490 résultats
202600596Lyon, Société anonyme de l imprimerie a Rey , 1925 ; in-4, 288 pp., cartonnage de l'éditeur. Les 2 volumes. En 2 volumes reliure amateur toilé marron.
201309484Paris, Editions de la société anonyme de publications industrielle, 1928 ; in-8, 807 pp., cartonnage de l'éditeur.
2014810982014 L'Auteur, 2014, grand in 8° relié demi-toile rouge, plats illustrés de l'éditeur, 324 pages ; illustrations in et hors-texte.
1983812681983 Québec, Editions Leméac, 1983, in 8° broché, 256 pages ; couvtrure illustrée.
195859253New York: The Macmillan Co. 1958. 8vo. xii 225 1 pp. With over 350 text illustrations weaving diagrams sketches and photographs. Black publisher’s cloth white & blue lettering & decoration minor rubbing shelfwear w/ d.j. cover art by The Strimbans using handwoven textile by Virginia D. Aldridge minor shelfwear minor chipping head & foot of spine slight scuffing still VG/VG copy from library of Agnes Parsons w/ the original advance order form folded and laid-in. First edition of one of the scarcest and most significant manuals for handweaving in the Mid-20th Century. Following World War II and with increasing interest in designing and weaving textiles the author demonstrated the basic principles of cloth construction by focusing on harness-controlled patterns and four-harness fabrics. Frey 1893-1972 began as an occupational therapist in woodworking at the U.S. Army’s Walter Reed Hospital and began learning and teaching handweaving as well as training her students to construct weaving looms. After moving to New York she worked in the textile industry and later opened her own design studio taught weaving and by 1940 was one of the co-founders of the New York Guild of Handweavers whose first year’s weaving programs focused on studying Native American Weaving of the Cherokee Tribe. See: Diane Kirschner History of the NY Handweavers Guild 2022; The Macmillan Co., hardcover
188262704Elbeuf Paris Berlin London & Chicago IL: L. Bertin Printing Office Levasseur March 1882 - Aug. 1882. Ten parts in one vol. Thick tall 8vo. With 96 of 98 tipped-in fabric swatch samples with the text a couple partially clipped by previous owner 3 thread samples and 169 pennant-shaped samples out of 181 1 additional woven-in to No. 654 series 12 removed divided amongst 30 different plates each installment featuring 3 numerous woodcut engraved diagrams weaving diagrams illustrations plates extra-illustrated with 5 additional engraved plates of Jacquard Loom & Power Loom weaving equipment. Half-calf over burgundy-coloured cloth gilt lettering on spine marbled endpapers rebacked preserving original spine edgewear creasing still VG exemplar. First editions in English of this series of periodical installments issued for weavers designers and fashion houses in the 19th-Century featuring the latest patterns instructions new and original designs shadings and dye-lots for woolen textiles. Originally published either weekly or bi-weekly these very ephemeral textile sample installments and weaving instructions were issued by subscription and heavily used and often most of the fabric samples removed along with the plates in order to offer specific hands-off patterns for workers setting up looms and weaving. In addition samples provided the latest dye lots of fashionable fabrics for women and men’s clothing with emphasis in the first few issues present here on use and settings for the Jacquard Loom. No. 646 for the April 30 1882 issue includes brilliantly dyed samples encompassing such vivid jewel colours in red pink green blue and browns. These fabrics also provide an essential tactile and visual reference for the latest textiles in production during the Gilded Age in both Europe and America. Worldcat locates only runs and partial runs of the 45 vols. originally issued in French German English & Italian in the Bibliotheque Nationale Issues at BN in English for Summer Season 1876-1877. L. Bertin, [Printing Office Levasseur], hardcover
