622 résultats
1922234471922. Salt Creek Haydite Plant album documenting shale extraction rotary-kiln aggregate production and water-control construction in Natrona County Wyoming 1922-1924 recording the first commercially manufactured lightweight structural concrete aggregate in the United States patented by Kansas City brickmaker Stephen J. Hayde in 1918 after he discovered that certain shales and clays could be expanded by rapid kiln-firing into a strong lightweight ceramic. Haydite transformed twentieth-century construction by reducing the dead load of concrete by roughly forty percent enabling taller buildings longer spans and the lightweight concrete masonry block industry that followed. The plant's location adjacent to the Salt Creek Oil Field then the largest producing oil field in the United States and the source of the Teapot Dome scandal that erupted in 1922 to 1923 ties the album directly to two converging industrial histories: the patented invention of expanded-shale aggregate and the height of Wyoming oil extraction.<br /> Photo archive of 91 silver gelatin photographs ranging from 2.5" x 4.5" to 5.5" x 3.5" mounted on album leaves with ink manuscript captions throughout bound in black leather with gilt-stamped cover reading "Salt Creek Construction" Natrona County Wyoming circa 1922-1924. The album's leather cover is inscribed "John B. Cleary Salt Creek Construction." It opens with exterior views of the Salt Creek Haydite Plant captioned "Const 1922 Com. Oper. Sept. 1" showing the main buildings the upper crusher and shale storage shed with stovepipe and yard-light and a loaded shale car at the trap of the shale pit. Successive pages document the production sequence by component: the upper crusher "jaw" with raw shale tumbling into the grates the ore feeder with belt-driven shafts the rotary kiln an Allis-Chalmers unit by the partially visible nameplate with a worker ascending its steel staircase the fire box of the kiln in close view the finish conveyor running to the haydite storage bin and piles of raw "hadite" being measured by two men in work clothes and wide-brimmed hats. A page is devoted to the Haydite Plant truck an FWD chain-drive with "Haydite Plant" lettered on its dump body and "M.B.Co. 81" stenciled above photographed both in service and at the loading dock. Named portraits include "W.B. Shilling Const. Engr." in a pith helmet and white shirt and a group portrait dated 1923 captioned "Mr. S.J. Hayde inventor of 'Haydite' Mrs. Hayde Mrs. C J.B.C. S.P. Boozell Plant Supt. John C." Later pages shift to a separate but related project: the "Cooling Pond No. 1 Sta. Salt Creek Field" under construction in the spring of 1923 with photographs of pile drivers drain tile staging at stations 960 to 000 workers troweling the concrete pond bottom and views captioned "Cooling Pond Finishing." A dam project follows including "Progress on Core Wall" views captioned "After Flood of Sept. '23 32000 S.F. Loss of 40' of Emb. & Core Wall" showing the breach riprap construction captioned "The Completed Project Before Storage Was Started" and a final image inscribed "Completed July 1 1924." A late page shows the failed spillway with the caption "Erosion of Spillway After Cut-Off Wall Failed" alongside a "Survey after Flood." Named figures include W.F. Edwards J.B.C. and "J.B.C. H.M. Pursel Contr."<br /> Stephen Hayde received U.S. Patent 1255878 for his rotary-kiln process of bloating shale into lightweight aggregate in 1918 and licensed the technology under the Haydite trade name beginning in 1920; the Salt Creek plant was among the earliest licensee operations and supplied aggregate for oilfield infrastructure at a time when the Salt Creek field's production peaked at over 32 million barrels in 1923. The cooling pond and dam pages document infrastructure built to handle produced water from the Salt Creek oilfield's No. 1 station capturing both the September 1923 flood failure with the specific 32000 square foot loss recorded on the leaf and the July 1924 rebuild. Overall in very good condition with expected toning foxing and edge wear to album leaves and mild silvering to several prints. The album constitutes a named dated and captioned firsthand record of early Haydite manufacturing and Salt Creek oilfield support construction anchored by an identified portrait of the inventor himself. unknown
