RHEIMS, MauriceLivre Rare Book
628 résultats
1981701921 vol. in-8 br., Editions du Seuil, Paris, 1990, 426 pp.
1988W12FRNew York: Harry N. Abrams 1988. Olive green cloth with orange lettering and decoration. A little bowing and canting but without other defects. Pictorial dust jacket is very good with no chipping tears etc. Filled with color and black and white photographs of Guimard's creations. A giant of the art deco era. Includes 29 of his most significant buildings as well as his work in the decorative arts. . First Edition. Cloth. Very Good/Very Good. Illus. by Felipe Ferre. Folio - over 12" - 15" tall. Trade. Harry N. Abrams Hardcover books
198321414Nice: Editions Maurice Garnier 1983. First edition. Hardcover. Orig. brown cloth front cover front cover decoration of sunflower in gilt. Fine in fine dust wrapper house in publisher's board slipcase. Buffet Bernard. 244 pages. 31.5 x 24.5 cm. Catalogue Raisonne provides 367 dry points 115 prints and eight illustrated works. Almost all plates in black and white. List of Illustrations. Text in French with additional text in Japanese. As new copy. Editions Maurice Garnier hardcover books
1960512163Thomas Nelson & Sons 1960. First Edition. Hardcover with Dust Jacket. VERY GOOD/Good. 1489pp. Large 4to sewn binding in publisher's brown buckram. Text with some light foxing around the edges small nick to tail of backstrip clean and unmarked otherwise with solid binding; DJ edgeworn and chipped at tail spine faded dampstain to spine interior now wrapped in mylar. 'The New Testament Octapla presents-for the first time-the full text of eight English translations of the New Testament from Tyndale to the Revised Standard Version arranged on facing pages. It shows the development of the Tyndale-King James tradi-tion in the succession of translations from 1525 to 1611 and in the revisions from 1870 to 1960. Versions included here with dates in parentheses indicating years of original publication are: Tyndale 1525 1535 Rheims 1582 Great Bible 1539 1540 King James 1611 1873 Geneva Bible 1560 1562 RV 1881 ASV 1901 Bishops Bible 1568 1602 RSV 1946 1960 TYNDALE is represented by his final revision the GH edition published in 1535 which is reprinted here for the first time in book form. Miles Coverdale's translation known as the GREAT BIBLE was commissioned by Sir Thomas Cromwell Secretary to King Henry VIII and Vicar General. The first edition published at London in 1539 was the first 'authorized' edition. The second edition used here was published in 1540. The GENEVA BIBLE was published by English Protestants who had fled to Geneva from the persecutions under Queen Mary. Although never 'authorized' it became the household Bible of the English-speaking peoples. The second edition 1562 is used The text of the BISHOPS' BIBLE is that of the revision of 1572 as printed in the edition of 1602. This Bible was authorized by Convocation and its possession enjoined upon the churches. This became the basis of the revision under King James. The RHEIMS translation is copied from the first edition 1582. It was made from the Latin Vulgate by Roman Catholic scholars the larger part of the work being done by Gregory Martin. King James I ordained in 1604 that a translation of the whole Bible be made; in 1611 this