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208 pages, 21 x 28 cm, 164 colour illustrations. Hardcover. Text in English and German. . ISBN 9783897903302. Since the beginning of his creative work in 1980, Georg Dobler, the jewellery artist and lecturer at the University of Applied Arts and Science in Hildesheim, has engaged in working with geometrical forms. Also in the mid1980s, when he first drew on naturalistic elements, provoking an outcry in the jewellery world, his work was still bound by geometrical forms. It was exactly because naturalism was viewed as outmoded, however, that Dobler was viewed as a pioneer by the next generation of studio jewellery designers. The artist complements his casts from nature (exotic plants and beetles) ? Dobler sees himself as a collector of structures and forms ? with large, facetted stones as an artistic addition. Yellow to orange-glowing lemon citrine and tender lilac amethysts combine with the metal surfaces to create a shimmering play of colours. Pure silver shine is seldom found in Dobler?s work; his trademark is rather black chromium or oxidized silver surfaces that shine in iridescent black. Georg Dobler is not only a pioneer, he also finds inspiration among the great artists of early modern art. Thus in the mid1990s he drew on the abstract paintings of a Piet Mondrian, Wassily Kandinsky or Kazimir Malevich, who ignited his fantasy and inspired his compositions. ?Georg Dobler: Jewellery 1980?2010? spans the ?uvre of the Berlin jewellery artist from the early 1980s to the present. A breath-taking journey from geometrical forms to casts from nature, works with stones to his current work, which unite the entire creative work of the artist in a grand symbiosis.
softcover, oblong, 87 pages full color. + silver marks + bibliography,exhibitions, museums After many years researching over one thousand G.A. Scheid items, Eric Schaling published in July 2018 this book. It is the first one of its kind, bringing Georg Adam Scheids story, his achievements, his many markets and his importance back in todays world. He touches about all aspects of the business, where it was located (not only Vienna), who represented it in Europe, the Americas, Russian Empire. The funny story of Scheid pieces, which were made for the Russian market, suddenly marked with a Faberge mark or that many designs, especially for the 1900 Paris World Exhibition, where made by J.M. Auchentaller, but later contributed to Koloman Moser or the amazing fact, that Scheid worked for all four of the world famous glassware producers: Lalique, Daum, Galle and Loetz (his company produced the silver mounts). Scheids success was based on the highest quality standards of his time.
Gebonden in linnen band met omslagwikkel in kleur, 263pp, 31x25cm rijkelijk geillustreerd met duidelijke foto's en zilver merken,. Text in Neredrlands, French, Deutsch English ISBN 9789074311687. Sinds de middeleeuwen was Gent een belangrijke productiecentrum voor zilversmeedwerk. maar ook kleinere Oost-Vlaamse steden lieten zich niet onbetuigd. Oudenaarde, Aalst, Dendermonde, Geraardsbergen, Lokeren, Sint-Niklaas, Temse kenden een rijke traditie in de edelsmeedkunst en musea. Maar heel wat topstukken zitten ook in de priveverzamelingen die voor het grote publiek niet toegankelijk zijn. De tentoonstelling "Gents zilver in Laarne. Magie van de edelsmeedkunst" brengt meer dan honderd van dergelijke verborgen schatten samen en confronteert ze met stukken uit openbare verzamelingen en topstukken uit andere Belgische steden en uit het buitenland. Alle tentoongestelde voorwerpen werden voorafgaand grondig onderzocht door een uitgebreid team van specialisten
This is a fine softcover copy with no wear at all. Completely clean inside and out. This is a sale catalog for an auction held at Sotheby's London on May 27, 2009. The sale consisted of a private Swiss collection of Genoese silver and furniture. The Genoese furniture is 18th century parquetry work, several pieces. Also several Venetian painted lacquer work furniture. The Genoese silver, about 25 pieces: candlesticks, salvers, chalices, an incense boat, etc. 146 lots in the sale. All illustrated in color. Prices realized sheets included. 11" high X 8" wide, 99 pages.
