165 résultats
Paris, Payot 1952. In-8 broché couverture illustrée de 256 pages. 11 croquis et 9 photographies de l'auteur. Histoire, cristallographie, performances esthétiques, taille, gisements, prospection, essai de reproduction synthétique, origine naturelle. Très bon état
Paris, C. Ash, Sons & Co., s.a. (finales del Siglo XIX), 21 x 14 cm., 103 págs. con 68 figuras intercaladas – 6 láminas en colores.
This is an about fine hardcover copy without dust jacket as issued, with virtually no wear. Completely clean. Text in FRENCH. Illustrated throughout in color. The Musee Calouste Gulbenkian has a room (recently reopened) devoted exclusively to Rene Lalique. René Lalique (1860-1945) and Calouste Sarkis Gulbenkian (1869-1955) met in the mid-1890s. The museum's collection consists of almost two hundred pieces purchased by Calouste Gulbenkian directly from René Lalique, between 1899 and 1927. Most of the jewellery is in the art nouveau style. Bibliography. 12" high X 9" wide, 397 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Paris, Éditions Chronos, s/f. Numerosas ilustraciones en color y b/n. s/n. 4º mayor. Tela editorial ilustrada, cubierta y lomo con dorados. Muy buen ejemplar.
Mm 255x360 "Utile agli orefici - ai gioiellieri - ai cesellattori - ai disegnatori ed altri amatori di cose artistico-industriali adottato nelle scuole d'Arte applicata all'Industria". Volume senza indicazione della data, ma sicuramente pubblicato tra la fine dell'ottocento o i primissimi anni del novecento. Robusta rilegatura in tela con etichetta in pelle applicata al dorso, contenente 100 tavole originariamente pubblicate sciolte. La tavola n. 5 presenta uno strappo con restauro di alcuni centimetri che non comporta problemi all'immagine, peraltro il volume è in buone condizioni. Opera di difficile reperibilità. Spedizione in 24 ore dalla conferma dell'ordine.
Mm 180x250 Volume in copertina rigida, 93 pagine con numerose figure in nero e a colori nel testo redatto in italiano ed inglese - english-italian texts. Condizioni del libro: NUOVO - NEW. Spedizione in 24 or e dalla conferma dell'ordine.
Paris, H. Floury, 1906-1908. Trois volumes in-4 (19 x 28,5 cm), brochés, couvertures illustrées et rempliées, Volume 1 :[4 ff. deux premiers blancs), 383 pp.,(2 ff), Volume 2 : [2 ff]-336 pp+ X pp table des gravures et table des matières. Volume III et dernier : (337) pagination continue avec le tome 2-810 pp. EDITION ORIGINALE de cet ouvrage majeur du grand bijoutier et historien de l'art Henri Vever (1854-1942) donnant la toute première histoire du bijou français durant tout le XIXè siècle. “ L’auteur parle de choses qu’il connaît bien, pour les avoir pratiquées lui-même. Bijoutier, fils et petit-fils de bijoutier, il a utilisé pour son étude, non seulement son expérience personnelle, mais aussi ses souvenirs et les indications que, dans sa propre famille et autour de lui, il a pu recueillir de la bouche même de témoins contemporains des époques qu’il décrit. Mais il a tenu à les contrôler et à les compléter, en s’entourant de documents patiemment et judicieusement rassemblés, de telle sorte que le lecteur assiste, pour ainsi dire, à l’évolution du bijou français pendant le XIXe siècle” (prospectus de parution)."; Edition originale tirée à 1000 exemplaires celui-ci N° 134 imprimé pour M. Alexandre LEGRAND et enrichi d'un envoi autographe de Henri Vever à A. Legrand. La publication est divisée en trois volumes; Le premier concerne la période allant de 1800 à 1850 (Consulat - Empire - Restauration - Louis Philippe), le second couvre la période du Second Empire allant de 1850 à 1870, et le dernier porte sur la période de La troisième République. Table des gravures dans et hors-texte. T1 : 363 gravures. T.2 et 3 : 793 gravures. BEL EXEMPLAIRE.
Grand palais 1988, in-4 broché, 235 pages. Beau catalogue d'expoisition avec de nombreuses photos en couleurs. Bel état.
Creasing to spine. Rear DJ flap creased. Minor shelfwear. ; Oversized ; Paris Musées; 10.6 X 8.2 X 1.0 inches; 302 pages
in-4° 255 pages abdt ill. in-t. en noir et en couleurs, index, relie pleine toile decor ed., jaq. ill. Expositions nationales, universelles et internationales - Grands magasins - Interieurs - L'art de la table - La mode - Bijouterie et joaillerie - De l'esthetique au design, Très bel exemplaire. [P-31] Etiquette collée en page de titre sinon bel exemplaire.
Paris, Garnier s.d.[+/- années 1920's?], 403pp.avec 199 fig.dans le texte, bon état
New Turkish Original bdg. HC. 4to. (29 x 20 cm). In Turkish. [ix], [1], 197 p., color and b/w ills. and plans. Kültür varliklariyla Kemah.
152pp., rijkelijk geïllustreerd in zw/w en in kleur, in-4, gebroch., catalogus van tentoonstelling (Gent, Museum voor sierkunst, 28 juni - 15 okt. 1986), goede staat, S86061
Barcelona, 1987, 21 x 21 cm., 290 págs. con ilustraciones en negro y láminas en color.
