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193320041933 Edité sous la direction de Jacques de Brunhoff, chez Jules Meynial, Paris , 1933. Grand in-4 broché, 95 pages. 48 iillustrations en noir dans le texte, 32 planches doubles hors-texte, tirées par l'imprimerie Coulouma en héliogravure bistre et noir de Iacovleff, le texte d'Elisséeff (éminent orientaliste)
1943148748Boston: Little Brown and Company 1943. First edition early printing of this biographical narrative based on the real-life heroism of Dr. Corydon M. Wassell basis for the classic film. Octavo original publisher's cloth. Presentation copy inscribed by Dr. Corydon M. Wassell at the top of the front free endpaper "To Lorene Welton. Kind regards. Com dr. C. M. Wassell M.C. U.S.N.R. Aug. 1943." Additionally signed on the front free endpaper and half-title page by his wife Madeline Wassell and the cast of the 1944 film adaptation including director Cecil B. DeMille actors Gary Cooper Laraine Day Carol Thurston Paul Kelly Signe Hasso Elliott Reid Dennis O'Keefe Barbara Britton Renny McEvoy Oliver Thorndike and others. Near fine in a very good price-clipped dust jacket. Jacket design by George F. Kelley. A unique example. The Story of Dr. Wassell by James Hilton is a biographical narrative that recounts the remarkable wartime service of Dr. Corydon M. Wassell a U.S. Navy physician who risked his life to save wounded American sailors during the Japanese invasion of Java in World War II. Hilton presents Wassell as a figure of moral courage and quiet heroism whose actions—defying evacuation orders to ensure the safety of his patients—earned him the Navy Cross and widespread national recognition. The story’s compelling themes of sacrifice and duty were further popularized by Cecil B. DeMille’s 1944 film adaptation starring Gary Cooper which brought Wassell’s exploits to an even broader audience and reinforced his legacy as a symbol of American wartime valor. Little, Brown and Company hardcover
1942003091CALIFORNIA: Paramount Studios 1942. Hammett Dashiell Author Stuart Heisler Director Joseph Latimer Screenplay Veronica Lake Alan Ladd Actors. ORIGINAL PRESSBOOK FOR "THE GLASS KEY." Los Angeles CA: Paramount Studios 1942. Original pressbook for the 1942 Film Noir classic film adapted from Dashiell Hammett's 1931 novel of the same name. Near Fine condition center fold barely visible trifling edge wear no cuts absolutely complete. Exceedingly scarce and a remarkable survival in this fresh original condition. From the collection formed by Robert Osborne erstwhile host of Turner Classic Movies. 14 pages 12.25 x 15 inches. . First Edition. Printed Wrappers. Near Fine. Paramount Studios paperback books
1979AMO-2530Dossier de presse pour le film Série Noire d'Alain Corneau (1979), avec Patrick Dewaere, Marie Trintignant, Myriam Boyer, etc. Photographies argentiques d'époque 24 x 18 cm, certaines avec montages calque en vue des recadrages etc. Affichette de présentation à la presse (couleur), feuillet dactylographié polycopié à destination des journalistes à l'occasion du XXXIIe festival international du film à Cannes (10 au 24 mai 1979), par Alain Corneau, Synopsis du film à destination des journalistes (dactylographié polycopié). Photographe de plateau : Etienne George. « Étienne a su saisir des instants de tournage rares » (Bertrand Tavernier). Ce dossier contient : - 1 affichette de présentation à la presse (en couleurs) imprimée recto/verso. Format 30 x 23 cm. - 1 feuillet polycopié à destination des journalistes pour le festival de Cannes 1979 - 1 synopsis du film polycopié à destination des journalistes - 6 tirages argentiques noir et blanc 24 x 18 cm avec calques de recadrage et indications. - 3 tirages argentiques en couleurs 24 x 18 cm (Patrick Dewaere et Marie Trintignant) - 1 tirage argentique noir et blanc 24 x 18 cm (Alain Corneau seul pendant le tournage) - 1 tirage argentique noir et blanc 24 x 18 cm (Alain Corneau avec P. Dewaere et Bernard Blier) - 7 tirages argentiques noir et blanc 24 x 18 cm (scènes du tournage) - 1 diapositive couleur 24 x 36 mm (Patrick Dewaere tenant le pistolet et tenant en joue la vieille) Franck Poupart (Patrick Dewaere), excentrique et imprévisible représentant de commerce, rêve d'une vie plus aventureuse. Quand sa femme Jeanne (Myriam Boyer) le