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aly1678<p>New York: Equinox Cooperative Press 1936. First Edition. 4to. pp. 14. 100 b/w illus. cloth light foxing to covers</p> New York: Equinox Cooperative Press, 1936 hardcover
1936184279New York: Equinox Cooperative Press 1936. Hardcover. Good ex-library with labels and stamps on spine block inside front and rear covers and title page verso. Overall light shelfwear to boards corners bumped age toned pages but text and illustrations are otherwise clear. Tan cloth boards with black lettering on front and spine. 14 pgs w/ 100 bw plates top edge tinted black. Introduction section includes four short essays. Plates include the work of Joseph Solman Max Weber Anne Steele Marsh Bennet Buck Victor Candell Russell T. Limbach and many more. Equinox Cooperative Press hardcover books
19972559191024145PROVIDENT 1997-08-01. Audio CD. Very Good. CD plays perfectly & the case looks good.has writing on disc. PROVIDENT unknown
19911185120323034Sony 1991-11-19. Audio Cassette. Very Good. Tapes have been listened to they play perfectly. The box is intact and looks good. Sony unknown
193261332New York: The Literary Guild. Very Good. 1932. Hardcover. 365pp. navy cloth with red-orange and white stamping. Covers and spine are slightly scuffed with some light soiling contents show some toning otherwise near Very Good. . The Literary Guild hardcover books
1966BOOKS331786New York NY: Self Published . Used-Good/NO DUSTJACKET. 1966. . Paperback. Signed by the Artist Esphyr Slobodkina . Sm 4to. unpaginated page edge foxing and foxing on flyleaf . ***** Self Published ***** paperback
aly1645np: American Artists Group 1948. Sample Catalogue. folio. ff. 48. 89 colour christmas cards lacking 8. Pictorial cloth edges rubbed fraying at corners 'cancelled' written throughout & few short tears near lower edges of binding [np: American Artists Group, 1948] hardcover
193982130National Art Society; World's Fair. As New. 1939. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - -- with a bonus offer-- . National Art Society; World's Fair hardcover
22673ARTNew York: Metropolitan Printers Inc. Original blue spiral-bound wraps covers stained. Light dampstain to lower margin of first and last few pages not affecting any text or images. Previous owner's name on verso of front cover. Title page detached but present. Plate by Werner Drewes name signed in pencil by artist at opposite end of printed signature as if plate is printed to be viewed upside down. Illust. w/ numerous b/w plates. Soft Cover. Good-/No Dust Jacket. 4to - over 9¾" - 12" tall. Metropolitan Printers, Inc. Paperback
197584724New York: Harry N. Abrams Inc 1975. First Edition. Quarto 29cm; blue denim cloth-covered boards with titling stamped in silver on spine and front cover; dustjacket; 156pp; colorful and black-and-white photographic halftone illustrations throughout. Text unopened. Trace soil to lower edge of textblock else Near Fine. Dustwrapper lightly spine-tanned with trivial surface wear; Near Fine.<br /> <br /> Text by Peter Beagles author of The Last Unicorn describes the new folk art of creation with clothing denim. Collection of photographs includes creations with acrylic paint metal and glass studding bleaching and embroidery. The Denim Artists include James H. Lind Nicki Marx Etsuko Betty Yoshioka and many more. 84724. Harry N. Abrams, Inc unknown
Folio 255p., illus. Hardcover Very good condition good
1974182240New York: Associated American Artists 1974. Softcover. VG- covers scuffed; light tanning to upper edges w/ foxing. chip/tiny puncture to cover; minor indentation to title pg. pgs clean & bright. Yellow wrappers w/ black printing. approx 24 unpaginated pgs w/ bw illustrations. Includes exhibition price list. 86 pieces of artists John Taylor Arms Milton Avery Frederico Castellon Stuart Davis Philip Evergood Lyonel Feininger Rockwell Kent Louis Lozowick Ernest D. Roth Max Weber and Grant Wood. Associated American Artists unknown books
