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Paperback, geillustreerde kartonomslag, 150 x 240mm., 334pp., zeer uitgebreide illustratie in kleur en z/w. Gruuthusemuseum Brugge. Inventaristentoonstelling n.a.v. het 25-jarig bestaan van Gruuthuse als Stedelijk Museum. 19 juli - 19 oktober 1980. In goede staat.
Geillustreerde kartonomslag in kleur, 150 x 215mm., 72pp., uitgebreide illustratie in kleur en z/w. ISBN 9023677811. Met kerkelijk zilver uit de lage middeleeuwen en een aerodynamisch vormgegeven theeservies uit de twintiger jaren, overspant dit boek een tijdperk van ruim 400 jaar Europese edelsmeedkunst. In goede staat.
Bound, illustrated cardboard and dito dustjacket, 230 x 295mm., 192pp., beautiful and profound illustration in colour and b/w. ISBN 9783897903142. From the latter half of the nineteenth century, Idar-Oberstein developed into an important centre of costume jewellery production. Numerous factories, large and small, produced costume jewellery for the world into the 1980s although today this trade has virtually lost its former significance. During that long time span, Idar-Oberstein was one of the four major German jewellery centres along with Pforzheim, Schwabisch Gmund and Hanau. Idar-Oberstein costume jewellery reflects each of the prevailing fashions in turn: Historicism, Jugendstil/Art Nouveau, Art Deco... to 1960s and 1970s Informel and Zero. Innovative handling of simple (inexpensive) materials soon led to an aesthetic that stood on its own merits, independently of -real- jewellery. Here the Bengel company - with its sophisticated Art Deco jewellery - exemplifies innovative models and business policy. The author was able to study many early documents and photographs in Idar-Oberstein archives as well as pieces of jewellery that, taken together, are highly instructive on the history of costume jewellery. A vivid image of twelve jewellery manufacturers is evoked; proprietors and employees, production conditions, models policy, pieces of jewellery in each period style and worldwide marketing and distribution. Costume jewellery from Idar-Oberstein was not usually marked (stamped) because it was sold through wholesalers; this is what makes attribution to specific makers quite difficult today. The present publication time-travels through a century of creative jewellery production in Idar-Oberstein, which has hitherto remained largely unexplored so that exciting discoveries are still to be made. New book.
192 Seiten, 23 x 28,5 cm, ca. 270 Farbabbildungen. Hardcover mit Schutzumschlag. Text in Deutsch und Englisch. ISBN 9783897903142. Ab der zweiten Halfte des 19. Jahrhunderts entwickelte sich in Idar-Oberstein eine bedeutende Modeschmuck-Produktion. In zahlreichen grossen und kleinen Fabriken wurde bis in die 1980er Jahre hinein fur die ganze Welt Schmuck produziert; heute hat dieses Gewerbe nahezu keine Bedeutung mehr. Wahrend dieser langen Zeitspanne war Idar-Oberstein neben Pforzheim, Schwabisch Gmund und Hanau eines der vier wichtigsten deutschen Schmuckzentren. Im Idar-Obersteiner Modeschmuck spiegeln sich die jeweils aktuellen Trends: Historismus, Jugendstil, Art Deco ? bis hin zu Informel und Zero der 1960er und 1970er Jahre. Der innovative Umgang mit einfachen (kostengunstigen) Materialien fuhrte dort schon fruh zu einer vom Echtschmuck unabhangigen Asthetik.
