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ria9780810877597_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Johana Harris: A Biography brings to light the life of an unheralded musical genius as well as providing new information on her husband composer Roy Harris about whom very little is known. This revealing look at the lives of two impo hardcover
3642866174.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191289481Paris 1912. Fine. Paris 1912-1913 19 x 24.50 cm une feuille Original colour print printed on laid paper and signed in the plate lower left. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day.   The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. unknown
191289473Paris 1912. Fine. Paris 1912-1913 19 x 24.50 cm une feuille Original colour print printed on laid paper and signed in the plate lower right. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day.   The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. unknown
0831110104.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003Q-2080112589Flammarion 2003-12-19. Hardcover. New. In shrink wrap. Looks like an interesting title! Flammarion hardcover
185921415Montréal Typographie de Senécal, Daniel et Compagnie 1859 In-8, 22p. et 1 f. Couverture jaune imprimée.
1977CAN0122Quebec: Stanke. Good. 1977. First Edition. Card Covers. 088566051X . Outside folder edges worn small surface tears along hinge edges. Some foxing to inside of folder. Newspaper reproductions near fine. Single text sheet. 24 folded loose in pocket enlarged reproductions of French language newspapers with headlines dealing with Quebec's march to liberation. The text sheet in French is written by Pierre Bourgault a prominent sovereignist and talks of the stages of Quebec colonial history up to the election of the Parti Quebecois in 1976. The newspaper reproductions cover some important events of this aspect of her history from 1917 to 1976.; 4to - over 9¾" - 12" tall . Stanke unknown
6209906729.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209911846.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9052012253.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20161-0199018960Gardners Books 2016. Paperback. New. 1st edition. 256 pages. 9.00x6.00x0.50 inches. Gardners Books paperback
2005222204Keene NH: American Arachnological Society 2005. Soft cover. Very Good. Duperre N. Softcover; ring bound; 4to; 377 pages. Black card softcover. Scuffed bottom cover. The pages are bright and clean. VG <br/> <br/> American Arachnological Society paperback
11518306like new. unknown
2017x-0998014605Amer Arachnological Society 2017. Paperback. New. 2nd spi rev edition. 431 pages. 11.00x10.00x1.50 inches. Amer Arachnological Society paperback
2010Q-0773537376McGill-Queen's University Press 2010-07-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! McGill-Queen's University Press paperback
2005x-0831131195Industrial Pr 2005. Hardcover. New. 3rd edition. 320 pages. 10.25x8.25x1.00 inches. Industrial Pr hardcover
20161-3639864948Scholars' Press 2016. Paperback. New. 100 pages. 8.66x5.91x0.23 inches. Scholars' Press paperback
20071346544PN. New. 2007. Soft Cover. This is a reprint edition. . PN paperback
19681205898PN. New. 1968. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
20091229367PN. New. 2009. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
19991315306PN. New. 1999. Soft Cover. Date is original print. This is a reprint edition . PN paperback
19981312006PN. New. 1998. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2004x-0415499615Taylor & Francis 2004. Paperback. New. reissue edition. 197 pages. 9.50x6.25x0.50 inches. Taylor & Francis paperback
191289481Paris 1912-1913 | 19 x 24.50 cm | une feuille
