LE MAOUT, Emmanuel, & Paul-Antoine CapBiblio.com
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1853181023Paris: Curmer 1853-54. First editions of Histoire naturelle des oiseaux and Muséum d'Histoire Naturelle second of Histoire naturelle des familles végétales. These splendidly illustrated volumes which include a detailed account of the Parisian museum of Natural History are presented in the spectacular original cloth. Histoire naturelle des familles végétales was published in 1852. The Trois règnes de la nature series also included two volumes on mammals. Provenance: Stephen C. Massey. 3 vols quarto. Frontispieces Muséum hand-coloured Oiseux with 35 plates 15 hand-coloured Végétales with 42 plates 23 hand-coloured Muséum with 41 plates 14 hand-coloured 3 double page many wood-engravings to text. Original blue blind-stamped wave-grain cloth spines lettered in gilt spines and boards elaborately block in gilt with varicoloured details in relief yellow coated endpapers edges gilt. Muséum spine faded and foot worn bindings minimally rubbed and presenting very well endpapers occasionally marked Oiseaux and Muséum cracked at rear hinges but firm the odd blemish to contents. A very good set. hardcover
1690PHO-1696Paris, veuve de J.-B. Coignard, J.-B. Coignard, 1691. 2 volumes in-12, titre, 2 ff. n. c., -555 pp. ; 1 ff. n. c.., 404 pp, 2 ff. de tables in fine, relié plein veau époque, dos à nerfs orné légèrement différent, étiquette de titre au tome 1, coins et coiffes usés, petit travail de ver, 3 planches détachées au tome 1, page de titre courte, cachet. L'illustration comprend 37 planches (41). La première planche donnée dans la table du tome 1 est dans le texte, planches hors texte gravées par Ertinger, certaines dépliantes. Vignette aux armes du marquis de Torcy, à qui l'ouvrage est dédié. Les planches représentent des plantes, des costumes, des habitats, des instruments, de musique, des cartes … etc
1787PHO-1778Paris, Buisson, 1787. 2 vol in-4° (26 x 20 cm) , 2ff.-XXI-3pp.-478pp.[2] ff., 2ff.-462 pp., illustré d’un frontispice, une carte et 15 planches, relié plein basane époque, dos à nerfs orné avec pièces de titre et tomaison vertes, triple filets aux plats et roulette intérieure, tranches marbrées, coiffe sup. réparée, tache au coin, travail de ver (tome 2) sur 15 feuillets, 2 cahiers brunis, petite mouillure marginale.
0199135789New. Brand new and still unused unknown
1900ACA002Chicago: Era Publishing Co. 1900 First edition first printing. From the library of former major league baseball player Eugene "Gene" DeMontreville. Original publisher's green cloth spine lettered in blue front cover with ball player illustration of Anson and lettering in blue. A very good copy with wear and rubbing to the extremities a few small scattered stains and light soiling to cloth hinges repaired plate facing page 46 with tape repairs to verso and the signature of baseball player Eugene DeMontreville and "B B B Club" notation to the front pastedown. Eugene "Gene" DeMontreville played professional baseball from 1894-1904 at second base and shortstop playing on 8 different teams in his 11-year career. DeMontreville was a former teammate of Hall of Famers Kid Nichols Billy Hamilton and Vic Willis for the 1901-1902 Boston Beaneaters later Boston Braves and Connie Mack for the 1894 Pittsburgh Pirates. He also played on the 1900 National League Champion Brooklyn Superbas later Brooklyn Dodgers. His 36-game hitting streak for the Washington Senators from 1896-1897 ranks as the 10th longest in Major League Baseball history. A Ball Player's Career is considered the first baseball biography ever published in book form where Anson recounts his professional baseball career and international goodwill tours. Anson led Chicago to six National League pennants in the 1880's and still holds several Cubs franchise records while being the only Cub in the 3000-hit club. He was also one of the first 19th century baseball players inducted into the Baseball Hall of Fame 1939. First Edition. Hard Cover. Very Good. Chicago: Era Publishing Co. hardcover books
1846PHO-857Paris , Firmin-Didot , 1846 , 2 volumes in-folio (590x440) , relié demi cuir époque , dos lisse avec titre et tomaison , plats frottés , dos frottés avec épidermures , manque de papier au centre du plat (étiquettes retirées), coins usés, quelques rousseurs . Texte : 1ff-VI-81pp-1ff(table) , 1ff-36pp , montées sur onglets Atlas : 58 planches sous serpente(sur 66) dont une planche en couleur,montées sur onglets ,dessinées par Ravoisié .