quitte et qu'il perd son emploi après une nuit en cellule, il saute le pas : avec le soutien des beaux yeux de Mona (Marie Trintignant), une prostituée de 16 ans, il va commettre un crime. Il tue sa tante (qui est aussi sa maquerelle), lui vole ses économies (100 000 francs), et abat sur les lieux du crime un pauvre immigré au chômage, Tikidès, pour faire croire à un cambriolage qui a mal tourné. Mais quand Jeanne revient et que son patron Staplin (Bernard Blier) commence à avoir des soupçons, Franck, de plus en plus fou, se retrouve dans une situation ingérable. Il finira par étrangler sa femme et se faire voler son butin par Staplin. Mais qu'importe, il a eu ce qu'il voulait, une aventure et une femme, Mona. Le désespoir des personnages reste baigné d'une tonalité sarcastique et d'un humour surréaliste. "Difficile de trouver les mots, les phrases exactes pour décrire ce que l'on ressent physiquement après Série noire, tant on en sort épuisé, lessivé... Comme si l'on avait réellement participé à ce qui vient de se passer." (Bertrand Tavernier). Les photos de tournage sont là pour témoigner de ce road movie à la limite du surréalisme. Bel ensemble, peu commun. Important : Nous cédons le support uniquement (objet physique) et en aucun cas les droits de reproductions sur l'ensemble des photographies. La librairie L'amour qui bouquine ne peut être tenue pour responsable de l'usage qui est fait des tirages photographiques vendus. Ces tirages sont tous certifiés originaux d'époque (il ne s'agit pas de retirages modernes).
1930012910Paris 1930 In-12 agrafé, couverture illustrée
1985009559Paris Gallimard NRF 1985 In-4 carré Cartonnage toilé et jaquette illustrée de l'éditeur
1977AMO-2072François Truffaut / Charles Denner etc. Néstor Almendros (photographe). PHOTOGRAPHIES / L'HOMME QUI AIMAIT LES FEMMES. Ensemble de 15 tirages argentiques 25,3 x 20,2 cm noir et blanc. Papier Kodak. Tirages de l'époque, photos de presse non tamponnées au verso. Cote manuscrite au stylo au verso pour chaque photo (une seule photo n'est pas cotée). Excellent état (photographies très peu ou pas manipulées restées jusque là sous enveloppe). ON JOINT : 1 tirage identique avec annotations de tirage au verso. ON JOINT : Jeu B - 12 photos couleurs d'exploitation 27 x 21 cm, sous enveloppe. Complet. Excellent état, pas de trace d'affichage ni trous de punaise. Sortie en salle : 27 avril 1977 Synopsis : Bertrand est autant amoureux des femmes que de l'idée même de la femme. Pour lui, toutes les femmes sont uniques et irremplaçables. Elles sont à la fois l'œuvre de sa vie, son inspiration artistique et la cause de sa mort. Mais si Bertrand est un amoureux insatiable, c'est qu'une profonde blessure est restée en lui. Celle que lui a causé une mère distante et froide, tout d'abord, et dont il ne parviendra jamais à se faire aimer. Et puis celle que lui a infligé Véra en le quittant. Depuis que Véra est partie, Bertrand erre de femme en femme, les collectionnant pour ne pas s'y attacher. Une passion qu'il résume par ces mots : « Les jambes de femmes sont des compas qui arpentent le globe terrestre en tous sens, lui donnant son équilibre et son harmonie. » SUPERBE ENSEMBLE. Autres photos sur demande.
1902014590Paris Librairie Léon Vanier 1902 In-8 Broché
1993309442NY: DC COMICS. Fine with no dust jacket. 1993. First Edition; First Printing. Paperback. First edition. SIGNED in silver ink on front cover next to their portraits by actors Walter Koenig Mr. Chekov and by James Doohan 'Scotty'. Fine in stapled pictorial printed wrappers. 10" X 6 3/4"; 10" x 6 3/4"; Signed by Actor . DC COMICS. paperback
2 vols., 8vo., First Edition, with engraved portrait frontispiece (mildly age-soiled), some very light and inoffensive age-staining to text, neat pencilled nineteenth-century inscription of half-title of second volume; attractively bound in contemporary half calf, coarse-grain cloth sides ruled in gilt, backs with five raised bands, second and third compartments lettered and ruled in gilt, all other compartments framed and tooled in gilt, gilt edges, marbled endpapers, a very good, bright, crisp copy in wholly unrestored period binding. The UK edition is much scarcer than its US counterpart published in the same year, particularly as two volumes as originally issued. Kean died in 1833.
