4 697 résultats
192531436L'historique exemplaire du prix Goncourt Paris, Bernard Grasset, (29 septembre) 1925. 1 vol. (115 x 180 mm) de 349 p. et [1] f. Maroquin brun, dos à nerfs, faux nerfs à froid sur les plats, titre doré, date en pied, contreplats à encadrement ornés de filets et pointillés dorés, doubles gardes de soie moirée et papier marbré, double filet doré sur les coupes, tranches dorées sur témoins, couvertures et dos conservés (reliure signée de G. Lévitsky) - conservé dans un écrin signé de Renaud Vernier : bois d'ébène, lettre mosaïquée en bois de rose, buffle assorti sur les deux rabats intérieurs avec titre doré, chemise et étui bordés. Édition originale. Un des 13 exemplaires sur japon, celui-ci hors-commerce (n° III). Exceptionnel exemplaire de l'auteur qui l'a fait relier avec : - la lettre autographe collective des membres de l'Académie Goncourt, signée par chacun d'eux et datée du 16 décembre 1925 (1 p. en 1 f. à en-tête de l'Académie + l'enveloppe à en-tête), remise place Gaillon et qui lui annonce qu'il est couronné du prix ; - Les 5 dessins originaux d'André Deslignères, du croquis à la maquette finale, qui ont servi au bois gravé pour l'illustration de la couverture (5 f., mine de plomb, encre et crayon de couleurs rouge). Une seconde couverture, illustrée d'un bois de Gérard Cochet et qui fait partie intégrante de l'édition, est bien présente dans l'exemplaire.
191332261Remarquable reliure cubiste de Leroux Paris, Mercure de France, (20 avril) 1913. 1 vol. (115 x 180 mm) de 204 p., [1] et 1 f. Veau havane tressé, premier plat orné d'un décor mosaïqué inspiré d'une composition cubiste composé d'une pièce de box marron tressé, d'une bande verticale de liège et d'une pièce carrée d'osier canelé, titre doré, tranches dorées sur témoins, contreplats bords à bords du même veau, gardes de box havane, couvertures et dos conservés, chemise et étui bordé (reliure signée de Georges Leroux, 1971). Edition originale. Exemplaire du premier mille (n° 578), après 23 exemplaires sur Hollande. Frontispice de Picasso : un portrait cubiste de l'auteur. Envoi signé : «A Madame Lemaistre, avec les hommages et le souvenir très cordial de Guillaume Apollinaire». L'exemplaire comprend sept corrections à l'encre de la main d'Apollinaire, aux pages 71,77, 86, 92, 110 et 189 (2 corrections) - là où l'on en trouve généralement cinq, quand elles sont là. En fin, sont reliées neuf gravures de Marcoussis dont huit sont signées de l'artiste : il s'agit des épreuves du portrait d'Apollinaire, , de 5 états de la planche 9 (Crépuscule), de 2 états de la planche 31 (A la santé) et de la justification de l'ouvrage de Marcoussis (exemplaire n° 2).
190629460Première édition illustrée. Spectaculaire reliure de Frère Claes Bruxelles, Vandamme et Co., (10 mai) 1906. 1 vol. (280 x 320 mm) de 234 p., [6] f. et 32 hors-texte. Reliure à plats rapportés en polycarbonate, décor sur les quatre plats, doubles gardes de papier japon noir, couvertures conservées, emboîtage à décor en polycarbonate (reliure signée Edgar Claes 30 avril 2017). Édition originale de la traduction française par Henry-D. Davray et première édition illustrée, par Alvim Corrêa. Tirage unique à 500 exemplaires numérotés, celui-ci exemplaire de passe (non justifié et non signé). 32 dessins à pleine page imprimés, sur papier gommé crème et 101 gravures dans le texte.
