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199894719Hayward Gallery 1998 1 vol. broché in-4, broché, couverture illustrée, 120 pp., nombreuses reproductions en noir et en couleurs. Texte et légendes en anglais de Peter Wollen. Très bonne condition.
199894719Hayward Gallery 1998 1 vol. broché in-4, broché, couverture illustrée, 120 pp., nombreuses reproductions en noir et en couleurs. Texte et légendes en anglais de Peter Wollen. Très bonne condition.
192047418Milwaukee WI: Adler Compay ca. 1920. Large image mounted on thick card stock 14 x 22 in. Colour lithograph decorative arts & crafts border nice colours varnished some minor edgewear lettering at borders slightly cropped in order for counter display to be cut to standard size very minor soiling lower fore-edge some yellowing from varnish still VG exemplar. A vivid and scarce counter advertising display for Adler Company Collegian men’s suits line. The Collegian line was for college men and any man who cared about perfect style with points of refinement. Although their advertising was not specifically collegiate their advertising campaigns often employed illustrations that conjured idealized college associations implying that if one were to buy their ready-to-wear suits then they too would be successful in college business and the appropriate middle class lifestyle. This advertisement offers a beautiful example of Jazz Age advertising. The Adler Company was founded in 1848 by Solomon Adler in Milwaukee Wisconsin and grew and thrived through the Civil War the Victorian era and eventually would employ over 900 people with nationwide sales in the 1920s over one and one-half million dollars. During the Jazz Age the Adler Company was synonymous with their Collegian line. The company was liquidated after the crash in 1929. See: Daniel Clark Creating the College Man American Mass Magazines and Middle-Class Manhood pp. 165-168; Historic Designation Study Report Emanuel D. Adler House pp. 5-6. Adler Compay, unknown
192550606New York: A. Koenigsberg 648 Broadway ca. 1925. 8vo. 12 pp. Photo illustrated throughout colour-tinted centerfold. Colour-illustrated softcovers model wearing a stylish hat printed in red & black stapled as issued sewn through punch hole at head of spine w/ gold silk braid slight shelfwear 1 very small closed tear at fore-edge front cover still VG copy. First edition of this very scarce and beautiful catalogue of hat frames and hat bases for millinery shops during the 1920s. The company could supply for hat designers Zibeline hatters plush hats Lyons Velvet Brims Satins Velours Ribbon bound fur and felt hats as well as millinery supplies and hat boxes. Koenigsberg b. 1889 emigrated from England in 1889 to New York where he worked as a furrier for many years with his father Wolf before setting up his own successful millinery supply shop and 4200 square foot factory which successfully operated until the Great Depression. After his shop closed Koenigsberg moved into selling pin ball machines. No copies located in Worldcat; See: New York State Industrial Bulletin of the Department of Labor 1921 Vol. 1 p. 171. A. Koenigsberg, 648 Broadway, paperback
198312658Gütersloh [u.a.] : Bertelsmann-Club [u.a.], [1983 ?]. 152 S. : zahlr. Ill. 8°. Ill. OPpbd.
1968RO40103341Le Bon Marché. 1968. In-4. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Pliures. 16 pages. Illustré de nombreuses photos en noir et blanc.. . . . Classification Dewey : 391-Mode
1950211751950. Archive of fashion photography documenting African American women's participation in commercial and editorial modeling from the 1950s through the 1980s a period in which the American fashion and advertising industries remained overwhelmingly centered on white beauty standards and limited Black representation in print media. Working in Cultural / Representational Mode the material illustrates changing presentations of Black femininity glamour and natural beauty across several decades of American fashion culture. The photographs provide visual evidence of evolving aesthetic conventions surrounding race cosmetics hairstyles leisure and commercial image-making during the postwar and Civil Rights eras. Particularly notable are several 1970s images depicting Black models with natural hairstyles and minimal cosmetic styling reflecting broader cultural shifts associated with Black pride movements and changing representations of African American identity in fashion and advertising imagery.<br /> Collection comprises 23 silver gelatin photographs and one color photograph produced by several professional photographers between the 1950s and 1980s. Images include editorial fashion shoots casting and publicity photographs scanned negatives and studio portraiture featuring predominantly Black women alongside several white models photographed by the same studios. Two 1970s editorial images depict a lean Black model with closely cropped natural hair posed in a leopard-print wrap. Four photographs focus specifically on Black women including close-up portraits emphasizing natural presentation and informal styling. One younger woman appears without visible makeup wearing a bandana and t-shirt while another is photographed in a straw hat with hoop earrings and patterned sash. Additional photographs include a Black model posed in a bikini atop the rim of a classical fountain featuring Aphrodite imagery. Four professional photographs and one casting card depict singer and actress Sylvia Vanderbeilt in commercial studio poses. Several scanned negatives portray a Black female model in multiple outfits and poses characteristic of 1970s fashion photography including one sequence featuring both the model and a young Black girl during apparent test shoots. The latest material consists of scanned negative strips from an apparent 1980s fashion session featuring a Black model with a sleek bob hairstyle modeling padded blazers and contemporary commercial attire. Other photographs depict white women in evening gowns fur wraps and casual mid-century fashions including two images by photographer Lee Brian showing the same model posed in mid-length evening gowns amid neoclassical architectural settings one with an elaborate mink shawl. Several photographs bear photographer or studio stamps on the verso including L.W. Ward of Cedar Rapids Iowa and Lee Brian of Palm Beach Florida.<br /> The archive traces substantial shifts in fashion photography and racial representation across three decades of American commercial imagery from heavily stylized mid-century glamour photography to the more natural aesthetics associated with 1970s fashion editorials and Black cultural self-presentation. The inclusion of both editorial and test photography offers insight into the production practices of commercial modeling studios as well as the visual conventions used in presenting Black women to advertising and fashion audiences during a period of gradual but uneven industry integration. Minor wear and light handling marks throughout; photographs otherwise remain in very good condition overall. A visually strong grouping documenting African American representation within postwar American fashion photography and commercial image culture. unknown
1972221419New York: Museum of Modern Art 1972. 239 S., zahlr. s/w u. farb. Abb. auf Taf. Lit.verz. 4° Br. *neuwertig*.
