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WAVES AND INSTABILITIES IN PLASMAS CISM INTERNATIONAL CENTRE FOR MECHANICAL SCIENCES
1994AME_9783211826362Springer 1994. 1st. Paperback. New/New. Springer paperback
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1906036406London: Charles H Kelly 1906. Presumed 1st Edition. Hardcover. Very Good/No Dust Jacket. Octavo. pp 253 32. Excellent art nouveau decorated binding. Edges toned Charles H Kelly hardcover
1994AME_9783211826362Springer 1994. 1st. Paperback. New/New. Springer paperback
A9783211826362Paperback / softback. New. This book presents the contents of a CISM Course on waves and instabilities in plasmas. For beginners and for advanced scientists a review is given on the state of knowledge in the field. Customers can obtain a broad survey. paperback
2006SKU1085907The Monacelli Press 2006-12-05. First Edition. hardcover. Like New. 8x0x10. The Monacelli Press 2006. Hard cover first edition. Fine condition in Fine dust jacket; 268 pages. The Monacelli Press hardcover
2006SONG1580931766The Monacelli Press 2006-12-05. First Edition. hardcover. Used: Good. 8.88x0.75x10.38. Buy with confidence. Excellent Customer Service & Return policy. The Monacelli Press hardcover
1918147128London: Country Life Ltd. and George Newnes Ltd 1918. Folio. Outer board folio stained chipped at corners and spine edges and with bending at spine. Plates generally very good and clean and without age toning. A few have minor waving at edges and/or the tiniest of chips at corners. Plate I in Part II has much of the plain left edge missing as well as age toning to the paper. The matted plate of Ypres from Part III has a 4-inch tear both plate and mat at the bottom center. Elephant folio. Blue card folio with tan cloth spine and black lettering. Blue protective flaps on 3 edges. Inside are two rag-paper string-bound folios containing 41 of the original loose plates. One folio contains plates from Parts II and III. The other contains plates from Parts IV and VI. Part I is missing in entirety. There also is a full-size greenish paper folio with the full title marked Part VI with the original price 10/6 net containing the plates from Part VI. No other individual titled folios are present for Parts II III IV or V. For plate contents and descriptions please see further comments. NOTE: Although titled as an Edition de Luxe none of the plates has an original signature. These all appear to be from the regular non-deluxe printing. Part I is missing entirely. Part II is complete including the list of plates. Part III is missing 1 plate but one plate Ypres is matted and the number covered so the possible number of the missing plate is either XXIII or XXX as well as the list of plates. Part IV is missing 3 plates XXXIII XXXIV and XXXVIII. Part V is missing 3 plates XLIII XLVII and L. Part VI is missing 1 plate LX. The plates are on a mixture of types of paper. Many plates are in bw look to be charcoal originally while others look to be in pencil pen/ink and several with a color wash. Ideal for framing or set completion. Country Life, Ltd. and George Newnes, Ltd unknown books
1718190125London: Published by Authority of the War Office by Country Life Limited and George Newnes Limited 1917-18. First edition first impression. The Edition de Luxe was limited to 50 sets with each of the 60 lithographic proofs signed by Muirhead Bone in pencil and with his embossed monogram. In 1916 William Rothenstein a friend of Bone and a fellow member of the Society of Twelve proposed that an artist should be sent to the front to record the War Bone was chosen for the task. He arrived in August 1916 at the height of the Somme Offensive and toured the Southern battle-fields working rapidly in various media - pencil pen charcoal and chalk - sending back over 150 finished drawings by October. "He recorded mostly life behind the lines illustrating the settings for war rather than battle scenes - the work of the medical services encampments soldiers of duty soldiers marching landscapes and ruined towns. The detail and accuracy of Bone's drawings provided an authentic eyewitness record of the immense logistic efforts of the Somme one that proved immensely popular and resulted in more artists being commissioned." IWM Somme web-site. Bone has been described as one of the greatest British draughtsmen and the composition of these "masterly lithographs" DNB is a clear confirmation of that judgement. Folio approximately 530 x 395 mm. 6 light card fascicules each containing a loose contents leaf and 10 signed proof lithographic prints. Housed in a black cloth solander box. Total 60 plates. Wrappers of parts split to spines front wrapper detached edges nicked and frayed. Some edges of plates browned or a little dusty plate xvii with a repaired tear to the right margin plate li with small chip to lower margin and small tear to left margin lix and lx with creasing and small tears to left margin. Overall a good copy. hardcover
