10 613 résultats
200289520London:: Folio Society. Fine. 2002. Hardcover. B001377TXU . Complete in three volumes: Marvels and Magic Heroes and Saints and History and Romance. Fourth printing thus. Each volume is in fine condition. Housed in a fine slipcase. ; 708 pages . Folio Society, hardcover books
200594730London:: Folio Society. Very Good. 2005. Hardcover. B001MVL6V8 . Second printing. Very good in a very good light damp stain and abrasion at the crown of the spine slipcase. ; 665 pages . Folio Society, hardcover books
200271173London:: Folio Society. Near Fine. 2002. Hardcover. B000KJAPSS . Second edition thus. Very near fine in like slipcase. . Folio Society, hardcover books
200443843Cambridge:: Harvard University Press. Near Fine in Near Fine dust jacket. 2004. Hardcover. 0674013905 . Book club edition. Lower corner of rear board is worn else near fine in a near fine dust jacket. . Harvard University Press, hardcover books
1970Embry 185373Charles Scribner's Sons 1970. First edition first printing. Fine in near fine dust jacket with two short closed tears in mylar cover. Charles Scribner's Sons, 1970. First edition, first printing. unknown books
198244288NY:: Metropolitan Museum of Art. Near Fine. 1982. Hardcover. 0870993070 . First edition. Near fine in glossy illustrated boards. No dust jacket. . Metropolitan Museum of Art, hardcover books
1989Embry 188234Weidenfeld & Nicolson 1989. First U.S. edition. Fine in fine dust jacket in mylar cover. B&W and color illustrations. Weidenfeld & Nicolson, 1989. First U.S. edition. unknown books
1989Embry 174636Weidenfeld & Nicolson 1989. First U.S. edition. Fine in fine dust jacket in mylar cover. B&W and color illustrations. Weidenfeld & Nicolson, 1989. First U.S. edition. unknown books
1989UBARTOU00fpWeidenfeld and Nicolson 1989. Very Good. Barber Richard. Tournaments: Jousts Chivalry and Pageants in the Middle Ages. Barker Juliet. New York NY: Weidenfeld and Nicolson 1989. 225pp. Indexed. Illustrated. 4to. Hardcover. Book condition: Very good. Edges lightly rubbed. Dust Jacket Condition: Very good. Edges lightly rubbed. Weidenfeld and Nicolson hardcover books
19792304947Totowa: Littlefield Adams & Company 1979. Hard Cover. Very Good/Very Good. Jacket lightly toned. 1979 Hard Cover. 224 pp. A great introduction to many of the epics written on Arthur while incorporating most of the famous paintings inspired by the subject. Littlefield, Adams & Company hardcover books
1986270182Paducah KY: American Quilters Society 1986. Softcover. Fine. First edition. Quarto. Fine softcover with an ink notation on the front fly. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information. American Quilters Society paperback books
198730489Iowa City: University of Iowa Press 1987. Hardcover. Very good. xiii 275pp index. Very good hardback in a jacket that is a bit sunned on the spine; previous owner's ink name on front free endpaper else internally fine. <br/><br/> University of Iowa Press hardcover books
1984177572Philadelphia: Port Of History Museum at Penn's Landing 1984. Softcover. VG. scratches & scuffs to covers with light edge-wear; back corner creased. pgs have instances of light foxing. tight binding. brown glossy pictorial wraps. 167 pgs w/ bw & color illustrations. Text In English and Italian. A very nice exhibition catalogue. Wonderful color plates. Port Of History Museum at Penn's Landing unknown books
196037983New York: Simon and Schuster 1960. 1st printing. Quarter-bound navy cloth spine with gilt stamped lettering. Purple paper wrapped illustrated boards. Color illustrated endpapers. Red top stain. Color illustrated DJ. Light wear to DJ edges. A Near Fine copy in a similar dust jacket. 9 351 2 blank pp. Many intratextual b/w & color illustrations. 8-3/8" x 6-3/8" <br/><br/> Simon and Schuster hardcover books
196027379NY: Simon and Schuster 1960. First printing. Paul Bacon. 8vo pp. 351. Signed on title page by Morton Minsky. A nice copy in dj. The story of the Minsky brothers burlesque house. Simon and Schuster unknown books
196028611NY: Simon and Schuster 1960. First printing. Paul Bacon. 8vo pp. 351. Decorations by Paul Bacon. A nice copy in little scuffed dj. Inscribed by Morton Minsky. Simon and Schuster unknown books
196028469NY: Simon and Schuster 1960. First printing. Paul Bacon. 8vo pp. 351. Decorations by Paul Bacon. A nice copy in little scuffed dj. Simon and Schuster unknown books