196926895Envoi signé et dessin de Miro. Reliure de Louise Bescond Paris, GLM, (janvier) 1969. 1 vol. (150 x 215 mm) de 25 p., [2] et 1 f. Plein veau naturel teinté gris anthracite, estampé d'une eau-forte originale inspirée d'une lithographie de Joan Miró, tire à la chinoise, contreplats bords à bords à et gardes de chèvre velours, tranches dorées sur témoins, couvertures et dos conservés, chemise et étui bordés (reliure signée de Louise Bescond, 2022 - titrage Claude Ribal). Édition originale. Un des 95 premiers exemplaires sur vélin d’Arches (n° 65) contenant la lithographie originale en couleurs de Joan Miro, signée. Envoi signé enrichi d'un dessin : « Pour Gisèle, hommage d’amitié, Miro, VI/69 ».
2000140938852Portland OR: Nazraeli Press 2000. First Edition. Fine. 2000-2017. 124 Volumes 100 titles five multi-volume deluxe sets and duplicates of several titles several labeled AP for Artist's Proof. A complete run of the celebrated series which features 100 uniformly sized books of various colors giving each artist a 16-page canvas to exhibit a cohesive body of work. Each volume is limited to 500 copies and each contains one photographic print tipped in and signed by the artist--hence the name of the series. Conceived in 1998 as a way to make original art more affordable titles were originally released in groups of four generally twice a year beginning in 2000 and ending in 2017 with most copies reserved in advance for subscribers. Complete sets of the 100 titles are uncommon as many volumes are out of print; even more uncommon are those with the deluxe box sets as few were issued toward the beginning of the series. All volumes are Fine to Near Fine. Several volumes with light spine sunning or a slight shelf lean. The deluxe sets are by John Gossage Four American Photographs Todd Hido Taft Street Eduardo del Valle & Mirta Gomez Four Sections of Time all marked as "AP" or artist's proofs Judy Gelles Beach Boxes and Emi Anrakuji e hakagi Comprised of 1. Terri Weifenbach Instruction Manual No. 1: 21. May 1995; 2. John Gossage Four American Photographs 4-volume set in slipcase; 3. Terri Weifenbach Instruction Manual No. 2: 21. April 1996 "Bee"; 4. Terri Weifenbach Instruction Manual No. 3: 25. June 1996 "Blue Sky"; 5. Chan Chao Letter from P.L.F. Burma; 6. Todd Hido Taft Street 4-volume set in slipcase; 7. Ron van Dongen Rosa Ferreus; 8. Susan Hornbeak-Ortiz True; 9. Bill Jay Bill Brandt 2 copies; one signed as usual on limitation line and there the other marked "print signed on verso"; 10. Julien Coulommier Soleil Cou Coupe; 11. Yuki Onodera How to Make a Pearl; 12. Robert Adams Alders; 13. Risaku Suzuki Fire: February 6; 14. Robert Heinecken studiesnineteenseventy; 15. Don Kirby You're not really initiated until your eyes are redder than your lips; 16. Masao Yamamoto The Path of Green Leaves; 17. Martin Parr 7 Communist Still Lifes; 18. Andreas Müller-Pohle Yumiko; 19. Sara Gilbert Cues; 20. Toshio Shibata Type 55; 21. Michael Kenna Boarding School; 22. Eduardo del Valle & Mirta Gómez Four Sections of Time 4-volume set all marked as "AP" or artist's proofs; 23. Weng Fen Sitting on the Wall & Bird's Eye View; 24. Judy Gelles Beach Boxes 1 copy 4-volume set in slipcase; 25. Naoya Hatakeyama River Series / Shadow; 26. Boomoon Kwon On the Clouds; 27. Camille Solyagua Twenty-One Red-Crowned Cranes and One Black Crow; 28. Martin Parr 7 Colonial Still