1918147128London: Country Life Ltd. and George Newnes Ltd 1918. Folio. Outer board folio stained chipped at corners and spine edges and with bending at spine. Plates generally very good and clean and without age toning. A few have minor waving at edges and/or the tiniest of chips at corners. Plate I in Part II has much of the plain left edge missing as well as age toning to the paper. The matted plate of Ypres from Part III has a 4-inch tear both plate and mat at the bottom center. Elephant folio. Blue card folio with tan cloth spine and black lettering. Blue protective flaps on 3 edges. Inside are two rag-paper string-bound folios containing 41 of the original loose plates. One folio contains plates from Parts II and III. The other contains plates from Parts IV and VI. Part I is missing in entirety. There also is a full-size greenish paper folio with the full title marked Part VI with the original price 10/6 net containing the plates from Part VI. No other individual titled folios are present for Parts II III IV or V. For plate contents and descriptions please see further comments. NOTE: Although titled as an Edition de Luxe none of the plates has an original signature. These all appear to be from the regular non-deluxe printing. Part I is missing entirely. Part II is complete including the list of plates. Part III is missing 1 plate but one plate Ypres is matted and the number covered so the possible number of the missing plate is either XXIII or XXX as well as the list of plates. Part IV is missing 3 plates XXXIII XXXIV and XXXVIII. Part V is missing 3 plates XLIII XLVII and L. Part VI is missing 1 plate LX. The plates are on a mixture of types of paper. Many plates are in bw look to be charcoal originally while others look to be in pencil pen/ink and several with a color wash. Ideal for framing or set completion. Country Life, Ltd. and George Newnes, Ltd unknown
19172110290008London: Published by Authority of the War Office by Country Life Limited and George Newnes Limited 1917. First Edition. Paperback. Very Good. The Great War Through British Eyes 6 volumes. Large folios 79 x 66 cm. Limited edition de Luxe. Bound in publisher's green wraps. 60 plates total. 6 light card fascicules each containing a loose contents leaf and 10 lithographic prints. Parts 6 has a partial split at spine. <br> Sir Muirhead Bone was a Scottish etcher who served as the first Official British War Artist during the First World War. He was in France in 16 August 1916 during the Battle of Somme and much of this work was created from his observations there. Muir's work was featured in the British War Propaganda Bureau's "Britain's Efforts and Ideals" exhibitions. <br> Important Note: While de Lux this is not the signed edition of 50 sets. London: Published by Authority of the War Office by Country Life Limited and George Newnes Limited paperback
19172110290006London: London: Published by Authority of the War Office by Country Life Limited and George Newnes Limited 1917. First Edition. Paperback. Very Good. Signed. The Great War Through British Eyes 6 volumes. Large folios 79 x 66 cm. Limited edition de Luxe. Limited to 50 sets. Bound in publisher's blue and green wraps. 60 plates total. 6 light card fascicules each containing a loose contents leaf and 10 signed proof lithographic prints. Important Note: Part 2 is the de Luxe edition but is not signed. Each portfolio contains 10 plates. Parts 1 & 6 split at spine. <br> Sir Muirhead Bone was a Scottish etcher who served as the first Official British War Artist during the First World War. He was in France in 16 August 1916 during the Battle of Somme and much of this work was created from his observations there. Muir's work was featured in the British War Propaganda Bureau's "Britain's Efforts and Ideals" exhibitions. London: Published by Authority of the War Office by Country Life Limited and George Newnes Limited paperback
1790R79972Maestricht, by de Weduwe Gysbertus Van Gulpen 1790 Deel 1 (van drie): [xii] + vi + 396 + [xviii] pp., 18cm., moderne gecart.band, goede staat, "men vindze te koop te St.Truiden by J.J.Van Horen, Notaris omtrent de Botermarkt", zeldzaam, [bevat o.m. volgende hoofdstukken: XII.Leerreden: Tegen het systhême van het noodlot, XIII: Tegen het systême van het sterrekundig noodlot, XIV: bewyzende een opperwezen tegen den opsteller van het systhême de la nature, XV: Tegen het systhême van Spinosa, XVI: bewyzende Gods eigenschappen], R79972
560080Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 20th century 1913. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
560079Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 20th century 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
560081Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 20th century 1913. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
560082Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 20th century 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
c5082A Londres et se trouve à Paris, chez Regnault, 1786 ; plein veau fauve de l'époque, dos lisse orné filets fleurons et petits fers dorés, 2 étiquettes de titre et tomaison de maroquin vert, trnaches marbrées de bleu et rose. XXIVpp.,486pp.,1f.nch( errata); VIIIpp.,414pp.,1f.nch (errata) et 2 cartes hors texte, dont 1 à contours coloriés, tirées sur papier bleuté.