version of the Bible was published with a dedication to him. The text of the KING JAMES VERSION here used is taken from the critical edition which was published as The Cambridge Paragraph Bible of the Authorized English Version in 1873. The revision of the 1870's is represented by the AMERICAN STANDARD VERSION 1901 rather than the Revised Version published in England in 1881 for its use led directly to the next major revision the REVISED STANDARD VERSION which appears here as published in 1960. Each of the versions is reproduced in The New Testament Octapla in the edition on which succeeding scholars have based their work. The copy of Tyndale's GH edition in the New York Public Library supplemented by photostats from the Bod-leian Library of Oxford University and photostats of the other sixteenth-century editions were used to ensure accuracy. The spelling punctuation and paragraphing of the selected edition of each version have been retained. Verse numbers have been added to Tyndale and the Great Bible to make for easier comparison.' From the dust jacket. Thomas Nelson & Sons hardcover
1970R53586Rome (& Reims), Maison Saint Jean-Baptiste de la Salle 1970-1973 xxxix,286 + 409 + 195 + 338pp.avec illustrations et fac-similes + 3 tableaux généalogiques dépliants, dans la série "Cahiers Lasalliens : Textes Etudes - Documents" vols.35-36-37-37/1, br.orig., 23cm., quelques rousseurs, bon état, [contient: 35: Titres de propriété numérique détaillé, 36: Documents, 37: Aux sources de la Vie et de l'Esprit Rue-Neuve, Rue-de-Contrai 1682-1972, 37/1: Titres de propriété]
1987649ACR, Paris 1987-2001. Fort volume in-4 carré (280 X 260 mm), relié et cartonné, jaquette illustrée en couleurs, sous étui rigide illustré. 588 pp. Ouvrage abondamment illustré en noir et en couleurs : tableaux, aquarelles, encres, dessins, gravures, bois, lithographies, livres illustrés et de nombreux documents publiés ici pour la première fois. MONOGRAPHIE et "CATALOGUE RAISONNÉ" : de 1894 à 1967, plus de 1100 références décrites, datées et illustrées. Expositions, bibliographie et index. Remarquablement documenté, écrit avec clarté et précision, voici le premier volume (sur 3) de ce formidable travail de référence sur le plus célèbre peintre japonais du XXe siècle. 1987年 、パリ、ACR出版。280 X 260 mm、588ページ、厚い表紙、ジャケット、箱にカラーの絵。白黒、カラーの図版多数。油彩、水彩、インク、デッサン、木版、リトなど、初めて収録される資料も多い。1894年から1967年までの収録図版、写真は、1100点以上にのぼり、全て年数、解説付き。藤田に関する展覧会、本のリスト、インデックス。フランス語による解説は正確で明快。全三巻からなる、20世紀日本の最も有名な画家に関する優れた解説書の一巻目。新品同様。
199586592Paris, 1995, 18 x 23,5 cm, broché, 135 pages. 621 numéros présentés, 16 planches totalisant 40 reproductions. Bon état.
199019308AB1990. Heidelberg Braus 1990. 365 : 295 cm. 4 leaves 57 b/w pl<atges 4 leaves. Original cloth with illustrated original dust-jacket. First edition. - Bettina Rheims 18. Dezember 1952 Neuilly-sur-Seine Frankreich. - Mit erotischen Anzüglichkeiten und wohlgesetzten Provokationen wurde die französische Fotografin Bettina Rheims weltberühmt; obgleich ihr Fokus auf dem weiblichen Akt liegt begreift sie sich selbst als Feministin und distanziert sich deutlich vom männlich-voyeuristischen Blick auf den entblößten Frauenkörper. - Bettina Rheims - Erst Fotomodell dann Fotografin wurde am 18. Dezember 1952 als ältestes Kind des französischen