1686PHO-2093Paris, Arnould Seneuze, Daniel Horthemels, 1686, in-4 (24,5x19cm): 16ff.-424pp. 8ff., illustré de 20 planches dont certaines à double pages, gravées par Cornelis Vermeulen, d'après les dessins de P. Sevin, relié plein veau chiné, dos à nerfs orné avec titre, frottements, manques en tête et coiffe arasée, 1 coin usé, mouillure en coin sur une quinzaine de feuillets, une planche détachée, quelques brunissures et rousseurs.
1918P4462London: The War Office c.1918. Very Good. Notes: An industrial scene showing the construction of Aeroplanes for the British Military during the First World War. <br>Sir Muirhead Bone 23 March 1876 – 21 October 1953 was a Scottish etcher drypoint and watercolour artist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery the National Gallery and the Imperial War Museum. Image Size : 352x530 mm 13.86x20.87 Inches Platemark Size : Paper Size : 510x680 mm 20.08x26.77 Inches Coloring: Printed in Color Medium: Lithograph Categories: Transportation Airplanes; Military World War I & II; The War Office unknown
004377Paris: Chez Capelle Libraire-Commissionnaire Second edition. Published in "An X" I have no idea how to convert French Revolutionary time to the Common Era. Leather spine marbled boards. 6 compartments defined gold titles. Marble endpapers. Four-color engraved frontispiece showing a woman in front of a revolutionary committee being criticized for having a bottle of Spanish wine. Introduction to second edition 6; 216 pp. Appears to be a satire in drama prose poetry. Chipping top and bottom of spine 1" rub to rear small hole in half-title occasional foxing. In French. Very good condition. Scarce. Chez Capelle, Libraire-Commissionnaire hardcover
1792LBW-3758Auray, 1792. 1 p. in-4 oblong (22,4 x 29,3 cm), en-tête imprimé "Régiment du Port-au-Prince" corrigé à l'encre "Cap", vignette et encadrement gravés, sceau de la municipalité d'Auray et apostille des officiers municipaux, traces de plis.
In-4 cc(6) pp.426 cc (5)- Marca tipografica nel Frontespizio, capilettara, testatine e diagrammi nel testo incisi su legno. presenza di fori di tarli e alcune pagine brunite.Primo capitolo dedicato alla storia della fondazione dell’accademia Regia Francesce di cui lui stesso era membro e alle loro attvitità
1930PHO-1046Paris : Plon, 1929. 3 grands volumes in-folio ; 354 planches dont 18 en couleurs, tables des noms et des matières. En feuilles sous chemise cartonné à lacets. Quelques rousseurs sur les feuillets de texte préliminaire.TomeI: Texte. Planches I à 66 (XVIesiècle-1826); TomeII: Planches 67 à 217 (1827-1837); TomeIII: Planches 218 à 354 (1838-1871) Les planches rassemblent plus de mille illustrations constituées par des peintures, dessins, estampes, images populaires, sculptures, médailles, représentant des portraits, vues de ville et vues du pays.
19365481936 London, Macmillan and Co, 1936.
1686PHO-1903Paris, Arnould Seneuze, Daniel Horthemels, 1686-1689, 2 vol. in-4 (25x19cm): 16ff.-424pp. 8ff., 8ff.-416pp.-5ff., illustré de 10 planches (26) dont certaines dépliantes ou à double pages, gravées par Cornelis Vermeulen, d'après les dessins de P. Sevin et 7 vignettes, relié plein veau époque, dos à nerfs, Tome 1, dos frotté, coiffe manquante, épidermure, coins usés, ex-libris raturé au titre, mouillure angulaire sur 10 feuillets, ressaut de cahier. Tome 2, manque au dos, charnières fendues, coins usés, coiffes absentes, petit travail de ver sur 6 feuillets puis pages 300-350, mouillure claire par intermittence, 3 feuillets détachés, quelques feuillets brunis.