17960038431796 A Paris, chez Benoît Dandré, Garnery & Obré, An IV [1796]. Un volume (sur 2) in-quarto (208 X 260) basane fauve granitée, encadrement de roulette dorée sur les plats, dos lisse orné de roulettes dorées en place des nerfs, chainettes et fleurons dorés, pièces de titre et de tomaison maroquin havane foncé, coupes et coiffes filetées (reliure d'époque) ; (2) ff. de faux-titre et titre, portrait-frontispice, XLIV pages de préface du rédacteur, préface de l'auteur, table des chapitres et explication des planches, 510 pages, 16 planches hors-texte. Petites galeries de ver aux 20 premiers feuillets, sans atteinte au texte ; puis deux trous de vers, en fond de cahier et de la grosseur d'une tête d'épingle, jusqu'à la page 104 pour le premier trou, et jusqu'à la fin du volume pour le second.
5952In 8 broché,couverture illustrée,faux-titre,titre,510 pages,1 page de table des chapitres,17 planches hors-texte et de nombreuses vignettes dans le texte de D.SEMEGHINI. Garnier frères libraire éditeur,sans date.Angle supérieur droit du premier plat réparé,couverture très légèrement poussiéreuse,Intérieur très bon état sur beau papier blanc
18489299Paris, A. Frank, 1848. In-4 de [10]-326-[4] pages, demi-veau brun, dos lisse orné de filets et fleurons dorés et à froid, étiquette de titre verte. Mors fendus et frottés, dos légèrement frotté, quelques rousseurs.
1796PHO-2059Paris, Dandré ; Garnerey ; Obré, an IV (1796). 1 volumes in-4 (2) (265x200mm); XLIV-510pp., , relié basane raciné de l'époque, dos lisses ornés, pièces de titre rouge et de tomaison verte, frottements, accroc au plat, début de fente, coins usés, mouillure claire, déchirure en marge sur les 4 derniers feuillets et les planches sans atteinte, petit trou de ver.
1725PHO-1251Paris, Étienne Ganeau, 1725. 2 volumes in-12, (160x100), xxiv-323p-errata , vi-318p . Relié plein basane marbré , dos lisse orné, pièces de titre et de tomaison rouges, tranches marbrées , dos frotté avec manque des pièces de titre et tomaison tome 2, coins , charnières et coiffes usés , petites rousseurs.
1801PHO-1139Paris, Dentu, 1801. 2 vol. in-8, (2) ff., 226 pp. ; (2) ff., 320 pp., 2 cartes, un plan et 8 pl. dépl., mouillures claires, relié demi-veau à coins de l'époque , dos lisse avec pièce d’auteur et titre , mouillure au 1er tome sur les 10 premiers feuillets , déchirures aux plis de 2 gravures.
44616Amsterdam.1773.2 vols.in-8 en veau raciné d'époque.328 et 278 p.6 planches gravées de Moreau..4 tableaux rempliés.EO BE.Pièces de titre et de tomaison.Tranches rouges.Léger manque de coiffe supérieure au Tome I.Tampons sans gène sur le faux-titre.Infimes piqûres.
11571Paris, Just Rouvier - A. Ledoyen, 1853. 1 volume in-8, 466 pp., reliure ancienne demi-basane, plats cartonnés marbrés, dos à nerfs orné de caissons, intérieur très frais, très bon état général.
11572Paris, Just Rouvier - A. Ledoyen, 1853. 1 volume in-8, 466 pp., reliure ancienne demi-basane, plats cartonnés marbrés, dos lisse, intérieur présentant quelques traces claires de mouillure, bon état général.