Lifes; 29. Jim Stone Why My Photographs are Good; 30. Stu Levy Cranial Czar Eh; 31. Ken Ohara One; 32. Steve Pyke: Post Partum; 33. Steve Pyke: Post Mortem; 34. Joseph Mills e mars Lilly's Waist; 35. Yuichi Hibi Robert Frank A Weekend with Mr. Frank; 36. Twinkako Ishiwata-Pichler Desperately Seeking Twinka; 37. Ron van Dongen A. angustatum; 38. Junko Takahashi The Receptionist; 39. Daido Moriyama Kuchibiru; 40. Emi Anrakuji e hagaki 7 volumes included with 6 unique prints; no slipcase present perhaps as issued; 41. Michael Kenna Montecito Garden; 42. Tanya Marcuse Fruitless; 43. Stephen Shore Merced River; 44. Jesse Diamond Drum Circle; 45. Nancy Honey Poodle Parlour; 46. Lars Schwander Manuel Ãlvarez Bravo: One Day in April 1999; 47. John Divola Seven Dogs; 48. Masao Yamamoto Fujisan; 49. David Maisel Cascade Effect; 50. Rob McDonald Birth Place; 51. Netta Madahar Sustenance; 52. David Tseklenis Julius Shulman Does His Own House; 53. Joe Deal Indian Bingo; 54. Raymond Meeks Doctrine of an Axe; 55. Mayumi Lake Ex Post Facto; 56. Michael Kenna Heiden Hotel; 57. Eduardo del Valle & Mirta Gómez En Vista; 58. Edward Bateman Mechanical Brides of the Uncanny; 59. Todd Hido: Cracked Trees 2 copies one numbered the other labeled "AP" for Artist's Proof; 60. Todd Hido: Crooked Cracked Tree in Fog 2 copies one numbered the other marked "AP" for Artist's Proof; 61. David H. Gibson: Water Cascade: A Sequence; 62. Eiji Ina: Wacht; 63. Alec Soth: One Mississippi; 64. Mark Steinmetz: Italia: Cronaca di un Amore; 65. Pine & Woods: For Constance; 66. Hiroshi Watanabe: Love Point; 67. Terri Weifenbach: Some Insects; 68. Sally Mann Rob McDonald and Even Rogers: Cy's Rollei; 69. Corey Arnold: Fishing with My Dad 1978-1995; 70. Joni Harbeck & Neil Krug: Indian Girl; 71. Steve Fitch: Motel Signs; 72. Liz Steketee: Dystopia; 73. Stephen Shore: Pet Pictures; 74. Martin Parr: Seven Cups of Tea; 75. Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann A Grid-Portrait; 76. Leon Borensztein: Portraits ii; 77. Carol E. Richards: Birds Have Wings; 78. Melanie Pullen: Juliette; 79. Martin Usborne: Fox About Town; 80. Risaku Suzuki: Snow Letter; 81. John Divola: Supermarket; 82. Richard Misrach: iPhone Studies: Reverse Scrubs; 83. Dan Solomon: Witness; 84. Jim Goldberg: Polaroids from Haiti 2 copies one marked "AP" for Artist's Proof; 85. Roger Ballen: The Audience; 86. Doug Rickard: All Eyes on Me; 87. Aaron Ruell: Ten Years Too Late; 88. Alec Soth: Bogota Funsaver; 89. Steve Kahn: Corridors; 90. Daido Moriyama: Self 2 copies; 91. Katy Grannan: Lion King; 92. Michael Kenna: Kussharo Lake Tree; 93. Todd Hido: Season Road; 94. Elaine Ling: Habitacion Cubana; 95. Ed Templeton: Memories of the Salt.; 96. Ave Pildas: Bijou; 97. Javier Carrillo: Las Trocas Angelinas con sus Mercancia; 98. Gregori Maiofis: Taste for Russian Balet; 99. Tomoko Sawada: Face; 100. Gloria Katz: Souvenirs. Nazraeli Press unknown books
195231576Exceptionnelle réunion de Cartier-Bresson et Clergue sur le plus célèbre des ouvrages du premier. Paris, Éditions Verve, (22 juillet) 1952. 1 vol. (275 x 370 mm) non paginé. Cartonnage illustré de l'éditeur, d'après une composition d'Henri Matisse. Édition originale. 126 reproductions photographiques. Exemplaire Lucien Clergue, avec une dédicace au crayon multicolore. Envoi signé : «à Clergue, bien cordialement, Henri Cartier Bresson, Arles, 6 juillet 59 ».