192757304Fall River MA: Dover Press 1927. 8vo. 160 pp. w/ errata slip bound-in before the ffep. With 83 weaving patterns 128 tipped-in fabric & weaving samples in assorted fabrics numerous illustrated ads for textile mills and textile mill weaving machinery. Gray-blue cloth black lettering on front cover & spine thumbing & soiling to covers darkening to spine ex-lib markings on endpapers still VG copy. First edition of this well-written and illustrated work intended to aid aspiring weavers and textile manufacturers on designing and weaving of cotton fabrics. This volume carefully outlines how to use graph paper to chart out certain weaving patterns what steps have to be taken to produce certain weight cotton fabrics continually referring to the included samples as they compare to the text diagrams. The supplied fabric swatches range from Tobacco cloth to Brassiere and Lingerie as well as Umbrella Muslin Sheeting Gingham Duck Oxford Denim Sateen Seersucker and many other cloths. Nichols 1872-1945 was the longtime principal and trustee for the Bradford Durfee Textile School in Fall River MA and Broomhead 1861-1956 primary weaving instructor. Dover Press, hardcover
195959254Goteborg Sweden: Wezata Forlag 1959. Tall 8vo. 128 pp. Colour plates weaving patterns & designs photo illustrations text diagrams throughout. Quarter-beige cloth over colour-illustrated boards black lettering on spine minor shelfwear slight rubbing to lower fore-edges still NF copy signed by author on ffep. First edition in English signed of this exceptional and influential Mid-20th-Century work on Swedish handweaving and design. Selander heavily influenced American weavers not only with her Weaving patterns 1956 and the present title but her extended workshop and lecture tour in 1960 through 28 cities. Not only did she introduce techniques of colour blending of strands to enrich the colour pallet but also advised on how to design their own cloth patterns. See: Marion Marzolf The Swedish Presence in 20th-Century American Weaving Textile Society of American Symposium Proceedings 314 2006. Wezata Forlag, hardcover
189749394Philadelphia: Textile Publishing Co. 1897. Tall 8vo. 324 pp. Over 1500 text illustrations diagrams weaving diagrams numerous illustrated ads. Black pebbled cloth gilt lettering on front cover & spine minor shelfwear slight rubbing w/ notes clippings & postcard laid-in from the library of Elisa Serin b. 1887 silk weaver married to Maurice Serin foreman of the Allentown PA plant of Broad Silk Mills. Early printing of this scarce and important guide intended to provide reference for 19th-century weaving students and textile manufacturers. Posselt 1858-1921 emigrated from Austria after managing his father’s textile mills and was a designer in mills all over New England and Pennsylvania. He became the first director in 1884 of the first successful textile school in the U.S. and later became editor of the Textile Record of North America the foremost journal on textile design and manufacturing at the end of the 19th-Century. Although his many works on textile machinery and manufacturing are now primarily of historical interest this well-illustrated work on weaving and loom design is still relevant and considered some of the most important books on textile design ever published. See: Ralph Griswold Emanuel Anthony Posselt 2004. Textile Publishing Co., hardcover
38064P., Institut National de Sécurité pour la Prévention des Accidents du Travail et des Maladies Professionnelles, sans date (1953), in 8° broché, 139 pages ; 103 figures.
201011752Strasbourg, Les editions Ronald Hirlé, 1994 ; in-4, 72 pp., cartonnage d'éditeur avec jaquette. Comme neuf.
192019646angers Editions de l'Ouest 1920 in-8 broché un volume, broché (paperback) grand in-octavo, dos et couverture imprimés en noir, 1ère de couverture rempliée ornée d'une illustration en couleur (vert, rouge, argent et or) représentant les Armoiries des Cordiers et celles des Tisserands d'Angers par R. Jussaramo, toutes tranches non rognées (all no-smooth edges), orné de 52 photographies in et hors-texte en noir + 10 portraits hors-texte en noir + 11 plans hors-texte en noir dont 4 dépliants (plentifully illustrated), 311 pages, 1920 à Angers Editions de l'Ouest Editeur, Gründ Editeur,
2010LFA-126718464Une revue de 32 pages, format 240 x 155 mm, brochée, illustrée
17054St Etienne, Imprimerie Waton, 1899, in 8° relié demi-basane verte , dos lisse orné de filets dorés, 287 pages ; 237 figures et 9 planches hors-texte ; dos insolé.
18215Le maréchal est en uniforme militaire, avec képi de maréchal et une seule décoration, la médaille militaire ; le portrait se détache sur un fond semé de feuilles de chêne et dessous, la signature Ph. Pétain.
