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111 pages. Many reproductions of archival black and white photos. A series of articles by Andrew Baird which appeared in Western Miner magazine and are now compiled into book form. Baird left his native Australia and spent sixty years in the Klondike. He acquired fifteen claims on Sulphur Creek and for ten years carried on an individual placer mining operation - so he knows of what he writes. Moderate wear. Unmarked. Binding tight. A sound copy. Book
Madrid, El Progreso Editorial, 1892. 4to.; 2 hs., 253 pp. Impresión en papel superior. Ejemplar con envío autógrafo de Balaguer a Eduardo Vidal y Valenciano. Primera edición. Encuadernación original en tela estampada.
Mm 255x315 La moneta a Roma e in Italia, III. Fotografie di Saskia van Stegeren. Volume cartonato, legatura editoriale in tela, astuccio in cartoncino nero, 239 pagine, ricco apparato iconografico a colori. Libro in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Bound, blue-greenish cardboard, illustrated dustjacket in color, 175 x 250mm., 112pp., profound colour illustration. ISBN 8842206881. Italian text. In good condition.
Ferrara, Associazione Ferrarese per la Protezione degli Animali, 1926, 8vo spillato, pp. 38
Madrid, Imprenta de Don Miguel de Burgos, 1837. 12vo.; VIII - 82 pp. Bella edición en pequeño formato. Encuadernación de época en piel, con lomera ornada y tejuelos.
Madrid, por Ibarra, 1821. 4to. menor; portada, XVI pp. ,240 pp. y 99 pp. Manchas en tres páginas. Ejemplar carente de la lámina retrato. Encuadernación moderna en media tela.
Madrid, Imprenta de Gaspar y Roig, Editores, 1852 (y) 1851. Dos volúmenes en un tomo en 4to. mayor; VI - 316 pp. y 202 pp., 2 hs. Ilustraciones entre el texto. Impresión a doble columna. Encuadernación de época, en media piel.
(Codice VF/1302) In 8º 15 pp. Giganteschi cumuli di scorie prodotte dalle miniere del Transvaal (DUMPS): sabbia, limo, roccia. Con 18 foto e 1 cartina. Stralcio brossurato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
Pamplona, 1946 [Separata de "Principe de Viana"]. 4to. mayor; 35 pp. Cubiertas originales.
Madrid, Ediciones La Ballesta, 1965. 4to.; 262 pp., y siete láminas. Cubiertas originales.
Madrid, Ediciones de la Vicesecretaría de Educación Popular, 1942. 4to. menor; 115 pp., 2 hs. Cubiertas originales.
Madrid, Instituto de Estudios Madrileños, 1958. ("Temas Madrileños"). 4to.; 35 pp. Cubiertas originales.
Madrid, Editorial Colón, 1930. 4to.; 63 pp. y una lámina. Cubiertas originales.
Barcelona, Juan Flors, Editor, 1963. 4to. menor; XIII pp., 213 pp., 1 h. y dos láminas. Cubiertas originales.
Barcelona, Selecciones Bibliófilas, 1949. 4to. menor 309 pp., 6 hs. Edición limitada y numerada de 300 ejemplares impresos en papel de hilo. Cubiertas originales.
Madrid, Instituto Santo Toribio de Mogrovejo, 1951 ["Bibliotheca Missionalia Hispanica"]. 4to.; XXXI-510 pp. Cubiertas originales.
German Text. Bussum, 1981; paperback, pp. 96, b/w and col. ill., cm 23x29. deutsch paperback
softcover geillustreerde kartonomslag, 225 x 290mm., 96pp., zeer mooie en uitgebreide illustratie in z/w en kleur. Nederlandse vertaling van het in 1976 verschenen werk. Uitvoerige verklaringen en beschrijvingen bij de afbeeldingen bieden de lezer een uitgebreid overzicht van de goud- en zilverkunst uit de voorbije eeuwen. In goede staat.
(Codice CV/2023) In 16° 158 pp. Prima edizione. Illustrato con 71 belle foto a colori. Legatura similpelle editoriale rossa, titolo oro. Ottimo. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
Zaragoza, Institución Fernando el Católico, 1952. 4to. alargado; 127 pp., y 8 láminas fuera de texto. Cubiertas originales.
Salamanca, 2004. 4to. menor; 209 pp. Ilustraciones. Cubiertas originales.
Volume di pp.di pp. 277, cartonato rigido, legatura non originale muta, testo ben fruibile.
Flexibinding, 128pp., 21.5x29cm., illustr. troughout, new. German / English text. ISBN 9783897903463. Petra Zimmermann occupies a unique position among emerging contemporary jewellery artists: she shares their exciting approach to the subject of jewellery and the quotable adoption of the pop culture label for defining the auteur jewellery concept in which she succeeds, this time through historical reference. The artist draws on past encounters with costume jewellery from the previous century for her rings, bracelets and brooches. Comprised of bright, colourful synthetic forms, these objects receive a framework in which their artificial appearance contrasts to the dusty splendour of the historic costume jewellery. Beguiling pieces of jewellery emerge, which combine the present fascination for glamour with an element of progression, thus referencing the costume jewellery as an essential component in the production and construction of glamour in the portrait photography of the Hollywood diva. In her latest series of works, the artist uses mass media images of models, floral motifs, architecture and design objects which broaden her scope of cultural and social interpretations. Thus behind the visual opulence of her work, she succeeds in handling relevant aesthetic and social themes in her pieces; relevant for a generation that no longer struggles against traditional conventions, but that negotiates much more in an increasingly complex environment in the search for personal and historical coherence.
In-8 (cm. 21.60), brossura editoriale illustrata (tracce d’uso), pp. 174, (2), con illustrazioni in bianco e nero fuori testo ed alcune nel testo. In buono stato di conservazione (good copy).