193023719<p>Grosset & Dunlap 1930. HARDBACK NODustJacket 1930 1st Edition 1st printing VG/VG AS-IS NOJACKET Pretext & ADS in Back Lists thru this Title THICK Red Cloth lettered in Yellow Outlined in Black 228 pgs ADS ending with Roy Blakeley Wild Goose Cloth Cover light Rub Wear Interior Nice tight Clean Light FoX Wear The inscription is to a young reader and contributor to the "Our Chatterbox" section preceding the story. This is a 12 page section paginated in Roman numerals of contributions from readers and a bit of chat from the author. . Signed by Author. First Edition. Hard Cover.</p> Grosset & Dunlap hardcover
1975287571975. Mimeographed 118 pages plus additional revised pages dated 9/26-10 /73 pinned in plain covers. Occasional pencil marks and dog ears reveal it was obviously used at some point in production. Directed by John Schlesinger. Signed by the cinematographer Conrad L. Hall and inscribed and signed by Karen Black. unknown
1939WRCLIT61324Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1145 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to wrapper extremities 15 x 40 mm piece torn away from fore-edge of upper wrapper internally near fine. An unspecified - but revised and slightly extended - draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. Another draft dated 17 days earlier is 17 pages shorter. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1939WRCLIT61323Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1128 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to label and wrapper extremities otherwise very good internally near fine. An unspecified draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1975287571975. Mimeographed 118 pages plus additional revised pages dated 9/26-10 /73 pinned in plain covers. Occasional pencil marks and dog ears reveal it was obviously used at some point in production. Directed by John Schlesinger. Signed by the cinematographer Conrad L. Hall and inscribed and signed by Karen Black. <br/><br/> unknown books
198422147Zurich: Parkett Verlag 1984. First Edition. Paperback. Fine. Issue number 2 of this long running art journal. This issue features collaborations with artist Sigmar Polke a piece on Gary Indiana architecture in Berlin and much more. A fine as-new copy still in shrinkwrap. By far the scarcest issue of this magazine. Original Polke multiple included. Parkett Verlag paperback books
194856976Salt Lake City UT: Motor Mercantile Co. Strevell-Paterson Hardware Co. 124-128 SW Temple ca. 1948. Thick 4to. 9.25 x 11.5 x 2.75 in. 15 leaves unnumbered. printed on yellow-tinted paper w/ plasticized thumb tabs at fore-edge margin with 60 original photographs preserved in original mylar sleeves as issued many w/ printed captions tipped-in on recto occasional curling and bowing to old mylar. Black pebbled cloth post-binder ornamental gilt lettering stamped on front cover rounded corners minor wear to corners minor chipping head & foot of spine minor bumping still a VG copy. First edition of this very scarce salesman sample photo catalogue detailing the rebuild and machining services automobiles and trucks offered by the Motor Mercantile Co. following World War II. The firm had developed many of their machining and reconditioned parts methods to maintain civilian and military automobiles during wartime rationing. The album opens with a photo of the historic Strevell-Paterson Hardware Co. which was historically located at 126-128 SW Temple in Salt Lake followed by photo of the new building for Strevell-Paterson Finance Co. housing the Motor Mercantile Co. after the War. In addition images of the parts counter machine shop and sales office are shown. Each section includes series photos showing the reconditioning of parts such as reconditioning crank shafts; meticulously refacing and reconditioning engine valves; boring and honing engine cylinders; powder coating machined and reconditioned parts and showing the necessary lathe work. Also detailed are reconditioning connecting rods pistons pins broken studs on engine blocks brake service and even manufacturing windshields. Originally founded in 1918 by A.D. McMullen a former Stevell-Paterson sales manager the company operated at 115-117 SW Temple for years and within a few years they appear as a subsidiary of Strevell-Paterson Hardware Co. with their logo painted on the side of the historic building in the first photograph. Rogers 1878-1966 was longtime sales manager who had begun working for Strevell-Paterson as a traveling salesman before World War I. No copies located in Worldcat. Motor Mercantile Co., [Strevell-Paterson Hardware Co., 124-128 SW Temple, hardcover