191459972New York: Judge 225 Fifth Ave. March 1914. Folio. 13 x 16 in. 8 leaves unnumbered. including 8 colour prints. Printed & decorated brown softcovers dark brown lettering borders and Art Nouveau device front cover punch-sewn at gutter margin w/ brown silk braid yapp fore-edges slight spotting to first leaf slight wear very minor rubbing to corners still NF copy. First edition of this surprisingly scarce supplement issued for Judge Magazine featuring eight art prints of Judge magazine covers cleverly detailing men’s frailty and women’s loveliness. These feature six by Flagg including “An American Queen;†“Putting out the Flames†with young woman tearing up photos of former beaus; “Cherries and Roses†of woman applying her makeup; “Prisoner to the Bar!†with man kneeling before his intended pleading and cupid standing by; and “The Rumble Seat†with couple riding in their Brass Era auto cupid in tow and license plate 11=1. Sarka’s illustration “An Old One Warmed Over†featuring young beautiful woman with much older man and Kimball’s “the Harvest Moon†round out the group. They were marketed to be removed and framed in contemporary Leslie’s Weekly and Judge magazines. No copies located in Worldcat. Judge, 225 Fifth Ave., paperback
1984RO30324975Herscher. 1984. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 319 pages. Nombreuses photos et illustrations en noir et blanc et en couleurs, dans et hors texte.Nombreuses coupures de presse. Jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 927-Artistes, sportifs
ABAA-75TH-VBF-35<p>Paris plates dated 1818-1820.</p><p>Folio of 86 full-page plates. Blue straight-grained morocco gilt and blind-stamped borders around the covers gilt arms in the center ribbed spine decorated with blind-stamped borders and gilt tools inner border gilt edges. <em>Simier R. du R.</em> signature at foot of spine.</p><p>436 x 295 mm.</p><p><strong>Very beautiful collection of views of castles from the library of the duchess of Berry in a bindings by</strong> <em>Simier</em>.</p><p><strong>86 lithographs in color enhanced with gum Arabic</strong><strong> </strong>by <em>Bourgeois</em> 83 and <em>Thiénon</em> 3 printed by <em>C. de Lasteyrie</em> and <em>F. Delpech</em>.</p><p>Constant Bourgeois 1767-1841 a pupil of David produced several suites of topographical views of Europe. In addition to plates from the <em>Recueil de vues pittoresques de la France</em> Paris 1818-1819 there are some very probably from the <em>Voyage pittoresque à la Grande Chartreuse suivi de quelques vues prises dans les environs de ce monastère</em> Paris 1821.</p><p>Among the castles sites and monuments depicted are the Semur keep the castles of Rambouillet Gisors Frazé Courtalin and Bois-Ruffin Graville abbey views of Voreppe Ville-d'Avray and the Jouy factory etc.</p><p><strong>Copy in exceptional condition contemporary bound by Simier with the arms of Marie-Caroline duchess of Berry</strong> and with the bookplate of the <em>château de Rosny</em> cat. 1837 n°l 905.</p><p>Marie-Caroline-Ferdinande-Louise de Bourbon-Sicile daughter of Ferdinand I King of the Two Sicilies and Marie-Clementine Archduchess of Austria was born in Naples on November 5 1798. On June 17 1816 she married Charles-Ferdinand d'Artois Duke of Berry second son of the future Charles X who was assassinated on February 13 1820. Widowed at the age of 22 the Duchess of Berry devoted herself to the upbringing of her two children Louise-Marie-Thérèse d'Artois and Henri-Charles-Ferdinand-Marie Dieudonné Duke of Bordeaux who was born posthumously. Very courageous in 1832 she tried to foment a failed legitimist uprising in Vendee; betrayed on November 7 of the same year by the Jewish convert Deutz she was imprisoned in the citadel of Blaye where she gave birth to a daughter she had had with Count Hector Lucchesi-Palli whom she had secretly married in 1831; released in June 1833 she was kept apart by the royal family and had the responsibility for her son's education taken away from her. She lived in Venice and died on April 17 1870 at Brunnsee Castle in Styria.</p><p>This princess whose artistic tastes were highly developed had built up a luxurious library in her château at Rosny near Mantes remarkable as much for the choice of editions and the richness of the bindings as for the importance of the manuscripts it contained.</p><p>The Duchess of Berry was not only a renowned bibliophile but also an enthusiastic patron of the arts with a keen interest in the work of contemporaries such as Ambroise-Louis Garneray who depicted views of contemporary life. Her library contained finely illustrated travel books such as Achille Etienne Gigault de la Salle's <em>Voyage pittoresque en Sicile</em> Paris 1822-26 his dedicated copy the Botfield copy Christie's London March 30 1994 lot 64 and an album of 125 engraved plates from Jacques Rigaud's <em>Recueil choisi de plus belles vues des palais châteaux et maisons royales de Paris et des environs </em>Paris: circa 1730-1752 Christie's London. December 9 1983 lot 138 and the present album of views is very typical of her interest and taste for topographical printing.