Barber, ShirleyBiblio.com
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1993170502047Five Mile Press 1993-01-01. Hardcover. Like New. Five Mile Press hardcover
1958GAM025Printed at the St. Christopher Press Letchworth 1958. Book. Very Good. Hardcover. Signed by Illustrators. 2nd Edition. Second Edition and the first with this Betjeman foreword issued in a limited edition of just 50 numbered copies with five tipped-in etchings signed by the artist. Unpaginated. Full decorated gilt morocco covers with five raised bands. Marbled endpapers. All edges gilt. Sunned at spine and extremities and lightly chafed at some corners and edges. A very good copy of an extremely scarce volume. Holy Trinity is "the cathedral of the Arts and Crafts movement" - Betjeman. Printed at the St. Christopher Press, Letchworth Hardcover
192139602Paris: Meynial 1921. First edition. Hardcover. g to vg. 12mo. 4 137 1pp. Original illustrated dust-jacket over decorative silk cloth. All edges gilt. Decorative endpapers. Hand-colored illustration on title page. Illustrated headpieces and decorative tailpieces. Book housed in its original illustrated cardboard slipcase. Published by Jules Meynial between 1916 and 1921 "La Guirlande des Mois" was a delightful five-issue series of almanacs embellished with striking in-text drawings and pochoir plates by George Barbier. Filled with calendars poems articles and fiction by noted cultural figures of the period they evoke a privileged world of elegant splendor. Illustrated with five in-text drawings and six splendid pochoir plates by George Barbier this fifth and last issue of "La Guirlande des Mois" contains a poem by René Boylesve Vers l'Absente and four short stories La Sphère Enchanté; La Guêpe; Madame Fleur; L'"Imbroïlle" de l'Opéra by respectively Albert Flament Gérard d'Houville René Bizet and George Barbier. This volume is complete with its 12-page 1921 calendar at rear as well as its eight Note pages left blank. Age-toning to slipcase. Dust-jacket sunned along spine with minor offsetting to covers. Binding slightly frayed at head and tail of spine. Text in French. Slipcase and dust-jacket in overall good binding in good interior in very good pochoir plates in near fine to fine condition. Protected in modern mylar. Meynial hardcover
194249502Garden City: Doubleday Doran & Company Inc. 1942. 1942. First edition. Fine bright tight copy in a fresh and colorful dust jacket with minor professional restoration to the extremities. The fourth book in the Christopher Storm series where we find the artist-detective forced to cut short his honeymoon in order to find a murderer. A Crime Club mystery published during World War II. Doubleday, Doran & Company, Inc., 1942. unknown
19011517jWaterlow and Sons 1901. Hardcover. Very Good/No Jacket. Very rare. Original boards bound in 1/2 leather with new end papers. Translated from the Dutch. The boards are a little shelf rubbed and edge worn but remain strong and sturdy. Internally there is a stamp marking on the front end page and red ink annotation and tanning around the edges throughout. This does not affect the text in any way and the pages are neat crisp and complete. The binding is secure. Handsome. JK. Our orders are shipped using tracked courier delivery services. Waterlow and Sons hardcover
1970334853Chicago: Aldine Publishing Company 1970. First edition. 337 pp. Publisher's pamphlet laid in. 8vo. Green buckram on boards with gilt on spine; near fine in dust jacket that has slight creasing across the bottom and at spine else a near fine copy. First edition. 337 pp. Publisher's pamphlet laid in. 8vo. Aldine Publishing Company unknown
197117657Macdonald and Co 1971. Hardcover. Used: Acceptable. Hardback with D/J in good condition one half inch tear to front of D/J pages showing signs of age. 1971 1st edition Macdonald picturebook. . The author discusses the warlike and aggressive aspects of an animals behaviour ranging from the head on clashes of musk oxen to the shrieking battles between shrews where a victor emerges without harming his rival. Macdonald and Co hardcover
200013229Belin 2000. Large hardback in near fine condition with fine dust jacket. Signed and inscribed by author on first blank page. Inscribed by Authors. Hardcover. Near Fine/Fine. Belin Hardcover