Gebonden inlinnen met omslagwikkel, 211pagina's en 156 afbeeldingen. Standardwerk, met keurmerken en stempels
Ausst'publikation. 22,5 x 28,5 cm. 320 S. mit 180 farb. Abb. Abb'verz., Quellenverz. und Bibliografie. Fester Einband. Text in deutscher Sprache. ISBN 9783777439259. Im Kremlmuseum befindet sich heute die weltweit grosste Sammlung Augsburger Gold- und Silberschmiedearbeiten. Alle Stucke wurden im Laufe der Jahrhunderte als diplomatische Geschenke europaischer Furstenhauser an die russischen Zaren geliefert und gelangten so in die Schatzkammer des Kreml. Siebzig glanzvolle Exponate edelster Augsburger Gold- und Silberschmiedekunst aus dem 16. bis 18. Jahrhundert geben einen Einblick in die Tafelsitten zwischen Renaissance und Rokoko. Der Band geht zudem auf die Umstande ein, unter denen die kostbaren Geschenke von den Gesandtschaften ubergeben wurden. Anhand von Bildern und Texten erschliesst sich eine hofische Welt, deren Glanz sich in den exquisiten Zeugnissen eines erlesenen Kunsthandwerks spiegelt.
New Turkish Original cloth bdg. HC. Folio. (34 x 27 cm). Edition in Turkish. 2 volumes set: (808 p.), color ills. Harmony of line and colour: Illuminated manuscripts documents and calligraphy in the Sadberk Hanim Museum Collection. 2 volumes set. Selection of the museum's magnificient collection of illuminated manuscripts and calligraphy. Sadberk Hanim Museum's collection of illuminated manuscripts and calligraphy was created as a result of the special interest in this subject felt by Sevgi Gönül, who herself had an outstanding collection of calligraphic panels. Sevgi Gönül served as Chairman of the Executive Committee of the Museum until her death in 2003 and under her direction the collection was enriched with rare manuscript Korans, prayer books, albums, documents such as imperial edicts, warrants and endowment deeds, hilye-i serif panels and calligraphic wall panels by renowned Ottoman calligraphers. Sevgi Gönül also collected rare examples of Sufi panels. Over time both collections developed and diversified to a noteworthy degree. Sevgi Gönül's personal calligraphy collection was at her own wish transferred to Sadberk Hanim Museum in 2004, following her premature death. Sadberk Hanim Museum's collection of manuscripts and calligraphy totalled 915 works at the start of 2019. Apart from the 157 works belonging to the Sevgi Gönül collection, the museum collection comprises the Hüseyin Kocabas collection, the Pirizade collection, works purchased at auction in Turkey and abroad, and donations. The Hüseyin Kocabas collection of 601 works consists of Korans, copies of the Dela'ilü'l-Hayrat,miscellanies, calligraphers' diplomas and literary works. The Pirizade collection consists of 28 manuscripts, nine of which are Korans. Korans and prayer books that are richly illuminated on every page, albums, documents such as endowment deeds, property deeds, imperial edicts, are invaluable sources of information for Ottoman social and economic history, architecture and art. Examples preserved in Sadberk Hanim Museum are enlightening as regards Ottoman calligraphic style between the late fifteenth and early twentieth centuries, while the signatures on these works increase our knowledge of the master calligraphers, artists and illuminators who created them.
This is an about very good hardcover copy in gray linen cloth covers with black leather spine labels printed in gilt. Some light soil to covers. This copy long ago released, as a duplicate, from a well known east coast decorative arts collection, and bearing a bookplate stamped 'duplicate' inside the front cover, and a small neat pocket inside the rear cover. Also a small date stamp to the table of contents page and a signature in a neat calligraphic script of the artist that previously owned the volume. This is the limited edition of 150 signed and numbered copies. This being copy # 145. There are 118 works catalogued and illustrated here in black & white. 12" high X 10" wide, unpaginated. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
AVEC LES RESULTATS DE LA VENTE
8vo., Second Edition, with coloured frontispiece (original tissue guard present), title in red and black, 23 fine coloured plates (all original tissue guards present), and folding map in sepia, free endpapers mildly browned; original blue cloth, upper board and backstrip framed in lighter blue and blocked and lettered in gilt, gilt top, uncut, a near fine copy. With 6pp publisher's catalogue bound in at end. First published in 1916. VERY SCARCE IN THIS CONDITION. Inman 394.
