide margin mount. This is not a reprint. This is a RARE ORIGINAL PAINTING by Douglas Goray. From the artist's "Faces of the Hills" collection, an immense work in which he portrayed 350 individual Tibetan and Burmese subjects with exquisite likeness, the man in this painting appears wise, possibly intent in sharing oral tradition. Douglas is a noted Darjeeling artist, a master of portraiture, revered for his documentation of native peoples.
Tibet, circa 1955-60. An original pastel portrait of a Tibetan native by world renowned artist Goray Douglas, with signature. Beautifully framed behind glass. Image measures approximately 32.5 x 25cm. Gold colour frame measures approximately 40 x 50 cm. Very Good Condition, an exceptionally well rendered pastel painting on grey paper laid to a wide margin mount. This is not a reprint. This is a RARE ORIGINAL PAINTING by Douglas Goray. From the artist's "Faces of the Hills" collection, an immense work in which he portrayed 350 individual Tibetan and Burmese subjects with exquisite likeness, the young woman in this painting sports a uniquely Western influenced hair style, traditionally adorned with large beads. Douglas is a noted Darjeeling artist, a master of portraiture, revered for his documentation of native peoples.
Tibet, circa 1955-60. Set of six (6) original pastel portraits a of Tibetan natives, by world renowned artist Goray Douglas, with signature. Each is individually framed behind glass. Images measure approximately 32.5 x 25cm. Gold colour frames measure approximately 40 x 50 cm. Very Good Condition, exceptionally well rendered pastel paintings on grey paper laid to a wide margin mounts. These are not reprints. These are SIX RARE ORIGINAL PAINTINGS by Douglas Goray. This set includes six very distinct and striking real personalities from the artist's "Faces of the Hills" collection, an immense work in which he portrayed 350 individual Tibetan and Burmese subjects with exquisite likeness. Douglas is a noted Darjeeling artist, a master of portraiture, revered for his documentation of native peoples.
Large Folio, measuring 56cm x 39cm (15.5 inches x 22 inches). Original printed wrappers. Text is in Italian. [6], 72, [2] pages, plus 7 engraved plates, 5 of which are double-page. Wrappers chipped at extremities, occasional foxing, otherwise in very good condition. Scarce valuable resource on Ptolemaic Egypt. A scarce account, rarely seen in original wrappers, Pieralisi's treatise is a noteworthy study of the late Hellenistic Nile Mosaic of Palestrina, which depicts Ptolemaic Egypt and dates to circa 100 B.C. The author, Don Sante Pieralisi, was a librarian of the Barberini Library in Rome with access to many early scholars' works. The mosaic's history and construction are described, followed by a presentation of some early and compelling theories of interpretation and dating, by such scholars as Barthelemy, Antonio Nibby, Carlo Fea, and Cassiano dal Pozzo (secretary to Francesco Barberini who was largely responsible for its restoration). Much history of ancient Egyptian life can be drawn from the mosaic scenes, including the Nile's yearly flooding, Nubian hunters, mythical or extinct creatures, Egyptian-Roman trade, contrasts between peasant dwellings and palatial life, the rise of magnificent walled cities guarded by Egyptian soldiers, etc. Remarkable engravings reproduce details of the historic masterpiece. The celebrated Nile mosaic dates to circa 100 B.C. during rule of the Ptolemaic Dynasty, the last dynasty of Ancient Egypt (305 BC to 30 BC) and forms an interesting connections between ancient Egyptian and Roman civilizations, and the its essence of its design has, for several centuries, been the center of much speculation. Shortly after publication, the observations by Don Sante Pieralisi accompanied the mosaic on display in the Palazzo Barberini, where it had been placed by Prince Barberini after restoration mid-seventeenth century. Equally interesting is a chapter dedicated to the Rosetta Stone, the ancient stele decree issued at Memphis, also during the Ptolemaic dynasty. The author relates details of the French expedition to Egypt which uncovered it in 1799, and the controversial repossession and transfer to England following the Capitulation of Alexandria. He further presents important details of the temples of Apis, Serapis, and Venus at Memphis, other hidden tombs of Memphis, and pertinent Egyptian rulers.