1787PHO-2220Paris, Buisson, 1787. Trois volumes in-8 (198x120mm), xxxii-388pp.-2 pl., 2ff.-366pp.- 8 pl., 2ff.-363pp.- 6pl.. Basane marbrée de l'époque, tranches marbrées, dos à nerfs ornés avec pièce de titre (rouge) et tomaison (verte) mouillure au t2, carte volante.
191722011London: Published by Authority of the War Office 1917. First edition. Hardcover. Very good. Foiio. Two volumes. Introduction by General Sir Douglas Haig. Tan buckram spiune leather lettering labels gilt; brown paper over boards. Illustrated throughout withb plates of the war by the author/artist. Corners worn and lettering labels chipped else a very good set.<br /> <p><br /> Inscribed on the verso of the front free endpaper by the artist-author: "Signed for Mr. Henry Tozer with the kindest regards of Muirhead Bone." Bookplate of "HT"; i.e. Henry Tozer on the front pastedowns<br /> .<p><br /> Laid in are two autograph letters signed by Muirhead Bone and addressed to Mr. Tozer. The first dated December 1949 discusses books by Bone and his family. The second dated February 1950 discussed mostly an exhibit of pictures Bone's son Stephen.<br /> <p><br /> The recipient is likely Henry Edward Spernon Tozer 1864-1955 a highly regarded painter of country life. <br /> <p>. Published by Authority of the War Office hardcover
191171409J. Maclehose 1911-01-01. Unknown Binding. Very Good. 1911 Maclehose large format blue cloth hardcover with fifty plates of illustrations tight and unmarked. oversized and overweight. d62 Please email for photos. J. Maclehose unknown
180517636Paris, Buisson (imprimerie Jeunehomme), an XIV-1805 ; in-8, broché ; (4), 322 pp. , portrait en frontispice, planche dépliante représentant 3 proas, bateau indigène et des armes et 2 cartes dépliantes, couverture souple bleu uni.
1919177411London: Chatto & Windus 1919. Limited edition number 101 of 160 copies bound in full vellum and with a signed etching by Muirhead Bone. This memoir recounts the activities of the Merchant Navy during the First World War and was written by one of its most experienced captains. This volume was a collaboration between David Bone 1874-1959 and his brother Muirhead 1876-1953. Muirhead was an etcher and watercolourist who was appointed as the first official war artist in 1916. "He was among the greatest British draughtsmen and his images of cities particularly buildings being built or demolished display extraordinary technical skill" ODNB. This limited edition contains a signed etching by Muirhead titled Salvage Men Approaching a Torpedoed Ship. "Written largely between the shipping crisis of 1917 and the surrender of German undersea arms at Harwich on November 20 1918 this book is an effort to record a seaman's impressions of the trial through which the Merchants' Service has come in the war" p. xi. David Bone 1874-1959 first joined the Merchant Navy at age 15 in 1889. He served during the Boer War captained many ships including the 17000-ton liner Transylvania and fought in both world wars. He told a reporter in 1943 that he had served in so many convoys even he could not remember the total. He also was a celebrated writer releasing his first novel The Brassbounder in 1910. Quarto. Half-tone photographic frontispiece with tissue guard one drypoint etching by Muirhead Bone with captioned tissue guard illustrations in text. Original vellum spine and front cover lettered in gilt marbled endpapers top edge gilt others untrimmed blue silk bookmarker. Recent ink number to rear free endpaper verso. Spine ends lightly bumped vellum slightly foxed rear inner hinge just starting at head contents bright a touch of offsetting: a near-fine copy. hardcover
17960038431796 A Paris, chez Benoît Dandré, Garnery & Obré, An IV [1796]. Un volume (sur 2) in-quarto (208 X 260) basane fauve granitée, encadrement de roulette dorée sur les plats, dos lisse orné de roulettes dorées en place des nerfs, chainettes et fleurons dorés, pièces de titre et de tomaison maroquin havane foncé, coupes et coiffes filetées (reliure d'époque) ; (2) ff. de faux-titre et titre, portrait-frontispice, XLIV pages de préface du rédacteur, préface de l'auteur, table des chapitres et explication des planches, 510 pages, 16 planches hors-texte. Petites galeries de ver aux 20 premiers feuillets, sans atteinte au texte ; puis deux trous de vers, en fond de cahier et de la grosseur d'une tête d'épingle, jusqu'à la page 104 pour le premier trou, et jusqu'à la fin du volume pour le second.
