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Bettina RheimsBiblio.com

Les Espionnes - Deutsche Ausgabe mit einem Vorwort von Bernard Lamarche-Vadel Bettina Rheims

[Biblical Text] ["The English College at Rheims" - Translator]Biblio.com

Riches; Welfare Handbook No. 3

1919CNBR440Ditchling Sussex: S. Dominic's Press 1919. First Edition. Wraps. Fine. Gill Eric. Twenty-fourmo size 28 pp. The Saint Dominic's Press founded by Harry Hilary Douglas Clarke Pepler flourished at Ditchling Sussex from 1916 to 1936. The first home of the Press was "a disused stable" with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand believing that such would both produce the best results and also be a "more individual or 'humane'.product". He therefore "preferred the handpress to the machine handmade to machine-made paper and handset founder's type to the products of typesetting machines." N.b. quotes and information from "Three Private Presses" by Brocard Sewell. Per Taylor and Sewell "The Welfare Handbooks were a series of pamplets mainly concerned with social questions written from a Distributist and Roman Catholic standpoint." This volume contains scriptural passages pertaining to the age-old question of the relative merits of wealth vs. poverty vis-a-vis one's relationship with God. Per the title page "Being extracts from The New Testament of Our Lord and Saviour Jesus Christ as translated from the Latin Vulgate by the English College at Rheims A.D. 1582." ___DESCRIPTION: Brown wrappers printed in black string-bound with one engraving Gill's "Christ and the Money-Changers" P 152; Caslon O.F. type on Batachelor hand-made paper twenty-fourmo size 5 3/8" by 4 1/4" pagination: i-iv 1 2-24. ___CONDITION: Fine overall the wraps clean except for one small spot on the front wrap and without wear or sunning the string binding strong the interior is clean and bright and entirely free of prior owner markings; perhaps a touch of sunning around the spine and the aforementioned small spot else fine. ___CITATION: Taylor and Sewell no. A50; Eric Gill Bibliography no. 270. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press unknown

Swan's Fine Books · États-Unis220,00 $US≈ 186,14 €

Rheims, Bettina (Photographer) & Bramly, Serge (Contributor)Biblio.com

ANIMAL: PHOTOGRAPHS BY BETTINA RHEIMS

199421169Munich Germany: Gina Kehayoff Verlag 1994. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. Munich Germany: Gina Kehayoff Verlag 1994. Hardcover. Fine/Fine. First Edition/First Printing. 57 pages. Landmark collection of portrait-photographs on subject. One of the most beautiful art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions particularly the "Art Data" Reissued Edition. The latter called "Animals" was reissued four years later in 1998. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Bettina Rheims and Gina Kehayoff Verlag: Oversize-volume format. Salmon cloth boards with photographic reproduction pasted in front and titles on cover and spine as issued. Photographs by Bettina Rheims. Essay by Serge Bramly. List of Plates appended at the end. Printed in duotone on pristine-white thick uncoated stock paper in Germany to the highest standards. In protective glassine DJ as issued. Presents Bettina Rheims' "Animal". Some of the most remarkable portraits of animals ever taken in our time. Known primarily as a celebrity lifestyle and female-nude photographer with a distinctive style Rheims spent twelve years between 1982 and 1994 taking these Minimalist portraits. Almost all major photographers have taken pictures of animals because they present a unique challenge to anyone who considers himself or herself a portrait artist. One of Warhol's finest works is his series called "Vanishing Animals" where he deployed his masterly silkscreen technique to produce breathtakingly beautiful animal-paintings. Garry Winogrand's "The Animals" is regarded as one of the greatest photography books of the 20th century. But it is to Peter Hujar that Bettina Rheims' own imagery alludes and must be compared. Hujar identified with animals and regarded his animal-portraits as self-portraits: They portray him as being like any other creature vulnerable and defenseless. Rheims portrays her wide-ranging bestiary as though they were her fellow beings Rheims' Ark. What will transfix the viewer is the way she captures their eyes. Whether it's a bird elephant dog sheep or tiger and in an extended sequence chimpanzees and an orangutan the animals stare back at us fierce unblinking and inquisitive in their gaze. An absolute "must-have" title for Bettina Rheims collectors. This copy is very boldly and beautifully signed in black pen-marker on the title page by Bettina Rheims. It is signed directly on the page itself not on a tipped-in page. This title is a contemporary photography classic. As far as we know this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. A rare signed copy thus. 56 duotone plates. One of the most brilliant photographers of our time. A fine collectible copy. SEE ALSO PETER HUJAR TITLES IN OUR CATALOG. ISBN 3929078198. Gina Kehayoff Verlag hardcover

Modern Rare · États-Unis220,00 $US≈ 186,14 €

Rheims, BettinaBiblio.com

Modern Lovers. Paris Audiovisuel.