Schriftstellers Maurice Rheims und seiner deutschen Frau Lili Krahmer geboren; sie hat zwei Geschwister darunter die Autorin und Filmemacherin Nathalie Reims. Im Alter von 14 Jahren flog sie von der Schule weil sie ein Babylätzchen mit einem Totenkopf verziert hatte. Ein Fotograf des Magazins Paris Match verschaffte ihr ein Praktikum im Fotolabor wo sie erstmals mit der Fotografie in Berührung kam. Zunächst arbeitete Rheims selbst als Fotomodell ehe sie 1970 hinter die Kamera wechselte und mit dem Fotografieren begann. Von Anfang an stand der nackte weibliche Körper im Mittelpunkt ihres Interesses ihre ersten Modelle waren Stripperinnen und Akrobaten die sie in der glitzernden Nachtwelt von Paris ausfindig machte. 1973 machte sie einen kurzen Ausflug ins Filmgeschäft ihre kleine Rolle in der Gangsterkomödie La bonne année von Claude Lelouch blieb allerdings eine Ausnahme. Hinter die Filmkamera stellte sie sich 1987 für die Sängerin Desireless um das Video zum Erfolgslied »Voyage voyage« zu drehen. Unbekannte Modelle und gefragte Prominente: Bettina Rheims verlangt ihren Modellen viel ab oft entstehen die von ihr gewünschten Bilder erst nach langen Stunden des Posierens. Dabei legt die Künstlerin bei ihren Projekten großen Wert auf absolute Freiwilligkeit seitens aller Beteiligten; sie betont dass sie niemals Druck oder gar Zwang ausübe. Für ihre berühmten Bilderserien holt sie meist unbekannte Modelle vor die Kamera immer wieder wird sie aber auch gebeten Prominente ins Bild zu setzen. Ihr Porträt des früheren französischen Präsidenten Jacques Chirac hing einst in Tausenden Amtsstuben Frankreichs mit berühmten Frauen wie Charlotte Rampling oder Sophie Marceau verbindet sie seit gemeinsamen Fotosessions enge Freundschaften. Die besondere Beziehung zu ihren Modellen ob unbekannt oder berühmt ist ein wichtiger Bestandteil der Arbeit von Bettina Rheims. Während der oft stundenlangen Aufnahmen will die Künstlerin ein Vertrauensverhältnis entwickeln das die Modelle zur Preisgabe ihres Innersten führt denn hinter aller dargestellten Körperlichkeit ist es doch das Verborgene-Seelische das Bettina Rheims mit ihren Bildern erfassen will. - Pionierin und Provokateurin: Im Spiel mit den Geschlechterrollen ging Bettina Rheims weiter als viele andere Künstler vor ihr. Sie fotografierte als eine der Ersten Transgender-Modelle die meisten davon hatte sie über eine Facebook-Annonce gefunden. Gemeinsam mit der Transsexuellen Kim Harlow veröffentlichte sie kurz vor deren Tod den biografischen Bildband Kim. Bettina Rheims hat viermal geheiratet mit ihrem zweiten Ehemann dem Schriftsteller Serge Bramly schrieb sie einige Bücher darunter den vielbeachteten Band Chambre Close 1992 in der Rheims' Bilder die fiktiven Tagebucheinträge eines »Monsieur X« umrahmen; auch ihr Sohn Virgile Maurice Bramly stammt aus dieser Verbindung. Auch nach der Scheidung arbeitete sie weiter mit Bramly zusammen. Für ihre Arbeit erhielt Bettina Rheims Preise und Auszeichnungen unter anderem den Orden Chevalier de la Légion d'Honneuer für ihr Lebenswerk das die Künstlerin selbst aber längst nicht als abgeschlossen ansieht. Sie lebt und arbeitet überwiegend in Paris. hardcover
196270241Exemplaire du service de presse marqué S.P., 1 vol. petit in-8 br., Julliard, Paris, 1962, 231 pp.