5 vols., 8vo., First Edition, with endpaper maps; cloth (black/red/blue/black respectively), backstrips lettered in gilt or silver, a fine set in unclipped dustwrapper. Based on the story of Genghis Khan, the 'Conqueror' tetralogy comprises Wolf of the Plains (2007), Lords of the Bow (2008), Bones of the Hills (2008), Empire of Silver (2010) and Conqueror (2011). A SPLENDID SET
Bound, illustrated editors' plates, 30,5x23,5cm, 264pp, illustrated in colour and b/w. ISBN 3897901919. External artistes and designer for NKA at WMF AG/ Externe Kunstler und designer der WMF AG.
412 pages. Index. Many black and white illustrations. "This is the story of Sandon, from boom town to ghost town. It is the story of my life here - of the prospectors, creatures, and characters who have been my friends and companions." - from Introduction. Heavily worn. Binding intact. Please note that this is a paperback copy, despite what may appear elsewhere in this listing. Book
pp. 426 + Eight color plates, printed in an unusual process somewhat like rotogravure. Numerous text illustrations throughout. Some foxing. All edges marbled. 8vo. 210 mm. Handsome full leather gift binding by H & C. Treacher, Brighton. The front board bears the gilt W & L cypher of the publishers, and is perhaps a presentation binding for the author. Binding shows some wear, but is still impressive. The color plates almost have the look of Impressionist art. Hardbound. Very good. **PRICE JUST REDUCED! BINDINGS NW44
Two Parts: pp. 185; 187-362. Profusely illustrated with lovely full page color photographs. Two Hundred and Sixty-Four plates. Folio. Original full cloth bindings, gold lettered spine. Hardbound. Excellent set. PLANTS. **PRICE JUST REDUCED! W129
4to [29.5 x 23 cm]; 2 volumes, 185, [i]; [ii], 187 - 362 pp, 264 fine color plates from photos, other illustrations in text, index. original green cloth, gilt title lettering on spine, very lightly rubbed at outer edge and corner, small mark on spines, removal of bookplate from endpaper, interior is clean, fresh, unmarked and fine, gilt on spines is bright. A picture of this book is a Blake and Atwood p200: "Popular descriptive flora of herbaceous plants, noteworthy for its excellent color photographs." This comprehensive flora has become a classic and is useful for the entire region, not just New York since much of flora is common to northeastern North America. This is the first issue; there was a later issue in 1923 as well as a recent reprint. A fine complete copy of this massive set.
folio [36.5 x 29 cm]; vii, [i], 44 pp, 22 fine hand colored plates including frontis (complete), each with tissue guard, illustrating 25 flowers. original full blind-stamped leather, gilt picture on front cover, gilt title, gilt spine decorations, all edges gilted, cover wear at edges and joints, slightly foxed on few leaves but overall interior is quite clean and near fine. A picture of this book Nissen 57. Bennett p. 6: '22 brilliant full page plates in color, each plate accompanied by an appropriate poem printed on the opposite page. The flower prints are very fine lithographs by Donaldson Brothers of New York'. Donaldson Brothers are highly celebrated for their fine hand colored botanical books. The frontis is an attractive bouquet. 'Mrs. Badger's fine drawings and talented hand have survived to keep her name alive' [Kramer, Women of Flowers].
softcover, ill. 120pp text in Dutch, French and English. ISBN 9789066251243. Wiener Werkstatte Zilver en Belgisch zilverdesign, , 2010, 120 pagina's, ca. 140 afbeeldingen, bevat geillustreerde inleidende teksten met notenapparaat en samenvattingen in het Frans, Duits en Engels, index en bibliografie. Wiener Werkstatte Zilver en Belgisch zilverdesign en bijbehorende publicatie geven een overzicht Wiener Werkstatte-zilver uit privecollecties en musea uit Belgie, Duitsland, Nederland en Oostenrijk, waarvan het merendeel nu voor het eerst in Vlaanderen te zien is.
