(Lengsfield Brothers).Biblio.com
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1920100865<p>New Orleans: Lengsfield Brothers circa Late 1920's -1930's. Late 1920's -1930's. Good. - A 19-3/4 inch high by 10-3/4 inch wide broadsheet printed on buff card stock advertising the firm's garment boxes. Text printed within an orange ruled frame at the at the top proclaims "An improved method of rendering real service to our Customers----So necessary to the logical progress of Modern Business. This new packing idea was first placed on the market July 1927 -- It has been accepted and adopted by the leading Clothiers of the Country -- Note the list of Leading Merchants now using the Perfect Garment Box who believe that it pays in dollars and cents -- and the most valuable of the Retailers Assets -- Good Will". Columns on either side list the numerous clothiers and businesses who use their product with the broadsheet's title printed at the center. Five illustrations from photographs depicting clothing being gently folded into the boxes are printed at the bottom within orange ruled frames. A cut-out folding insert centered near the top reproduces the coat hanger which holds the clothing within the firm's boxes. Folded twice horizontally to 7 inches high by 10-3/4 inches wide with promotional text printed within decorative orange rules on one panel and an illustration in shades of black gray & orange depicting a valet or butler holding a suit printed on the other panel boldly titled "Service!" next to 3 ruled address lines. The broadsheet was mailed to "The Clothing Trade Journal" with the periodical's address penned in with a correction and with a slit "New Orleans" postage seal along the bottom of the fold. The edges are darkened with a couple of tiny chips and a tiny tear to the right edge of the top fold. Good.</p><p>Lengsfield Brothers was a paperboard packaging & design firm known for award-winning package designs.</p> New Orleans: Lengsfield Brothers, circa [Late 1920's -1930's]. hardcover
198917673(Paris), Le Mécène, 1989. 71 nn. Bll. mit zahl. teils farb. teils ganzseit. Abb. Kl.-4°. OPp. (kl. Gebrssprn.) mit OU.
1930100098Philadelphia New York & Chicago: Philip L. Sheerr & Sons circa 1930's. 1930's. Very good. - Octavo 9-1/4 inches high by 6-1/8 inches wide. Softcover bound in printed light gray wraps titled in black on the front cover. The edges of the covers are faintly darkened and there is a tiny slit to the tail of the spine. A hole is punched through the top left corner of the book. 16 pages with illustrations and patterns. Very good. <p>RARE.<p>A more comfortable alternative to the confining slim suits of the war years the athletically cut drape suit had more fabric through the shoulders and chest with a slight drape. It could be made as a single or double-breasted suit. Philadelphia, New York & Chicago: Philip L. Sheerr & Sons, circa [1930's]. paperback
19557063Warschau, Sztuka, 1955. 71 S. mit zahlr. teils farb., teils ganzseit. Abb. im Text und auf Tafeln. 4°. OLwd. (leicht bestoßen und gebleicht) mit OU.
19203395<p>A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing one plate from the second series 1905-1910. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color plate. Charming original folding case with patterned papers and silk ties. Hinge paper broken as usual but covers still holding case is slightly worn but all four paste on labels are present. Brown silk ties still there. All wrappers clean and unworn.</p> (Editions Nilsson)
1986104572BB(Schwarzach, René Lezard Mode GmbH, 1986). 4°. [60] Bl. mit meist ganzs. Abb. OLn. mit illustr. OU.
192399609<p>New York: Harry Simons Designing Studios 1923. 1923. Very good. - Tricesimo-secundo 32mo 5-3/8 inches high by 3-1/8 inches wide. Softcover bound in printed light gray wraps. 16 pages with a chart of proportions. The bottom inner corner of the covers and pages is creased. Very good.</p><p>RARE. WorldCat locates only 2 copies.</p> New York: Harry Simons Designing Studios, (1923). paperback
196210100Hamburg, (1962). 39 S. Mit 10 mont. Abb. 24,5 cm. OLn.
