Zimmermann WilhelmMareMagnum
135 résultats
Mm 160x235 Volume rilegato di pp. 76, cartonato rigido, alcune pp. pubblicitarie, in buono stato. Senza data. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
8vo., with map in the text; black cloth, upper board and backstrip lettered in gilt, yellow top, uncut, a very good, bright, clean copy. With personal bookplate on front free endpaper. Firsy published in 1941.
4 vols., roy. 8vo., Revised Edition, Large Paper, on English hand-made paper; original coloured buckram (respectively blue, yellow, red, green), upper boards and backstrips lettered in gilt, gilt tops, uncut, backstrips very lightly sunned and dust-soiled (but all gilt entirely legible), a very good, bright, clean set. EDITION LIMITED TO 200 COPIES OF EACH VOLUME SIGNED AND NUMBERED BY THE AUTHOR (THESE COPIES NUMBERED RESPECTIVELY 152, 69, 51, 135). IN THE SECOND VOLUME WILLIAMSON HAS SIGNED AND NUMBERED IN GREEN INK. Williamson's first published work, 'The Beautiful Years' is the first of four in which he tells the story of 'one human unit of Europe immediately before and after the war'. The four titles are 'The Beautiful Years', 'Dandelion Days', 'The Dream of Fair Women' and 'The Pathway'. They were to be subtitled 'A Tale of Childhood', 'A Tale of Boyhood', 'A Tale of Youth' and 'A Tale of Life' through in the event only the first of these was used. The four books were first published respectively in 1921, 1922, 1924 and 1928; the tetralogy was first issued in a single volume in 1936. The present texts are as follows: first volume (second text, revised), second volume (second text, rewritten), third volume (second text, revised), fourth volume (second text, revised). Regarding the first volume, Matthews states that 'some advance review copies have an error on p.62…corrected in the published edition'. This error is present here, but Matthews makes no mention of the fact. EXTREMELY SCARCE AS A SET IN THE LIMITED EDITION. Matthews, A1 1929a(ii), A3 1930a(ii), A5 1931a(ii), and A9 1931b.
8vo., First Edition, free endpapers moderately browned, fore-edges mottled, title mildly browned; original navy blue cloth, upper and backstrip lettered in red, a good, tight copy. The title is blind-stamped 'Review Copy'. With the 4pp of publisher's advertisements at end as called for. 750 COPIES WERE PRINTED. Williamson's first book, being the first volume of 'The Flax of Dream' sequence. Perfectly sound copy with no trace of the cockling often present on front board. Very scarce, especially in this condition. Gretton, 1; Matthews A1.
8vo., First US Edition thus, short ink stroke on front free endpaper; original blue cloth, upper board and backstrip blocked in gilt and blind, uncut, backstrip lightly sunned else a very good, clean copy. Third volume of 'The Flax of Dream' sequence. This is the definitive version, revised from the text of 1924, with 4pp valediction at end. Matthews A5/1931b
8vo., First Edition thus; brown cloth, gilt back, a very good, bright clean copy. Third volume of 'The Flax of Dream' sequence. This is the definitive version, revised from the text of 1924, with 4pp valediction at end. Matthews A5/1931a
8vo., First Edition, some light offsetting from fold-ins to free end papers; green cloth, gilt back, covers lightly age marked, else a a very good, bright, clean copy. Gretton 9; Matthews A9/1928a.
(20p.) Illustrated with numerous drawings. Rear wrap includes folding map and boiler elevations. Tall 8vo. Original pictorial wraps. First edition. PA PAMPH 20_17 BX5
23p. Pagination includes wraps. Illustrated with numerous drawings. Rear wrap includes folding map and boiler elevations. Tall 8vo. Original pictorial wraps. First printed 1975. PA PAMPH 20_1 BX2 + PA PAMPH 20_13 BX2 = 1979 3rd ed
in-4, frontesp.,pp. VIII, 80, leg. coeva m. pelle e ang. Elegantissimo titolo antiporta inciso in rame, con scenetta centrale raffig. la mietitura del lino; testata con le armi di Alvise Morosini dedicatario dell'opera; 12 tav. f.t. raffiguranti alcuni strumenti e le diverse fasi della coltivazione e dell'elaborata preparazione del lino marzuolo; incisione di estrema eleganza, considerando l'aspetto prettamente tecnico, più che didascalico, del trattato. Rara edizione figurata vicentina, bell'esemplare.. Re, IV, p. 154:«Mi sembra il trattato più completo che vanti finora l'Italia sopra la coltivazione di quest'ultissima pianta»..
