Julie PaquinBiblio.com
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650458494Ashgate Publishing Company pp. 174 Index. Hardback. New. Ashgate Publishing Company hardcover
B9781032670409Paperback / softback. New. <p>This book uses the Russian invasion of Ukraine as a compelling and dramatic case study to engage with ten key concepts of International Relations.</p> paperback
A9781032670409Paperback / softback. New. <p>This book uses the Russian invasion of Ukraine as a compelling and dramatic case study to engage with ten key concepts of International Relations.</p> paperback
51531252-nnew. unknown
51531252like new. unknown
2006x-075464359XAshgate Pub Co 2006. Hardcover. New. 292 pages. 9.50x6.50x1.00 inches. Ashgate Pub Co hardcover
SONG0831110104Brand: Industrial Press 0000-00-00. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Industrial Press paperback
41477568-nnew. unknown
41477568like new. unknown
A9780367583774Paperback / softback. New. <p>This book shines a light on the careers of therapists who see clients in clinical practice and also study how the process of therapy helps people. It combines empirical and first-person narratives by those who have learned much from their own career paths. This book was first published as a special issue of <i>Counselling Psychology Quarterly.</i></p> paperback
2019__3132429678Thieme/Houben-Weyl Series 2019. Hardcover. New. 484 pages. 10.00x6.75x10.00 inches. Thieme/Houben-Weyl Series hardcover
12495480-6Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
2894355211.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391756770.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396741925.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0831110104.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987Q-0831111720Industrial Press Inc 1987-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Industrial Press, Inc hardcover
Q-0831110104Industrial Press Inc 1962-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Industrial Press Inc paperback
1985G0831110104I3N01Industrial Press Incorporated 1985. Paperback. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Industrial Press, Incorporated paperback
1985G0831110104I5N01Industrial Press Incorporated 1985. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. The dust jacket is missing. At ThriftBooks our motto is: Read More Spend Less. Industrial Press, Incorporated paperback
0259842826.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365453684.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1997Q-0892364912Getty Conservation Institute 1997-12-04. paperback. New. In shrink wrap. Looks like an interesting title! Getty Conservation Institute paperback
2894352697.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191389500Paris 1913. Fine. Paris Octobre 1913 19 x 24.50 cm une feuille Original colour print heightened in palladium printed on laid paper and signed at the bottom right outside the plate. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day.   The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. unknown
