Weaving, P M (Editor)Biblio.com
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2012x-9401068224Springer Verlag 2012. Paperback. New. 888 pages. 9.00x6.00x1.90 inches. Springer Verlag paperback
7053aafParis, Panckoucke et Liège, Plomteux, ca. 1776, in-4°, 5 planches doubles +13 simple, sous 2 chemises.
195859253New York: The Macmillan Co. 1958. 8vo. xii 225 1 pp. With over 350 text illustrations weaving diagrams sketches and photographs. Black publisher’s cloth white & blue lettering & decoration minor rubbing shelfwear w/ d.j. cover art by The Strimbans using handwoven textile by Virginia D. Aldridge minor shelfwear minor chipping head & foot of spine slight scuffing still VG/VG copy from library of Agnes Parsons w/ the original advance order form folded and laid-in. First edition of one of the scarcest and most significant manuals for handweaving in the Mid-20th Century. Following World War II and with increasing interest in designing and weaving textiles the author demonstrated the basic principles of cloth construction by focusing on harness-controlled patterns and four-harness fabrics. Frey 1893-1972 began as an occupational therapist in woodworking at the U.S. Army’s Walter Reed Hospital and began learning and teaching handweaving as well as training her students to construct weaving looms. After moving to New York she worked in the textile industry and later opened her own design studio taught weaving and by 1940 was one of the co-founders of the New York Guild of Handweavers whose first year’s weaving programs focused on studying Native American Weaving of the Cherokee Tribe. See: Diane Kirschner History of the NY Handweavers Guild 2022; The Macmillan Co., hardcover
188455291884 Lyon, 1899, in 4° broché, 542 pages ; non coupé ; couverture "parcheminée" rempliée (illustrée de deux blasons) ; petits défauts à la couverture.
18835356Buckskinkurbelstuhl. C. Mit Holzstich-Frontispiz u. 29 (1 farb.) gefalt. lithogr. Tafeln. Chemnitz, (Druck von J. C. F. Pickenhahn & Sohn, Juli 1883). Gr.-8vo. (25,0 x 18,4 cm). Titel, 80 S. Illustr. Orig.-Halbleinwandband.
80831° partie : Théorie des armures fondamentales, puis : Description des montages de Métiers à Lisses, remettages. - 2° partie : Théorie du tissage des étoffes de soie. Lyon. Lith. Goujou, place du Lycée.. 1855. In-4 (28x22). 121 (8)-24-131 pages. Demi-basane marron de l'époque, dos lisse orné de fleurons et filets dorés.
19362111902160201165Dainippon Silk Association Shinano Branch 1936. Soft Cover. Fine. Volume: 1 Dainippon Silk Association Shinano Branch paperback
2009x-0415476615Routledge 2009. Hardcover. New. 1st edition. 240 pages. 9.53x6.46x0.71 inches. Routledge hardcover
New New English Original cloth bdg. Dust wrapper. Folio. (37 x 28 cm). Edition in English. 360 p., color ills. Ipek: Imperial Ottoman silks and velvets. With contribution by Serife Atlihan, Beata Biedronska-Slotowa, Harald Bohmer, Inna Vishnevskaia. Compiled and edited by Julien Raby and Alison Effeny. "This book is the result of an international research project under-taken over a number of years. It is the first major study of Ottoman textiles to attempt a classification of the key technical and decorative categories, and is also the first to offer a catalogue of dateable textiles. The authors not only draw on the famous collections of the Topkapi Palace in Istanbul and other major museums around the world, but have rediscovered many lesser-known fabrics in ecclesiastical treasuries in Russia and Central Europe. New research in the Ottoman archives has shed documentary lihgt on the legislation of silk production, and on the competing industries of Bursa and Istanbul. Examples of the three weaves favoured by the Ottomans, seraser (cloth of gold and the silver), kadife (velvet) and kemha (a type of brocaded fabric) are illustrated in full-page colour illustrations, and black-and-white figures of many of the key design groups demonstrate the creativity of Ottoman weavers.". Status symbols, diplomatic gifts, artistic mediums, and economic treasures--figured silk fabrics were among the most powerful and most characteristic artistic products of the Ottoman Empire. Wars were fought for control of silk revenues, and governments devoted major bureaucratic efforts toward the organization, regulation, and taxation of silk production. Ipek: The Crescent & the Rose is the most comprehensive and magnificently illustrated overview of Ottoman silk textiles of the 16th and 17th centuries. Its lavish, full-bleed, six-color reproductions of fabrics from the Topkapi Palace in Istanbul, and...
83605aafParis, Panckoucke et Liège, Plomteux, ca. 1786, in-4°, 2 planches doubles + les 11 planches simples, sous chemise en plastique.
