490 résultats
18215Le maréchal est en uniforme militaire, avec képi de maréchal et une seule décoration, la médaille militaire ; le portrait se détache sur un fond semé de feuilles de chêne et dessous, la signature Ph. Pétain.
17054St Etienne, Imprimerie Waton, 1899, in 8° relié demi-basane verte , dos lisse orné de filets dorés, 287 pages ; 237 figures et 9 planches hors-texte ; dos insolé.
2010LFA-126718464Une revue de 32 pages, format 240 x 155 mm, brochée, illustrée
192019646angers Editions de l'Ouest 1920 in-8 broché un volume, broché (paperback) grand in-octavo, dos et couverture imprimés en noir, 1ère de couverture rempliée ornée d'une illustration en couleur (vert, rouge, argent et or) représentant les Armoiries des Cordiers et celles des Tisserands d'Angers par R. Jussaramo, toutes tranches non rognées (all no-smooth edges), orné de 52 photographies in et hors-texte en noir + 10 portraits hors-texte en noir + 11 plans hors-texte en noir dont 4 dépliants (plentifully illustrated), 311 pages, 1920 à Angers Editions de l'Ouest Editeur, Gründ Editeur,
201011752Strasbourg, Les editions Ronald Hirlé, 1994 ; in-4, 72 pp., cartonnage d'éditeur avec jaquette. Comme neuf.
38064P., Institut National de Sécurité pour la Prévention des Accidents du Travail et des Maladies Professionnelles, sans date (1953), in 8° broché, 139 pages ; 103 figures.
195859253New York: The Macmillan Co. 1958. 8vo. xii 225 1 pp. With over 350 text illustrations weaving diagrams sketches and photographs. Black publisher’s cloth white & blue lettering & decoration minor rubbing shelfwear w/ d.j. cover art by The Strimbans using handwoven textile by Virginia D. Aldridge minor shelfwear minor chipping head & foot of spine slight scuffing still VG/VG copy from library of Agnes Parsons w/ the original advance order form folded and laid-in. First edition of one of the scarcest and most significant manuals for handweaving in the Mid-20th Century. Following World War II and with increasing interest in designing and weaving textiles the author demonstrated the basic principles of cloth construction by focusing on harness-controlled patterns and four-harness fabrics. Frey 1893-1972 began as an occupational therapist in woodworking at the U.S. Army’s Walter Reed Hospital and began learning and teaching handweaving as well as training her students to construct weaving looms. After moving to New York she worked in the textile industry and later opened her own design studio taught weaving and by 1940 was one of the co-founders of the New York Guild of Handweavers whose first year’s weaving programs focused on studying Native American Weaving of the Cherokee Tribe. See: Diane Kirschner History of the NY Handweavers Guild 2022; The Macmillan Co., hardcover
188262704Elbeuf Paris Berlin London & Chicago IL: L. Bertin Printing Office Levasseur March 1882 - Aug. 1882. Ten parts in one vol. Thick tall 8vo. With 96 of 98 tipped-in fabric swatch samples with the text a couple partially clipped by previous owner 3 thread samples and 169 pennant-shaped samples out of 181 1 additional woven-in to No. 654 series 12 removed divided amongst 30 different plates each installment featuring 3 numerous woodcut engraved diagrams weaving diagrams illustrations plates extra-illustrated with 5 additional engraved plates of Jacquard Loom & Power Loom weaving equipment. Half-calf over burgundy-coloured cloth gilt lettering on spine marbled endpapers rebacked preserving original spine edgewear creasing still VG exemplar. First editions in English of this series of periodical installments issued for weavers designers and fashion houses in the 19th-Century featuring the latest patterns instructions new and original designs shadings and dye-lots for woolen textiles. Originally published either weekly or bi-weekly these very ephemeral textile sample installments and weaving instructions were issued by subscription and heavily used and often most of the fabric samples removed along with the plates in order to offer specific hands-off patterns for workers setting up looms and weaving. In addition samples provided the latest dye lots of fashionable fabrics for women and men’s clothing with emphasis in the first few issues present here on use and settings for the Jacquard Loom. No. 646 for the April 30 1882 issue includes brilliantly dyed samples encompassing such vivid jewel colours in red pink green blue and browns. These fabrics also provide an essential tactile and visual reference for the latest textiles in production during the Gilded Age in both Europe and America. Worldcat locates only runs and partial runs of the 45 vols. originally issued in French German English & Italian in the Bibliotheque Nationale Issues at BN in English for Summer Season 1876-1877. L. Bertin, [Printing Office Levasseur], hardcover