197820364ELos Angeles: Jerome Hellman Productions A Hal Ashby Film / United Artists N.d. 1978. Original 132 page shooting script for the award-winning film Coming Home screenplay by Waldo Salt and Robert Jones. Bradbound in stiff red paper covers with the title gilt-stamped to the front. With a hint of use else fine. The film was directed by Hal Ashby and stars Jane Fonda Jon Voigt Bruce Dern and Penelope Milford. The film won 3 Oscars: Best Actor in a Leading Role Voigt Best Actress in a Leading Role Fonda and Best Writing Screenplay Written Directly for the Screen. And it was nominated for Best Picture Best Director Best Actor in a Supporting Role Dern Best Actress in a Supporting Role Milford and Best Film Editing. It also won 2 Golden Globes: Best Actor - Drama Voigt and Best Actress - Drama Fonda. With 4 nominations: Best Motion Picture - Drama Best Director - Motion Picture Best Actor in a Supporting Role Dern and Best Screenplay. The film tells the love story between a woman whose husband is fighting in Vietnam Fonda who falls in love with another man Voigt who suffered a paralyzing combat injury there. Jerome Hellman Productions (A Hal Ashby Film) / United Artists unknown
197820364ELos Angeles: Jerome Hellman Productions A Hal Ashby Film / United Artists N.d. 1978. Original 132 page shooting script for the award-winning film Coming Home screenplay by Waldo Salt and Robert Jones. Bradbound in stiff red paper covers with the title gilt-stamped to the front. With a hint of use else fine. The film was directed by Hal Ashby and stars Jane Fonda Jon Voigt Bruce Dern and Penelope Milford. The film won 3 Oscars: Best Actor in a Leading Role Voigt Best Actress in a Leading Role Fonda and Best Writing Screenplay Written Directly for the Screen. And it was nominated for Best Picture Best Director Best Actor in a Supporting Role Dern Best Actress in a Supporting Role Milford and Best Film Editing. It also won 2 Golden Globes: Best Actor - Drama Voigt and Best Actress - Drama Fonda. With 4 nominations: Best Motion Picture - Drama Best Director - Motion Picture Best Actor in a Supporting Role Dern and Best Screenplay. The film tells the love story between a woman whose husband is fighting in Vietnam Fonda who falls in love with another man Voigt who suffered a paralyzing combat injury there. Jerome Hellman Productions (A Hal Ashby Film) / United Artists unknown books
1938140293Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Draft script for the 1938 film. Based on the short story "Private Pettigrew's Girl" by Dana Burnet and published in "The Saturday Evening Post" on September 14 1918. Copy belonging to an unknown crew member with manuscript pencil annotations throughout. <br /> <br /> Jimmy Stewart plays an idealistic soldier who convinces a Broadway star Margaret Sullavan to pretend they're dating in order to impress his other soldier friends. Meanwhile Sullivan's manager Walter Pidgeon has always been in love with her and objects to the pair's closeness even as they decide to get married before Stewart is shipped out to France. Stewart and Sullivan pull off surprisingly believable roles for a plot of such sickly sweetness in this their second on-screen pairing. <br /> <br /> The third film based on Burnet's "Saturday Evening Post" story the first two being the 1919 George Melford silent film "Pettigrew's Girl" and Richard Wallace's part-talkie "The Shopworn Angel" 1928 starring Gary Cooper. Set in New York. <br /> <br /> Goldenrod titled wrappers rubber-stamped copy No. 2268 and production No. 25077 dated 3/16/38 with credits for producer Joseph L. Mankiewicz and screenwriter Waldo Salt. Distribution receipt laid into the script. Title page integral with the first page of the text as issued. 108 leaves with last page of text numbered 108. Mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. <br /> <br /> Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown
1973144811Los Angeles: Paramount Pictures 1973. Draft script for the 1975 film. <br/><br/>Based on the the 1939 novel by Nathanael West and equal to it as a dark funny and ultimately devastating commentary on the Hollywood system and its effect on the lives and dreams of those caught up in it. Nominated for two Academy Awards considered by many to be Donald Sutherland's finest performance and one of the most underrated films of the 1970s. <br/><br/>Teal studio wrappers with a die cut title window in the British style. Title page present with credits for screenwriter Waldo Salt novelist Nathanael West producer Jerome Hellman and director John Schlesinger. 122 leaves with last page of text numbered 118. Mimeograph duplication rectos only with white revision pages throughout dated variously between 7/31/73 and 10/12/73. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Paramount Pictures unknown books
