Wood, BretAntiquariat.de
46 résultats
199024142New York, Westport, London : Greenwood, 1990. XIII, 364 S. : Mit wenigen Abb. ; Gr.-8° , schwarzer Org.-Leinen /black cloth
1993309442NY: DC COMICS. Fine with no dust jacket. 1993. First Edition; First Printing. Paperback. First edition. SIGNED in silver ink on front cover next to their portraits by actors Walter Koenig Mr. Chekov and by James Doohan 'Scotty'. Fine in stapled pictorial printed wrappers. 10" X 6 3/4"; 10" x 6 3/4"; Signed by Actor . DC COMICS. paperback
196534840New York: 1965. 1965. Very good. - A letter penned in dark blue ink filling a little more than one side of a sheet of Anne Jackson Wallach's blue 10-1/2 inch high by 7-1/4 inch wide personalized letterhead. There are a few light ink smudges to the letter with a small ink blot & red pencil notation at top right. Folded twice for mailing. Stapled to the letter is a carbon copy of a note about publishing part of the letter. Very good. <p>Anne Jackson Wallach and Eli Wallach were American film television and stage actors who often co-starred on and off Broadway. They were one of the best known acting couples in American theatre.<p>This is a splendidly impassioned letter addressed to Dick Ficks attacking a Saturday Evening Post article by James Atwater which hashed over at length the failure of "Has Anybody Here Seen Kelly" produced by Joseph E. Levine and David Susskind. The production ran one night and lost $650000. "What earthly good does it do to rehash mistakes and place blame Those of us who work in the theater know the odds when we sign contracts. Nobody sets out to fail. The most knowledgeable practitioners goof.Much more loot is invested in oil wells which are dry.trips to the moon which never come off.and wars which never pay off.why advertise the figures for a play which bombs"<p>The attached note is from a Post letters editor to LUV Press expressing her appreciation for the Wallachs giving permission to publish part of their letter. The Saturday Evening Post article appeared in the April 24 1965 issue. New York: (1965). unknown
20002111902153102165Shogakukan/Sunrise 2000. Soft Cover. Fine. Number of books: 1 Shogakukan/Sunrise paperback
19742091502135414099Fubai-sha 1974. Soft Cover. Fine. Number of books: 1 Fubai-sha paperback
1990021309Los Angeles: Screen Actors Guild 1990. Paper Back. Fine/No Jacket. 4to - over 9¾" - 12" tall. 78pp.; SC blue w/blk.no title on spine; fine conditon w/cleantight pgs. rules&contract. pub.circa1990 <br/> <br/> Screen Actors Guild unknown
199424464Westport, London : Greenwood press, 1994. XIV, 335 S. : Mit Abb. ; 24 cm , roter Org.-Leinen / red cloth
199124529Westport : Greenwood, 1991. XVI, 312 S. ; 8° , roter Org.-Leinen / red cloth
196110475Graz, Leykam, (1961). 149 S. Mit 17 Taf. Gr.-8vo. OLn. m. SU (dieser m. kl. Randläs.).
1977310240NP: UNITED ARTISTS. Fine with no dust jacket. 1977. Printed cards. Set of 8 full-color PHOTO STILLS. 8" X 10" All fine. A Michael Ritchie film based on Dan Jenkins novel. B . UNITED ARTISTS. unknown
1977310238NP: UNITED ARTISTS. 1977. One-sheet POSTER.27" X 41" Near fine folded in eights. Traces of light foxing at white margins. Hint of foxing at bottom of image Features actors Burt Reynolds Kris Kristofferson & Jill Clayburgh standing at the altar with both men attired in their football uniforms. A Michael Ritchie film. Suitable for framing. B . UNITED ARTISTS. unknown
19243114986NP: Warner Bros. Fine with no dust jacket. 1924. Photograph. On-set publicity PHOTOGRAPH from "How to educate a wife." 1924 Depicts actors Monte Blue and Marie Prevost hugging in bed with director Monta Bell in suit leaning into the shot. Fine. 7 1/4" X 9 1/2" White margins trimmed. Terrific behind the scenes publicity still. ; 7 1/4" x 9 1/2" . Warner Bros. unknown
194213610Wien/Leipzig, Wallishauser, (1942). 182 S. Mit 20 Textabb. u. 94 Abb. a. Taf.(davon 5 farb.) Gr.-8vo. Illustr. OPp.