Poster calendar titled "Girl at Airfield" and designed by artist Ni Gengye, for the Qidong Tobacco Company, to promote happiness in connection with their smoking products. From the collection of Agnes Tabah. Calendar measures approximately 103 x 38 cm. Ni Gengye is a Chinese artist whose work is highly sought after, and which fetches a premium when available on any market. He produced a notable number of works, many of them being calendar posters. He created advertisements for other tobacco companies including Hatamen Tobacco and the British American Tobacco (BAT). His date and place of birth are unknown, though some estimate his life span to be from approximately 1900-1965. Calendar posters were a particular genre of commercial imagery of the period. Typically, they were produced by tobacco, textile, soap, or perfume companies and were distributed across a wide geographical range. Almost invariably, they depict female figures in various guises, which were a key part of their appeal. Formally, the female figures are generally portrayed in an illusionistic manner, though chiaroscuro or shading is generally subdued. There is usually a frame, outside of which an image of the product and other necessary information are displayed. This 'calendar-poster' style had strong connotations of commercialism and was consciously avoided by designers of literary book and magazine covers. This stylistic differentiation probably served to mark literary works as a different type of commercial product. The format of the present poster-calendar was designed by Zhang Guangyu around 1931. It was mostly frequently tall and narrow, into which he introduced a large plaque for the calendar in the lower third of the space. This plaque itself was framed with ornamental designs and contrasted against a richly decorated background of various motifs. The tobacco vendor's cigarette packages were arranged on each side of, and sometimes below, the central plaque. This formula was frequently utilized, and spin-offs continued at BAT throughout the 1930s. It is thought that Ni Gengye's "Woman at an Airfield" is among the last uses of Zhang's formatting design. It is dated 1938 according to the reign characters Kangde, indicating that the poster was probably destined for advertisement in Manchuria, where the Japanese had set up the puppet state of Manchuko. The woman waves as if greeting an unseen person, having alighted from the airplane in the background, as she moves across the field toward the terminal. An alternate interpretation is also possible: the young woman might be departing, making her way across the tarmac, but turns to wave farewell to a friend, just prior to boarding the aircraft. If this is the case, Ni's picture is an ironic, unwitting, and poignant farewell to the era of advertisement calendars, for by 1938, the Japanese, entrenched in Shanghai, succeeded in pretty much cutting it off from the trade world and from the rest of China.
Set of 24 volumes of the Prince Valiant series. Large format books: 10 3/8"w x 14 1/4"h. Black cloth spines with pictorial paper-covered boards. Most volumes are in Fine condition, but about five volumes show edge wear and small tears to spine, especially at top and bottom. From the publisher: "Universally acclaimed as the most stunningly gorgeous adventure comic strip of all time, Prince Valiant ran for 35 years under the virtuoso pen of its creator, Hal Foster. Starring a daring and gallant young hero, the series features epic swordfights, elaborate scenes of pomp and pageantry, and breathless plotting that always leaves the reader wanting more. Fantagraphics? deluxe editions, each collecting two years? worth of Sunday strips, boast superbly restored artwork that captures every delicate line and chromatic nuance of Foster?s art." This large, heavy set will require extra shipping charges and is not available for international shipping.
Extensive and complete product catalog of the German pharmaceutical and medical supply firm Mich.G.Birk GmbH & Co. [predecessor to today's BIRK Rundkartonagen GmbH & Co. KG], a highly reputable global firm established in Germany by wainwright [wagon maker] Michael Birk in 1879, designed for the private use of a single client. 8vo. 580 pages of text [double-leaf pagination tallies 290], xxxi (index), plus 20 pages colour chromolithographed frontispiece illustrations of sample labels ads - some of which are fold-outs, plus 9 pages of actual label samples mounted to the leafs. Text is complete in four languages - German, English, French, and Spanish, with the foremost leaf of proprietorship adding also Portuguese. Publisher's original illustrated binding, brown cloth titled in gilt and black lettering to front and spine, "Mich.Birk. Tuttlingen Deutschland. Katalog No.4." Occasional finger markings in the margins of five leaves only, specifically from the person who manually mounted the adhesive labels, otherwise in Near Fine condition, seldom seen complete, and in such pristine never-used condition, an exceedingly scarce volume in this state. Volumes such as this would have been issued to a specific client, for their own reference only. The following simple agreement is printed in five languages to the first leaf: "This list is to remain the property of the firm of Mich. Birk of Tuttlingen and only Mr._______ has been entrusted with the sole use of it. Reprints prohibited, will be prosecuted by law." The present volume was not assigned to anyone and remains as new, in original condition. Interestingly, the "Terms of Business" which prefaces the first section of product, is written in such a way that reveals the very personalized service offered by the owner of the firm, in spite of being an international success by this time. A pleasing repository of 1920s marketing of products from around the globe offered by the respected long-standing and leading packaging firm of Michael Birk - from a brief period when they also offered medical and surgical instruments, equipment and even laboratory furniture. It was in 1920 that Michael Birk expanded his export trade overseas and established offices in Mexico and South America, at the same time offering global distribution of products and instruments for the medical technology industry, from renowned manufacturers located in Tuttlingen, Germany. He also introduced significantly advanced offerings to his clients, such as grease-proof cardboard ointment containers, embossed colour labels according to individual customer requirements. [After the Second World War, global economics caused the firm to return its focus entirely to the development and production of packaging.] The present volume is a fine survivor of this pinnacle period in the firm's history, and an exceedingly scarce find in its pristine condition.
London, 5 April 2017, Sale L17417. 84 pp., illustrated, 4to, stiff card wrappers. Auction catalogue of 134 lots of the artwork of Gerald Scarfe. Profusely illustrated.
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked, very lightly indented boards and no bumping to corners. 174pp. An excellent study providing a historical text and a vast range of beautifully reproduced examples of illuminated and ornamental letters from the eighth to the twentieth century.
Bonhams Auctioneers, London, 2014. 275 x 220mm. pp. 55. English and Japanese text. Catalogue for part one of the sale of The Misumi Collection of important works of lacquer art and paintings held by Bonhams Auctioneers in London on the 5th of November 2014. Colour illustrations. Bound in original cream cloth. Housed in pictorial dust jacket. Book and dust jacket clean
Book is in excellent condition with slight age-toning to cover edges as the only blemish. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Publisher's page shows N.A.P.