190601-G1906. Öl auf Leinwand, links unten signiert und datiert ?Eug. Bandell 1906?, verso auf dem Keilrahmen von der Künstlerin nochmals signiert und datiert sowie betitelt. 84,5:64 cm. Literatur: S. Sumera, Eugenie Bandell (1858-1918), Eine Frankfurter Malerin - das Spätwerk. Magisterarbeit, Univ. Frankfurt am Main, 1996, Nr. 99; Ausst. Katalog: Frankfurter Malerei seit der Jahrhundertwende. Galerie und Kunstantiquariat Joseph Fach, Frankfurt am Main, 1988, Nr. 6 mit Farbabb. auf dem Titel; Ausst. Katalog: Frauen an der Staffelei - Ein vernachlässigtes Kapitel der Frankfurter Kunstgeschichte. Frankfurter Sparkasse von 1822, Frankfurt am Main 1994.
19917616New York: Bulletspace etc. 1991. First Edition/Limited Edition. Hardcover. Fine in Fine Rubber Wrapper. Very minor shelf/edge wear to spine else tight bright and unmarred. Black rubber sheet wrapper numbered in white ink with the limitation. Wooden boards rubber hinges bolted spine boards/spine covered in lead painted lettering on boards. fo. np. Illus. color and b/w plates. Limited numbered edition this being ___ of 150. All posters signed by the artist. <br/><br/>“This project is a collection of images and texts defining and expressing the broad and essential issue of housing on the Lower East Side and is a statement of the underlying force of ‘art as a means of resistance’. It is both a documentation and expression of social/political issues in our neighborhood and on a larger scale to symbolize similar conflicts in other parts of the world.” Bulletspace <br />Printed at Bullet Space an anarchist squatter community since 1982 The Lower East Side Workshop Black Cat Printshop Cooper Union and the Brandywine Workshop. Funded by Art Matters Artist Space Northstar Fund Andy Warhol Foundation. The work includes 32 silkscreened posters on Mohawk vellum paper all signed by the artists: Paul Castrucci; John Fekner; Stash Two; Tom McGliynn & Emily Carter; Day Gleeson & Dennis Tomas; Nadia Coen; Anton Von Dalen; Juan Sanchez; Martin Wong; Miguel Pinero & Andrew Castrucci; Betzaida Concepcion; Seth Tobocman; Sabrina Jones; Red Rodriquez; Marguerite Van Cooke & James Romberger; Neighborhood News; David Wojnarowicz; Lee Quinones & Eduardo Galleano; Lady Pink; Sebastian Schroeder; Missing Foundation; Salter Sipser; Bruce Witsiepe; Will Sales; Vincent Galgliostro & Avram Finkelstein; Eric Drooker. <br />"This project is a collection of images and texts concerning the broad and essential issue of housing on the Lower East Side of Manhattan." It presents a series of posters created to bring attention to New York City's campaign of condemning entire blocks of decent low-income housing in order to demolish them and build more taxable high-rise housing. It is a document of an impressive and provocative public art project featuring some of the most well-known artists of this activist art movement centering on housing economics healthcare gay and lesbian and other civil rights.and of the American art world of the time. Many of the artists have become well-known in recent years with their works represented in collections at the Museum of Modern Art the Metropolitan Museum of Art the Whitney Museum of American Art the Museum of the City of New York El Museo del Barrio the Brooklyn Museum etc. Several artist included have emerged as major figures in the Graffiti Art Movement. Several are now faculty at prestigious colleges. <br />Each of the posters was printed in an edition of approximately 300 half formed the core of this book series the rest were posted in