</p><p><strong>Only recorded copy complete with 86 contemporary coloured engravings preserved in its contemporary armorial morocco binding</strong><strong></strong> sold for € 45601 by Sotheby's London on June 13 2002 22 years ago.</p><p>FR</p><p>Paris planches datées 1818-1820.</p><p>In-folio de 86 planches à pleine page. Maroquin bleu à long grain roulettes dorées et à froid en encadrement armes dorées au centre dos à nerfs orné de roulettes à froid et fers dorés roulette intérieure tranches dorées. <em>Simier R. du R. </em>signature en pied du dos.</p><p>436 x 295 mm.</p><p><strong>Tr</strong><strong>ès beau recueil de vues de châteaux provenant de la bibliothèque de la duchesse de Berry dans une reliure de</strong> <em>Simier</em>.</p><p><strong>86 lithographies en couleurs avec rehauts à la gomme arabique</strong><strong></strong> par <em>Bourgeois</em> 83 et <em>Thiénon</em> 3 imprimées par <em>C. de Lasteyrie</em> et <em>F. Delpech</em>.</p><p>Constant Bourgeois 1767-1841 élève de David produisit plusieurs suites de vues topographiques de l'Europe. Aux planches tirées du <em>Recueil de vues pittoresques de la France </em>Paris 1818-1819 s'ajoutent quelques-unes très probablement tirées du <em>Voyage</em> <em>pittoresque à la Grande‑Chartreuse suivi de quelques vues prises dans les environs de ce monastère </em>Paris 1821.</p><p>Parmi les châteaux sites et monuments représentés citons le donjon de Semur les châteaux de Rambouillet Gisors Frazé Courtalin et Bois-Ruffin l'abbaye de Graville des vues de Voreppe de Ville-d'Avray de la manufacture de Jouy etc.</p><p><strong>Exemplaire en condition exceptionnelle relié à l'époque par Simier aux armes de Marie-Caroline Duchesse de Berry et</strong> avec l'ex-libris du <em>Château de Rosny</em> Cat. 1837 n° l 905.</p><p>Marie-Caroline-Ferdinande-Louise de Bourbon-Sicile fille de Ferdinand 1er roi des Deux-Siciles et deMarie-Clémentine archiduchesse d'Autriche née à Naples le 5novembre 1798 épousa le 17 juin 1816 Charles-Ferdinand d'Artois duc de Berry second fils du futur Charles X qui fut assassiné le 13 février 1820. La duchesse de Berry veuve à 22 ans se consacra à l'éducation de ses deux enfants Louise-Marie-Thérèse d'Artois et Henri-Charles-Ferdinand-Marie Dieudonné duc de Bordeaux né posthume ; très courageuse elle essaya en 1832 de fomenter en Vendée un soulèvement légitimiste qui échoua ; trahie le 7 novembre de la même année par le juif converti Deutz elle fut enfermée dans la citadelle de Blaye où elle mit au monde une fille qu'elle avait eue du comte Hector Lucchesi-Palli qu'elle avait épousé secrètement en 1831 ; remise en liberté en juin 1833 elle fut tenue à l'écart par la famille royale et se vit enlever la direction de l'éducation de son fils. Elle vécut à Venise et mourut le 17 avril 1870 au château de Brunnsee en Styrie.</p><p>Cette princesse aux goûts artistiques très développés avait constitué dans son château de Rosny près Mantes une luxueuse bibliothèque remarquable tant par le choix des éditions et la richesse des reliures que par l'importance des manuscrits qu'elle renfermait.</p><p>La duchesse de Berry était non seulement une bibliophile réputée mais aussi une mécène enthousiaste des arts avec un vif intérêt pour le travail de ses contemporains comme Ambroise-Louis Garneray qui dépeint des vues de la vie contemporaine. Sa bibliothèque contenait des livres de voyage finement illustrés tels que le <em>Voyage pittoresque en Sicile</em> d'Achille Etienne Gigault de la Salle Paris 1822-26 son exemplaire dédicacé l'exemplaire Botfield Christie's Londres 30 mars 1994 lot 64 et un album de 125 planches gravées du <em>Recueil choisi de plus belles vues des palais châteaux et maisons royales de Paris et des environs</em> de Jacques Rigaud Paris : vers 1730-1752 Christie's Londres. 9 décembre 1983 lot 138 et le présent album de vues est très typique de son intérêt et de son goût pour l'impression topographique.</p><p><strong>Unique exemplaire répertorié complet des 86 estampes en coloris de l'époque conservé dans sa reliure en maroquin armorié de l'époque</strong><strong> </strong>adjugé 45 601 € par Sotheby's London le 13 juin 2002 il y a 22 ans.</p> hardcover