1960224801960. African America Film and Entertainment Photo Archive of Black Entertainers Musicians Actors & Comedy Figures 1950s-1970s including Otis Redding Dinah Washington and Brock Peters. An archive of 9 original gelatin silver and glossy studio prints black and white measuring 10" x 8". Produced for press and promotional use in the United States during the mid 20th century. This archive comprises promotional portraits of major and lesser known Black entertainers. Multiple framed headshots feature blues and soul music legends Otis Redding and Dinah Washington as well as veteran character actors Brock Peters Moses Gunn John Marriott Thomas Anderson and gospel composer Howard A. Roberts. Additional images include a staged comedy scene produced by Laff Records featuring two older Black men in comedic poses surrounding a man in drag and a candid interview style photo of an unidentified Black entertainer at a desk with rotary telephone.<br /> Otis Redding and Dinah Washington headshots capture their poised midcentury publicity style: Washington smiles hair pinned with flower and pearls exuding jazz elegance; Redding presents a three quarter confident gaze in a dark suit. Otis Redding and Dinah Washington were among the most influential African American vocalists of the mid-20th century each achieving extraordinary success in a tragically abbreviated career. Redding hailed as the "King of Soul" became a defining figure of Southern soul with hits like "These Arms of Mine" and "Sittin' On The Dock of the Bay" the latter recorded just days before his death in a 1967 plane crash at the age of 26. His electrifying performance at the Monterey Pop Festival expanded his appeal beyond Black audiences and cemented his place in American music history. Washington known as the "Queen of the Blues" and "Queen of the Jukeboxes" crossed genres from gospel to jazz to pop with chart-topping hits in the 1950s earning a Grammy Award and influencing generations of vocalists with her dramatic phrasing and interpretive command. She died of an accidental overdose in 1963 at just 39 years old. Though their styles differed-Redding's raw emotive soul contrasting with Washington's polished versatility-their shared legacies lie in the groundbreaking commercial and artistic success they achieved in a racially segregated industry and in the profound cultural loss their premature deaths represented.<br /> <br /> The archive also includes studio portraits of lesser-known but notable Black figures: Brock Peters who achieved both stage and screen fame including pivotal roles addressing race in American culture; Moses Gunn a prominent character actor and Shakespearean performer; John Marriott and Thomas Anderson performers whose careers bridged regional theatre and early television. These studio shots display Peters with contemplative expression; Gunn looking directly toward the camera with intensity; Roberts identified by "Howard Roberts" printed beneath his image alongside performing arts agency credit; Thomas Anderson and John Marriott similarly styled in classic studio poses. The Laff Records comedic photograph shows two older men flanking a man in drag. Laff Records was an LA-based imprint which produced raunchy comedy records by Black comic icons such as Richard Pryor and Redd Foxx and was a vital platform which elevated subversive Black expression in a time of segregation and censorship. The final print shows a Black man at a desk holding a telephone receiver-a press snapshot suggestive of an interview or managerial context. Minor toning to margins on two prints; small creases at corners of three; image clarity remains strong; agency or studio credits legible. Overall very good condition. unknown
1940225431940. Archive of original publicity and candid photographs of 20th-century Black entertainers ca. 1940s-1970s. 12 silver gelatin prints and half-tone publicity stills various sizes but majority are 8 x 10 in. several with photographer or agency stamps press captions or printed credit on versos or margins. This collection assembles portraits film stills and candid images of major African American performers whose careers spanned stage screen music and comedy during the mid-20th century-a period when Black entertainers broke barriers in Hollywood television and popular music often while confronting systemic racism in the entertainment industry.