1961105959New York: Barnes & Noble 1961. hardcover. very good/poor. Frontis. xii 218pp. 8vo cloth d.w. New York: Barnes & Noble 1961. A very good copy in a poor dust wrapper.<br/><br/> Barnes & Noble unknown books
2012__1423400135SCHIRMER 2012. New. French language. 9.00x0.16x12.00 inches. SCHIRMER unknown
1943316Barber Samuel. <i>First Symphony In One Movement.</i> New York: G. Schirmer Inc. 1943. G. Schirmer's Edition of Study Scores of Orchestral Works & Chamber Music No 32 title-page verso gives instrumentation information about first performances in Europe and the United States duration time; 97 pages full-score Opus 9 Schirmer plate number 40720 copyright 1943. This copy was signed inscribed and dated by Samuel Barber: "To my boss and friend Dan Saidenberg Samuel Barber June 1944". 26 cm. x 19 cm. The cover was de-acidified expertly conserved and mended and the book block was resewn. Now very good and a usable reading copy. A rare early inscription on an early work in the first edition to an important fellow musician when both men were in the U.S. Army. <br /><br /> Samuel Barber 1910 – 1981 was one of the most celebrated composers of the twentieth century. Barber was a triple prodigy in voice piano and composition entering the Curtis Institute in Philadelphia at age 14. Best remembered internationally for his hauntingly beautiful Adagio for Strings first championed by Arturo Toscanini his music has been used at times of national and international crisis to honor the dead and console the living. Who could ever forget Barber's music at Princess Grace's funeral The First Symphony dates from 1936 and bears the opus number 9 on the first page of the score. The first performance was by Bernardino Molinari and the Augusteo Orchestra in Rome December 13 1936. The first American performance was given by Arthur Rodzinski and the Cleveland Orchestra January 22 1937. Samuel Barber enjoyed the distinction for winning the Pulitzer Prize twice as well as distinguished commissions such as writing the opera for the opening of the new Metropolitan Opera House in 1966 <i>Anthony and Cleopatra</i>. In 1942 Barber joined the Army Air Corps. The dedicatee here is Daniel Saidenberg a violoncellist in the Philadelphia Orchestra starting in 1926 and in 1930 he was a 'cellist in the Chicago Symphony. Saidenberg was the first 'cellist to win the prestigious Walter W. Naumburg International Competition after which he pursued a solo career; and in later years he was a Manhattan gallery owner known for his sponsorship of faculty recitals at New York's Juilliard School. Saidenberg died in 1997 at age 90. G. Schirmer, Inc. books
198035665New York: G. Schirmer 43423; Ed. 2167 1980. Good. Quarto. Wrappers. 1f. 137 pp.<br/><br/>Somewhat worn. Scattered spotting to edges. G. Schirmer [43423; Ed. 2167] unknown books
196535628New York: G. Schirmer 38577 1965. Very Good. Quarto. Wrappers. 7 pp. First Edition later issue. Heyman H-91 p. 185. G. Schirmer [38577] unknown books
195634163New York: G. Schirmer PN 43918 1956. Octavo. Original publisher's yellow printed wrappers with titling to upper publisher's advertisements to lower. 1f. recto title verso instrumentation 53 pp.<br/><br/>Wrappers slightly worn. Light uniform browning. First Edition. Heyman H-123 p. 340.<br/><br/>Medea's Meditation premiered in New York by the Philharmonic Orchestra conducted by Dimitri Mitropoulos on 2 February 1956.<br/><br/>"One of the most honoured and most frequently performed American composers in Europe and the Americas during the mid-20th century Barber pursued throughout his career a path marked by a vocally inspired lyricism and a commitment to the tonal language and many of the forms of late 19th-century music. Almost all of his published works - including at least one composition in nearly every genre - entered the repertory soon after he wrote them and many continue to be widely performed today . Barber's ballet score Medea 1946 was composed for Martha Graham; it was subsequently reworked both as an orchestral suite and as a separate orchestral tone poem Medea's Meditation and Dance of Vengeance." Barbara B. Heyman in Grove Music Online. G. Schirmer [PN 43918] unknown books