SKU1023983Amon Carter Museum of Western Art. PAPERBACK. Good. B016XM0F26 Very good condition- clean has a good binding pages are clean and crisp no marks or notations. lz Amon Carter Museum of Western Art paperback books
Oblong 4to., First Edition, with numerous fine coloured plates; sand cloth, upper board and backstrip lettered in brown, a very good, bright, clean copy in price-clipped dustwrapper, the latter very lightly browned on (predominantly white) rear panel, and with one small tear at lower corner. SIGNED BY THE ARTIST ON TITLE.
A few small ink underlines and check marks in text. 396 pages. An intriguing record of American art and society during Thomas Hart Benton's lifetime.
Oblong 4to., with numerous fine coloured plates and illustrations in the text; black cloth, backstrip lettered in silver, yellow endpapers, a near fine copy in unclipped dustwrapper. A PRESENTATION COPY FROM THE AUTHOR WITH HIS SIGNED HOLOGRAPH INSCRIPTION ON HALF-TITLE.
128 pages. Bibliography. "Travel through the eyes of artist and writer Sue Coleman to the Pacific Northwest. Her portrayal is both simple and unique - a challenging blend of two art forms, the uniting of two cultures. In these prints, Sue Coleman stimulates the imagination in an enjoyable balance between the artist's own love of nature and the legends of the native people of the Pacific Northwest... Gives the reader a delightful insight into the relationship between man and nature in the past and present." - from dust jacket. Clean, bright and unmarked with light wear. Dust jacket now preserved in archival-grade Brodart. A quality copy. Book
5052New york, Sidney Janis, 1969, 1 plaquette in-4 br. sous couv. ill., de 24 pp.
189756093Cuba IL; Chicago IL Topeka KS & St. Louis MO: Raymond Whitnah Display Products Co. Kaye Whitnah Industrial Designs 1897-1970. Fifteen vols. sized 4to. 9.5 x 12 in. up to Folio. 14 x 17 in. Approx. 1414 pp nearly all unpaginated or unnumbered. including 295 silver gelatin & silver print photographs Polaroid and albumen images sized from 2 x 2 in. up to 13 x 15 in. hand-coloured silver prints the majority of the photographs are tipped-in 8 x 10 in. images into albums with thick black paper stock some linen-backed some are hand-coloured many of the silver print designs have been hand-painted or hand-coloured most on glossy photo stock 1 albumen photo mounted on studio card sized 6 x 12 in. many w/ annotations on versos some w/ captions in lettering below or dittoed and/or mimeographed explanatory texts on versos or mounted below the images; the majority of the silver print designs are mounted on beige or black linen hinges; with four of the photo albums still preserving all or at least have of the original binding covers 2 renewed 1 w/ hand-lettered title page and table of contents; many TLS ALS promotional inserts printed catalogues printed mimeographed and dittoed text several telegrams and all preserved in archival mylar sleeves together with the remainder of the archive. With 229 original designs paintings pen & ink pencil and water-coloured drawings artist’s renderings blueprints cyanotype blue-prints ranging in size from 6 x 8 in. up to 17 x 38 in. some framed by studio board others mounted on glossy paper stock and a significant portion on tinted paper stocks of gray brown taupe and tan some loose and others mounted with linen hinges most having either the Display Products Co. printed at lower fore-edges or printed in the explanatory texts below or on versos with some signed by artist at lower edge of the image occasional soiling creasing lifting & chipping to fore-edges of some renderings others with minor creasing or curling still nearly all bright and all preserved in post-binders or portfolio cases with stamping on covers. This incomparable archive of photographs and original advertising art was created by Ray Whitnah his company Display Products Co. and later his son Kaye Whitnah who were innovative commercial artists and industrial designers through the Jazz Age Great Depression World War II and the post-War era. Ray Whitnah’s displays incorporated life-like scenes wax models and often inventive display apparatus and mechanical elements incorporating stunning Art Deco graphics and story telling all heavily