199019308AB1990. Heidelberg Braus 1990. 365 : 295 cm. 4 leaves 57 b/w pl<atges 4 leaves. Original cloth with illustrated original dust-jacket. First edition. - Bettina Rheims 18. Dezember 1952 Neuilly-sur-Seine Frankreich. - Mit erotischen Anzüglichkeiten und wohlgesetzten Provokationen wurde die französische Fotografin Bettina Rheims weltberühmt; obgleich ihr Fokus auf dem weiblichen Akt liegt begreift sie sich selbst als Feministin und distanziert sich deutlich vom männlich-voyeuristischen Blick auf den entblößten Frauenkörper. - Bettina Rheims - Erst Fotomodell dann Fotografin wurde am 18. Dezember 1952 als ältestes Kind des französischen Schriftstellers Maurice Rheims und seiner deutschen Frau Lili Krahmer geboren; sie hat zwei Geschwister darunter die Autorin und Filmemacherin Nathalie Reims. Im Alter von 14 Jahren flog sie von der Schule weil sie ein Babylätzchen mit einem Totenkopf verziert hatte. Ein Fotograf des Magazins Paris Match verschaffte ihr ein Praktikum im Fotolabor wo sie erstmals mit der Fotografie in Berührung kam. Zunächst arbeitete Rheims selbst als Fotomodell ehe sie 1970 hinter die Kamera wechselte und mit dem Fotografieren begann. Von Anfang an stand der nackte weibliche Körper im Mittelpunkt ihres Interesses ihre ersten Modelle waren Stripperinnen und Akrobaten die sie in der glitzernden Nachtwelt von Paris ausfindig machte. 1973 machte sie einen kurzen Ausflug ins Filmgeschäft ihre kleine Rolle in der Gangsterkomödie La bonne année von Claude Lelouch blieb allerdings eine Ausnahme. Hinter die Filmkamera stellte sie sich 1987 für die Sängerin Desireless um das Video zum Erfolgslied »Voyage voyage« zu drehen. Unbekannte Modelle und gefragte Prominente: Bettina Rheims verlangt ihren Modellen viel ab oft entstehen die von ihr gewünschten Bilder erst nach langen Stunden des Posierens. Dabei legt die Künstlerin bei ihren Projekten großen Wert auf absolute Freiwilligkeit seitens aller Beteiligten; sie betont dass sie niemals Druck oder gar Zwang ausübe. Für ihre berühmten Bilderserien holt sie meist unbekannte Modelle vor die Kamera immer wieder wird sie aber auch gebeten Prominente ins Bild zu setzen. Ihr Porträt des früheren französischen Präsidenten Jacques Chirac hing einst in Tausenden Amtsstuben Frankreichs mit berühmten Frauen wie Charlotte Rampling oder Sophie Marceau verbindet sie seit gemeinsamen Fotosessions enge Freundschaften. Die besondere Beziehung zu ihren Modellen ob unbekannt oder berühmt ist ein wichtiger Bestandteil der Arbeit von Bettina Rheims. Während der oft stundenlangen Aufnahmen will die Künstlerin ein Vertrauensverhältnis entwickeln das die Modelle zur Preisgabe ihres Innersten führt denn hinter aller dargestellten Körperlichkeit ist es doch das Verborgene-Seelische das Bettina Rheims mit ihren Bildern erfassen will. - Pionierin und Provokateurin: Im Spiel mit den Geschlechterrollen ging Bettina Rheims weiter als viele andere Künstler vor ihr. Sie fotografierte als eine der Ersten Transgender-Modelle die meisten davon hatte sie über eine Facebook-Annonce gefunden. Gemeinsam mit der Transsexuellen Kim Harlow veröffentlichte sie kurz vor deren Tod den biografischen Bildband Kim. Bettina Rheims hat viermal geheiratet mit ihrem zweiten Ehemann dem Schriftsteller Serge Bramly schrieb sie einige Bücher darunter den vielbeachteten Band Chambre Close 1992 in der Rheims' Bilder die fiktiven Tagebucheinträge eines »Monsieur X« umrahmen; auch ihr Sohn Virgile Maurice Bramly stammt aus dieser Verbindung. Auch nach der Scheidung arbeitete sie weiter mit Bramly zusammen. Für ihre Arbeit erhielt Bettina Rheims Preise und Auszeichnungen unter anderem den Orden Chevalier de la Légion d'Honneuer für ihr Lebenswerk das die Künstlerin selbst aber längst nicht als abgeschlossen ansieht. Sie lebt und arbeitet überwiegend in Paris. hardcover

