642 résultats
76pp., with 39 bl/w illustrations, 21cm., publisher's hardcover, dustwrapper, good condition, S96924
A comprehensive and well illustrated survey of needlework tools, a collector's guide. Index. Red cloth covers; gilt title on spine. Dust jacket worn and creased on top edge.
Mm 220x280 Tutta tela editoriale verde con scritte in oro impresse al al piatto e al dorso, sovracoperta illustrata a colori, risguardi figurati, 262 pp., 15 tavole a colori e numerosissime illustrazioni in nero nel testo. Volume in uttimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
45635Antique Collector's Club.1986.In-4 toilé avec jaquette ill.en couleurs.262 p.Très nombreuses photos en noir et couleurs. Etat neuf.En langue anglaise.
RC-IN0V-6YEZPaperback. New. paperback
2003046834Istanbul: Koçbank Yayinlari 2003. Dust jacket. Very Good/Very Good. Folio - over 12 - 15" tall. Original cloth bdg. Dusst wrapper. Folio. 32 x 24 cm. Edition in English. 251 p. b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today as part of the collection of Rijksmuseum Amsterdam nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans grand viziers prominent imperial officials daily life scenes from Istanbul an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians. <br/> <br/> Koçbank Yayinlari unknown
2003051022Istanbul: Koçbank Yayinlari 2003. Dust jacket. New/New. Folio - over 12 - 15" tall. Original cloth bdg. Dust wrapper. Folio. 32 x 24 cm. Edition in English. 251 p. b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today as part of the collection of Rijksmuseum Amsterdam nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans grand viziers prominent imperial officials daily life scenes from Istanbul an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians. <br/> <br/> Koçbank Yayinlari unknown
192516469Scranton PA ca. 1925. 675 gelatin silver photographs measuring 3.25” x 4” approx. depicting lace samples against a black background item numbers pinned to lace. Some curling else generally fine. Plus 140 lace sample cyanotypes measuring 4.75” x 3” approx. Generally very good. Plus 31 additional images in black-and-white: eight 15” x 12” approx. others various smaller sizes. With: faux-leather album measuring 13” x 11” approx. and titled “THE SCRANTON LACE COMPANY / Corner Glenn Street and Meylert Avenue” on paper label to front cover. Interior marked “curtains/table coverings book no. 3.” Contains 273 images of various sizes cyanotype and gelatin silver mounted on black paper some captioned with names of product lines. Plus: two invoices for yarn and other textiles. Joints and edges worn several pages detached. Contents generally fine. <br/><br/>A sizable archive of over 1150 images from the Scranton Lace Company a major manufacturer that operated from 1890 to 2002 consisting of samples used in home decor — primarily window treatments and table linens -— likely photographed for internal purposes. Composed mainly of product sample photographs including images of intricate lace patterns against a dark background and with inventory numbers pinned to the sample. Several enlargements of full table cloths and settings also included with those mounted in the album cut — with striking effect — to create the illusion of a three-dimensional perspective. More than 200 of the images are cyanotypes which are notoriously fugitive to light and are here uncommonly well-preserved. The company was a leading producer of decorative lace throughout the 1900s. Notably the invoices and marginalia indicate at least some of these styles were made from Rayon which had only debuted commercially in the U.S. in 1924. Also noteworthy firm designer Hugh Rodham likely responsible for many of the patterns pictured here is the grandfather of Hillary Clinton. The bulk of the company’s extant archives are held by two regional museums: Pennsylvania Anthracite Heritage and The Waverly Community House. A comprehensive representation of period lace styles ranging from traditional to contemporary and art-deco patterns all rendered in exquisite detail. We will note for purely self-serving reasons that two small lots of about 50 photos — both of a similar nature and from the same company — made more than $1000 each at the 2015 Swann vernacular photo auction. hardcover books
Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 256 pages, the book celebrates the lives and work of nearly 150 National Heritage Fellows, names as exemplary practitioners of traditional folk arts. Artists such as: Duff Severe, Periklis Halkias, Canray Fontenot, Alice New Holy Blue Legs, practicing such work as blues music, pottery, tap dancing, lace making, Lakota quillwork, Sicilian marionette theater, Hawaiian quiltmaking. Color & b&w photos throughout, artists bios at back.
1981S87696München, Klinkhardt & Biermann 1981 247pp.with 179 illustrations, 5th revised edition, editor's hardcover in red cloth, illustrated dustwrapper, 24cm., very good, in the series "Bibliothek für Kunst- und Antiquitätenfreunde" Band 6, S87696
247pp.with 179 illustrations, 5th revised edition, editor's hardcover in red cloth, illustrated dustwrapper, 24cm., very good, in the series "Bibliothek für Kunst- und Antiquitätenfreunde" Band 6, S87696
19080Paris, Albin Michel/Régine Deforges, 1987. 25 x 31, 47 pp., nombreuses illustrations en couleurs, cartonnage d'édition illustré, bon état (couverture avant légèrement : 1 coin plié).
