165 résultats
Grand palais 1988, in-4 broché, 235 pages. Beau catalogue d'expoisition avec de nombreuses photos en couleurs. Bel état.
in-4° 255 pages abdt ill. in-t. en noir et en couleurs, index, relie pleine toile decor ed., jaq. ill. Expositions nationales, universelles et internationales - Grands magasins - Interieurs - L'art de la table - La mode - Bijouterie et joaillerie - De l'esthetique au design, Très bel exemplaire. [P-31] Etiquette collée en page de titre sinon bel exemplaire.
Album in-4° carré, 256 pages abdt ill. in-t. en noir et en couleurs, index, cartonnage sous jaquette ill. Léger accroc à la jaquette sinon bel exemplaire. [P-59]
New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In English. [v], 422 p., color and b/w ills., 1 folding plan. The cultural heritage in the towns of Birecik, Halfeti, Suruç, Bozova and Rumkale. Contents: THE CULTURAL HERITAGE HERITAGE IN THE VICINITY OF BIRECIK. A. TOMBS: (Art Historian Ceren Erel). BIRECIK CENTRAL SUBDISTRICT DORUCAK (SEYH BEKIR)., VILAGE SEYH (SHEIKH) BEKIR TOMB.; BIRECIK CENTRAL SUBDISTRICT (AYRAN VILLAGE).; SEYH (SHEIKH) SOLHE TOMB. B. GRAVEYARD (Art Historian Abdurrahman Sener). AYRAN VILLAGE GRAVEYARD. THE HISTORY OF HALFETI AND ITS VICINITY. THE CULTURAL HERITAGE OF HALFETI . MERKEZ (CENTRAL) MOSQUE ; THE MASJID and THE TOMB of ÇEKEM QUARTER.; LATIFZADE BATH (Dr.Erdal ESER).; BEY (EMIR) MANSION (Ass.Prof.Dr. Mustafa AKPOLAT) MUHITTIN GANNECI HOUSE "THE HOUSE WITH A BATH" CEKEM QUARTER GRAVEYARD (Art Historian Ahdurahman SENER) THE CULTURAL HERITAGE IN THE SURROUNDINGS OF HALFETI.; CENTRAL DISTRICT. SAVASAN (BILSEUR) VILLAGE CHURCH (Dr. Meryem ACARA ESER),; SAYLAKKAYA VILLAGE. IBRAHIM HALILULLAH (CHURCH) MOSQUE., KALKAN VILLAGE, KANTARMA FIELD HAN.; THE HISTORY OF SURUÇ AND ITS VICINITY: THE CULTURAL HERITAGE OF SURUÇ: GREAT MOSQUE.; AHMEDI BICAN MOSQUE., THE CULTURAL HERITAGE IN THE VICINITY OF SURUÇ.; ZIYARET VILLAGE SEYH (SHEIKH) MUSLUM COMPLEX., SEYH (SHEIKH) NAM. CEMETERY, SEYH (SHEIKH) NASRULLAH TOMB KARA VILLAGE GRAVEYARD. SEYH (SHEIKH) SALMAN TOMB. KARADUT VILLAGE, ANONYMOUS TOMB.; KARADUT VILLAGE MILL.; THE HISTORY OF BOZOVA AND ITS VICINITY. (TEN DOMES) SEYH:ALI BABA TOMB.; (SHEIKH) MOFTAH TOMB.; (SHEIKH) CEMALEDDIN TOMB.; SEYH (SHEIKH) SAFI TOMB.; SIMI (SHEIKH) HASAN BABA TOMB.; (SHEIKH) ARIKLI TOMB AHMED (SHEIKH) MUHAMMAD ALI NARIM TOMB SEYH (SHEIKH) ABDULLAH TOMB SEYH (SHEIKH) CESIM TOMB ANONYMOUS TOMB (PILGRIMAGE).; F. RESIDENCES: TURSUN (SHEIKH) MUSLIM HOUSE HÜSEYiN OZATES HOUSE HACI FAKIH HOUSE OSMAN DEMIR VINEYARD HOUSE MUNICIPALITY CULTURAL CENTER HARRAN VOCATIONAL HIGHER EDUCATION (THE OLD COLLEGE)., G. COVERED PASSAGES / KABALTI.; 1. Vaulted Passages: MIRKELAM STREET COVERED PASSAGE ASAF BEY BLIND ALLEY COVERED PASSAGE 2. Covered Passages with Wooden Roofs: KARABARA. STREET COVERED PASSAGE MIRES BLIND ALLEY COVERED PASSAGE.; H. CITY WALLS.; RAMPARTS (FORTIFICATIONS) CITY GATES URFA GATE MEGAN GATE MEYDAN (SQUARE) GATE.; I. CITADEL / FORTRESS (Dr. Meryem ACARA ESER).; J. GRAVEYARDS (Art Historian Abdurrahman SENER) K. THE MILL.
