180 résultats
1792aff-rev-2991792 50,5X40,5
1775005756Paris [Londres] S.n. 1775 In-12 Demi maroquin rouge à coins
176745831Geneve, 1767. Original blue cardboard binding with contemporary handwritten paper title-label to spine. Pencil-numbering to inside of boards. A very nice and clean copy. Woodcut vignette to title-page. With the ex-libris of the notes Danish book collector K.F. Plesner to inside of front board.
176761751No place nor printer 1767. 8vo. In contemporary marbled paper covered board. Small paper-label pasted on to top of spine. Light wear to extremities internally nice and clean. 4 60 pp. <br/><br/><em>Rare second edition of this work on governance and statecraft. Barbier III 84c5. </em> unknown
176761751(No place, nor printer), 1767. 8vo. In contemporary marbled paper covered board. Small paper-label pasted on to top of spine. Light wear to extremities, internally nice and clean. (4), 60 pp.
1765250754Nuremburg 1765. 1 vols. c. 14" x 9 ". Fine. 1 vols. c. 14" x 9 " Great Flower Books p.75; Women of Flowers p. 73. Great Flower Books p.75; Women of Flowers p. 73 <br/><br/> unknown
1779ST19371Madrid: Imprenta Real 1779. FIRST EDITION. 235 x 150 mm. 9 1/4 x 6". 10 p.l. 126 XL pp. 1 leaf errata. <br/> EXCELLENT CONTEMPORARY CRIMSON MOROCCO BY DEROME LE JEUNE his ticket with address of Rue St. Jacques on verso of front free endpaper covers framed with thick and thin gilt rules raised bands spine compartments with central floral sprig surrounded by a lozenge of small tools volute cornerpieces gilt titling gilt-rolled turn-ins gilt edges cobalt blue paste-paper endpapers. WITH SIX CHARMING ENGRAVED ALLEGORICAL PLATES after G. Ferre. Front pastedown with morocco bookplate of Mortimer L. Schiff and small book label with a gilt cipher on a red peach. A Large Paper Copy. Palau y Dulcet IV 107; RSIM B VI 429; MGG VI 1403 f.; Gregory-Bartlett I 129. Three minute dents to front board a hint of wear to bands and corners isolated faint foxing blank recto of frontispiece leaf and blank verso of final leaf with faint blue shadown from endpapers but all of these quite trivial and otherwise A BEAUTIFUL COPY--fresh clean and bright internally with very wide margins and strong impressions of the plates and in a lustrous binding showing with few signs of use.<br/> <br/> This is surely one of the handsomest poetical treatises on music ever produced and it is offered here in a binding done by one of the finest craftsmen working in Europe during the period of the book's publication. The work is written in the "silva" form of poetry used by persons of high rank illustrated with fine engravings and put into elegant morocco by the finest hands among the large Derome family of binders. According to Palau our first edition is "beautiful and printed on fine paper." He says further that although the strongly expressed opinions of the youthful author on contemporary composers caused the work to be "unfairly attacked" it was "appreciated by professors of music and collectors of literature in that genre" especially in Italy and America. A child of the Enlightenment Iriate 1750-91 gained entry to intellectual and artistic circles in Madrid through his uncle who was librarian to the king of Spain. He translated works by Horace and Virgil into Spanish by royal request and wrote criticism poetry and dramas. He is best known for his satirical fables on the contemporary literary scene "Fábulas literarias." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th but by far the most distinguished family member was Nicolas-Denis called "le jeune" 1731-88. Known for the gracefulness of his bindings and for being capable of "amazing delicacy" in Hobson's words Derome le jeune was simply the leading binder of the day and his work was much in demand. Because he refused to turn away customers Derome was forced to hire a number of assistants whose work he could not always supervise closely. However Thoinan says that the binder's best work is indicated by the presence of his ticket as here. The volume's provenance adds to its luster: it was in the distinguished library of American bibliophile Mortimer Schiff 1877-1931. In Dickinson's words Schiff a financier and philanthropist Schiff "brought together an unrivaled collection of decorative bindings." His library included works by great printers important illustrated books and works printed on vellum but chiefly fine and historic bindings. The "Reliures" database of the Bibliothèque Nationale de France commends Schiff for assembling "one of the most important inter-war libraries" noting that his collection was "renowned for its collection of French bindings.". Imprenta Real unknown
1775038076Rome Circa 1775 1775. 1st Edition 1st Printing. No Binding. Very Good. Original Etching . Original Etching Trimmed To 3/16" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. <br/> <br/> unknown
17527865Prag, Johann Carl Hraba, 1752. 4 Bll., 136 S., 3 Bll. (Register). 1 Kupfer-Frontisp. und 15 Kupfertafeln. Gr.-8°. Ldr. der Zeit auf 5 Bünden mit Rückenschild (beschabt und etw. bestoßen, oberes Kapitel mit kl. Einriss, kl. Bibliotheksschidchen am vorderen Deckel).