<br /> <br /> Identified in this group are: Isaac Hayes captured in a close-cropped press portrait with typed caption lauding his career as "composer singer actor black Moses of soul" at the height of his 1970s popularity; Harry Belafonte in a film still depicting him in a tense scene in 1959's film Odds Against Tomorrow; Sidney Poitier pictured in a still embracing Barbara Mcnair in the 1970 movie They Call Me Mister Tibbs; Dick Gregory the pioneering Black comedian and outspoken civil rights activist in a studio portraits; Moses Gunn known for his commanding stage presence and roles in films such as Shaft 1971; and John Marriott a veteran character actor of stage and screen seen in formal portrait.<br /> <br /> Also included are images of additional African American performers: a stylish mid-century nightclub or stage portrait of an unidentified singer in tuxedo; a sharply dressed man standing before a theater facade adorned with posters of entertainers including Kit Kara and Rio; and a candid street scene outside the famed Savoy Ballroom in Harlem showing two men shaking hands beneath the marquee at "600 Savoy 598." Smaller prints depict a saxophonist in performance and a lobby card for comedian Hot Ashes. Together these photographs trace a lineage of African American artistry across genres-popular music jazz theater film and stand-up-during an era when representation in mainstream media was both a political act and a cultural breakthrough. Light handling wear some corner creases and press crop marks; overall very good. unknown
1941152318New York: Grosset and Dunlap 1941. Hardcover. Later printing. SIGNED on the front endpaper by actors Tyrone Power and Joan Fontaine who starred in Anatole Litvak's 1942 film adaptation with a third inscription by radio personality Tom Breneman to the front pastedown. A contemporary owner annotation in holograph pencil to the front endpaper notes the book as a "'Gift from Sardis - June 5 1942.'"<br/><br/>Breneman hosted a popular morning radio show from 1941-1948 broadcast from Sardi's Restaurant on Hollywood Boulevard. The show underwent many name changes but was best known as "Breakfast in Hollywood" and featured unscripted interviews with contemporary stars including Jimmy Durante Andy Devine and Orson Welles.<br/><br/>Very Good plus in a Very Good dust jacket. Board edges lightly frayed with a small bump to the top fore-edge of the front board and a few tiny splashes to the top page edges. Jacket front flap is separated from the rear panel with a light dampstain to the rear flap fold and chips to the crown and top edge of the rear panel. Grosset and Dunlap unknown books
AQ22324Newcastle: W. Fordyce Printer s.d. c. 1820s Single leaf broadside edges uncut. A trifle creased and browned. An apparently unrecorded late Georgian playbill advertising three evenings of entertainment provided by a travelling troupe of actors in or around Newcastle including a performance of Church of Scotland minister John Home's 1722-1808 drama in blank verse Douglas. The play first performed in Edinburgh on 14th December 1756 found overwhelming approval with the general public despite having been rejected in London by actor and theatre manager David Garrick over concerns of taste. Not all found fault however Scottish philosopher David Hume said of Home; 'you possess the true theatric genius of Shakespeare and Otway refined from the unhappy barbarism of the one and the licentiousness of the other'. . Dimensions 150 x 230 mm. W. Fordyce, Printer, [s.d., c. 1820s] unknown
21935<p>Oblong 8 x 10 photograph GREAT CONDITION SIGNATURES GUARANTEED AUTHENTIC. Signed by Author. Unbound.</p>
18770011261877 Lyon, N. Scheuring, 1877. In-8 (150 X 217 mm) demi-maroquin rouge à coins, dos cinq nerfs filetés, titre doré, caissons richement ornés, date en queue, tête dorée, double filet doré sur les plats (reliure de l'époque) ; VIII-384 pages.
10134Paris : administration, rue de Lancry, (1854,) 2 vol.reliés en un fort volume in-4: Les Théâtres de Paris: Cinquante notices et portraits ht en lithographie en noir à fond teinté,sous serpente,avec notice imprimée par volume,soit 100 illustrations en lithographie à fond teinté ,ht .Les Folies-nouvelles. 1 vol. ; La Porte-Saint-Martin. 1 vol.100 signed sketches, each with separate pagination and portrait. Description: 2 volumes : color portraits ; 27 cm
1859RO40231965Amyot, Paris. 1859. In-4. Relié demi-cuir. Etat d'usage, Couv. convenable, Dos frotté, Quelques rousseurs. 528 pages. Gravure en noir et blanc en frontispice (portrait). Non illustré. Auteur, titre et filets dorés sur le dos. Epidermures sur le dos.. . . . Classification Dewey : 791.431-Acteurs
Amyot, Paris. 1859. In-4 Carré. Relié demi-cuir. Etat d'usage. Couv. convenable. Dos frotté. Quelques rousseurs. 528 pages. Gravure en noir et blanc en frontispice (portrait). Non illustré. Auteur, titre et filets dorés sur le dos. Epidermures sur le dos. Mademoiselle Rachel (Rachel FÉLIX) dans ses principaux rôles.