grand in-8°, 313 pages sur papier glacE, illustre de photos et gravures in-texte, cartonnage ed. decored' une vignette et de titres et cadre dores, dos toile. Tres bel exemplaire. [NV-5]
In-8 (cm. 24.30), brossura, pp. 14. Il volumetto reca al piatto il titolo “della miscellanea pratese di cose inedite o rare antiche e moderne. N. 14. Pubblicato nel Dicembre MDCCCLXVIII”. In ottimo stato (nice copy).
Mm 160x215 Collana "Saggi" - Volume in copertina rigida rilegata in tela, sovraccoperta originale con all'interno tracce di nastro adesivo, xxi-667 pagine con 15 foto e 5 cartine fuori testo. Una firma in apertura, peraltro la copia è in buone-ottime condizioni nelle sue legature ben salde. SPEDIZIONE IN 24 ORE DALL'ORDINE
In-16 (cm. 15.50), brossura editoriale illustrata (bruniture), pp. (6), XV, (5), 222, (2), con illustrazioni in bianco e nero nel testo, una pianta della citta’ più volte ripiegata. Terza ristampa. In buono stato di conservazione (good copy).
A beginner's book of lino-cutting with numerous illustrations. Stains on back cover. Previous owner's name and date on top corner of front free endpaper. 62 pages. Slight staining to covers and heavier staining to dust jacket which is also torn around edges with chunks lost at top edge and lower corner.
"Published on the occasion of the exhibition, Poetry plastique, at the Marianne Boesky Gallery, New York, February 9-March 10, 2001" Includes works by David Antin, Arakawa, Susan Bee, Christian Bök, Johanna Drucker, Kenneth Goldsmith, Robert Grenier, Lyn Hejinian, Tan Lin, Emily McVarish, Nick Piombino, Leslie Scalapino and Darren Wershler-Henry. 96 pages. Heavy crease across front cover. Slightly dog-eared at top/base corners.
IMPRINT EDIZIONI 2008 132 PP. ILLUSTRATO. FONDO DI MAGAZZINO: PARI AL NUOVO.<br/>
Mm 165x240 Volume nella sua brossura origianle con copertina a stampa interessata da tenui fioriture, xii-358 pagine con 370 figure in nero nel testo. Copia ottima, mai consultata, ancora intonsa. Spedizione in 24 ore dalla conferma dell'ordine.
Mm 210x145 Pieghevole della Biblioteca D.M.C. Pubblicazioni speciali per lavori femminili, con immagini in nero e in rosso. A cura della Dollfus-Mieg & C.
In 8, pp. 73-91 + (1b) con foto in b/n n.t. Br. rifatta con carta d'epoca. Stralcio dagli Atti del Real Istituto d'incoraggiamento alle scienze naturali di Napoli, serie VI, volume LXXII. Argomenti: descrizione del metodo e dell'impianto; estrazione dei fasci di lino dalle vasche; disseccamento artificiale complementare; risultati ottenuti...
Traduzione di Giovanna CarulloTINDALO 1968 252 PP. SEGNI DEL TEMPO, UN PICCOLO TAGLIO AL MARGINE SUPERIORE DEL DORSO, PER IL RESTO OTTIME ED ECCELLENTI CONDIZIONI. L’autore si sforza di ricercare le risposte storicisticamente più rispondenti agli inquietanti interrogativi che la Cina pone davanti al mondo. Il libro è un importante contributo alla conoscenza e alla ricerca contro l’anatema e la discriminazione.
pp. xi, 298. Bookplate of Esther and Harry Klein. 8vo. Original full cloth binding. Crude home made dust jacket. Eighth printing. Coldwar/Economics 8
No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards, slight foxing to rear and no bumping to corners. 69pp. Periodical magazine with feature articles on Commissioner Lin and Opium, William Augustus - Duke of Cumberland 1721-1765, American Loyalists in Canada, 'Madame' Elizabeth Charlotte of Orleans, The English in Padua 1222-1660, Northumberland House - London, The Norman who became Prince of Monaco plus book reviews and letters.
Book is in excellent condition with creaseless covers and spine, text block has a slight bend. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind.