176882TÃTULO: Tratado del origen y arte de escribir bien: ilustrado con veinte y cinco láminas. Obra utilÃsima para que asà maestros como discÃpulos y quantos se hallaren estudiosos de escribir bien puedan con facilidad aprender todas las formas de Letras que usamos en España asà modernas como antiguas: Griegas Hebreas Syriacas Caldeas Samaritanas Ãrabes &. DedÃcase al Rey nuestro señor don Carlos III que Dios guarde / su autor el R. P. Fr. Luis de Olod Bibliotecario del Real Convento de Santa Madrona de PP. Capuchinos de Barcelona.<br /><br /><br /><br />Barcelona: en la imprenta de Carlos Sapera. : a costa de Francisco Basols y Bastons. 1768. 29 x 21 cm. Colación: 8 116 p. 24 h. de grab. ; Fol.<br /><br />Buen estado solo algunas manchas de diferente naturaleza tinta óxido etc. incluida una en portada y un pequeño corte en la hoja 115/6 por lo demás todo correcto buen papel firme al tacto hojas limpias. Bellas cabeceras y cul-de-lamp grabados. Bonitas letras capitales. Láminas calcográficas en buen estado. Encuadernación en pergamino fuerte sobre cartón y tejuelo en lomo. CCPB000223847-0<br /><br /><br /><br />Luis Basols y Bastons en religión fray Luis de Olod o de Olot Olot 1720-8 de mayo de 1794 fue un fraile capuchino y calÃgrafo español.<br /><br />Hijo de un tintorero fue bautizado en la parroquia de San Esteban de Olot el 1 de febrero de 1720.1​ En abril de 1735 tomó el hábito capuchino con el nombre de Luis de Olod.2​ TenÃa un hermano de nombre Francisco Basols y Bastons que corrió con la financiación de la dos ediciones de su Tratado del origen y arte de escribir bien en el que también aparecen en los preliminares un ValentÃn de Olod predicador en el convento de capuchinos de Barcelona firmante de una de las aprobaciones y Esteban de Olod provincial de la Orden en Cataluña y quien otorga la licencia para su impresión que Cotarelo creyó que podrÃa tratarse de otro hermano o de un pariente.3​ Según se desprende de los datos biográficos que él mismo facilitó en su obra y por los lugares donde van fechadas las láminas se sabe que en 1760 y 1761 residÃa en el convento de capuchinos de Figueras del que pasó al de Gerona y más adelante al de Barcelona en el que se encontraba al salir la primera edición de su libro en 1766 desempeñando el cargo de bibliotecario.<br /><br />Para abrir los grabados de las láminas quejándose de la escasez de grabadores en España y recordando que José de Casanova reprochó a los grabadores haber deslucido las suyas recurrió al italiano Giovanni Petroschi 1715-1766 de quien tenÃa buenas referencias y le envÃo veinte muestras de las veinticinco que finalmente salieron publicadas pero tampoco quedó satisfecho con el resultado pues se las devolvió decÃa "tan desfiguradas imperfectas y ajenas del original que á no conocerlas por la materia las desconociera en la forma". De las restantes una lleva la firma del grabador catalán Francisco Boix.3​<br /><br />En cuanto a la calidad de su escritura Manuel Rico recoge un testimonio muy negativo que le atribuye gran responsabilidad en la decadencia del arte de escribir con su "desordenada y ridÃcula letra pseudo-redonda".4​ Cotarelo le reprocha falta de originalidad encontrando únicamente de interés las explicaciones sobre el origen y formación de la letra bastarda moderna o pseudorredonda que para Olod era la más perfecta5​ y si como calÃgrafo no demuestra gran habilidad según Cotarelo mejora como adornista "al menos sus ángeles y pájaros están hechos con mayor gracia y aun los lazos y giros que rodean su retrato no desagradan á la vista".6​ Para Galende por último el mayor interés se encuentra en el capÃtulo final en el que se ocupó de la criptografÃa escritura secreta o idiografÃa con la descripción teórica y práctica del sistema de sustitución simple.2​<br /><br />Las ideas pedagógicas que se pueden espigar en el tratado aun no siendo un tratado de pedagogÃa han sido estudiadas por Sabaté que las tacha de