1938140293Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Draft script for the 1938 film. Based on the short story "Private Pettigrew's Girl" by Dana Burnet and published in "The Saturday Evening Post" on September 14 1918. Copy belonging to an unknown crew member with holograph pencil annotations throughout. <br/><br/>Jimmy Stewart plays an idealistic soldier who convinces a Broadway star Margaret Sullavan to pretend they're dating in order to impress his other soldier friends. Meanwhile Sullivan's manager Walter Pidgeon has always been in love with her and objects to the pair's closeness even as they decide to get married before Stewart is shipped out to France. Stewart and Sullivan pull off surprisingly believable roles for a plot of such sickly sweetness in this their second on-screen pairing. <br/><br/>The third film based on Burnet's "Saturday Evening Post" story the first two being the 1919 George Melford silent film "Pettigrew's Girl" and Richard Wallace's part-talkie "The Shopworn Angel" 1928 starring Gary Cooper. Set in New York. <br/><br/>Goldenrod titled wrappers rubber-stamped copy No. 2268 and production No. 25077 dated 3/16/38 with credits for producer Joseph L. Mankiewicz and screenwriter Waldo Salt. Distribution receipt laid into the script. Title page integral with the first page of the text as issued. 108 leaves with last page of text numbered 108. Mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. <br/><br/>Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown books
198812436Lake Grove New York U.S.A.: Sft Pub. As New. 1988. Paperback. 0929574001 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Sft Pub paperback
199475448Little Brown and Company. New. 1994. Hardcover. 0821220810 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pp. With 125 ills. 24 x 30 cm. -- with a bonus offer-- . Little Brown and Company hardcover
197163170Gallery; Et Al. As New. 1971. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Dutch and English. 88 pp. With 52 ills. 4 col. . 21 x 21 cm. -- with a bonus offer-- . Gallery; Et Al paperback
196959217Utah Museum of Fine Arts University of Utah; Et Al. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 52 pp. With 63 ills. 22 col. one foldout. 22 x 23 cm. -- with a bonus offer-- . Utah Museum of Fine Arts, University of Utah; Et Al paperback
1973146780N.p.: Paramount Pictures 1973. Vintage US silkscreen banner poster for the 1973 film.<br/><br/>Based on Peter Maas' 1973 biography "Serpico: The Cop Who Defied the System" about a plainclothes police officer who exposes corruption in the New York City Police Department only to face harassment and threats from his fellow officers.<br/><br/>Nominated for two Academy Awards for Best Actor and Best Screenplay.<br/><br/>Set in and shot on location in New York. <br/><br/>82 x 24 inches. Rolled. Very Good plus overall with no restoration. Lightly soiled with a few pin holes in upper right of image two holes about 1/8" one small closed tear in bottom margin and 1 chip in the upper right margin bright and unfaded.<br/><br/>Eureka! #79. Spicer US Neo-Noir. Paramount Pictures unknown books
1970146086New York: Pressman Williams 1970. Draft script for the 1973 film. Copy belonging to cinematographer Gregory Sandor with his name in holograph pencil on the verso of the title page and holograph pencil annotations throughout.<br/><br/>Danielle is a beautiful model separated from her conjoined twin Dominique. When her neighbor an aspiring journalist suspects Danielle of a brutal murder the horror of Danielle's disturbing past begins to surface. Director Brian De Palma based his original story on a Life magazine article about conjoined twins in the Soviet Republic who had been successfully separated but were experiencing psychological problems as a result of the operation. <br/><br/>With its use of visually dense point-of-view and split-screen camera techniques "Sisters" is one of De Palma's earliest forays into erotic voyeurism as a conduit for psychological horror paving the way for a string of idiosyncratic psychosexual projects in the ensuing years such as "Obsession" 1976 "Dressed to Kill" 1980 "Blow Out" 1981 and "Body Double" 1984 among others. Given its focus on the anxiety of the gaze "Sisters" can also be read as an homage to Alfred Hitchcock-openly referencing "Rope" 1948 "Rear Window" 1954 and "Psycho" 1960-and indeed the film was even scored by Bernard Hermann a frequent musical collaborator for Hitchcock's films.<br/><br/>Set and shot on location in New York. <br/><br/>Maroon titled wrappers. Title page present dated 1970 with credits for screenwriters Brian De Palma and Louisa Rose. 138 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>Arrow 1578. Criterion Collection 89. Grant US. Spicer US Neo-Noir. Pressman Williams unknown books