193935306(München, Selbstverlag, 1939). 82 S., 3 Bl. Mit zahlreichen Illustrationen von Hermann Stockmann. 8° (18,5 x 12,5 cm). Original-Karton.
19692806(Unterschneidheim, Uhl, 1969). 4°. OLwd. (etw. fingerfleckig).
19632110502150415394Futabasha 1963. Soft Cover. Fine. Volume: 1 Futabasha paperback
1991A19059Selbstverlag:Kaiserslautern.1991. 88 Seiten.8°. Paperback
1954DD6-875Wien, Carl Ueberreuters Verlag, 1954. original kartoniert, 8?, 56 S. mit zahlreichen Abbildungen und Vordrucken f?r Ma?auftr?ge; Zustand: gering rostfleckig durch Klammerheftung, Kartonage mit Knick, untere Kante an einer Stelle stark besto?en, Kartonage berieben, sonst gut
192017641<p>n.p. France: n.d. ca. 1920s architecture styles of historical periods in various geographical regions to the fashion styles of those periods. Styles illustrated include those of Greece Rome Egypt and Persia; late medieval Europe; the reign of Louis XIV; traditional Japanese attire; and fashionable 1920s dress. The background illustrations include a Roman archway seventeenth-century furniture and even a classical Greek vase that frames an illustration of three women. The fashion illustrations reflect certain design elements in the background illustrations for example the patterned fabric in the ancient Egyptian fashions match the decorative style of the columns in the background of the illustrations. . Original blue stiff paper folder with ribbon binding at spine. . 9 x 12 in. With twenty-eight pages of beautifully painted fashion designs dresses hats Greek chitons etc. from throughout history some with background elements furniture and architecture and two with real fabric accents pasted down and two pages of manuscript text explaining architectural and sculptural styles. Some of the fashion designs are captioned in manuscript. Also with eight tracing paper leaves illustrated in ink overlaying matching designs below one with pencil annotations noting types of fabric and other design elements. Some soiling to folder. Some offsetting and some foxing. Very good. We could not locate any information on Josette Eynac the student who illustrated this album though she was clearly a capable artist.</p>
191016878Birmingham England: Stratnoid later Stratton & Co. n.d. ca. 1910. Three board panels with two cloth spines connecting boards. Bound in dark blue leather with gilt title. . Folding triptych display 8" x 11". With thirteen original Stratnoid silver hatpins nickel-plated eight with attached printed paper labels "Stratnoid Untarnishable heads". Also with three mounted illustrated advertisements for hatpin stands and sets of pins: the Collapsible Junior Stand the Collapsible Senior Stand and the De Luxe Collapsible Stand. A paper strip labeled in manuscript identifies which pins are part of the Junior Senior or De Luxe Stand sets. With spaces for the fifteen other hat pins in the set not present. Cracking and wear to joints and some chipping to leather. Some rubbing to extremities. Pins stuck into blue velvet pad with sheet of protective felt. Some foxing to felt and some light toning inside. A very good copy of a rare item. Stratnoid or Stratton and Company after 1920 was founded in 1860 as a producer of knitting needles. By the twentieth century the company was a major producer of powder compacts lipstick holders jewelry hat pins and other metal accessories. Business boomed in the late Victorian and early Edwardian eras as actresses like Lillie Langtry and Lillian Russell began wearing large elaborate hats secured with pins. b b b The hatpins in the present item feature the special Stratnoid Untarnishable heads which were warrantied for ten years and were designed in a variety of shapes like a stylized golf club an acorn and more. The collapsible stands would have been used to display the pins in women's stores and millinery shops. Stratnoid (later Stratton & Co.), hardcover
19574585Detroit: Bolar Printing & Publishing 1957. Good plus. 20; 36pp. Original printed wrappers stapled. Moderate soiling and wear. A pair of rare programs issued for the 1956 and 1957 benefits for the March of Dimes Fashion Extravaganza at the Latin Quarters in Detroit. The programs include information on the organization's committee hostesses sponsors and more. The event itself is titled "Fashion in Colorama" in the earlier program and "Spring Fashions in Symphony" in the latter with a schedule of events listed in both cases. Each program is profusely illustrated with photographs pertaining to the event itself but also in the numerous advertisements which populate both throughout. The ads feature a wide variety of local Detroit businesses providing critical information on commercial entities both owned by African Americans in and around Detroit and also those friendly to the local African American community. The only institutional holdings for these programs in OCLC reside at the Detroit Public Library. Bolar Printing & Publishing unknown
1997166527Boston: Bulfinch Press 1997. First Edition. Softcover. First Edition. Illustrated with 650 color 405 halftone and 150 duotone illustrations. <br /> <br /> Published in conjunction with a traveling exhibition which opened on November 8 1997 at the Whitney in New York and closed at the Andy Warhol Museum in spring of 1999. <br /> <br /> Near Fine in perfect-bound wrappers. Bulfinch Press unknown
199838127ABMünchen / Paris / London., Schirmer / Mosel Verlag., 1998. 33,7 x 24,9 cm. [150] unpaginierte S. Farbig illustrierter OPappband., 38127A Erste Ausgabe. Sehr gutes Exemplar.