113751Devambez, Editeur, sans date, 1 volume in-folio broché de 295x400 mm environ, 178 pages, complet du frontispice et des 61 planches protégées par des serpentes historiées. Un des 150 exemplaires sur papier de Hollande Van Gelder, n° 119/150, truffé d'un portrait de Philippe Pétain tissé sur soie, mis en carte en 1941 par l'école de tissage de Lyon. Plis, fentes et traces d'adhésif sur le dos, quelques feuillets se détachent, petites mouillures dans les marges, traces d'adhésif sur les gardes, bon état pour le reste.
1785177319Panckoucke A Paris, chez Panckoucke, 1785. Tome premier seul. In-4 relié plein veau blond marbré, dos à nerfs et filets dorés, pièce de titre et de tomaison, gardes de papier marbré, tranches marbrées. 2 parties en un volume. LVI + 440 pages et 296 pages. Texte sur deux colonnes, tableaux certains dépliants. Quelques frottements à la reliure sans gravité, coins un peu émoussés, corps de l'ouvrage en très bon état.
8834EBo.J. 4°. 30 x 20 cm, 11 cm hoch. Einzeln montierte textile Bordüren und Bänder auf insgesamt 80 Bögen, geheftet in schwarzer Leinenmappe mit blindgeprägtem Buchschmuck. [5 Warenabbildungen]
3677manuscrit non daté 2 ouvrages manuscrits couverture reliure toile - Volume 1 : bases (la toile, le sergé et le satin)/Le cannelé/Le reps/Le matté/Le batavia/Les corks/Fendus. - Volume 2 : Tissus à éléments multiples Bon état général - Couverture traces de mouillures 1 700 g
1695124710Lyon Leonard Plaignard 1695 1 in-12 plein veau marbré A Lyon, chez Leonard Plaignard , rue Mercière- 1695- 1vol in-12 - Plein veau marbré brun ( reliure de l'époque ), 5 nerfs, fleurons et titre en doré- Bien complet de ses deux planches hors texte - 91 pages + table des chapitres
46741Lyon, Storck, et P., Calavas, 1889, in 4° broché, 120 pages ; couverture rempliée ; quelques rousseurs, y compris à la couverture ; avec, in-fine, la liste des exposants lyonnais.
192554342Philadelphia PA: Otto F. Schumann Philadelphia Textile School ca. 1925. Small 4to. 8.25 x 9.2 in. 75 leaves unnumbered including 32 leaves with detailed colour charts on weave formations producing various kinds of cloth 3 tipped-in textile samples together w/ weaving instructions in manuscript. Original limp leather 3-ring binder gilt lettering stamped on front cover ink lettering & association of Otto F. Schumann on front cover some soiling dustsoiling edgewear still VG exemplar. This Jazz Age weaving manuscript notebook complete with weave formation design plates fabric samples and instructions offer a remarkable and invaluable artifact of how a young American textile designer and weaver received training at the famed Philadelphia Textile School now Philadelphia University during the 1920s. These course books were judged on completeness and the aspiring weaver’s skill in presenting the details about the instruction as well as their abilities in running the machinery required to produce the cloth. This manuscript notebook includes Schumann’s detailed plates and notes on producing color effect on the plain weave creating Broken Twills Crowfoot Satins Checked & Figured Broken Twills Entwining Twills Basket Weaves and Broken Satins. The extensive manuscript notes detail the loom instructions how many lines are required composition and more in producing the assorted effects. Because of the poor quality of United States textiles exhibited at the Centennial Exhibition in 1876 the Philadelphia Textile Manufacturers pushed for a formalized vocational school to train weavers designers and textile workers. In 1884 it became part of the Pennsylvania Museum and School of Industrial Art with 81 students enrolled by 1885 and by 1894 the School of Textiles added a Department of Wool Carding & Spinning and a Department of Cloth Finishing and Design. By the 1920s the Philadelphia Textile School was offering extensive three-year textile courses chemistry and dyeing courses as well as design courses in cottons woolens worsteds silks Jacquard design and more. Schumann 1906-1967 was the son of Hugo Schumann founder and owner of the Maid Hosiery Mills in Reading PA through the opening decades of the 20th century for whom he worked with until after World War II as designer and sales executive. Otto F. Schumann, Philadelphia Textile School, hardcover
1955Dictionnaire du Tapissier critique et historique de l’ameublement Français depuis les Temps anciens jusqu’à nos jours.Deux volumes petit in folio demi-chagrin rouge à nerfs, titre et fers dorés,C.CLAESEN éditeur 1878-1880.Volume 1: texte,543 pages,non rogné,tête dorée.Volume 2:Atlas 124 planches en couleurs de CREUZET montées sur onglets, plus 13 feuillets de table.Tête dorée.Angles des pages de garde froissées sans gravité,les coins de l’Atlas sont renforcés avec des coins en cuivre jaune (laiton) L’ensemble est bon état,voire en très bon état.RARE et recherché.