1745316296London: Thomas Astley 1745. Engraving. 4 x 13-1/4 inches. Creased from prior folding a few wormholes soiling and foxing. Engraving. 4 x 13-1/4 inches. Engraving showing "Negro Canoas carying Slaves aboard at Mansrow" extracted from A New Collection of Voyages and Travels 4 vols London: Thomas Astley 1745-7. <br/><br/> Thomas Astley unknown
1726CAT000635London: J. Nicholson 1726. Third Edition. Hardcover Full Leather. Very Good Condition. Half red leather over marbled boards marbled endpapers. In text illustrations and 2 plates 1 folding. A wealth of information on livestock from belching in cattle to vvhezing in horses distilling bees home remedies etc. Old Lawes Trust stamp to title scattered foxing. Size: 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Farming & Rural Life; Cooking Wine & Dining. Inventory No: CAT000635. J. Nicholson hardcover
1762249483Paris: de l'Imprimeries de H.L. Guerin & L.F. Delatour 1762. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. Contemporary drab wrappers uncut . Fine. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. From Description des arts et métiers. de l'Imprimeries de H.L. Guerin & L.F. Delatour] unknown
1783H291Frankfurt am Main: Johann Gottlieb Garbe 1783. First printing. Hardcover. Good. First edition 1783 12mo bound in late 19th century cloth backed boards 336 pp good copy with light library treatments bookplatles blindstamp on title page text VG and clean some tanning and foxing. The author 1723-98 was a German jurist politician and journalist. Johann Gottlieb Garbe hardcover
177726884London England: Printed for the Company of Stationers 1777. Twenty-two issues of this yearly British almanac bound in one volume; consecutive and inclusive from the 1777 issue to 1797. These are printed in red & black have the tax stamps on the margins of the title pages and are of 32 pages' length with exceptions or notes as below: 1782: On page 31 the section "VI Rebus by Mr. R. Richardson of Frosterly" has been solved with the manuscript letters & names of clues neatly written at the margins. 1786: pgs 1-2 15-32; However another issue is bound after this incomplete issue that is entire in 48 pages. These almanacs are noted on the title pages as printed for the Company of Stationers; and this "extra" issue is noted on the title page as "Printed for T. Carnan in St. Paul's Church Yard; who after an expensive Suit in Law and Equity by the unanimous Opinion of the Judges of the Court of Common Please dispossessed the Stationers' Company of their pretended exclusive Privilege of Printing Almanacks which they had usurped for two Centuries; a convincing Proof that no unjust Monopoly will ever stand the Test of an English Court of Justice." 1788: pgs 1-2 15-32 only. 1793 Misbound pages out of order and complete 32 pages. 1795: A name of "Old Batholomew" has been added in ms. at the 4th Sept. in the monthly almanac pages section. 1797 pgs 1-16 only. "The existence of the Ladies' Diary or the Woman's Almanack an 18th century English magazine devoted largely to problems and puzzles in mathematics indicates that stereotypes about the inability of women to understand and enjoy mathematics were less strongly believed in the 18th century than they are today.The Ladies' Diary became one of the widely read 18th century magazines devoted to the popularization of science and mathematics; these were addressed mainly to readers with no specialized training in the subjectsThe Ladies' Diary differed from these others primarily in the language used in some of the problems--language which reminds the reader that the problems were addressed to women" from the excellent overview of the magazine its influence & impact by Teri Perl San Francisco State Univ. Historia Mathematica 6 1979 article on the 'Diary' Indecipherable by us previous owner name on back endpaper.Approx. 4" x 6 3/8" size; bound in marbled-paper covered boards leather corners edges tinted yellow; spine covering gone; wear to the edges tips of the binding; bottom cord of top board let go; the block still solidly sewn some edges trimmed close; contents generally clean and in good condition. . First Edition. Hard Cover. Good. Printed for the Company of Stationers hardcover books
178343848Lyon: chez Jean-Marie Bruyset Pere & Fils. A. 1783. 12mo. 17x 9.5cm Volume 5. In original full mottled calf real raised bands panels ornated full gilt decorated marbled endpapers edges stained red in contemporary binding style some wear on the edges hollow binding with the rear marbled endpaper re-used to line the hollow out recess which continue from page 30 the back interior box glued. – When opened the interior hollowed recess is not noticeable however the book is uncommonly light in very good sound condition. very good. These hollow book boxes were common before after the second war in the book stals on the banks of the Siene. They were made from broken sets which were common in that era and were considered a great keepsake in the growing tourist trade. As a bookseller you never had any money to hide away however we did keep the cash register float in a book box made from a small folio “Boy’s Own Annual 1912†for about forty years shelved with the reference and bibliography section behind the counter until it fell apart in complete exhaustion. chez Jean-Marie Bruyset Pere & Fils. A. unknown