conservadoras: el primer fin del maestro ha de ser la enseñanza del temor de Dios para que sus alumnos salgan aprovechados en virtud letras y urbanidad.7​ Padre y director espiritual el maestro ha de basar su trato con los alumnos en el amor al modo como el párroco con sus feligreses lo que implica también suavidad y paciencia antes de aplicar los castigos no dejándose llevar por la cólera y valiéndose como estÃmulo de los premios mejor que de la vara que tiene por acción servil que en nada aprovecha aunque no descarta otros castigos fÃsicos como poner al alumno de rodillas con los brazos en cruz.8​<br /><br />1 "Tres-cents anys del naixement de fra LluÃs d'Olot" El Cartipas Edició: Institut de Cultura de la Ciutat d'Olot i Arxiu Comarcal de la Garrotxa n.º 126 febrero de 2020.<br />2 Galende Diccionario biográfico español.<br />3 Cotarelo 1913 p. 115.<br />4 Rico 1903 p. 128.<br />5 Cotarelo 1913 p. 116.<br />6 Cotarelo 1913 p. 118.<br />7 Sabaté 1985 p. 221.<br />8 Sabaté 1985 pp. 222-223.
191719895London : Published By Authority Of The War Office From The Offices Of ""country Life"" Ltd. 1917. First Edition. Hardback. Finely bound in modern half cal over buckram boards. Title directly gilt-blocked. Raised bands with gilt cross-borders. An impeccable copy; highly uncommon in such polished condition. From the print library of Elmer Adler with plate. ; 1 pages; Vol. 2: With text by C. E. Montague. Some of the plates are coloured. London : Published By Authority Of The War Office From The Offices Of ""country Life,"" Ltd. hardcover
ix, (3), 263 pp. Index. Complete with eight black and white photographic plates. "No one who wants to understand England as it is today can afford not to read this book. It is the story of what happened to one-half of the British people - the half that now, generally speaking, votes Labour - in the long, dark tunnel between the rather confused half-light into which it is emerging today and the green land far away inhabited by our eighteenth- and seventeenth-century ancestors." - Arthur Bryant (in 1947). Heavily-worn with usual library markings. Reading copy only. Book
1917174570Authority of the War Office 1917. First Edition. Hardcover. Very Good. First Editions First Printings. Published by Authority of the War Office 1917. Folios. 2 Volumes. Books are very good with shelf wear edgewear to boards and spotting to page ends. Book placed in custom acetate protector. A very scarce set of books on the Western Front with early World War I sketches. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Authority of the War Office hardcover
60244New York: Munro's Publishing House. First printing. Good. 48pp. Text double column. Large wood engraving to front cover p. 1 "Old Cap. Collier Gripstick in Hand Watched the Mormon Elder and His Five Fair Victims". 10 5/8 x 7 1/4". Printed wrappers stapled. Age-toning with some chipping to the extremities and covers beginning to detach. Title page lacking piece to fore-edge text not affected. Two stamps one to top margin of p. 1 & bookseller stamp to p. 47 lower margin. This detective series numbered 822 issues published by Munro from 9 April 1883 to 9 September 1899 starting at 10 cents an issue though later dropping to 5 cents as here. Cf. The Dime Novel Companion p. 199.<br /> <br /> "In this volume the disguise-master detective Munroe sic Publishing House's most popular character in the 1890s is assigned by the U.S. government to investigate a global human trafficking network that provides Mormons with new wives for their supposedly defunct harems.<br /> <br /> "As Old Cap Collier infiltrates the Mormon cabal and exposes the human trafficking scheme he discovers a much broader conspiracy that involves massacre and political domination." - from "Danites Damsels and World Domination: Mormons in the Dime Novels" by Michael Austin Sunstone<br /> <br /> Rare Mormon fiction title. Not in Flake. Munro's Publishing House unknown