190028665NANTES imprimerie Armoricaine 1900 UNE CARTE : AVIS DE PASSAGE, sur papier épais, format : 13,5 x 10 cm, couleur crème imprimée et illustré en bleu (d'un seul côté) : "vue de l'usine de Tissage - vue de dessus (au fond : la Sèvre à la Morinière)" , sans date (1900 environ) Nantes Imprimerie Armoricaine Editeur,
1949LFA-126734989Une revue de 148 pages, format 165 x 230 mm, illustrée, brochée couverture couleurs, bon état
D7491Wattwil Switzerland late 19th century. Hardcover. Fine. Original morocco-backed black cloth "Bindungslehre" stamped in gilt on front board; 360 x 220 mm; pp. 107 filled with manuscript notes colored diagrams and fabric samples. Fraying at spine tips along joints and edges of boards. Internally nice and bright. <br/><br/>Student Sohnweiser's working manuscript detailing a course in weaving -- following the system of instruction founded in the early 19th century of Joseph-Marie Jacquard who invented the revolutionary loom. Using punch cards to program patterns the loom cause riots against the replace of people by machines. In spite of the controversy Jacquard's invention turned out ot be most successful and with it suse of binary logic and punch cards is widely regarded as a precursor to the modern day computer. hardcover
1976875061976 Lyon, Fédérop, 1976, in 12 broché, paginations multiples (environ 150 pages).
70556Lyon, Presses Universitaires de Lyon, PUL, 1978, grand in 8° broché, 475 pages ; couverture illustrée.
192554342Philadelphia PA: Otto F. Schumann Philadelphia Textile School ca. 1925. Small 4to. 8.25 x 9.2 in. 75 leaves unnumbered including 32 leaves with detailed colour charts on weave formations producing various kinds of cloth 3 tipped-in textile samples together w/ weaving instructions in manuscript. Original limp leather 3-ring binder gilt lettering stamped on front cover ink lettering & association of Otto F. Schumann on front cover some soiling dustsoiling edgewear still VG exemplar. This Jazz Age weaving manuscript notebook complete with weave formation design plates fabric samples and instructions offer a remarkable and invaluable artifact of how a young American textile designer and weaver received training at the famed Philadelphia Textile School now Philadelphia University during the 1920s. These course books were judged on completeness and the aspiring weaver’s skill in presenting the details about the instruction as well as their abilities in running the machinery required to produce the cloth. This manuscript notebook includes Schumann’s detailed plates and notes on producing color effect on the plain weave creating Broken Twills Crowfoot Satins Checked & Figured Broken Twills Entwining Twills Basket Weaves and Broken Satins. The extensive manuscript notes detail the loom instructions how many lines are required composition and more in producing the assorted effects. Because of the poor quality of United States textiles exhibited at the Centennial Exhibition in 1876 the Philadelphia Textile Manufacturers pushed for a formalized vocational school to train weavers designers and textile workers. In 1884 it became part of the Pennsylvania Museum and School of Industrial Art with 81 students enrolled by 1885 and by 1894 the School of Textiles added a Department of Wool Carding & Spinning and a Department of Cloth Finishing and Design. By the 1920s the Philadelphia Textile School was offering extensive three-year textile courses chemistry and dyeing courses as well as design courses in cottons woolens worsteds silks Jacquard design and more. Schumann 1906-1967 was the son of Hugo Schumann founder and owner of the Maid Hosiery Mills in Reading PA through the opening decades of the 20th century for whom he worked with until after World War II as designer and sales executive. Otto F. Schumann, Philadelphia Textile School, hardcover
2017838472017 Saint-Barthelemy-Lesta, Actes Graphiques, 2017, in 4° broché, 204 pages ; très nombreuses illustrations in et hors-texte ; couverture illustrée.
2013LFA-126733194N° 153 (Mars 2013) : 72 pages, format 210 x 295 mm, illustré, broché, CEGRA, bon état
18521Toronto, R.O.M., 1977, in 4° reliure éditeur, jaquette illustrée en couleurs, XII-371pp. ; texte sur deux colonnes ; importante iconographie ; petits manques de papier marginaux en pied de 4 feuillets. Envoi autographe signé, sur la garde, de Krishna Riboud, signataire de l'une des parties de l'ouvrage.
38065P., Institut National de Sécurité pour la Prévention des Accidents du Travail et des Maladies Professionnelles, 1955, in 8° broché, 78 pages ; 46 figures.