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FASHION WOMEN'S PERIODICALABAA

PETIT MESSAGER DES MODES ET LE CONFIDENT REUNIS

1847865311847. FASHION - WOMEN'S - PERIODICAL LE PETIT MESSAGER DES MODES ET LE CONFIDENT REUNIS: TOME VII NOS. 1-17 22-24; TOME IX NOS. 1-13 15-17. Paris: Imprim. Schneider et Langrand 1847 and 1849. Thirty-six issues illustrated with 72 lovely hand-colored engraved plates of which 33 are by Heloise Leloir and 12 by Laure Colin Noel. Quarto. Text: 27-136169-192; 104113-128121-128 pp. 10 1/4 by 7 in. Nineteenth-century binding: quarter black morocco marbled boards gilt title on spine marbled endpapers. The binding is shelfworn with top joint is starting and lower joint tender. The first issue is missing four text pages; otherwise despite some misleading errors in pagination all text is present. Most issues have a timbre royal mark a French duty stamp on one text page but not on the plates. The plates are generally clean and fresh; however there are a few exceptions: 1. - Both plates in Vol. VII no. 1 have old paper repairs on the inner margin and the top fore-corner of one has been clipped; 2. - The two plates in Vol. VII no. 2 have been trimmed 1/4" shy of the fore-edge of the bookblock; 3. - One plate in Vol. IX no. 15 which is the only horizontal image in the entire volume has been trimmed to the top-edge of the image at the fore-edge. LE PETIT MESSAGER DES MODES was a bi-weekly publication appearing on the 1st and 16th of each month comprised of eight pages of text that was to include 22 engraved plates and 3 large patterns in each six-month period. This volume is bound without any of the large patterns and instead an additional plate has been inserted wherever a pattern is called for. These `extra' plates have been supplied from issues that are not included in this volume. Although most issues are complete with text and appropriate plates together there are twelve instances in this volume including the plates-for-patterns substitutions of plates being misbound or of a plate from another issue replacing the expected plate. And so while the plates are lovely and in very good condition it is for these reasons that the volume is offered as is. unknown books

Fashion Luza ReynaldoABAA

Original fashion illustration

192325810New York 1923. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Matted and framed. Fine. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Original Fashion Art by Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times - Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey." Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Literature: Harpers Bazaar October 1923 unknown books

James Cummins Bookseller · États-Unis3 000,00 $US≈ 2 538,30 €

Fashion/ Fabric / Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1957 - 1958

195742918Paris: Societe Paritys / Lebotys 1957. Post binder with 3 brass posts decorative screw tops. Publisher's color pictorial glazed boards blue spine and joints. Board edges rubbed and worn; short split to rear outer joint; inner joints tender paper splitting though cloth reinforcement beneath is intact. Page block foxed occasional foxing/spotting throughout; light offsetting from fabric samples to some pages. Fabric sample generally clean and bright with occasional creasing/fraying. Overall Gd. 97 pp. 16 color fashion drawings; ~ 740 pasted or tipped-in fabric samples. 16-1/8" x 12-1/8" A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

Fashion/Fabric Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1958 - 59

195842919Paris: Societe Paritys / Lebotys 1958. Post binder with 3 brass posts. Publisher's pictorial glazed boards red cloth joints. Light extremity wear to boards; bumping to upper corner of front board; short split to front and rear joints. Page block lightly foxed foxing/spotting scattered throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright with only minor occasional creasing/fraying. Overall VG. 80 pp. 12 color fashion drawings; ~590 pasted and tipped-in fabric samples 16-1/8" x 12-1/8" A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor lurex viscose imitation fur and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

Fashion/Fabric Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Été 1959

195942920Paris: Societe Paritys / Lebotys 1959. Post binder with 3 brass posts. Publisher's pictorial glazed boards white cloth joints. Light extremity wear to boards; short split to rear joint. Page block lightly foxed occasional foxing/spotting to margins throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright with only minor occasional creasing/fraying. Overall VG. 108 pp. 16 color fashion drawings; ~800 pasted and tipped-in fabric samples. 16-1/4" x 12" A mid-century salesman's sample catalogue from the summer collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair muslin cashmere and others as well as nylon fibranne rayon Rhodia tergal crylor acetate Albène and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations although still influenced by the “New Look” also show the influence of Dior's successor the young Yves St. Laurent who debuted his "trapeze line" in 1958. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

Fashion/Fabric Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Été 1957

195741355Paris: Societe Paritys 1957. 1st printing thus. Publisher's color pictorial glazed boards post binder; 3 brass posts decorative screw tops. Red cloth joints. Some general extremity wear to binder with slightly bumped corners. Occasional dust soiling. Minor foxing. Overall VG with cloth samples generally VG to Nr Fine with the occasional crease to the odd sample or two. 104 pp printed in red on stiff-stock paper. 16 color fashion drawings; 897 of 898 tipped-in fabric samples. Folio. 16-1/4" x 12-1/8" A mid-century salesman's sample catalogue from the summer collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. Of particular note are the designs and fabrics for wedding dresses. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

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