This is a fine softcover copy with no wear at all. Completely clean inside and out. Prices realized sheets included. This is a sale catalog for an auction held at Christie's Hong Kong on November 1,2, & 3, 1999. Sale codes: Jewels Without Reserve, Holly- 2021; Important Watches, Mistletoe- 2020; Jewellery and Jadeite Jewellery, Juniper- 2022. These were three separate auctions. Jewels Without Reserve had 497 lots. Important Watches had 145 lots. Jewellery and Jadeite Jewellery had 320 lots. All lots illustrated in color. 11" high X 8" wide, 335 pages. This book will be securely packed and shipped with tracking.
This is a fine two volume set with fine dust wrapper with no wear at all. Completely clean no marks to lots or illustrations. These are two sale catalogs for auctions held one after the other in New York by Christie's on October 15, 2008. The sale code for Jewels the New York Sale was VISION-2040. The sale code for Jewels Superb 20th century Jewels from an American Collection was MOONSTONE-2253. There were 85 lots in the first sale and 110 lots in the second sale. All illustrated in color. Both sales had rare art deco masterpieces by Rene Boivin, Tiffany, Cartier, Van Cleef & Arpels, Schlumberger etc. 11" high X 8" wide, 164 & 156 pages. Large heavy books, foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Didier Limited in London in 2015. The exhibition presented the jewelry of about 35 goldsmiths. Illustrated throughout in color. Bibliography. 10" high X 8" wide, 80 pages. This book will be securely packed and shipped with tracking.
Ex-library stamp to front wrap. Wraps browned. Blindstamp of Margaret Fairbanks to inner cover. Small corner of rear wrap torn. Wraps pulling away from staples. ; Limited edition of 2000 copies.
Numerous illustrations
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This is a sale catalog for an auction held at Christie's Geneva on May 21, 1992. Sale code: CARTIER. There were 270 lots in the sale. All illustrated in color. Essay by Vivienne Becker. Prices realized sheets, included. 11" high X 8" wide, 183 pages. This book will be securely packed and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This is a sale catalog for an auction held at Christie's Geneva on May 27, 1993. Sale code: CARTIER-1148. There were 233 lots in the sale. All illustrated in color. Essay by Diana Scarisbrick. No prices realized sheets, just price estimates for each lot. 11" high X 8" wide, 156 pages. This book will be securely packed and shipped with tracking.
410 pages. Bibliography. Extensive index. Profusely illustrated primarily with black and white and some colour plates. "With the exception of a chapter dealing with Egyptian jewellery, I have confined myself solely to Europe. The work falls into four main divisions. The first deals with the jewellery worn during classical times, and until the ninth century of our era. The second treats of the jewels of the Middle Ages. The third is devoted to the jewels of the Renaissance, and the fourth includes those of subsequent times." - from Preface. Rebound in sturdy red buckram library binding. Original backstrip and cloth from front board preserved. Usual library markings. Average wear. A sound copy of this excellent reference. Book
New English Paperback. Pbo. Oblong 4to. (24 x 31 cm). In English and Turkish. 311 p., color ills. Jewel. Enamelled and jewelled objects from the Sadberk Hanim Museum Collection.= Cevher. Sadberk Hanim Müzesi Koleksiyonundan mineli ve murassa eserler. [Exhibition catalogue]. The "Jewel" exhibition, which has been organised this year on the occasion of the 35th anniversary of Sadberk Hanim Museum, presents enamelled and jewelled objects in the Turkish-Islamic Section of the museum. The exhibits reflect Ottoman tastes in objects set with diamonds, emeralds, rubies and other precious stones, and exquisitely crafted enamelled artefacts. They include objects for a wide variety of uses, such as belt buckles, writing boxes, pen cases, spoons, coffee cup holders, mastic jars, sherbet cups, pocket watches, fans, fly whisks, tobacco pipes, snuff boxes, brooches, Ottoman decorations and slippers. Throughout history glittering gold and silver objects studded with precious gems have been one of the most eye-catching manifestations of imperial splendour. Apart from the surviving jewelled objects themselves, archive documents, the writings of Ottoman authors and foreign travellers, contemporary paintings and miniatures demonstrate the extensive use of precious metals and gems to adorn items ranging from book bindings to costume in Ottoman culture. As in many Ottoman period arts and crafts, jewelled objects reveal a distinction between the work of court artists and ordinary craftsmen. Since the jewelled and enamelled objects in the Sadberk Hanim Museum collection tend to follow court tastes, most of them were evidently used and worn by people in or close to court circles. They display a wide diversity in terms of function, and although the majority date from the late Ottoman period, overall they cover a broad time span from the 17th century to the 20th century, and include some produced in Europe for the Ottoman market as well as those produced in the Ottoman Empire over this period. First Edition. TURKISH AND ISLAMIC ART Ottoman art Jewelery Gold Silver Diamond Collection Object Antique.
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, very minor tarces of storage and no bumping to corners. 79pp. Learn how to make distinctive fused glass jewellery using silver or gold wire wrapping techniques to produce spectacular personal adornments.
Mm 245x290 NUOVO. Volume in copertina flessibile con alette, 160 pagine con figure in nero e a colori lungo l'intero testo. "Esposizione permanente del Tesoro di San Lorenzo, restaurato e raccolto nell’antica sede della Compagnia del Santissimo Sacramento. Posto in perfetta corrispondenza con la Sacrestia Vecchia, l’ambiente è parte del dedalo di sotterranei sul quale sorge la basilica costruita nel Quattrocento da Filippo Brunelleschi, gli stessi sotterranei che ospitano le spoglie di Donatello e di Cosimo il Vecchio"