8vo. Pp. 143, 10 pls. of microphotos, 57 maps, figs., and diagrs. in text, refs. Orig. stiff wrs. One corner a little bumped.
Size: 305 mm x 240 mm. Pages: 352. Illustrations: 250 colour. Hardback with dustjacket. ISBN 9783897904651. The fascinating history of gemstones in art and jewellery Gemstones have always been, since time immemorial, heavily charged with meaning and have even been regarded as magical objects. For that reason they have also been an art medium since the early modern age and have shaped as art symbols - in the form of the crystal - both Romanticism and Modernism, for example in the works of Caspar David Friedrich, Lyonel Feininger and many more. In the latter half of the twentieth century, not only have such artists as Bernd Munsteiner, Ute Eitzenhofer and Bernhard Schobinger rediscovered the gemstone; through the Hochschule fur Edelstein und Schmuck Trier/Idar-Oberstein and other similar specialist institutions it is also undergoing a revival in today's art production - right up to Damien Hirst. Text in English and German.
softcover 317 pages + 20-page booklet / slipcase. complet. ISBN 9780873110525. For more than 70 years, the unique characteristics and lore of colored diamonds have been highlighted in Gems & Gemology, the quarterly journal of the Gemological Institute of America. Now it's all available in one complete reference volume, titled Gems & Gemology in Review: Colored Diamonds. Edited by John M. King, the book contains more than 100 notable articles originally published in G&G. This superbly illustrated volume comes with a 20-page booklet of color grading charts that demonstrates GIA's color grading system for fancies. Both are enclosed in a durable, attractive slipcase.. / John M. King is technical director of the GIA Laboratory in New York and a respected authority on fancy-color diamonds. With more than 25 years of laboratory experience, Mr. King has written a number of landmark articles for Gems & Gemology, and he frequently lectures on colored diamonds and color grading procedures.
Herbonden, demi-maroquin met goudopdruk, 526pp., 21x28cm., talrijke z/w ills., zeer goede staat.
Hardcover, 235 pagina's, Nederlands, 295 x 225 mm, boek in goede staat, met illustraties in kleur, .NIEUW! ISBN 9789077069080. Sedert zowat tweeduizend jaar is brons een van de meest geliefkoosde materialen van beeldhouwers in Azië. Het cultureel en religieus erfgoed van India, Sri Lanka, Nepal en Tibet weerspiegelt de weergaloze kwaliteit die op het vlak van bronsgieten werd bereikt. Religies als het hindoeïsme, het jainisme en het boeddhisme hebben deze kunstvorm aangewend om hun voorstellingen van goden en helden te vereeuwigen. De kunstenaars lieten zich leiden door gespecialiseerde handboeken met precieze voorschriften over iconografie en afmetingen. Zij gebruikten hoofdzakelijk de methode van de ?verloren-was' of cire-perdue . Het originele beeld in was werd in een omhulsel van klei gevat. De was werd weggesmolten en in de plaats werd het brons gegoten. Het kunstwerk bleef op die wijze uniek. Soms werd het beeld ook gedreven of gehamerd in koperplaat, zilver of goud.
softcover 63 pages very richly illustrated with coloured illustrations. NL / ENG ISBN 9789066251687.
304pp., with 409 illustrations, 29cm., editor's hardcover (cloth), illustrated dustwrapper, in cart. slipcase, very good condition, S87282
This is a fine cloth copy in a fine dust jacket and fine publisher's slipcase with virtually no wear. Completely clean inside and out. Text in German. This is the German edition of Alain Gruber's work: L'Argenterie de Maison, du XVIe au XIXe Siecle, published simultaneously in Fribourg by Office du Livre in 1982. There are 409 illustrations, many in color. Bibliography. 5 pages of maker marks. 11" high X 10" wide, 304 pages. A beautiful copy.