1978120421Paris : Celiv et Hachettes RÂŽalitÂŽs 1978 - 1979 - 1980 - 1981 - 1983 - . 280x220mm. photos couleurs et n/b illustrations couleurs et n/b in et hors texte richement illustrÂŽ reliure d'ÂŽditeur sous jaquette. Reliure pleine toile de lՎditeur.DÂŽtaille des 10 livres : 1. PrÂŽhistoire et cultures primitives. 2. Art roman VIIIe-XIIe siÂcle. 3. Rome. 4. Mexique prÂŽcolombien. 5. Art gothique. 6. Dix-neuviÂme siÂcle. 7. Egypte. 8. Baroque & Rococo. 9. Orient ancien. Dieux rois en Eden. 10. GrÂce. TrÂs bel exemplaire. 10953 Celiv et Hachettes Ralits unknown
1930108270Oblong 4to. Paris: Societe Anonyme Remoise de Linoleum circa 1930s. Oblong 4to. approx. 123 leaves of color lithograph linoleum and carpet samples printed to recto only some inlaid some with inventory numbers stamped to verso. Bolted quarter sienna cloth with company logo stamped in gold cream white boards with title stamped in blue. Boards have some damp stains and fraying internally bright with only minor foxing to outer margins; very good. § Trade sales catalogue of printed reproductions of linoleum and carpet samples. An extensive collection of samples from a French linoleum and floor covering company many of the samples are mosaic floral or attempt to mimic hardwood floors and rugs and textiles. Toward the end are a number of “printed rugs.†Societe Anonyme Remoise de Linoleum hardcover books
195970196Avec 82 illustrations, un dépliant et 12 graphiques en trois couleurs, 1 vol. grand in-8 cartonnage éditeur illustré, Librarie Plon, Paris, 1959, 424 pp.
19902091202133200958Paris Audiovisuel 1990. Soft Cover. Fine. Volume: 1 Paris Audiovisuel paperback
1985014431Dusseldorf Manipulator 1985 En feuilles, couverture illustrée
1919CNBR440Ditchling Sussex: S. Dominic's Press 1919. First Edition. Wraps. Fine. Gill Eric. Twenty-fourmo size 28 pp. The Saint Dominic's Press founded by Harry Hilary Douglas Clarke Pepler flourished at Ditchling Sussex from 1916 to 1936. The first home of the Press was "a disused stable" with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand believing that such would both produce the best results and also be a "more individual or 'humane'.product". He therefore "preferred the handpress to the machine handmade to machine-made paper and handset founder's type to the products of typesetting machines." N.b. quotes and information from "Three Private Presses" by Brocard Sewell. <br /> <br /> Per Taylor and Sewell "The Welfare Handbooks were a series of pamplets mainly concerned with social questions written from a Distributist and Roman Catholic standpoint." This volume contains scriptural passages pertaining to the age-old question of the relative merits of wealth vs. poverty vis-a-vis one's relationship with God. Per the title page "Being extracts from The New Testament of Our Lord and Saviour Jesus Christ as translated from the Latin Vulgate by the English College at Rheims A.D. 1582." <br /> <br /> ___DESCRIPTION: Brown wrappers printed in black string-bound with one engraving Gill's "Christ and the Money-Changers" P 152; Caslon O.F. type on Batachelor hand-made paper twenty-fourmo size 5 3/8" by 4 1/4" pagination: i-iv 1 2-24. <br /> <br /> ___CONDITION: Fine overall the wraps clean except for one small spot on the front wrap and without wear or sunning the string binding strong the interior is clean and bright and entirely free of prior owner markings; perhaps a touch of sunning around the spine and the aforementioned small spot else fine. <br /> <br /> ___CITATION: Taylor and Sewell no. A50; Eric Gill Bibliography no. 270. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press unknown