Mm 170x240 Brossura originale, 48 pagine con figure in nero nel testo redatto in lingua inglese - English text. Libro in condizioni di nuovo - brand new.
15945grand in-4, dos de toile gris foncé, (122) feuillets contenant les échantillons et modèles de la série 3000 : c'est à dire 999 échantillons de dentelle en fil dont une quarantaine de dessins sur calque.
190075725Couverture souple. Broché. 20 modèles. Couverture défraîchie, important manque au 1er plat.
2016AME_9781781545638Auris Press 2016. 1St. Hardcover. New/New. Auris Press hardcover
2016DBS-9781781545638Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
2016DBS-9781781545638Auris Press 2016. 1St. Hardcover. New. Auris Press hardcover
4273Venice, Ferd. Ongania Edit, 1888. In-8 (24,5 cm) (3) feuillets, 57, (1) pages, illustré de 8 planches hors-texte et de 28 figures in-texte. Reliure demi-chagrin havane à coins. Dos à 5 nerfs ornés de filets dorés, plats et gardes marbrés, tête dorée. Étiquette de la Castlecraig Library au revers du plat avant, signature d’un ex-proprio au revers de la garde supérieure, léger frottis aux coupes, petit manque de papier marbré au plat avant, rousseurs aux versos des planches. Édition originale tirée à 100 exemplaires. Numéroté 22. Bel état général.
6203287938.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198847685Seattle WA: Palasar SA. / University of Washington Press 1988. Fine/Fine. Seattle WA: Palasar SA. in association with University of Washington Press 1988. Second Edition. Large quarto 31cm; publisher's cloth in glossy pictorial dust jacket retaining original drab card slipcase; 444pp.; color illus. throughout. A Fine example. Palasar SA. / University of Washington Press unknown
198838069Univ of Washington Pr. 1988. Second Edition. Hardcover. Fine in Near Fine dust jacket. A pristine copy of this large and beautiful book which is full of unexpected pleasures. The jacket is protected by a mylar Brodart cover. Fast shipping in a sturdy box with tracking number provided. ; 9.13 X 6.57 X 1.11 inches . 0295967110 . Univ of Washington Pr hardcover
45608Shire.1982.In-8,couv.souple ill.240 p.Planches en noir.En langue anglaise. TBE.
1703718801.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992045088Istanbul: Suna ve Inan Kiraç Vakfi 1992. Hardcover. New. Folio - over 12 - 15" tall. Original bdg. HC. In publisher's special box. Folio. 38 x 28 cm. In English and Turkish. A 19th century album of Ottoman Sultans' portraits. Suna and Inan Kiraç Collection.= Osmanli Padisah portreleri. Bir 19. yüzyil albümü. Inan ve Suna Kiraç Koleksiyonu. In the mind of every Turk there is a set image for Ottoman Sultans that he has acquired from a variety of sources: school books historical texts encyclopaedias etc. The Ottoman royal image is not altogether unknown to the Europeans either. This is due to the fact that there is a pictorial record of the Ottoman Sultans created by the numerous portraits produced through the centuries by Turkish and European artists. It was a great pleasure for me to write the explanatory text to this special album of sultan portraits in Inan and Suna Kirac collection. The absence of an original text in the album itself complicated the study of the portraits in view of their iconography especially the richly detailed backgrounds and attributes used for each sultan. This necessitated a thorough study of historical sources and a search for comparative albums. Nevertheless 17 similar albums dating from approximately the same period were recorded and listed after the text. The main question was to explore into the realm of the Ottoman artist to discover his approach to portraiture. In Islam to read a person's character through the study of his physiognomy has been a science. With this in mind did the Ottoman artist confine himself only to the preset details of each sultan's physiognomy or did he enrich his knowledge about the sultans through other sources I strongly believe that the artist of the Kirac album did this. Therefore in the short texts accompanying each portrait I chose to give a brief record of the sultan's deeds interests and personality as revealed in historical sources. In this way it would be easier to comprehend the artist's interpretation. In the main text I tried to give a comprehensive summary of the history of royal portraiture among the Ottomans and presented the prototypes to this album. Then came a discussion of the Kirac album itself not only in view of its artistic value but also as a significant source of information about imperial attire and certainly the artistic milieu of the Ottoman Empire in the first decades of the 19th century. <br/> <br/> Suna ve Inan Kiraç Vakfi hardcover