the neighborhood. These posters catalyzed and sometimes escalated the intensity of the dialog around the ongoing issues of gentrification conservation urban development and social justice that is the bedrock of the Lower East Side experience. Beyond that culturally the posters embody a 20th Century movement where artists combined innovative materials design and aesthetics with radical and populist politics that had a great impact on the art world of New York and beyond. The unusual heavy lead-covered binding was designed to convey the feeling of oppression. <br />The significance of the work.and a reason for its increasingly scarcity.can be seen in an overview of institutions who now hold a copies: Brooklyn Museum NY; Cooper-Hewitt NY; Fogg Museum at Harvard University MA; Getty Institute Los Angeles CA; Gutenberg Bibliotek Germany; Herzon Museum Germany; Mainz Bibliotek Germany; MoMA NY; Museo del Commune di Milan Italy; Offenback Bibliotek Germany; Pesci Museum Italy; Smith College MA; Spencer Collection at Yale University CT; Staadt Museum Germany Stielich Bibliotek Germany; University of Kansas KS; Kohler Art Library at University of Wisconsin WI; Victoria and Albert Museum UK; Wellesley College MA; the Whitney Museum of American Art NY." Bulletspace <br />The final line of the forward to Your House is Mine reads “We have taken this opportunity to unite the following people in this collaborative project as a statement of ‘art as a means of resistance.’” It is a remarkable statement. Bulletspace, etc. hardcover books
19195245-vitrineDen Haag: Levisson 1919-37. In total 92 issues of De Reclame also De Bedrijfsreclame published between 1919 and 1937. All issues in original illustrated wrappers printed in various colours with various lay-outs by various artists abundantly illustrated with b/w and colour illustrations as well as dozens of tipped in and loose samples and appendices. The series contain hundreds of articles about corporations and artists such as Piet Zwart Cassandre Paul Schuitema Louis Kalff V. Huszar Jac Jongert A.D. Copier O. Wenckebach Majakowski Von Stein etc. Year 1919 no: 10 12 ; 1920: 2 3 4 5 6 7 8 ; 1921: 2 3 ; 1922: 2 3 8 9 10 ; 1923: 4 5 6 7 8 9 10; 1924: 3 6 7 10 12 ; 1925: 2 4 5 6 8 10 12 ; 1926: 1 2 4 8 9 ; 1927: 1 2 4 6 9 10 11 12 ; 1928: 1 2 6 7 8 9 11; 1931: 7 11 ; 1932 weekly: 1 2 3 4 7 8 10 13 14 15 16 17 18 20 21 24 25 27 29 30 31 32 34 36 37 38 39 41 42 43 ; 1934: 2 ; 1935: 4 8 ; 1937: 10 11. All issues are sold seperately as well costing between 50 euro and 400 euro each. De Reclame successor of De Bedrijfsreklame was published between 1922-1937. The first issue appeared in January 1922 under the guidance of B. Knol and Machiel Wilmink. A year later De Vereeniging van de Reclame was established. Printer Levisson from The Hague was also involved with De Reclame. In January 1928 the magazine De Reclame became the organ of the Genootschap voor Reclame established 1927. An interesting set. Levisson unknown
192129047Premier livre illustré par Juan Gris Paris, Editions Galerie Simon, 1921. 1 vol. (235 x 325 mm). Broché. Édition originale. Illustré de quatre lithographies hors-texte par Juan Gris. Un des 90 exemplaires sur hollande signé au colophon par l'auteur et l'artiste. Premier livre illustré de gravures originales par Juan Gris, et première apparition de la couleur dans la production éditoriale de Kahnweiler : le bleu, le vert, le bistre et l’ocre sont utilisés. C'est également la première fois que les illustrations portent clairement un titre ou une légende.