1963151483Tooele County UT: N.p. 1963. Archive of 163 vernacular photographs including 145 in color and 18 in black-and-white capturing the 1960-1963 National Speed Trials commonly known as Speed Week at the Bonneville Salt Flats in Utah. Housed in 17 yellow envelopes with dates and names of racers written in holograph ink annotation to the rectos. <br/><br/>Offered with the archive is a brand new set of the two-volume Bonneville National Speed Trials references covering 1949-1958 and 1959-1968 respectively. The set is new and still in shrinkwrap.<br/><br/>In the early 1960s wealthy California car owners began to experiment with surplus jet engines to boost the horsepower of their cars creating distinctive bootlegged hotrods referred to as jet cars or jets designed specifically for the compacted salt surface of the flats. <br/><br/>The photographs in the archive document many early iterations of these unusual and profoundly dangerous vehicles with a particular focus on racers from southern California including Art Arfons' 8000-horsepower Cyclops which set a record for an open-cockpit vehicle 342 mph which still stands today and Mickey Thompson's Challenger I the first car to record a top speed of 400 mph. Also notable are several photographs of the streamliner entries of the Summers brothers in 1961 1962 and 1963 whose streamliner Goldenrod would go on to hold the land speed record from 1965 to 1991. <br/><br/>As a whole the photographs are bright and well-executed clearly shot with a racing insider's eye for detail. Photographs from the perspective of Speed Week attendees are scarce owing to the relatively remote locale and complete absence of accommodations for spectators making the images in the archive an uncommon intimate record of several pivotal years in the history of hotrod racing.<br/><br/>Photographs 5.75 x 3.5 inches envelopes 7.5 x 4. Some photographs with faint adhesive residue to the versos else envelopes and photographs generally Near Fine.<br/><br/>Full provenance available. N.p. unknown books
1969144659New York: Jerome Hellman Productions 1969. Draft script for the 1969 film. Copy belonging to the film's still photographer Ron Munkasci with his name in red manuscript ink at the top right corner of the title page.<br /> <br /> Based on the 1965 novel by James Leo Herlihy about an unlikely friendship between a would-be gigolo and an ailing con artist. Cornerstone film of the New Hollywood cinema nominated for seven Academy Awards winning Best Adapted Screenplay Best Director and Best Picture. <br /> <br /> Set in New York City shot on location in Miami Manhattan and Big Spring Texas. <br /> <br /> Dark blue titled wrappers noted as DRAFT SCREENPLAY at the bottom right and with the logo for JEROME HELLMAN PRODUCTIONS at bottom center. Title page present with credits for screenwriter Waldo Salt novelist James Leo Herlihy producer Jerome Hellman and director John Schlesinger noted as "A JEROME HELLMAN-JOHN SCHLESINGER PRODUCTION." 122 leaves with last page of text numbered 121. Mimeograph duplication rectos only. Pages Near Fine with some offsetting to the title page due to a newspaper clipping still present laid in wrapper Very Good plus.<br /> <br /> National Film Registry. Jerome Hellman Productions unknown
1969144659New York: Jerome Hellman Productions 1969. Draft script for the 1969 film. Copy belonging to the film's still photographer Ron Munkasci with this name in red holograph ink at the top right corner of the title page.<br/><br/>Based on the 1965 novel by James Leo Herlihy about an unlikely friendship between a would-be gigolo and an ailing con artist. Cornerstone film of the New Hollywood cinema nominated for seven Academy Awards winning Best Adapted Screenplay Best Director and Best Picture. <br/><br/>Set in New York City shot on location in Miami Manhattan and Big Spring Texas. <br/><br/>Dark blue titled wrappers noted as DRAFT SCREENPLAY at the bottom right and with the logo for JEROME HELLMAN PRODUCTIONS at bottom center. Title page present with credits for screenwriter Waldo Salt novelist James Leo Herlihy producer Jerome Hellman and director John Schlesinger noted as "A JEROME HELLMAN-JOHN SCHLESINGER PRODUCTION." 122 leaves with last page of text numbered 113. Mimeograph duplication. Pages Near Fine with some offsetting to the title page due to a newspaper clipping still present laid in wrapper Very Good plus.<br/><br/>National Film Registry. Jerome Hellman Productions unknown books