influenced by the displays of L. Frank Baum Ernst Goldsman and Gordon Selfridge pioneering window display artists at Marshall Field in Chicago at the beginning of the 20th century. The first volume includes prize-winning letters for displays across the Midwest for the Pugh Store Co. department stores and later for Crosby Bros. Co. department stores in Topeka KS incorporating photos documents announcements and trade journals. Photographs in the second volume reveal how Whitnah created striking sales tableaux for women’s furs hosiery girdles bathing suits Hoover Vacuums Motorola heaters and kitchen ware. Of special interest are the surrealist bathing suit windows superimposed behind a reverse painted clock face featuring undersea flower & shell arrangements and large sea snail. Other images show striking windows for Kotex Sanitary products DeFildiss Perfumizer Eline’s candies and apple bars Nemo-Flex Corsettes Phoenix Hosiery and others. Volume III entitled the “Championship Class†album provides a superb overview of Whitnah’s prize-winning displays including an elaborate Chinese rugs window with Chinese mah jong players; Pyrex ware window featuring four & 20 blackbirds flying from the pie; a mechanical bathing display; toy display featuring paraffin falls imitating frozen water; an elaborate Congoleum flooring display; and his tour-de-force mechanical Nemo Corset Display featuring a large turntable revolving with women’s figures representing seven ages appearing in order within four minutes per revolution and a ribbon to pull the layered photos to recreate the effect in the album. The fourth album incorporates inventive millinery and women’s fashions in minimalist vignettes for the Crosby Bros. Department store with some incorporating Moorish or Oriental inspired designs vivid Art Deco backdrops and historiated scenes reflective of the fashions in the opening years of the Roaring 20s. The fifth volume reflects the increasing creativity and daring of Whitnah including window displays showing flying Hoover vacuums increased storytelling and elaborate displays for Christmas Radiola record players an elaborate fairy tale scene for Hickock belts Maytag washers featuring backdrop of children dancing around the Maypole and series of Santa Fe RR windows celebrating travel on the Honeymoon. Of particular interest in this album is the large elaborate Kotex Sanitary Specialties window entitled “Kotex: A “Justice†to the World†featuring a lady justice on top of a globe Kotex packaging balanced in the scales and other products displayed around the window.The sixth & seventh albums mark the 1930 shift by Ray Whitnah to establish not only his own manufacturing company for window display fixtures and apparatus but also an Automotive Displays Inc. intending to target the burgeoning window display market with automobile dealers across the country producing lithograph posters newspaper camera ready ads catalogues along with flood lights backgrounds finished products no chassis and one-lithograph signs. The company was incorporated in Delaware in 1931 with Whitnah holding 51% of the voting stock. The sixth volume shows many different devices for displaying men’s clothes wooden shirt stands adjustable clothes stands and even their introduction into the Cohn-Storthz men’s shop in St. Louis MO. The famed St. Louis Mart and Terminal Warehouse was a massive Art Deco edifice later named the Robert A. Young Federal Building and designed by Preston Bradshaw who began with McKim Mead & White. Acquired by the U.S. Army in 1941. Volumes VIII thru XIII consist primarily of original artwork and renderings by Whitnah and his Display Products Co. team for a variety of companies and encompassing a broad range of stands risers product displays and mechanical devices to create stunning advertising displays. These include ocean liner stacks for swim togs Easter bunny displays stork displays for infant apparel as well as a striking 4 foot tall hat box display store unit which holds hatboxes. Also included are Art Deco streamline inspired Concert Rotors for Christmas merchandise a custom built beach shop toy & gift displays for toy departments and more. Volume IX & X include large vividly coloured Art Deco Christmas Box and North Pole holiday designs; decorations and metal filigree displays for handkerchiefs and windows; a large giraffe and a firework display unit