10 résultats
1768905061768. Chō Gessho 張月樵 and Kazaore Yūjo 風折有丈 artists. Zoku Koya Bunko 続姑射文庫 5 vols. Nagoya Kansei 寛政 10 1798. 5 volumes 27 X 18cm string-bound Japanese-style fukuro-toji. Original format with original covers and title labels housed in a modern striped chitsu with clasps 27.3 x 19cm. Original monochrome woodblock prints many double page with Japanese text. Edited by Bōkō 暮雨巷. A sequel to Koya Bunko 姑射文庫 done in 1768. The "Sequel to the Koya Library" done by principal artist Chō Gessho 張月樵 1765-1832 and Kazaore Yūjo 風折有丈 is a remarkable rarity that captures the vibrant world of art and poetry centered on haikai and haiga in Nagoya. It is justly celebrated by critics from Brown to Hillier and was featured in the Library of Congress' major Japanese art exhibition "The Floating World of Ukiyo-e: Shadows Dreams and Substance." With hundreds of full-page black and white woodblock images it is probably the most extensive original example of the Haiga aesthetic in existence. Vol 1 has 52 cho Vol 2 has 50 cho Vol 3 has 53 cho Vol 4 has 53 cho and Vol 5 has 56 cho including colophon. Identical to Volumes held in ARC Koten Seki portal database online Ritsumeikan University 立命館大学 with the exception of an added modern page to their introduction in Vol 1. In very good condition throughout worn original covers and title labels worming on rear wrapper of vol 5 very good impressions. Mitchell 564. unknown books
1744002091Paris Jombert 1744
17741188London: D. Bond printer 1774. Ephemera no binding. Fine. Nathaniel and Samuel BUCK. Archival matting with a hand-applied gilt border. Matted print measures 14" high by 21" wide; the printed sheet measures 11 3/8" high by 18" wide; the engraved image within the plate-line measures 7 1/2" x 14 5/8" This hand-colored copperplate engraving is from the publication Buck's Antiquities or Venerable Remains of Above 400 Castles &c. in England and Wales with near 100 Views of Cities. The plate for this print was engraved in 1737. The highly detailed engraving includes the weather vanes the surrounding town including a windmill and busy river traffic on the Thames.<br /> <br /> The text under the illustration reads "This PALACE the usual Residence of ye Archbishops of Canterbury on its Foundation to Archbishop Baldwin who was elected A.D. 1184. He obtain'd ye Scite of it from ye Bishop & Monks of Rochester by Exchange of other Lands. His Successors continued & improv'd the Building several of them particularly Archbishop Moreton elected A.D. 1486 expended large Sums on it. Cardinal Regenald Pool built ye stately Gateway ye Gallery & other Rooms. His Successor Mathew Parker liberally laid out his Money in Repairs & Additions. In the Grand Rebellion ye great Hall was pull'd down & ye Chappel &c: much defaced. Dr. Juxon made Archbishop at ye Restoration rebuilt ye great Hall in its ancient Form & repair'd the whole." The print is dedicated to "The Most Reverend Father in GOD John Lord Arch-Bishop of Canterbury Primate of all England and Metropolitan. One of the Lords of His Majesties most Hon.ble Privy Council &c. This Prospect is most humbly Inscrib'd by his Grace's most Devoted Serv.t Sam.l & Nath.l Buck D. Bond, printer unknown
1703250930028Deutsche Grammophon 2017-03-31. audioCD. Very Good. 9x5x5. 44 CD's with bonus DVD; still in original shrinkwrap with minor dings to case & a couple of small tears to shrinkwrap; never opened; because we care that your order arrives in the condition stated we have additionally sealed the case in bubblewrap for added protection during shipment Deutsche Grammophon unknown
178930655Reliure de présent en maroquin rouge, avec envoi autographe signé Paris, De l'Imprimerie de Monsieur, 1789. 1 vol. (75 x 130 mm) de 1 f., xxxv et 243 p. Maroquin rouge, deux filets dorés bordant une chaînette d'encadrement dorée sur les plats, dos lisse orné, pièce de titre de maroquin vert, monogramme doré « SM » au centre des plats, roulette intérieure (reliure de l'époque). Première édition séparée. Elle est ordonnée par Pierre François Didot, le jeune, avec une édition luxueuse sur un papier de choix provenant de ses papeteries d’Essonne, qu’il enrichit d’illustrations – l’édition sur papier ordinaire n’en contenant pas : 4 figures de Moreau le Jeune, la dernière en collaboration avec Joseph Vernet, gravées sur cuivre par Girardet, Halbou et Longueil. Envoi signé : « pour Mademoiselle Mesnard de Conichard, par l’auteur, De Saint-Pierre ».
1704C3233PHOENIX/US 2017-04-21. Audio CD. Like New. CD case and liner all in Excellent condition. PHOENIX/US unknown
179630944Télémaque en maroquin rouge, avec les 24 figures Paris, Didot l'Aine, An IV, 1796. 4 vol. (90 x 145 mm) de 240, 292, 248 et 260 p. avec [1] f. (front.) au tome I et [2] f. (catalogue) au tome IV. Maroquin rouge, dos a nerfs ornes de compartiments dores, pieces de titre et pastilles de tomaison vertes, filets et roulettes dores encadrant les plats, contreplats et gardes papier à décor floral, tranches dorees (reliure de l'époque). Un des 200 exemplaires sur vélin, avec les figures avant la lettre signées à la pointe-sèche. Portrait de Fenelon d'apres Vivien grave par Gaucher et 24 figures de Quéverdo gravees par Dambrun, Delignon, Delaunay, Gaucher et Villerey.