8vo [23 x 15.5 cm]; xii, 456 pp, 8 fine lithographed plates, 7 being hand-colored, other tinted, other engraved illustrations from drwgs, the plates drawn by J. Wolf, W. Fitch, George Angas (4 are botanical, others animals, birds). original blind-stamped cloth, gilt spine title lettering, cloth faded and rear internal hinge repaired, old inscription on title margin dated 1861, interior clean and near fine, excellent plates. A picture of this book is available upon request by email. Ripley 26. Ferguson 6929. Wood 231: 'An interesting account of the author's observations on the flora and fauna of Australasia, in which birds figure large, at least half of the 23 chapters containing references to them'. The book contains an extensive chapter on the platypus, which the author here calls a water mole, together with a hand colored plate of same. Fitch, who painted the botanical subjects, was one of the most respected botanical artists of his time. Other subjects are by artists G.F. Angas, Thomas Baines and Joseph Wolf, each a highly respected and important natural history artist. An important contribution including marine biology, ornithology, bird migration, plants including those with agricultural application, botanic garden, medicinal remedies, etc.
8vo [23 x 15.5 cm]; xii, 456 pp, 8 fine lithographed plates, 7 being hand-colored, other tinted, other illustrations from drwgs, the plates drawn by J. Wolf, W. Fitch, George Angas (4 are botanical, others animals, birds). later sim. leather, gilt title lettering on red leather label, new endpapers, lightly foxed on few leaves, else clean, very good+ copy, well-bound. A picture of this book is available upon request by email. Ripley 26. Ferguson 6929. Wood 231: 'An interesting account of the author's observations on the flora and fauna of Australasia, in which birds figure large, at least half of the 23 chapters containing references to them'. The book contains an extensive chapter on the platypus, which the auithor here calls a water mole, together with a hand colored plate of same. Fitch, who painted the botanical subjects, was one of the most respected botanical artists of his time. Other subjects are by artists G.F. Angas, Thomas Baines and Joseph Wolf, each a highly respected and ijmportant natural history artist. An important contribution including marine biology, ornithology, bird migration, plants including those with agricultural application, botanic garden, medicinal remedies, etc. The last chapter describes overland routes from Sydney to Southampton. Included is a loose clipping from a periodical on the New Guinea Ant Eater with illustration.
IN 4. BR [BE]. 80 PP. 35 ILL EN COULEURS. [BE]
Gebonden, linnen met orig. stofwikkel, xxxii+563pp., 15.5x22.5cm., ills. in kleur, zeer goede staat. With an Introduction in English. 971+41 voorwerpen beschreven met afbeelding.
bound in three volumes / in box. :34,5 x 25 x 11,5 cm . ISBN 9789056153229. Fries Goud en Zilver, het meest volumineuze zilverboek dat ooit is verschenen. Voor de driedelige, cassette is al het van betekenis zijnde Friese goud- en zilverwerk opnieuw gefotografeerd. Een unieke uitgave die zowel gericht is op specialisten als op verzamelaars en liefhebbers. Het is voor het eerst dat Fries goud en zilver in een totaaloverzicht wordt belicht. De beschreven en afgebeelde objecten bevinden zich in het Fries Museum en andere binnen- en buitenlandse musea, bij overheden, kerken en in tal van particuliere collecties. //// Fries Goud en Zilver ?, the most voluminous silver book that has ever appeared. For the three-part cassette, all the significant Frisian gold and silverware has been re-photographed. A unique publication that is aimed at both specialists and collectors and enthusiasts. It is the first time that Frisian gold and silver have been highlighted in a total overview. The described and depicted objects can be found in the Fries Museum and other domestic and foreign museums, with governments, churches and in numerous private collections.
304 pages, 24 x 30 cm. 425 illustrations, with 277 in colour. Cloth with dust-jacket. Text in English and German. . ISBN 9783925369766. Friedrich Becker was a goldsmith of world renown and undoubtedly one of the most outstanding artistic personalities of our day, truly altering the course of goldsmiths' work in the latter half of the 20th century. Becker was the creator of kinetic jewellery and well known as a sculptor and designer. His work is collected by many major museums and has featured in inumerable exhibitions. The purity of form in his work laid the foundations for a new aesthetic style in jewelllery. Stemming from his preoccupation with precision, he combined high standards of workmanship with a supreme sublety. In his jewellery "wearable" art was born. The book focuses on the extraordinary genius of Becker, a master craftsman and mentor, who would have welcomed this exploration of his work to inspire artists and art historians alike. A fascinating survey of the versatile creativity of the artist, who as an internationally acknowledged gold jeweller and designer of kinetic jewellery left his mark on the goldsmithery of the second half of the 20th century.