1930D4922likely America c. 1930s. Fine. Group of 10 original costume studies on heavy cardstock mounts ranging in size from about 9.5-by-10.5 inches to 13-by-18 inches in pen-and-ink or grey wash heightened in white. Circa 1930s America. Presumably created by S. C. Cavanagh Ltd. with the firm's name in pencil along the bottom edge of many of the studies. Expertly carried out illustrations of elegant women in long coats or evening jackets pinky fingers held delicately aloft. All cards a little rubbed and smudged along the edges but overall nice and bright suitable for display. A wonderful collection for the classic or vintage stylist. <br/><br/> unknown
1940D12397America c. 1940s. Group of approximately 30 costume and fashion designs for women; on a variety of papers or board ranging in size from about 8x10 to 15x21 inches; using chalk crayon watercolor ink and even a bit of collage. Includes dresses hats and gowns -- many possibly for Advance Patterns Fashions and Fabrics. Some dated all signed by the artist. Some a little worn along the edges but condition is VG or better overall suitable for display. <br/><br/>Much of Teed's original artwork is now in the collection of the Museum of Fine Arts in Boston. This diverse group shows glamorous fashion in a variety of illustrative styles from spare line drawings on black paper to gowns trimmed in paper doily to finished and highly detailed watercolors. unknown
199827481<p>New York:: Metropolitan Museum of Art 1998. First Printing of the First US Edition. A Fine copy in a Fine dust jacket. Cubism and Fashion demonstrates how the fundamental traits of Cubist art were translated into fashion during the critical years from 1908 into the early 1920s and how Cubism has continued to influence designers even to the present. This volume by juxtaposing art and fashion shows how many of the most glittering and elegant dresses of the teens and twenties benefited from Cubist concepts. Significantly this book does not extol rudimentary drawings for apparel by Cubist artists but rather presents a critical study of the most accomplished creations by Poiret Vionnet Chanel and other premier designers who assimilated Cubist principles. Here their work is shown next to art works by Georges Braque Robert Delaunay Juan Gris Fernand Leger Pablo Picasso and other seminal artists of the early twentieth century. Martin argues that the influence of Cubism has been at least as powerful for fashion as it has been for bringing about a new way of seeing in the fine arts. During the teens fashion made its transformation from a full rounded static and exaggerated shell built on the human body to a soft dynamic cylinder revealing the body and reveling in flatness. Includes 147 illustrations of which 132 are in color.</p> Metropolitan Museum of Art, hardcover
191548533Paris & Chicago: Geo. F. Crowley & Co. 1-3 West 37th St. 1915. Oblong folio bifolium portfolio 14.5 x 7 in. when closed 14.5 x 14 in. when opened. 54 original silk sample swatches including silk velvet & velveteen with all of them attached at upper-fore-edge each w/ printed label at lower corner identifying inventory no. printed price-list below samples. Purple cloth decorative gilt lettering & decoration inside above and below the samples slight wear minor dustsoiling to fore-edges still VG copy w/ silk braid to hang the advertising piece. First edition of this very scarce and beautiful Edwardian silk salesman sample advertising piece. This sample catalogue offers an incredible historical reference for the vibrancy and tremendous variety of silk velvets velveteens and rich fabrics before World War I for American fashion. Most of these silks and silk velvets were intended for the high fashion industry at the time encompassing dresses gowns capes scarves hats ties and much more. No copies located in Worldcat. Geo. F. Crowley & Co., 1-3 West 37th St., hardcover