192757304Fall River MA: Dover Press 1927. 8vo. 160 pp. w/ errata slip bound-in before the ffep. With 83 weaving patterns 128 tipped-in fabric & weaving samples in assorted fabrics numerous illustrated ads for textile mills and textile mill weaving machinery. Gray-blue cloth black lettering on front cover & spine thumbing & soiling to covers darkening to spine ex-lib markings on endpapers still VG copy. First edition of this well-written and illustrated work intended to aid aspiring weavers and textile manufacturers on designing and weaving of cotton fabrics. This volume carefully outlines how to use graph paper to chart out certain weaving patterns what steps have to be taken to produce certain weight cotton fabrics continually referring to the included samples as they compare to the text diagrams. The supplied fabric swatches range from Tobacco cloth to Brassiere and Lingerie as well as Umbrella Muslin Sheeting Gingham Duck Oxford Denim Sateen Seersucker and many other cloths. Nichols 1872-1945 was the longtime principal and trustee for the Bradford Durfee Textile School in Fall River MA and Broomhead 1861-1956 primary weaving instructor. Dover Press, hardcover
195959254Goteborg Sweden: Wezata Forlag 1959. Tall 8vo. 128 pp. Colour plates weaving patterns & designs photo illustrations text diagrams throughout. Quarter-beige cloth over colour-illustrated boards black lettering on spine minor shelfwear slight rubbing to lower fore-edges still NF copy signed by author on ffep. First edition in English signed of this exceptional and influential Mid-20th-Century work on Swedish handweaving and design. Selander heavily influenced American weavers not only with her Weaving patterns 1956 and the present title but her extended workshop and lecture tour in 1960 through 28 cities. Not only did she introduce techniques of colour blending of strands to enrich the colour pallet but also advised on how to design their own cloth patterns. See: Marion Marzolf The Swedish Presence in 20th-Century American Weaving Textile Society of American Symposium Proceedings 314 2006. Wezata Forlag, hardcover
189749394Philadelphia: Textile Publishing Co. 1897. Tall 8vo. 324 pp. Over 1500 text illustrations diagrams weaving diagrams numerous illustrated ads. Black pebbled cloth gilt lettering on front cover & spine minor shelfwear slight rubbing w/ notes clippings & postcard laid-in from the library of Elisa Serin b. 1887 silk weaver married to Maurice Serin foreman of the Allentown PA plant of Broad Silk Mills. Early printing of this scarce and important guide intended to provide reference for 19th-century weaving students and textile manufacturers. Posselt 1858-1921 emigrated from Austria after managing his father’s textile mills and was a designer in mills all over New England and Pennsylvania. He became the first director in 1884 of the first successful textile school in the U.S. and later became editor of the Textile Record of North America the foremost journal on textile design and manufacturing at the end of the 19th-Century. Although his many works on textile machinery and manufacturing are now primarily of historical interest this well-illustrated work on weaving and loom design is still relevant and considered some of the most important books on textile design ever published. See: Ralph Griswold Emanuel Anthony Posselt 2004. Textile Publishing Co., hardcover
1983812681983 Québec, Editions Leméac, 1983, in 8° broché, 256 pages ; couvtrure illustrée.
202600596Lyon, Société anonyme de l imprimerie a Rey , 1925 ; in-4, 288 pp., cartonnage de l'éditeur. Les 2 volumes. En 2 volumes reliure amateur toilé marron.
1890238771890 une photographie originale albuminée en noir, D'UN TISSERAND TRAVAILLANT SUR SON METIER EN (1890), format : 12 x 17,5 cm ,
2014810982014 L'Auteur, 2014, grand in 8° relié demi-toile rouge, plats illustrés de l'éditeur, 324 pages ; illustrations in et hors-texte.
201309484Paris, Editions de la société anonyme de publications industrielle, 1928 ; in-8, 807 pp., cartonnage de l'éditeur.