195790083d<p>KAMAKURA Yoshitarô & Kamakura Shizue artists. <b>RYUKYU BINGATA & RYUKYU BINGATA Dai Nishû.</b> Kyoto: Kyoto Shoin. Two huge cloth portfolios the earlier 62.5 x 49.5 cm issued in 1957 as a limited edition unspecified limitation of all 20 bingata stencil prints on lovely handmade paper but without the small stenciled plate originally laid onto the absent title page and without the portfolio cover. It was printed by Kamakura Yoshitarô 1898-1983 and his wife Shizue. The second portfolio is approximately the same size again with 20 large prints and a laid down plate on the title page as well as a stenciled cloth image laid down on the outside of the portfolio. It was printed in an edition of only 10 copies in 1967 created by Kamakura assisted in this effort by his daughter.</p><p>Kamakura himself was a great scholar of Okinawan art and a master of the Okinawan technique of stencil printing related to katazome called bingata. As such he was recognized by the Japanese government as a Living National Treasure. These are undoubtedly his central masterpieces created when he was at the height of his powers in such tiny numbers as to render this complete series in our possession for all intents and purposes virtually unique. The prints are clean and quite amazing. The most important artifact of the folk art print movement we have ever handled.</p><p><br /></p> Kyoto Shoin books
1957900831957. KAMAKURA Yoshitarô & Kamakura Shizue artists. RYÛKYÛ BINGATA & RYÛKYÛ BINGATA Dai Nishû. Kyoto: Kyoto Shoin. Two huge cloth portfolios the earlier 62.5 x 49.5 cm issued in 1957 as a limited edition unspecified limitation of all 20 bingata stencil prints on lovely handmade paper but without the small stenciled plate originally laid onto the absent title page and without the portfolio cover. It was printed by Kamakura Yoshitaro 1898-1983 and his wife Shizue. The second portfolio is approximately the same size again with 20 large prints and a laid down plate on the title page as well as a stenciled cloth image laid down on the outside of the portfolio. It was printed in an edition of only 10 copies in 1967 created by Kamakura assisted in this effort by his daughter. Kamakura himself was a great scholar of Okinawan art and a master of the Okinawan technique of stencil printing related to katazome called bingata. As such he was recognized by the Japanese government as a Living National Treasure. These are undoubtedly his central masterpieces created when he was at the height of his powers in such tiny numbers as to render this complete series in our possession for all intents and purposes virtually unique. The prints are clean and quite amazing. The most important artifact of the folk art print movement we have ever handled. unknown books
191429430Album unique, composé de 42 lithographies originales Trévise, Longo Domenico, [1914-1915]. 1 vol. (490 x 340 mm) de 90 planches. Bradel demi-percaline violette à coins, dos lisse, pièce de titre (reliure de l'époque). Album unique, composé des lithographies originales de 42 dessins sur papier de chine collé, en double état, soit 84 compositions (42 en couleurs avec leur suite en noir). Chacune de ces lithographies, au format carte postale (140 x 90 mm), est montée dans un encadrement de filet noir, surmontée d'une couronne impériale sur une feuille de papier vélin pur chiffon filigranée «A. BINDA C. MILAN», avec la mention imprimée : «Tirage unique pour le Prince Laforge de Vitanval» ; chaque planche est signée à la plume par l'éditeur, Longo Domenico, et par l'artiste, Alberto Martini. On trouve en tête de chaque partie une notice commentée et descriptive, légendant et numérotant chaque carte, sur un feuillet interfolié avant chaque série. Une page de titre a été spécialement réalisé pour cet album.
195130428Dernier texte d'Éluard pour son ami Picasso. Manuscrit autographe S.l.n.d. [circa 1951]. 9 pages 1/2 en 10 f. (210 x 270 mm) à l'encre et au stylo bille sur papier «Montévrain - extra strong». Manuscrit autographe.
19372978719 illustrations de Kay Sage. Exemplaire de tête avec aquarelle originale. Florence, Edizioni del Milione, (15 décembre) 1937. 1 vol. (175 x 250 mm) de 84 p. et [2] f. Toile éditeur titrée au premier plat. Édition originale. Poèmes et 19 illustrations de Kay di San Faustino [Kay Sage] dont 1 aquarelle originale en frontispice. Un des 50 premiers exemplaires sur japon (n° 17), signé. Seul le tirage de tête comporte l’aquarelle originale signée. Envoi signé : « À André Marchand, avec mon estime et avec mon amitié. K. di San Faustino ».