for toys and of special interest a vivid “Bell-Hop Series’ display pieces of caricature Chinese-American and African-American display holders for Christmas wreaths. In addition Whitnah’s company had developed the “Horizons†display system which included Flexible Wood Panels that could be incorporated into window displays become the window display themselves and served as a kit system to attach other Display Products Co. fittings all executed with an Art Deco modernist aesthetic. The Horizon system also incorporated interchangeable forms to create arresting streamline floor and window displays that would enable the company to come into any department store client’s business and create an entire display system for them right down to the glue and lighting. Volume XI presents artwork of caricature cartoon and humor signs drawing from major cartoonist of the period and created exclusively for the Display Products Co. each mounted as enameled triangle and hanging from stanchions next to the Men’s Department or other Departments employing their display fixtures. Many of the original designs in the last couple volumes reflect an animated whimsey with stylized figurines cartoon-like characters some appearing to draw from Held while others from Pogo or other animators of the 1930s-1950s and many of the drawings with a decided Western inspired cowboy theme. Also appearing in these portfolios are many designs incorporating bamboo and bamboo shapes for stands displays shelving and backdrops. Many of the silver print blueprints and reproduced designs refer to the specific wood finishes on the wood carved and wooden stands created by the company. The final volume is devoted to the seat and interior designs by Kaye Whitnah for the Sabrejet 60 upgrade noted in this design proposal as the Sabre 70 and dated 1970 which would later become the Sabrejet 75 when it went into production at the end of the 1970s. Featuring 5 windows on the fuselage the Sabrejet Series 60A was over 3 feet longer than the original series 40 approved in 1963. The original drawings show window and and window frame assembly units as well as the interior cabin and seats designed by Whitnah along with manufacturing steps and Polaroid photos showing the process. Ray Whitnah 1893-1973 was the son of Arthur Whitnah a general store owner in Cuba IL and later Gardner KS where he worked as a sign painter and letterer until 1909 when he moved to Chicago to take a course in window display at the Chicago School of Window Decorating apprenticed with Jack Cameron -- famed commercial artist and designer at the Harris Emery Co. Department Store in Des Moines IA and later as the display manager for the 35 store Pugh Store Co. chain. After their bankruptcy in 1919 he became the prize-winning display manager for Crosby Bros. and by 1930 had set up his own successful display businesses in St. Louis MO where he would remain for the rest of his life. Kaye Lamoyne Whitnah 1918-1992 worked with father by World War II as an industrial designer and artist with Display Products Co. at 3944 1/2 Olive in St. Louis MO. Also an inventor he patents portable grids for Terrazzo Floor securing plates in displays in 1968 and later became the only manufacturer in the United States for the BMW Isetta parts with a customer list of 350 different Isettas. He was the owner of Whitnah’s Angler’s Isle Resort in Hay Lake MO and by 1989 had accumulated a collection of 13 1/2 Isettas manufacturing gas caps windshields and even hubcaps by creating molds and designs from the original parts. See: Appliances for Pillar Decorations Merchants Record & Show Window 1919 vol. XLV No. 5 p. 28-29. Who’s Who in the Profession R.T. Whitney Crosby Bros. Topeka KS Merchants Record & Show Window 1919 vol. 44 pp. 46-48; Designer Defies “Bubble Car†Parts Blight Pine River Journal Vol. 54 No. 17 July 13 1989. Raymond Whitnah, Display Products Co., Kaye Whitnah, Industrial Designs, hardcover
19031126680Leipzig, G. Wigand, (1903). 15, 203 S. m. Abb. im Text. OPp. (etwas fl., St. a. T. u. Titelrücks.).
69671ABKöln., Verlag der Buchhandlung Walther und Franz König., 2024. 28 x 21,3 cm. CXX S. Illustrierter OKarton., 69671A Erste Auflage. Neubuch (originalverschweißt).
2001137020Pfedelbach. Selbstverlag. 2001. 140 Seiten. Mit zahlreichen ganzseitigen Scherenschnittabbildungen. Illustrierte Originalbroschur. (Geringe Gebrauchsspuren). 32x24 cm