Creasing to spine. Rear DJ flap creased. Minor shelfwear. ; Oversized ; Paris Musées; 10.6 X 8.2 X 1.0 inches; 302 pages
New New English Original bdg. Dust wrapper. 4to. (34 x 24 cm). In Turkish. 479 p., color ills. A very heavy volume. A comprehensive study on Urartu jewels. Urartu takilari.
Architecture, sculpture, gems, coins, jewellery, metalwork, pottery and vase painting, glass, furniture, textiles, paintings and mosaics. 424p. illus (some col) bibliography. index.Map on end pape. Name of previous owner, else as new. Book
Light edgewear to wraps. Minor foxing. Light shelfwear. ; Publication on ancient jewelry of ancient Anatolia. ; 237 pages
Barcelona, 1987, 21 x 21 cm., 290 págs. con ilustraciones en negro y láminas en color.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This is a sale catalog for an auction held at Christie's Geneva on May 21, 1992. Sale code: CARTIER. There were 270 lots in the sale. All illustrated in color. Essay by Vivienne Becker. Prices realized sheets, included. 11" high X 8" wide, 183 pages. This book will be securely packed and shipped with tracking.
New Turkish Original bdg. HC. 4to. (28 x 20 cm). In Turkish. 128 p., color ills. Osmanli dönemi Gaziantep kuyumculugu. 1000 copies were printed. Jewelry in the Gaziantep city in the Ottoman period.
This is a very good hardcover copy in a very good dust jacket with just light wear. Completely clean inside and out. This is the first French edition published by Editions du Regard in 1984. Text in French. 156 illustrations including a color plate section. Bibliography. Chronology. 12" high X 9" wide, 292 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with almost no wear. Completely clean inside and out. Text entirely in Russian. Catalog of an exhibition held June 19-October 18, 1998 at the Gosudarstvennyi Ermitazh. Illustrated throughout in color and black & white. Includes bibliographical references. Checklist of exhibition has 449 works catalogued. Each object in the checklist has a black & white photograph with its' description. Additionally many color plates in the catalog. 11" high X 9" wide, 266 pages.This book will be securely wrapped and sent with tracking.
New English Paperback. Pbo. Oblong 4to. (24 x 31 cm). In English and Turkish. 311 p., color ills. Jewel. Enamelled and jewelled objects from the Sadberk Hanim Museum Collection.= Cevher. Sadberk Hanim Müzesi Koleksiyonundan mineli ve murassa eserler. [Exhibition catalogue]. The "Jewel" exhibition, which has been organised this year on the occasion of the 35th anniversary of Sadberk Hanim Museum, presents enamelled and jewelled objects in the Turkish-Islamic Section of the museum. The exhibits reflect Ottoman tastes in objects set with diamonds, emeralds, rubies and other precious stones, and exquisitely crafted enamelled artefacts. They include objects for a wide variety of uses, such as belt buckles, writing boxes, pen cases, spoons, coffee cup holders, mastic jars, sherbet cups, pocket watches, fans, fly whisks, tobacco pipes, snuff boxes, brooches, Ottoman decorations and slippers. Throughout history glittering gold and silver objects studded with precious gems have been one of the most eye-catching manifestations of imperial splendour. Apart from the surviving jewelled objects themselves, archive documents, the writings of Ottoman authors and foreign travellers, contemporary paintings and miniatures demonstrate the extensive use of precious metals and gems to adorn items ranging from book bindings to costume in Ottoman culture. As in many Ottoman period arts and crafts, jewelled objects reveal a distinction between the work of court artists and ordinary craftsmen. Since the jewelled and enamelled objects in the Sadberk Hanim Museum collection tend to follow court tastes, most of them were evidently used and worn by people in or close to court circles. They display a wide diversity in terms of function, and although the majority date from the late Ottoman period, overall they cover a broad time span from the 17th century to the 20th century, and include some produced in Europe for the Ottoman market as well as those produced in the Ottoman Empire over this period. First Edition. TURKISH AND ISLAMIC ART Ottoman art Jewelery Gold Silver Diamond Collection Object Antique.
