Carine PaquinLivre Rare Book
281 résultats
2021500081155Andara 2021 400 pages 15x22x3cm. 2021. Broché. 400 pages.
2021500094041Andara 2021 400 pages 15x22x3cm. 2021. Broché. 400 pages.
2021500095878Andara 2021 400 pages 15x22x3cm. 2021. Broché. 400 pages.
200266385Flammarion 2002 In-4 29,5 x 21,6 x 1,8 cm cartonné, sous jaquette illustrée. 160 p. Comme neuf
51996Figaro, Paris, 1947
51-4685Paris : Aux Bureaux des Modes Parisiennes circa 1850. Hand titled wraps and 15 numbered handcolored plates. Label of A. Wagner Librairie Artistique ParisCOMPTE-CALIX François Claudius. Costumes du Directoire. Paris Moine et Falconer vers 1860. In-4 broché Paris : [Aux Bureaux des Modes Parisiennes, circa 1850] paperback
With 16 illustrations. xxi; 246 pages; 31 pages of publishers list. Dark red covers, gilt title on spine. Front pastedown hinge cracked; spine faded, light soiling to covers; light foxing on free endpapers.
2005109733Montreal: Galerie de Bellefeuille 2005. Softcover. VG As new. Color illus. wraps; 24 pp.; 19 color plates. Parallel text French and English; From the exhibition held February 2 - 13 2006. Galerie de Bellefeuille unknown books
2008__184339796XWERF 2008. Paperback. New. 90 pages. 10.90x8.10x0.30 inches. WERF paperback
61299738IWA Publishing pp. 104 . Papeback. New. IWA Publishing unknown
19734396Gallimard 1973 212 pages collection blanche. in8. 1973. broché. 212 pages.
1979RO20027334Editions de la Différence. 1979. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages. Couverture en plié. Reliure éditeur. Jacquette Abimée.. . . . Classification Dewey : 152.4-L'amour
0266472826.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428592767.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
139098009X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396366997.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282713530.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428293026.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9780810877597_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Johana Harris: A Biography brings to light the life of an unheralded musical genius as well as providing new information on her husband composer Roy Harris about whom very little is known. This revealing look at the lives of two impo hardcover
191289481Paris 1912. Fine. Paris 1912-1913 19 x 24.50 cm une feuille Original colour print printed on laid paper and signed in the plate lower left. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day.   The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. unknown
191289481Paris 1912-1913 | 19 x 24.50 cm | une feuille
2025x-303176112XPalgrave Macmillan 2025. Hardcover. New. 375 pages. 8.26x5.82x8.28 inches. Palgrave Macmillan hardcover
2009SKU0593379Council on Social Work Education 2009-08-03. paperback. Good. 5x1x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Council on Social Work Education paperback