1992106387BBParis, La Hune, (1992). Folio (33,5 x 24,5 cm.). 7 Mappen und 1 Umschlag mit Faksimiles und 4 (2 farbige) Orig.-Photographien. Orig.-Pappkassette mit Deckelschild. [5 Warenabbildungen]
1965N - 2023 - 97<p>Feuilles éparses. Scattered leaves. Rene Crevel. Collection Archives 187 - Volume I Complete book with fourteen unsigned etchings aquatints woodcuts and lithographs the majority in colors hors-texte title page text and justification on Velin de Rives. Total edition of 150 copies this copy is one of 20 numbered in Roman numbers III of XX. All the copies are signed by the artists in pencil in a full sheet with the exception of Dominguez and Wols. Illustrated with one etching by Alberto Giacometti in frontispiece and 13 Aquaforte lithographs and aquatints by the following artists: JEAN ARP HANS BELLMER 2 prints CAMILLE BRYEN OSCAR DOMINGUEZ MAX ERNST STANLEY WILLIAM HAYTER VALENTINE HUGO WIFREDO LAM MAN RAY ANDRE MASSON JOAN MIRO WOLS. Loose as issued in the original soft wrappers hard chemise and slipcase.</p> Louis Border
1925868921925. EishÅ Hyakucho Gafu è‹±ç« ç™¾é³¥ç”»èœ 4 vols.<br /> <br /> Tsuchida EishÅ åœŸç”°è‹±ç« Takeuchi SeihÅ ç«¹å†…æ –é³³ artists <br /> <br /> Kyoto: UnsÅdÅ èŠ¸è‰¸å ‚<br /> <br /> Taisho 3 3 12 14 1914 14 23 25<br /> <br /> Ehon 絵本. 4 vols complete 22.7 X 33.1 cm. Profusely illustrated set of images of birds and ducks often quite surreal renderings ostensibly after designs by Tsuchida EishÅ åœŸç”°è‹±ç« the mid-19th century painter here re-interpreted by internationally recognized Nihonga artist Takeuchi SeihÅ ç«¹å†…æ –é³³ 1864 - 1942 the 20th century master and subtly printed by UnsÅdÅ èŠ¸è‰¸å ‚. A brief notice can be seen at Mitchell p. 249 referencing Brown p. 202.<br /> <br /> Very unusual work complete in a clasped chitsu case. Very good colors impressions condition. unknown
193032150Reliure de Paul Bonet pour Carlos Scherrer Paris, Pour les Bibliophiles du Palais, 1930. 1 vol. (175 x 255 mm) de 164 p. et 2 f. Maroquin et veau verts formant un décor partagé sur les plats suivant une ligne brisée verticale, réhaussé d'un motif au filet or évoquant un sarment de vigne au premier plat et une branche de laurier au second plat, titre doré à la chinoise, tête dorée, couvertures et dos conservés, chemise et étui bordés (reliure signée de Paul Bonet [1931]). Nouvelle traduction par Louis Martin-Chauffier. Édition illustrée de 25 burins originaux de J.-É. Laboureur in et hors texte. Tirage à 200 exemplaires sur vélin de Rives, celui-ci nominatif pour Henri Reitlinger (n° 35). Conservé dans l'exemplaire : le menu illustré par Laboureur du 24 mars 1930 titré « Dîner de La Paix».
196225784Tirage confidentiel des photos de Sudre pour le récital Léo Ferré de l'ABC 1962 [Paris, ABC, décembre 1962]. 1 vol. (135 x 180 mm) de [2] f., [14] tirages photographiques originaux, 2 f. Broché, sous double couverture et rodhoïd. Édition unique composée de 15 photos dont 7 à double page. Tirage non précisé, à petit nombre, celui-ci exemplaire justifié et signé par le photographe «album n° 11» et signé et daté par Léo Ferré, « 5 décembre 1962 ».
193629759Frontispice de Picasso, envoi signé et épreuve par Man Ray Paris, GLM, coll. « Repères », n° 14, (mai) 1936. 1 vol. (190 x 250 mm) de [20] p. En feuilles, sous couverture rouge titrée. Édition originale. Frontispice de Picasso. Tirage unique à 70 exemplaires sur Normandy vellum teinté, justifié et signé par l’éditeur. Envoi signé : « à Suzanne Hugon, avec la vive sympathie et les compliments amicaux de René Char ».