This is a very good softcover copy with just light cover wear. Completely clean inside and out, but tiny hard to see title inked in on spine. This catalog was prepared to accompany the travelling exhibition that circulated through Germany, Austria and Switzerland in 1978-79. Short texts by Elisabeth Rucker and Inge Asenbaum. Half of the show was devoted to Wiener Werkstatte jewellery and silverwork from 1904-08, the second half of the show presented Austrian jewellery and silverwork from the 1970's. About 100 pieces in the Wiener Werkstattte part of the show, designed by Josef Hoffmann, Carl Otto Czeschka, Koloman Moser, Otto Prutscher, E.J. Wimmer, among a dozen others. The Austrian jewellers from the 1970's included Gerhard Bogner, Anna Heindl, Fritz Maierhofer, Gert Mosettig, Manfred Nisslmuller, Wolfgang Rahs, Veronika Schwarzinger, and Peter Skubic. Each designer has at least a few pieces, some more illustrated. Many works illustrated, most in black & white, many in color. 10" high X 9" wide. The cover is a striking black & white geometric design taken from Josef Hoffmann.
A bit of foxing to DJ and textblock and endpapers. Else faint shelfwear. Dustjacket is protected in mylar. ; 10.8 X 8.5 X 0.9 inches; 256 pages
New English Paperback. 4to. (28 24 cm). In English and Turkish. 141, [1] p., color and b/w ills. Gem and craft in pursuit of the artisans of Grand Bazaar.= Cevher ve zanaat: Kapaliçarsi ustalarinin izinde. [Exhibition catalogue]. "This book is the product of the efforts to bring into view masters as the transmitters of a living tradition of unique and creative distinction and the desire to uphold this tradition. The exhibition was designed to offer a modern perspective on jewelry design by unveiling the mystery of the workshops of the last generation of masters that continue to produce using traditional techniques and contribute infinitely to the character and essence of Kapalicarsi (Grand Bazaar) Jewelry-Production. The conceptual backbone of the exhibition, on the other hand, is based on the results of the academic research project "The Relationship between Craftsmanship, Design, and Innovation in the Context of Intangible Cultural Heritage as the Source of Creative Economy: The 'Living Human Treasures' of Grand Bazaar" supported by TÜBITAK.
28 pages. Describes beautiful projects you can make with FIMO modelling material. Projects include: roses, belt buckles, various jewellery, pictures, and much more. Excellent colour photography. Book
70 pages. Features: Cast a Second Glance at Aluminum; Popeye - A Hero for All Ages; Stamp Boxes - Works of Art; Seldon Seen, Seldom Found; BBC Antiques Roadshow bring their experts to Canada; Victoria Garnet Jewellery; Tea as it should be.... in Wedgwood; and more. Moderate wear. Clean and unmarked. A sound copy. Magazine
186 pages with index and many colour plates. Previous owner's shiny gold owner's sticker on front cover. Vast properties, countless pieces of priceless jewellery, art treasures, a string of thoroughbred racehorses - these form but a small part of the Windsor fortune. "Andrew Morton's study of the royal loot stands out because it is based on shrewd, honest digging." The Guardian. Book
Flammarion 1992, In-folio relié cartonnage éditeur sous jaquette illustrée, 199 pages, nombreuses photos. Très bon état.
187pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultäten der Albert-Ludwigs-Universität zu Freiburg im Breisgau), stamp at verso of title page, text is clean and bright, good condition, S109206
Paris, Edition Assouline, 1996. in-8, cartonnage et jaquette illustrée, 80 pp. Belle édition illustrée en noir et en couleurs. L'auteur est architecte et écrivain. Il est égalemment grand reporter au magasine Elle.
359pp., avec de nombreuses illustrations (pour la plupart en couleurs) 29cm., reliure cart. d'éditeur, jaquette illustrée, bon état, ISBN 88-8491-018-8, S96747
New English Paperback. Demy 8vo. (21 x 14 cm). In English. 256 p. The dynamic process of identification of action and interpretation consists in interdependence between the social world and its mental model with its intellectual and emotional context. People do not relate to nature directly but do so through symbolic interpretations where symbols represent and stand for nature or any object of perception. Thus, the main issue seems to be the relation between symbols and that which is symbolized, what symbols stand for and how this relation is established. Whatever other function sign and symbol may fulfill, it is clear that they make it possible for human individuals to send and receive messages, and therefore to establish relations between each other and consequently make all kinds of human groupings and cultural constructions possible. Establishing identities of objects through acts of identification composes one dimension of this process of creating the world of culture. The question of the origin of Islamic art and the nature of the forces and principles which brought this art into being must be related to the worldview of Islam itself, to the Islamic revelation, one of whose radiations is directly the sacred art of Islam and indirectly the whole of Islamic art through jewellery. This work offers a comprehensive yet complex study on the matter.