409p. illus. No. 28 of edition limited to 160 copies signed by the author. This copy has A.L.S. from author & playbill tipped in Hardcover Very good hinges rubbed 3/4 red calf
19573115006NP: Columbia Pictures. Very Good with no dust jacket. 1957. Poster. Original half-sheet film poster for this 1957 b-movie production. 19 1/4" X 13 3/4" Close to near fine on card-stock with fold at center. Traces of faint wear at margins. Blurb reads - "This Is a picture about DOPE!"; 8vo 8" - 9" tall . Columbia Pictures unknown
25354Copy of Macqueen-Pope’s letter: 15 May 1953. Circular: 27 November 1957; on letterhead of the Royal General Theatrical Fund Association 11 Garrick Street London WC2. See Wendy Trewin ‘The Royal General Theatrical Fund: a history 1838-1988’ 1989 and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen 15 May 1953 with three drafts of advertisement. 4pp 4to. On four leaves. The letter on the first page is somewhat grubby with rust spotting from paper clip the other three leaves each of which carries a proposed version of the advertisment in good condition lightly aged. The letter begins: ‘Dear Jack Allen / Herewith three rough samples for the proposed advertisement concerning the Fund. We should of course add the name of Leslie Henson as President wherever you think best. I will try and knock out a few more. They are intended as basic ideas only and can be altered by the Board or discarded altogether.’ He is ‘down with a sharp attack of bronchitis’ and is ‘Not by any means out of the wood yet’. He believes the ‘lack of new recruits’ is because ‘they do not think the Pensino good enough. People today think in very different terms of money to those we knew. And that I fear is our great problem.’ One draft begins: ‘You Belong to the / Most Precarious Profession in the World / You Cannot Do Anything about that / BUT / You Can Provide for Yourself and / Face the Future. last word deleted and replaced in MP’s autograph with ‘Years to Come’ / That is the reason for / The Royal General Theatrical Fund / It is the Profession’s Own Way of / Safeguarding the Future / Get into touch with the Secretary at / 11 Garrick Street. London W.C.2 / Phone / The Younger You Join the Less You Pay / And there is a Secured Income for you at Sixty / Not only that - you never lose what you have paid in. / Youth’s A Thing Will Not Endure - so Shakespeare said / but / The Royal General Theatrical Fund will take care of / Your Old Age.’ Another version begins ‘You Are Young Now. Old Age Seems a Long Way off. / But is it / You will be surprised how quietly and relentlessly it approaches. / Old Age is a serious thing to those who belong to / The Theatrical Profession.’ It ends ‘Privacy. Proficiency. Providence.’ TWO: Corrected draft of circular 27 November 1957. 1p 4to. Typewritten letter with list of ‘BUSINESS.’ Reads ‘Dear Sir or Madam / The usual monthly meeting of the Directors will be held here on Wednesday 4th December 1957 at 12 noon. / Trusting you will be able to be present / I am / Yours faithfully / J. MAYHEW ALLEN / Secretary.’ The ‘BUSINESS’ which include ‘ “My Fair Lady†benefit performance’ and ‘Elsie Coram’ have been deleted in pencil and replaced in MP’s autograph with ‘Wolfit / Robert Ormsby / Peter Ustinov / Richardson / Michael Redgrave’. Above this is written ‘Mrs Long’. After the body of the letter MP has written in ink ‘W. Macqueen-Pope Esq’. See Image. Copy of Macqueen-Pope’s letter: 15 May 1953. Circular: 27 November 1957; on letterhead of the Royal General Theatrical Fund As unknown
1933016008Paris Art & Action 1933 En feuilles
18853810Paris Librairie des bibliophiles 1885 in-16 demi-reliure à coins Paris, Librairie des bibliophiles, Jouaust [puis] E. Flammarion, 1885-1892. 8 volumes in-16, XIII - 169, XIV - 119, XIV - 129, XXVI - 154, VIII - 173, XIV - 136, XI - 170, X - 174 pp., 8 frontispices, reliures de l'époque de demi-chagrin brun à coins, dos à 5 nerfs ornés, têtes dorées.
2008858092008 Harry N. Abrams, New York, 1988 (édition originale), 303 p., cartonnage éditeur, une date et une signature manuscrites sur la page de titre, bon état.