199194326ABLondon, British Museum, 1991. 2. A., 2 Abdruck. 4°. Mit 60 farb. u. 125 s/w Abb. 208 S. Farb. ill. OKt. - Engl. Text. - Sehr gutes Ex. 2
1998140967Künzelsau. Mit Unterstützung der Adolf Würth GmbH. & Co. KG. 1998. 57, (2) Seiten. Mit zahlreichen teils farbigen Abbildungen. Farbig illustrierte Originalbroschur. (Lagerspuren). 27x19 cm
191252269ABBerlin 1912. 4° 116 S., m. Ill. + Kalender O.-Leinen m. schöner Deckelornament. Einbd. leicht fingerfl., Innenkante etwas stockfl., innen sauber erhalten.
192814732Ch. Béranger 1928 In-12 relié 27,5 cm. Bon état d’occasion.
199827517(Göttingen), Steidl, (1998). Preface De Michel Tournier. Conception Azzedine Alaia. Mit sehr zahlreichen, meist ganzseitigen, z.T. farbigen Fotoabbildungen Nach Aufnahmen von Martine Barrat, Gilles Bensimon, Patrick Demarchelier, Arthur Elgort, Jean-Paul Goude, Horst P. Horst, Paul Kasmin, William Klein, Annie Leibovitz, Peter Lindberg, Steven Meisel, Jean Baptiste Mondino, Helmut Newton, Michael Roberts, Paolo Roversi, Julian Schnabel, Ellen von Unwerth, Max Vadukul, Bruce Weber, Christoph von Weyhe und Leigh Wiener. 37/28 cm. 255,13 S. OLeinen mit transparentem, bedrucktem Schutzumschlag. In bedrucktem OSchuber. Recht schön.
1996276856München: Schirmer Mosel 1996. 80 Seiten mit 51 farb. Abbildungen. Kart.mS.
199871498Göttingen : Steidl 1998. Limited ed. [275] S. : überw. Ill. ; 38 cm Gewebe [5 Warenabbildungen] 0
19519993939Mode du jour Mode du jour 1951, In-4 broché de 116 pages. Couverture couleur. Trés bon état.
1960R260256906Au bureau du journal. 1960. In-4. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. 50 pages augmentées de quelques photos et dessins en noir et blanc dans texte.. . . . Classification Dewey : 391-Mode
1949177171949. 50 pages. Paris Éditions Marcel Daubin 1949. Agrafé 19 cm x 27 cm 50 pages. Patrons « Minerve » et « Favoris » de vêtements pour femme homme' et enfant. Etat neuf
1909114790ABParis:, Librairie Armand Colin;, 1909. 4°. VII,247; 272; VIII,292; 306 S., über 7000 Ill. Hldr. mit Golddruck und Buchschmuck. Kanten etw. bestossen und Rücken etw. aufgehellt. Kleiner Namensstempel auf Vorsatz. Papier stets sehr sauber. Guter Gesamtzustand.
191017105ABBerlin, Deutsche allgemeine Friseur-Zeitung, 1910. 23,5 : 16 cm. 32 pages, 24 plates, X pages.- Original cloth. 3rd revised edition.
191712254ABBerlin, Cassirer, 1917. 23 cm. XXVIII,351/453, (3) S. Illustrierter Halblederband (Hardcover). 2 Bände (komplett). Noch gute Exemplare. Einbände angefleckt und leicht bestoßen, Vorderdeckel von Band 1 mit einem Knick. Der Velourlederrücken von Band 1 mit einem Loch. Vorsätze geplatzt und Buchblöcke gelockert.
1996129509Umbra Editions - HarperCollins Publishers, New York, 1996. 143 S. ; 33,5 x 26 cm ; Pp. ;
1998GB077LRW65RI5N00V. R. Mode 1998. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. V. R. Mode paperback
198014305Köln : Lingen, 1980. 288 S. : zahlr. Ill. u. graph. Darst. 4°. OPpbd.
192020074Leipzig, Philipp Reclam jr., um 1920/1930. 12°; 228, 255, 250, 212 Seiten, 148 Abbildungen auf Tafeln. Fraktur; nachgebunden: Halbleinen ausgesondertes Bibliotheksexemplar mit Stempel und Kennzeichnungen, papierbedingt leicht gebräunt