197025537New York 1970. Paperback. Fine. Narrow little tri-fold leaflet containing a membership application a brief statement of aims and purposes and a list of officers directors and Advisory Board. 21cm. Formed to aid African American performing and creative artists in need. Membership was not restricted to actors or African Americans. <br/><br/> paperback books
197634721Futura Publications, London, 1976. 308 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 27,5 x 21 cm, kartoniert / Paperback
198134767n. p. 1981. One vertical and three horizontal creases from folding presumably for mailing purposes. Withal a Nr Fine copy. Broadside. Large photographic image to front. 40-1/2" x 27" <br/><br/> unknown books
196834768n. p.: Twentieth Century Fox Film Corp 1968. Several small photographic images and one large image divided into squares. Black title lettering printed to top left corner. Three horizontal creases from folding presumably for shipping purposes. Withal a VG copy. Broadside. 36" x 14" <br/><br/> Twentieth Century Fox Film Corp unknown books
196834770n. p.: Twentieth Century Fox Film Corp 1968. Several small photographic images and one large image divided into squares. Black title lettering printed to top left corner. One horizontal and vertical crease to broadside from folding presumably for shipping purposes. Withal a VG copy. Broadside. Oblong format. 28" x 22" <br/><br/> Twentieth Century Fox Film Corp unknown books
1940225431940. Archive of original publicity and candid photographs of 20th-century Black entertainers ca. 1940s-1970s. 12 silver gelatin prints and half-tone publicity stills various sizes but majority are 8 x 10 in. several with photographer or agency stamps press captions or printed credit on versos or margins. This collection assembles portraits film stills and candid images of major African American performers whose careers spanned stage screen music and comedy during the mid-20th century-a period when Black entertainers broke barriers in Hollywood television and popular music often while confronting systemic racism in the entertainment industry.<br /> <br /> Identified in this group are: Isaac Hayes captured in a close-cropped press portrait with typed caption lauding his career as "composer singer actor black Moses of soul" at the height of his 1970s popularity; Harry Belafonte in a film still depicting him in a tense scene in 1959's film Odds Against Tomorrow; Sidney Poitier pictured in a still embracing Barbara Mcnair in the 1970 movie They Call Me Mister Tibbs; Dick Gregory the pioneering Black comedian and outspoken civil rights activist in a studio portraits; Moses Gunn known for his commanding stage presence and roles in films such as Shaft 1971; and John Marriott a veteran character actor of stage and screen seen in formal portrait.<br /> <br /> Also included are images of additional African American performers: a stylish mid-century nightclub or stage portrait of an unidentified singer in tuxedo; a sharply dressed man standing before a theater facade adorned with posters of entertainers including Kit Kara and Rio; and a candid street scene outside the famed Savoy Ballroom in Harlem showing two men shaking hands beneath the marquee at "600 Savoy 598." Smaller prints depict a saxophonist in performance and a lobby card for comedian Hot Ashes. Together these photographs trace a lineage of African American artistry across genres-popular music jazz theater film and stand-up-during an era when representation in mainstream media was both a political act and a cultural breakthrough. Light handling wear some corner creases and press crop marks; overall very good. unknown