1720NC0225E. Curll 1720. hardcover. Acceptable. 0x0x0. London 1720; rebound in brown leather covered boards; corner and spine edge wear; 12mo - over 6 3/4" to 7 3/4" tall; new end papers; Previous owner's name on front end papers; lightly foxed; coffee colored discoloration at hinges pages original front end paper fading through 225; From the library of ABAA bookseller Tom Nicely; 320 pages. E. Curll hardcover
1720540914London: Printed for E. Curll 1720. Hardcover. Good. First edition. Octavo. xix 5 320 8pp. eight-page publisher’s catalogue at the back. Illustrated with an engraved frontispiece portrait and three engraved plates one of which shows images of sign language. In the original calf with blind tooling on both covers neatly re-backed in 19th century calf with a red spine label and wove endpapers. The boards are darkened and worn at the corners four text leaves are slightly creased some intermittent toning about very good. The author of this popular account of an enterprising deaf-mute has been attributed both to William Bond and Daniel Defoe and has yet to be resolved in favor of one or the other. A scarce copy of the first edition in the original boards ESTC T69700. OCLC locates only two copies. Printed for E. Curll hardcover
1758H6IG81I49TLCSaxony 1758. 8vo. Brown morocco Lyon ca. 1900 with gold-tooled turn-ins marbled end-papers headbands and ribbon marker in green red and yellow gilt edges signed by Louis GUÉTANT. With title-page printed in red and black and 16 numbered double-page engraved plates. 87 pp. First edition in French published one year after the first German edition of the first work attributed to David Cranz missionary in the Moravian United Brethren best known for his 1765 description of Greenland. The present work gives a history of the United Brethren their beliefs and their practices both in Europe and in their missions in America. The church was established in 1457 but the book concentrates on its history since its establishment in Herrnhut Saxony near the Moravian border under Count Nikolaus Ludwig von Zinzendorf in 1722. Under his guidance the church set up their mission in Greenland in 1733 and a 1747 act of Parliament under George II granted them permission to practice their religion freely in the British colonies in America. The illustrations show ordination induction baptism communion marriage exorcism an agape feast and other activities in the Moravian Church as well as their missionary work among black slaves in the West Indies 2 plates American Indians probably in Pennsylvania and native Greenlanders.With the gold-stamped leather armorial bookplate of Noé de Salvert. In very good condition with occasion light marginal foxing. The beautiful binding by the deluxe binder Louis Guétant active in Lyon ca. 1895-ca. 1920 is in fine condition with only a couple scratches on the back cover. A rare and important primary source for the Moravian United Brethren with remarkable plates of Greenland Eskimos American Indians and black West Indian slaves.l Brunet I col. 1258; James Ford Bell B-426; Sabin 7935 see also 97851 & note before 97846; KVK 3 copies; BN-OPALE plus 2 copies; Kirchenlexikon XVI cols. 324-336; not in Arctic Bibliography; Barbier; Church; Eberstadt; JCB; Quérard; Streeter. ABE CAT Alaska Canada & Greenland hardcover
1712000749London: W. Taylor 1712. 16 416pp. Full contemporary panelled calf later rebacked and recornered in a lighter toned leather raised bands spine in six panels new endpapers. Small gouge to front board with some loss to leather. Endpapers have later nineteenth century inscriptions small tear to fore-edge of ffep internally browned foxed and occasionally stained not affecting sense with old marginalia in pencil to many pages. "A translation of La Guerre dEspagne which is largely fictitious; generally attributed to Gatien Courtilz de Sandras but also attributed by some authorities to Gabriel Alphonse de Sassenage" Estc. Estc T171988 showing only National Library of Scotland and New York Public Library with this edition. Second Edition. Full Calf. Good. 8vo. W. Taylor Hardcover
1763116905briasson david le breton durand 1763 in-folio A Paris, chez Briasson, David, Le Breton, Durand, 1763, 1 volume grand in-folio de 260x410 mm environ, complet des 233 planches et du texte explicatif. Pleine reliure d'époque, dos à six nerfs portant titres et tomaisons dorés, caissons ornés, encadrement des plats à froid, coupes filetées, tranches rouges, gardes de papier marbré à la coquille. Reliure en mauvais état mais exemplaire solide et intérieur frais : coiffes absentes, mors fendus, importantes épidermures.