199421169Munich Germany: Gina Kehayoff Verlag 1994. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. Munich Germany: Gina Kehayoff Verlag 1994. Hardcover. Fine/Fine. First Edition/First Printing. 57 pages. Landmark collection of portrait-photographs on subject. One of the most beautiful art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions particularly the "Art Data" Reissued Edition. The latter called "Animals" was reissued four years later in 1998. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Bettina Rheims and Gina Kehayoff Verlag: Oversize-volume format. Salmon cloth boards with photographic reproduction pasted in front and titles on cover and spine as issued. Photographs by Bettina Rheims. Essay by Serge Bramly. List of Plates appended at the end. Printed in duotone on pristine-white thick uncoated stock paper in Germany to the highest standards. In protective glassine DJ as issued. Presents Bettina Rheims' "Animal". Some of the most remarkable portraits of animals ever taken in our time. Known primarily as a celebrity lifestyle and female-nude photographer with a distinctive style Rheims spent twelve years between 1982 and 1994 taking these Minimalist portraits. Almost all major photographers have taken pictures of animals because they present a unique challenge to anyone who considers himself or herself a portrait artist. One of Warhol's finest works is his series called "Vanishing Animals" where he deployed his masterly silkscreen technique to produce breathtakingly beautiful animal-paintings. Garry Winogrand's "The Animals" is regarded as one of the greatest photography books of the 20th century. But it is to Peter Hujar that Bettina Rheims' own imagery alludes and must be compared. Hujar identified with animals and regarded his animal-portraits as self-portraits: They portray him as being like any other creature vulnerable and defenseless. Rheims portrays her wide-ranging bestiary as though they were her fellow beings Rheims' Ark. What will transfix the viewer is the way she captures their eyes. Whether it's a bird elephant dog sheep or tiger and in an extended sequence chimpanzees and an orangutan the animals stare back at us fierce unblinking and inquisitive in their gaze. An absolute "must-have" title for Bettina Rheims collectors. This copy is very boldly and beautifully signed in black pen-marker on the title page by Bettina Rheims. It is signed directly on the page itself not on a tipped-in page. This title is a contemporary photography classic. As far as we know this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. A rare signed copy thus. 56 duotone plates. One of the most brilliant photographers of our time. A fine collectible copy. SEE ALSO PETER HUJAR TITLES IN OUR CATALOG. ISBN 3929078198. Gina Kehayoff Verlag hardcover
19725iiAa0078Paris France: Arts et Metiers Graphiques 1972. Book. Very Good. Hardcover. Copyright © 1972. 4to or 4° Quarto: over 9¾" x 12" tall. 431 pp. Text in French. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy and dust jacket with moderate external and internal wear crisp pages and clean text. Dust jacket shows wear in some places. Arts et Metiers Graphiques Hardcover
1992BN152068Munich : Kehayoff 1992. 1992. Les Espionnes - Deutsche Ausgabe mit einem Vorwort von Bernard Lamarche-Vadel <br/><br/>Les Espionnes - Deutsche Ausgabe mit einem Vorwort von Bernard Lamarche-Vadel Bettina Rheims Munich : Kehayoff unknown
1995Q-1557042675Newmarket Press 1995-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Newmarket Press paperback
1989BN145168Schirmer-Mosel 1989. 1989. Hardcover. Female trouble. <br/><br/>Female trouble. Bettina Rheims Schirmer-Mosel hardcover
1999BN138409Gruner und Jahr 1999. 1999. Portfolio. Bibliothek der Fotografie No. 15 - Bettina Rheims - femmes fatales. <br/><br/>Portfolio. Bibliothek der Fotografie No. 15 - Bettina Rheims - femmes fatales. Bettina Rheims Gruner und Jahr unknown
1999BN264126The Monacelli Press 1999. 1999. I.N.R.I. <br/><br/>I.N.R.I. The Monacelli Press unknown
2000BN252840Munich : Kehayoff 2000. 2000. Bettina Rheims - A room in the Museum of Modern Art in Frankfurt. Main : accompanies Change of Scene XVII February - September 2000 in the Museum of Modern Art in Frankfurt/Main / transl. into English by James Abram <br/><br/>Bettina Rheims - A room in the Museum of Modern Art in Frankfurt. Main : accompanies Change of Scene XVII February - September 2000 in the Museum of Modern Art in Frankfurt/Main / transl. into English by James Abram Rheims Bettina and James Abram Munich : Kehayoff unknown
1994BN136426Gina Kehayoff Verlag München 1994. 1994. Chambre Close - Eine Fiktion. <br/><br/>Chambre Close - Eine Fiktion. Rheims Bettina und Serge Bramly Gina Kehayoff Verlag, München unknown
1985701931 vol. in-8 br., Flammarion, Paris, 1985, 294 pp.