13198Used; Like New/Used; Like New. Original certificate awarding the important American composer the Governor's Citation of the Commonwealth of Pennsylvania. Dated September 22 1971 and signed by Governor Milton J. Shapp and Secretary of the Commonwealth C. Delores Tucker. Born in West Chester Pennsylvania Barber studied at the Curtis Institute in Philadelphia and maintained a close link to the city throughout his life. The composer's name is hand-lettered and a gold seal with purple ribbons is affixed at the foot. One slight chip to the edge and mounting remnants on the verso; overall in fine condition. 11 x 14 inches 28 x 35.7 cm. unknown books
10127Used; Like New/Used; Like New. A fascinating and important collection of autograph letters and telegrams to the important American composer dating from the premieres of his two operas Vanessa 1958 and Antony and Cleopatra 1966. Included are autograph letters from Aaron Copland John Browning who premiered Barber's Piano Concerto Rosalind Elias the original Erika in Vanessa and Charmain in Antony and Cleopatra Ignace Strasvogel and other friends and admirers and telegrams from Leonard Bernstein Martha Graham Jerome Robbins W. H. Auden Noel Coward and many others.<br style="">While Vanessa with libretto by Menotti won Barber the 1958 Pulitzer Prize for music Antony and Cleopatra written for the opening of the new Metropolitan Opera at Lincoln Center was not well-received. Franco Zeffirelli chosen to write the libretto and stage the opera weighed down the production with over-the-top scenery animals and extras; technical difficulties marred the opening night. As Barber departed New York for Italy the very next morning his years of success had for the most part come to an end. The 1966 letters to Barber reflect his unhappy state with many of his friends consoling him over the bad reviews and assuring him that his music transcended the problems of staging.<br style="">Included are:<br style="">88 telegrams sending best wishes and congratulations on the première of Vanessa in 1958 sent by W. H. Auden Noel Coward Aaron Copland Leonard Bernstein Jerome Robbins John Browning Frank O'Hara Stephen Spender Martha Graham Erich Leinsdorf Antal Dorati Andre Kostelanetz Regina Reznik "Your old Baroness" Roberta Peters G. Schirmer Lillian Gish Max Rudolf Samuel Chotzinoff the heads of ASCAP and NBC and many other luminaries and friends.<br style="">3 letters about Vanessa two ALS and one TLS dated January 1958. One from Roberta Peters celebrated Met coloratura thanking Barber for sending her some music mentioning that she is looking forward to learning Barber's song "Nuvoletta" and wishing him good luck for Vanessa 2 pp.; one from Eleanor Belmont a member of the Metropolitan Opera board congratulating Barber on the premiere 1 p.; and one from a music student William Gordon expressing his love for the opera and asking where he can obtain the score 1 p. typed and undated.<br style="">19 letters mostly autograph with one TLS to Barber from before and after the 1966 premiere of Antony and Cleopatra. Dated September-November 1966. Letters are from: Ignace Strasfogel 1 p; John Browning 3 pp.; Rosalind Elias 2 pp.;  John Barrows 1 p.; Aaron Copland wishing Barber the best for the opening 1 p. with original envelope; David Johnson from Time-Life Records 2 pp.; C. W. Bailey 3 pp.; Dick 1 p.; Ellie Frankfurter 3 pp.; an unidentified correspondent in Russian 1 p.; Nina Fassler 1 p.; Lisette Lewis and another correspondent in one airmail letter from South Africa 3 pp.; Andrew Chiappe 2 pp.; Channing Way Jr a West Chester friend1 p.; Katy Katsoyanis mentioning Dimitri Mitropoulos 1 p.; "Chandler" 1 p.; Edith Jackson Barber's old school teacher from West Chester! 2 pp.; Horace P. Halsing from West Chester 1 p.; Mrs. Henry Holt 3 pp.  Also included is one letter about the premiere addressed to "Bill" from "Ed" on the letterhead of the St. Thomas Aquinas Rectory Chicago; and an envelope addressed to Barber letter missing from Sol Schoenbach postmarked October 31 1966.<br style="">Also included are 2 telegrams sent to Barber at the Metropolitan Opera House on the occasion of the premiere of Antony and Cleopatra. One is from an Ada Camillo congratulating Barber on behalf of all Cadegliano Menotti's hometown in Lombardy. The other reads "Love the story hated the music I think you are an American disgrace. Frank Terez 17" - a comic reaction to Barber's music but one that may have hit a nerve unknown books