1915908941915. Gendai Haiga ShÅ« ç¾ä»£ä¿³ç”»é›† A Collection of Modern Haiga<br /> Nakamura Fusetsu 䏿‘ä¸æŠ˜ et al artists<br /> Tokyo<br /> HaigadÅ ä¿³ç”»å ‚ publisher<br /> Taisho 4-6 1915-17<br /> <br /> 4 volumes approx 25 x 16.5cm string-bound Japanese-style fukuro-toji thread-sewn Yamato binding. One volume is dated Taisho 4 1915 Spring one is 5 1916 Summer and two Fall and Winter are 6 1917. Three of the volumes are in the original decorated wrappers and one Spring is in plain wrappers. Compiled by Shimada Yukichi å³¶ç”°å‹‡å‰ and published by HaigadÅ ä¿³ç”»å ‚ Tokyo. Printed by Abe NabegorŠ阿部é‹äº”郎 vol. 1 Matsui NaojirÅ æ¾äº•直次郎 vols. 2-3 and Kishi Kageyoshi å²¸æ™¯å‰ vol. 4.<br /> <br /> 4 volumes of original color woodblock prints exploring the 4 seasons some featuring poems within the woodcut. Each volume has a Table of Contents in the front listing poems that reflect one of the seasons concluding words and a colophon. Spring has 28 full-page color woodcuts Summer has 31 and Autumn and Winter have 30 each for a total of 119.<br /> <br /> The Gendai Hanga ShÅ« ç¾ä»£ä¿³ç”»é›† is a work of considerable skill and scarcity. The list of artists involved is a long one including Nakamura Fusetsu 䏿‘ä¸æŠ˜ Sazanami Iwaya å·–è°·å°æ³¢ Tomita Keisen Ishii Hakutei Hirafuku Hyakusui Ota Saburo Kosugi Misei Shimomura Izan and many other important figures in Western-style painting here working in their literati "haiga" mode. Mitchell had but one volume of the four the British Library only procured its own complete set within the last ten or fifteen years. Hillier seems to have missed the existence of the book completely. See Mitchell p. 266 Winter volume.<br /> <br /> Wear and dirt staining to covers. Toning on a few prints otherwise prints are in good condition. Very good printing. unknown
191423890Revue complète. Exemplaire Poulenc avec envoi Paris, aux bureaux de la revue, imp. Crété, 1914 et 1915. 1 vol. (275 x 475 mm). Cartonnage bradel papier marbré, pièce de titre (reliure de l'époque). Édition originale et collection complète des 20 numéros de cette revue parue entre le 28 novembre 1914 et le 1er juillet 1915. Exemplaire avec le double état de la couverture du n° 8 (premier état censuré et très peu diffusé) et le feuillet d’annonce pour la parution du 20 mars 1915 interdite par la censure. Envoi signé : «à Francis Poulenc, son ami Jean Cocteau, 1918».
196031584Série complète sur papier de tête : les exemplaires nominatifs pour l'auteur Paris, La Belle édition, s.d. 6 vol. (160 x 215 mm). Brochés, sous couvertures illustrées, sous chemise et étui éditeur. Édition illustrée par P.-E. Clairin, O. Denis, A. D. Steinlen, P.-E. Clairin, P. Jarach, J. Thévenet, A. Collot. Un des 15 premiers sur pur fil du Marais, avec la suite en noir — celui-ci spécialement imprimé pour Suzanne et Maurice Genevoix. Envoi signé de l'illustrateur sur le volume de Rémi des Rauches accompagné d'un grand dessin à l'aquarelle.
190640192NY: Colonial Society of America. Near Fine with no dust jacket. 1906. Proof. Pages. B&W Illustrations; 36 36 pages; These are a series #52 of 300 complete series of remarque proofs of Colonial American scenes with the artist's penciled signature in the bottom margin. . '/Occasional; light grey foxing to some margins of mounts. Limitation information on reverse for subscriber Hon. George Peabody Wetmore. I imitation is ink stamped and signed in pencil by Society Secretary Theodore Compton. The remarque consists of a miniature image of the subject and which is in the lower margin of the Chine Colle which is a thin layer applied over the etching. The total dimensions are 14 x 19" and the Image Area is 9" x 13" which is in all cases fine. Only the outer margins show any minor defects. Each etching has a thin tissue protector . A few about 10 of the protectors have worked their way to the edges of the etchings and show subsequent rumpling. The Colonial Society of America was incorporated in 1906 so I have used this for the date of issue. We have been unable to locate any other instances of this set. ; Signed by Artist . Colonial Society of America unknown