1728365The Hague Netherlands: Pieter de Hondt 1728. First Edition. Contemporary fine mottled full calf. FINE. Gerard Hoet Arnold Houbraken Bernard Picart. One of the most beautiful collections of illustrated scenes from the Bible published in the 1700s. This masterful suite of drawings was initiated by the renowned artist Bernard Picart in 1720 with the assistance of the Dutch painter Gérard Hoet and his protege Arnold Houbraken for what would undoubtedly become the pinnacle of the Figures of the Bible genre. Figures of the Bible engravings represent or signify scripture through cycles of prints covering the entire Bible and was first popularized in the 1500s.<br> <br> Condition: FINE interior for a nearly 300-year-old folio FINE to VERY FINE PLATES. Complete. An exemplary copy.<br> <br> BOOK INFO<br> <br> Translated Title: Figures of the Bible. Scenes of the Principal Histories of the Old and New Testament And Other Books Added to the Holy Scripture Drawn by the Renowned Artists Hoet Houbraken and Picart and Engraved by the Best Masters in Copper and Fully Described. <br> <br> Three volumes bound together. Published in 1728 by Pieter de Hondt in The Hague Netherlands. First edition. Descriptive text of the plates/Bible scenes in Dutch by Jacques Saurin. Second engraved title pages in French. Polyglot plate captions in six languages Dutch English French German Latin and either Hebrew Old Testament and Apocrypha or Greek New Testament. Vignette titles pages in red and black. Bound in contemporary fine mottled full calf: spine with seven gilded raised bands separating compartments richly ruled and tooled in gilt and a gilt-lettered red morocco spine label in compartment two. All board edges with a gilt roll. All page edges speckled. Heavy crown folio 16.5" x 11" x 3.5" thick. Collated and complete: 3 blanks 4 148 i.e. really 150 as 10-11 page numbers repeated twice pp.; 2 149-280 i.e. 151-282 for aforementioned reason 14 pp. 4 160 pp. 3 blanks; 214 copper engraved plates including 2 frontispieces 2 engraved dedication pages and 29 double page; 3 vignette title pages; 2 additional engraved title pages; Hundreds of historiated and decorated engraved initials; hundreds of engraved vignette head- and tail-pieces or exquisite engraved cul-de-lampe chapter ends. Thick high-quality wide-margined paper particularly the stunningly white paper used for the plates. A monumental publication of the highest quality and one of the finest books of engravings of the 18th century.<br> <br> CONDITION REPORT<br> <br> FINE INTERNALLY for a large nearly 300-year-old folio.<br> <br> Exterior and binding: Firm binding hinges and joints. Spine and its gilt work remarkably well preserved heavy volumes such as this are often rebacked or with significant binding strain/issues. Board edge gilt work remarkably well preserved more worn on bottom edge from shelf rubbing. Leather is colorful and supple. Rubbing to boards with some scratches scuffing a few spots of dried white paint on rear board and some splotches of leather darkening. Lightly rubbed edges and corners quite scarce given the size and age. Amazingly the top edge is not darkened caused by layers of dust accumulation over many years in nearly all antiquarian books. This book has clearly been safely stored away from the sun and dust for hundreds of years. Quite beautiful with stunning shelf appeal. Recommend storing book on its side to reduce strain on the binding.<br> <br> Interior: FINE. Very light dust to endpapers quite scarce some toning to endpapers. Pages are white and bright and mostly quite clean aside from some light marginal finger soiling on occasion. Plates are well struck vivid and clean. Nearly all plates are beautifully FINE to VERY FINE VF when the pages are impressively as white as the day they were cut chiefly toward the latter half of the book. Only a few leaves with some toning/modest foxing. No foxing to an infrequent spot of foxing otherwise. A few leaves with small nicks/areas of very small loss to margin not affecting text. A cluster of bent page corner tips in the third part. A hole affecting the page numbers in an Apocrypha related leaf. Some other signs of light handling. No water dampening no worming no writing no ex libris marks no former owner bookplates.<br> <br> All in all a superior remarkably preserved collectible copy of one of the finest illustrated books of the 18th century.<br> <br> ABOUT THE ARTISTS<br> <br> Bernard Picart or Picard 1673 - 1733 was a French draughtsman engraver and book illustrator in Amsterdam who showed an interest in cultural and religious habits. Most of his work was book-illustrations for which he collaborated with local artists like Gerard Hoet and Arnold Houbraken. The illustrations were used in various publications including Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament 1728. <br> <br> Gerard Hoet 1648 - 1733 was a Dutch Golden Age painter and engraver. Gerard Hoet trained with his father and brother who were glass painters. in 1697 he founded a drawing academy in Ultrecht. During this period he painted decorations in leading homes of gentlemen in the Utrecht area. In 1715 he returned to The Hague where he spent the rest of his life often collaborating on drawing projects with Picard.<br> <br> Jacobus Houbraken 1698 - 1780 was a Dutch engraver and the son of the artist and biographer Arnold Houbraken 1660-1719 whom he assisted in producing a published record of the lives of artists from the Dutch Golden Age. Houbraken devoted himself almost entirely to portraiture and became quite famous often dubbed the Dutch Hogarth. Pieter de Hondt unknown
1775R240006078CHEZ VINCENT IMPRIMEUR LIBRAIRE. 1775. In-12. Relié plein cuir. Etat passable, Plats abîmés, Dos abîmé, Mouillures. 772 pages. Dos à 5 nerfs avec pièce de titre, caissons et tomaison. Mors fendus, coiffes en tête et en pied abîmée.. . . . Classification Dewey : 791.432-Artistes
1785AUB-4604Paris, chez Alexandre Jombert 1785 (nouvelle édition). Bel exemplaire relié, cartonnage d'époque, dos orné avec titres dorés, in-4, IV + 40 pages (texte sur 2 colonnes) + planches.