198360317New York; Watson-Guptill Publications 1983. Thick 4to. 527 1 pp. 400 illusts 4 colour plates 170 photos. Brown boards gilt lettering on spine slightly cocked w/ d.j. cover art of woven rugs slight shelfwear rubbing NF/NF copy from the library of Ruth Emerson Zilk 1924-1998 noted Portland weaver and daughter to Lynn Emerson d. 1985 renowned vocational educator of Cornell University. Eighth printing of this informative and well-illustrated work on woven textiles. Please note that cover art on later printings differs from 1969 original. Watson-Guptill Publications, hardcover
190162585Paris: Imp. Garjeanne 21 Boulevard du Temple 1901. 8vo. 62 pp. plus 2 pp. publisher’s advertisements for the “L’Independent†loom. With 50 text illustrations and diagrams. Green-tinted softcovers cover art of young woman seated weaving a tapestry on an “Independent†loom minor chipping to corners some age toning to the paper still a VG- copy. First edition of this fin-de-siecle manual targeting weaving and decorative arts work by young women on how to assemble prepare for weaving and then weave Gobelins style tapestries and Savonnerie style knotted pile carpets. Loisel has included instructions on loom structure knotting loom patterns colours and more. Worldcat locates 1 copy Bibliotheque Nationale. [Imp. Garjeanne, 21, Boulevard du Temple], paperback
3315Paris : n.p. n.d. Text in double columns within decorated woodcut borders. Page 1 is a front wrapper; bound into recent marbled boards; some browning and marginal staining. One of the earliest books on the construction and operation of a textile machine that fashioned hosiery. This invention introduced in the mid-eighteenth century contains the oldest known drawing of a hosiery-knitting device. The text which describes all the working parts of the machine and how to assemble it also gives detailed instruction on its operation. The remarkable plates are keyed to the text with a beautiful illustration of a hosiery maker's workshop. n.p. unknown
190019623Vaals-Aachen on the Dutch-German border 1900. Oblong folio 24 x 32 cm. Höhere technische Schule für Tuchfabrikation Contemporary beige half cloth sewn on 2 cloth tapes with a hollow back black cloth sides title in gold on the front board tissue interleaving tipped in between the leaves. Manuscript in German written in black ink in a neat and legible Latin hand on paperboard leaves comprising short instructional texts and about 2000 colour-coded weaving patterns and small samples of woven cloth mounted on both sides of the leaves. 2 blank 117 1 blank pp. Unique course in cloth weaving as taught in a German-language technical school probably carefully noted down by one of the pupils and beautifully illustrated with nearly 2000 weaving patterns drawn on grid paper with the various threads colour-coded and accompanied by hundreds of samples of woven cloth both the patterns and the cloth samples mounted on the leaves. Most pages contain primarily patterns and samples with only brief captions but the occasional longer text sometimes run over a few pages. This German text provides an explanation of the patterns and their colour-coding the various kinds of cloth and the weaving process. Many of the patterns are shown in red black and white but some add yellow and/or blue a few use brown and a few use only red and white or only black and white. The weaving patterns and cloth samples are numbered as 1214 figures but many numbers include two patterns or samples and some as many as five and occasionally a number has been accidentally repeated. There are also at least 80 unnumbered patterns and samples.The title's reference to the school in "Vaals-Aachen" probably means it was situated in Vaals but served German speakers in both communities. The area around Aachen had produced cloth for centuries but after an economic depression in the mid-19th century it emerged and became known for its textile manufacturing by the 1880s. The present manuscript course forms a rich and splendid example of the thorough education its young people received in technical schools for a career in the cloth industry around 1900.A piece has been cut out of three leaves and some have come loose from the pages but at least most of them are still present. The binding is slightly loose. The manuscript is generally in good condition. A remarkable and important source for any study of weaving and weaving education also graphically fascinating and colourful. ABE CAT Art History hardcover
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 216 p. A bibliography on articles related to art of Turkish weaves. Türk dokuma el sanatlari makaleler bibliyografyasi.
8920Musée d'Art moderne, Troyes, 1987. In-8, agrafé sous couverture illustrée, non paginé [28 pp.]. Pierrette Bloch, de fil en fil, par Philippe Chabert - D'un travail de réserve et de Pierrette Bloch, par Daniel Abadie - Planches - Mailles et mailles de crin : mémoires, par Pierrette Bloch - Biographie/Expositions - Bibliographie - Catalogue ...
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish.[xvi], 145 p. B/w plates. Weaving and wicker weaving in the Chalcolithic Smintheion settlement around Troia, Çanakkale. Kalkolitik Smintheion (Gülpinar) yerlesiminde hasircilik ve dokumacilik. (Studies on the Troad: 3).
6553Paris, Ernest Flammarion, 1921 12 x 19, 284 pp., broché, non coupé, grandes marges non rognées, bon état
197563899CBDüsseldorf und Berlin, Kunstmuseum Düsseldorf/Bauhaus-Archiv, 1975. Quer-8°. 20 x 21 cm. 47 (3) Seiten. Original-Broschur.