195664146Lynn MA: Privately Published 1956. First Edition. Quarto. Comb-bound heavy card wrappers; iv124pp; illus. Printed from typescript rectos only. Clean unmarked copy about Fine. Illustrated throughout from photographs halftones and reproduced line drawings. Includes bibliography glossary and chronology.<br /> <br /> A privately-published treatise by Ira J. Haskell a hosiery specialist at the T.W. Rogers Company Department Store in Lynn Mass. From the title page: "Mr. Haskell's unusual activities as a private collector of hosiery are well-known to readers of the Underwear and Hosiery Review through articles previously published." Frontispiece portrait of the author at the opening of an exhibition of Mr. Haskell's collection "Stockings on Parade" at the Commercial Museum of Philadelphia May 23-30 1945. Scarce in commerce. Privately Published unknown
191152192Paterson NJ Allentown PA Williamsport PA Dundee Lake NJ: National Silk Dyeing Company 1911. 8vo. 4 leaves of thick card stock bound in accordion-style format which fold out into 9 x 25.5 in panorama with 178 tipped-in colour skein silk samples in rainbow of colours a few discontinued colours removed along with their inventory numbers. Black cloth gilt lettering on front cover metal snap closure minor shelfwear some rubbing still G reference copy. First edition thus of this excellent sample catalogue filled with dyed silk thread samples including such Edwardian colour names as Desdoux Aloes Salambo Eclipse Champignon Glycine Pistache Oseille Cuite Myrthe and Matelot. The National Silk Dyeing Company began life as the Auger & Simon Silk Dyeing Works which was moved to Paterson in 1884 and grew quickly during the Victorian era but in 1908 Charles Auger chose to merge operations with five other Paterson NJ dye works forming the National Silk Dyeing Company. They would enter bankruptcy during the Great Depression. Worldcat locates 1 copy of 1913 Dyeing catalogue Brooklyn Museum. National Silk Dyeing Company, hardcover
194157736New York: Apparel Arts Esquire Inc. Esquire Building Madison at 46th March 1941. Folio. 10.75 x 14.25 in. 98 pp. Numerous colour plates many double-page colour photographs 23 of 30 fabric samples tipped-in photo illustrations colour photo illustrations. Quarter-blue cloth over colour-illustrated photo boards cover art of divers in swim suits from high dive platforms edgewear rubbing rubbing to corners some dustsoiling still VG- copy. First edition of this World War II-era trade magazine launched in 1931 in the depths of the Great Depression by Weintraub Smart & Gingrich from the Menswear Service Corporation. This issue features illustrations and advertisements by such artists as John Lagatta 1894-1977; Allen for Portis hats the modernist master Paul Rand’s 1914-1996 Summer 1941 poster the iconic fashion illustrator Laurence Fellows 1885-1964 and other mainstays. This installment features advertisements from such menswear brands as Botany Worsted Mills Jockey Manhattan Shirt Co. Dobbs Hats Hickok John Cyril Woolen Co. and even Pittsburgh Plate Glass Co. fashion displays. By the 1940’s the magazine was printed by Esquire Inc. issued 8 times a year continuing in print until replaced by Gentlemen’s Quarterly GQ in 1959. See: Marianne Brown Apparel Arts & Conde Nast May 10 2017. Apparel Arts, Esquire Inc., Esquire Building, Madison at 46th, hardcover