1926EB7-101Lyon / Paris Desvigne Desforges 1926 Lyon 1926 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 354 pages pour les deux tomes en pagination continue. Complet des 100 planches échantillons de ces 2 parties (mais il manque 9 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches, quelques feuillets présentent un arrachage marginal (perte de papier sans perte de texte) ainsi que la page de garde de la seconde partie.
1926EB7-101Lyon / Paris Desvigne Desforges 1926 Lyon 1926 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 354 pages pour les deux tomes en pagination continue. Complet des 100 planches échantillons de ces 2 parties (mais il manque 9 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches, quelques feuillets présentent un arrachage marginal (perte de papier sans perte de texte) ainsi que la page de garde de la seconde partie.
33036701Hang Zhou n.d. ca 1901-1920 Hang Zhou Qi Wen Si Zi Chang Zi Zao. Color silk weaving 84 x 19 cm. stapled to a wooden board gold wood frame the weaving has 1 spot at top center 2.5 x 2 cm. & a few other rubbed through spots else solid. THE SUBJECT: This is a very rare unusual and lovely item. It is a machine woven illustration of the inside of the Beijing Imperial Palace Gu gong & Forbidden City Zijincheng. Especially showing the area around the Summer Palace and Lake Kunming. It shows people in row boats on the lake with the lovely marble boat as the background as well as Jingshan Park also known as "Prospect Hill." DATE These are very obscure and most didn't last from such a long time ago. While there is a date stamp in red on the wooden mounting board lower right-hand corner it is very feint and hard to read anything other than "Nian" year & Yueh month but on numbers visible. We estimate this to have been done some where about 1901-1920's after the end of the Boxer Rebellion. COLOPHON/TITLES: On the left margin is the publisher's name: HANG ZHOU QI WEN SI ZI CHANG ZI ZAO: HANGZHOU SILK WEAVING FACTORY. Also on the left margin is "7 x 32" which likely refers to the size of the item in inches which are actually 7 3/8 x 33 inches when stretched and stapled to the backing board. The right margin states the title in Chinese: BEIJING WAN SHOU SHAN QUANJING: PANORAMA OF BEIJING WAN SHOU MOUNTAIN. CONDITION: The work has a hole at the center top margin in the sky and has a gray paper mounted behind the weaving to keep it intact. There are also some minor number of to her small rubs here and there. Because this item was stretched- mounted with staples this caused some "pull" to the fabric. At the left one-third of the weaving the sky is showing some stress lines going horizontally across to the center as is the right one third sky portion as well. Otherwise the work is nicely intact and not damaged. The old staples are copper plated therefore no rust is evident. We strive to point out every flaw of significance but commonly over describe such flaws. Overall and by and large this is a very nice stable and obscure item. Few have survived the ravages of time and attrition rate. FRAMING / BACKING BOARD: The backing board is 100% wood consisting of 7 panels glued on end to form one single and long board. Over this is a gold-painted wooden frame consisting of thin wood with mitered corners which acts as a mat to cover the edges and staples. This frame/mat wood is placed over the textile weaving and is therefore ready for a larger glazed frame. There is a silver label adhered to the gold frame at the bottom center it reads CHI WEN SILK WEAVOMG CO. and has Chinese characters above that name. Nice association with the weaving. RARITY. This and other works from the Chi Wen Silk Weaving Co. are quite rare and seldom found on the market. We have seen one other which is a panoramic view of Shanghai and the Huang Po river. Please inquire for information. SHIPPING: Being an extra long item appropriate extra shipping & packing charges will apply. Please inquire prior to ordering to request shipping cost information. We reserve the right to ship this by Federal Express as they are the most reliable & dependable shipper for delicate and large items. . unknown
1928EB7-102Lyon Desvigne 1928 Lyon 1928 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 398 pages pour les deux tomes en pagination continue. Complet des 150 planches échantillons de ces 2 parties (mais il manque 2 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches.
1928EB7-102Lyon Desvigne 1928 Lyon 1928 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 398 pages pour les deux tomes en pagination continue. Complet des 150 planches échantillons de ces 2 parties (mais il manque 2 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches.
2092902138900070Japan Textile Promotion Association N.A. Soft Cover. Fine. Volume: 2 Japan Textile Promotion Association paperback
1880117Sans lieu d'édition, (rue des chartreux Lyon) Sans éditeur (papeterie GUERIMAND Voiron Isère) s.d. (Circa 1880) In-folio - 29x39,5cm. Reliure postérieure en pleine toile rouge, dos lisse. 254 Pages.