17723909Amsterdam: Gerrit Warnars and Petrus den Hengst 1772. Contemporary marbled calf gold-tooled spine and board edges red sprinkled edges. 4to. With an engraved frontispiece a small engraved illustration by Noach van der Meer II on both title-pages 4 folding engraved plates of the old theatre; 5 folding engraved plates of the new theatre all engraved by the publishers after designs by Van der Meer and 1 by Simon Fokke. 2 works in 1 volume. Large-paper copies of the first editions of two works on the schouwburg theatre of Amsterdam the first on the old theatre which burned down in 1772 and the second on the new theatre which was built on the Leidseplein and finished in 1775. The large engraved plates show the exterior of the new theatre together with the surrounding buildings and with people on the foreground and the interior of both the theatres the balconies and stages. Two plates depict the old theatre going up in flames and another plate shows the ruins. The text gives a history of both the theatres including a description of the building process the restorations and renovations the staff the stage equipment lightning decor hoist tools costumes etc. and also including a vivid description of the fire. The first work is often ascribed to Jan Fokke but both works are also frequently ascribed to Myndert de Boer who wrote the long poems in both works.With bookplates. Binding rubbed along the extremities slightly worn at the head and foot of the spine. The plate of the external fire with a large tear some occasional spots and stains but otherwise in very good condition.l Van Aken III p. 65 & 70; Muller Historieplaten 4253a & 4283a; cf. Sluijter-Seijffert "De Amsterdamse schouwburg van 1774" in: Oud Holland XC 1 1976 pp. 21-64. Gerrit Warnars and Petrus den Hengst, unknown
17161469Haarlem: Weduwe van Hermanus van Hulkenroy 1716. Early 19th-century marbled boards with a paper title label on the spine. 4to. With an etched frontispiece an etching of a mermaid on the title 2 folding etchings 2 full-page etchings and 21 etchings in the text all after Adriaen van Ostade. Further with musical annotation to all songs. First edition of a rare Dutch songbook with songs for farmer's festivals all with musical annotation. The work has been beautifully illustrated with etchings after the famous Dutch painter of country life Adriaen van Ostade 1610-1685. The fine etchings newly made and in reverse present an exemplary survey of Van Ostade's work showing busts of peasants women on their way to the market carrying baskets farmers smoking merry parties dancing in front of the farm a knife-grinder a schoolmaster etc. Together they give a lively impression of country life.The work was published anonymously but has been attributed to either Jan van Gijsen 1668-1722 or Aäron van Hulkenroy 1687-1733. Van Gijsen was a popular author who wrote a large number of occasional poems. His collected works were published at Amsterdam in three volumes in 1707-1711 but the present selection was probably published only once partly with the address of the Widow of Van Hulkenroy and partly with the address of J. van Egmont who had also published the collected works. Aäron van Hulkenroy was the son of publisher Hermanus van Hulkenroy and took over the publishing company after both his parents had passed. He was also a poet who wrote various poetry collections which were always published by his mother or later himself. The present work has been attributed to him because the very first poem on the verso of the half title is signed with his initials.The boards and spine are rubbed with some loss of material at the lower outer corner of the front board. The leaves and plates are somewhat foxed a small tear in the margin of first folding plate has been repaired on the back. Otherwise in good condition.l Goovaerts 1011; Cat. Muziekhist. Museum Scheurleer II p. 92; Scheepers I 284 "Hoogst zeldzaam"; Scheurleer Liedboeken 199 lists both 1716-issues; STCN 154032301; cf. Hollstein XV pp. 1-70 for the etchings; NNBW 8 col. 648 Gijsen and NNBW 4 col. 790 Hulkenroy; not in Arents Tobacco. Weduwe van Hermanus van Hulkenroy, hardcover
177458119Graz, ohne Verlag bzw. Drucker, 3. August 1774. 4°. 8 nn. Bll., Heftstreifen.
1793340029Dublin: J. Exshaw L. White and Wm. Jones. Poor. 1793. Ex-library. Hardcover. Ex-library copies with ink stamps on each title page and at least two other pages of each volume. Library name impressed on the covers along the spine edge. Covers are detached but present. Rear cover of Volume Two is missing. Covers are rubbed with general edge and corner wear. Pages are slightly browned. Volume One: front blanks and title page are detached but present. Title page and first few leaves have holes from insect damage to the lower margin. ; In two volumes complete. Attributed to Charles John Ann Hereford or Rev. John Adams. The library which ownes this set put Adams on the spine. . J. Exshaw, L. White, and Wm. Jones hardcover
1793elala892London: Printed For C.&G.Kearlsey 1793. 1793. 3 Volumes. 8vo. pp. xii 1 leafads 455; x 491 5ads; viii 439 39index. contemporary sprinkled calf gilt backs front cover of Vol. I detached several joints cracked lacking spine labels. First Edition. 1st Edition. Hardcover. London: Printed For C.&G.Kearlsey, 1793. Hardcover