1939253401New York: The Derrydale Press 1939. Limited Edition. Number 160 of 750 numbered copies signed by the author. Frontispiece and six full-page illustrations of ducks decoys and hunters by Arthur Fuller. 108 pp. 1 vols. 12mo. Full red morocco gilt uncut at fore and lower edges almost fine copy. Fuller Arthur D. Limited Edition. Number 160 of 750 numbered copies signed by the author. Frontispiece and six full-page illustrations of ducks decoys and hunters by Arthur Fuller. 108 pp. 1 vols. 12mo. Siegel 151; Frazier B-6-a; Biscotti p. 24 The Derrydale Press unknown
192485648Paris: Editions Mornay 1924. Fine. Editions Mornay Paris 1924 15 x 20.50 cm broché Edition decorated with original color illustrations by George Barbier one of 921 numbered copies on Rives. A fine copy. Editions Mornay unknown
1994Z200-08249Pearson 1994-02-26. paperback. New. In shrink wrap. Looks like an interesting title! Pearson paperback
19095674Haverhill Massachusetts: John Barber White Nichols Print 1909. First Edition. First edition. Measuring approximately 9.5" x 6.75" x 3.5" with 659 pages of text and a 164 page index. <br /> <br /> This book is in very god condition. Gilt lettering on the spine is bright and well preserved. Minor staining to the boards. Interior pages are bright and clean. <br /> <br /> Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books.<br /> <br /> Inventory #O2-14. John Barber White, Nichols Print unknown
19196641<p>Original Barbier pochoir of Casanova with a parrot on his hand adorned in floriated attire. Pochoir from Panorama Dramatique in white red pink blue orange black silver gold brown and grey. Pink trim surrounds image. Dated 1918. Recent beveled gilt fronted wooden frame. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel
19196627<p>Original Barbier pochoir of a magnificent African in festive attire. Pochoir in black gold blue red pink green yellow silver purple and orange. Pink trim surrounds image. Dated in print 1918. Archival wooden frame with gilt to front.</p> Lucien Vogel
19196629<p>Original Barbier pochoir of a man in formal attire holding a hat from Panorama Dramatique. Printed with black gold green red pink light blue grey purple white and colors. Pink trim surrounds image. Dated in print 1918. Circa 1990 archival frame. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel
191484745Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Juin 1914 36.50 x 24 cm une feuille Original double color print heightened with gold and palladium printed on laid paper signed lower left on the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the era: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the day's fashion. La Gazette du bon ton is a decisive step in fashion history. Combining aesthetic demand and plastic unity it brings together for the first time the great talents of the worlds of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and bold also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""little dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
194247561Garden City: Doubleday Doran & Company Inc. 1942. 1942. First edition. Near fine in dust jacket with light professional restoration to spine ends corners and extremities. A baffling murder takes place and Kit Storm must consider what he hears from other sources as he sees another story entirely when he sketches out all the clues to reach a DRAWN CONCLUSION. Crime Club mystery. Doubleday, Doran & Company, Inc., 1942. unknown
1998Q-185617249XElsevier Science 1998-01-02. Hardcover. New. In shrink wrap. Looks like an interesting title! Elsevier Science hardcover
1995x-0471587478John Wiley & Sons Inc 1995. Hardcover. New. 2nd sub edition. 384 pages. 9.75x6.75x0.75 inches. John Wiley & Sons Inc hardcover
194215033Hanoi-Haiphong: Imprimerie d'Extreme-Orient 1942. 2 chunky 12mo volumes both 6th editions pp. viii 856; vi 2 951; both with pages toned the first in contemporary half black cloth over marbled boards the second in original printed paper-covered boards backed in red cloth printed paper label on spine. Not found in OCLC. Imprimerie d'Extreme-Orient unknown
19196621<p>Original Barbier pochoir of a woman in a black dress with floral design and hat while holding a blue mask from Panorama Dramatique. Printed with black gold blue light blue red pink green and yellow colors. Pink trim surrounds image. Dated in print 1918. Wooden frame with gilt front. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel
1999Q-1574910728CRC Press 1999-10-31. Hardcover. New. In shrink wrap. Looks like an interesting title! CRC Press hardcover