1960224801960. African America Film and Entertainment Photo Archive of Black Entertainers Musicians Actors & Comedy Figures 1950s-1970s including Otis Redding Dinah Washington and Brock Peters. An archive of 9 original gelatin silver and glossy studio prints black and white measuring 10" x 8". Produced for press and promotional use in the United States during the mid 20th century. This archive comprises promotional portraits of major and lesser known Black entertainers. Multiple framed headshots feature blues and soul music legends Otis Redding and Dinah Washington as well as veteran character actors Brock Peters Moses Gunn John Marriott Thomas Anderson and gospel composer Howard A. Roberts. Additional images include a staged comedy scene produced by Laff Records featuring two older Black men in comedic poses surrounding a man in drag and a candid interview style photo of an unidentified Black entertainer at a desk with rotary telephone.<br /> Otis Redding and Dinah Washington headshots capture their poised midcentury publicity style: Washington smiles hair pinned with flower and pearls exuding jazz elegance; Redding presents a three quarter confident gaze in a dark suit. Otis Redding and Dinah Washington were among the most influential African American vocalists of the mid-20th century each achieving extraordinary success in a tragically abbreviated career. Redding hailed as the "King of Soul" became a defining figure of Southern soul with hits like "These Arms of Mine" and "Sittin' On The Dock of the Bay" the latter recorded just days before his death in a 1967 plane crash at the age of 26. His electrifying performance at the Monterey Pop Festival expanded his appeal beyond Black audiences and cemented his place in American music history. Washington known as the "Queen of the Blues" and "Queen of the Jukeboxes" crossed genres from gospel to jazz to pop with chart-topping hits in the 1950s earning a Grammy Award and influencing generations of vocalists with her dramatic phrasing and interpretive command. She died of an accidental overdose in 1963 at just 39 years old. Though their styles differed-Redding's raw emotive soul contrasting with Washington's polished versatility-their shared legacies lie in the groundbreaking commercial and artistic success they achieved in a racially segregated industry and in the profound cultural loss their premature deaths represented.<br /> <br /> The archive also includes studio portraits of lesser-known but notable Black figures: Brock Peters who achieved both stage and screen fame including pivotal roles addressing race in American culture; Moses Gunn a prominent character actor and Shakespearean performer; John Marriott and Thomas Anderson performers whose careers bridged regional theatre and early television. These studio shots display Peters with contemplative expression; Gunn looking directly toward the camera with intensity; Roberts identified by "Howard Roberts" printed beneath his image alongside performing arts agency credit; Thomas Anderson and John Marriott similarly styled in classic studio poses. The Laff Records comedic photograph shows two older men flanking a man in drag. Laff Records was an LA-based imprint which produced raunchy comedy records by Black comic icons such as Richard Pryor and Redd Foxx and was a vital platform which elevated subversive Black expression in a time of segregation and censorship. The final print shows a Black man at a desk holding a telephone receiver-a press snapshot suggestive of an interview or managerial context. Minor toning to margins on two prints; small creases at corners of three; image clarity remains strong; agency or studio credits legible. Overall very good condition. unknown
1996Q-0813108772University Press of Kentucky 1996-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! University Press of Kentucky paperback
19573115006NP: Columbia Pictures. Very Good with no dust jacket. 1957. Poster. Original half-sheet film poster for this 1957 b-movie production. 19 1/4" X 13 3/4" Close to near fine on card-stock with fold at center. Traces of faint wear at margins. Blurb reads - "This Is a picture about DOPE!"; 8vo 8" - 9" tall . Columbia Pictures unknown
1959KINO0331nUDSSR 1959 Mosfilm. gr.-4°, 16 S. mit Bild- u. Text, abgegriffen, flex., Foto-OU., Deckeln starkaufgebogen. Ein Film des georgischen Regisseurs der mit seinem Film "Wenn die Kraniche ziehen" die Goldene Palme bei den Film-Festspielen Cannes gewann.
20003084897Pittsburgh: University of Pittsburgh Press 2000. XX, 339 Seiten. Gr. 8° (22,5-25 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].
19233115263NP: Goldwyn Film Corporation. Fine with no dust jacket. 1923. Photograph. Publicity PHOTOGRAPH of actors Claude King & Maude George in a scene from the reportedly lost film "Six Days." Fine with trimmed borders. 7" x 9" Identifying snipe afixed to blank reverse. ; 7" X 9" . Goldwyn Film Corporation unknown