Hardcover, Couverture reliee 256 pages, quelques illustrations en couleurs et n/b ,320 x 265 mm, ISBN 9782080283450. Grande maison depuis 85 ans et restée fidèle à l'esprit avant-gardiste de son fondateur Fred Samuel, FRED incarne l'audace et la joie de vivre. Ce célèbre joaillier parisien brille par sa vision d'un art de vivre à l'élégance décontractée, avec des collections inspirées par la lumière et la mer. Pour la première fois, est dévoilée dans ce livre la remarquable histoire de ce créateur iconoclaste, depuis l'Argentine, terre natale de Fred Samuel, jusqu'aux rives de la Californie et de la French Riviera. Illustré de nombreux documents d'archives et photos de famille, mais aussi de créations emblématiques et de pièces uniques de haute joaillerie, cet ouvrage nous fait découvrir un joaillier libre et visionnaire.
Vg (no dj, red pictorial cloth with black titles on spine and cream/black illustration of schoolboys dropping from window into punt on river below, front board has cream title and illustration in black/cream of two boys shaking hands, back board lightly soiled but internally a very good copy with clean bright crisp pages, Sunday School prize plate front fixed endpaper, thumbprint one margin else no other marks, one b/w plate is detached but present) 12mo 208pp. No date of publication but inscribed 1926. B/w frontispiece and 2 b/w plates. Boys school story.
large folio [53 x 41 cm]; [72 l] pp, 32 fine colored plates, including frontis, from paintings by Mee, each with tissue guard, signed in the plate by Mee, dated 1960s, maps, list of plates, pictorial endpapers. original green morocco-backed boards, bound by Zaehnsdorf, boards with hand marbled paper, gilt spine title lettering & gilt vignette on front, top edge gilted, original clear glassine jacket, original cloth slipcase, clean, fine and bright copy. A pictur A superb production with most attractive plates, including nine of orchids and six of bromeliads, each plate with a descriptive leaf. Margaret Mee (1909-88) traveled to the Amazon area 15 times over a 32 year period, by canoe, on foot and often alone. Her paintings and sketches "could stand without shame in the high company of such masters as Georg Dionysius Ehret and Redoute" (Wilfred Blunt). Mee was a passionate conservationist and devoted her life to recording the diversity and beauty of the Amazon. She was one of the first to protest the destruction still taking place there. Sitwell in Great Flower Books describes her work as: 'exceptional and quite in the tradition of the great eighteenth-century books '. 'Mee's work is of an unusually high order of excellence and in the best tradition of flower painting' [Taylor, director of Royal Botanic Garden of Kew]. 'Mee was a talented botanical painter and intrepid traveller. . .an exceptional personality' [Oak Spring Flora]. One of the plants illustrated was discovered by Mee herself.
pp. xxiv, 579 + Color plates after paintings by Francis L. Jaques, with guards and explanations + Photographic plates + Folding colored map. Small 4to. 25 cm. Plain cloth binding. "Florida occupies a unique position biologically among the States of the Union and has been a Mecca for naturalists. Comprising a long narrow peninsula projecting southward into the tropics, and provided with myriad lakes, ponds, marshes, and tidal lagoons, it is an attractive lane of migration for many birds and furnishes an ideal home at all seasons for immense numbers of waterfowl, shorebirds, and swamp-loving species." - Introduction. A nice clean copy of a invaluable work that contains a description of each bird found in Florida, with: its range, distribution, haunts, habits, food, recognition marks, etc. Ripley 138. NH7
Paperback, 128 pages, ENG, 275 x 195 x 10 mm, in very good condition, 150 illustrations in colour. ISBN 9780302006603.