Michael Steinbach Rare Books · Autriche150,00 €

Weigle, Luther A; [Tyndale 1525] [Great Bible 1539] [Geneva Bible 1560] [Bishops Bible 1568] [Rheims 1582] [King James 1611] [RVBiblio.com

THE NEW TESTAMENT OCTAPLA: Eight English Versions of the New Testament in the Tyndale - King James Tradition

1960512163Thomas Nelson & Sons 1960. First Edition. Hardcover with Dust Jacket. VERY GOOD/Good. 1489pp. Large 4to sewn binding in publisher's brown buckram. Text with some light foxing around the edges small nick to tail of backstrip clean and unmarked otherwise with solid binding; DJ edgeworn and chipped at tail spine faded dampstain to spine interior now wrapped in mylar. 'The New Testament Octapla presents-for the first time-the full text of eight English translations of the New Testament from Tyndale to the Revised Standard Version arranged on facing pages. It shows the development of the Tyndale-King James tradi-tion in the succession of translations from 1525 to 1611 and in the revisions from 1870 to 1960. Versions included here with dates in parentheses indicating years of original publication are: Tyndale 1525 1535 Rheims 1582 Great Bible 1539 1540 King James 1611 1873 Geneva Bible 1560 1562 RV 1881 ASV 1901 Bishops Bible 1568 1602 RSV 1946 1960 TYNDALE is represented by his final revision the GH edition published in 1535 which is reprinted here for the first time in book form. Miles Coverdale's translation known as the GREAT BIBLE was commissioned by Sir Thomas Cromwell Secretary to King Henry VIII and Vicar General. The first edition published at London in 1539 was the first 'authorized' edition. The second edition used here was published in 1540. The GENEVA BIBLE was published by English Protestants who had fled to Geneva from the persecutions under Queen Mary. Although never 'authorized' it became the household Bible of the English-speaking peoples. The second edition 1562 is used The text of the BISHOPS' BIBLE is that of the revision of 1572 as printed in the edition of 1602. This Bible was authorized by Convocation and its possession enjoined upon the churches. This became the basis of the revision under King James. The RHEIMS translation is copied from the first edition 1582. It was made from the Latin Vulgate by Roman Catholic scholars the larger part of the work being done by Gregory Martin. King James I ordained in 1604 that a translation of the whole Bible be made; in 1611 this version of the Bible was published with a dedication to him. The text of the KING JAMES VERSION here used is taken from the critical edition which was published as The Cambridge Paragraph Bible of the Authorized English Version in 1873. The revision of the 1870's is represented by the AMERICAN STANDARD VERSION 1901 rather than the Revised Version published in England in 1881 for its use led directly to the next major revision the REVISED STANDARD VERSION which appears here as published in 1960. Each of the versions is reproduced in The New Testament Octapla in the edition on which succeeding scholars have based their work. The copy of Tyndale's GH edition in the New York Public Library supplemented by photostats from the Bod-leian Library of Oxford University and photostats of the other sixteenth-century editions were used to ensure accuracy. The spelling punctuation and paragraphing of the selected edition of each version have been retained. Verse numbers have been added to Tyndale and the Great Bible to make for easier comparison.' From the dust jacket. Thomas Nelson & Sons hardcover

Arches Bookhouse · États-Unis165,00 $US≈ 139,61 €

RHEIMS, Bettina (Neuilly-sur-Seine, 1952)Biblio.com

Shanghai

2003224451Parigi: Editions Robert Laffont 2003. Rilegato hardback. Molto buono Very Good. Testo di Serge Bramly. Fotografie a colori a piena pagina di Bettina Rheims. 4to cm 34x29. pp. 240 ca. Molto buono Very Good. Timbro al frontespizio Stamp on the title-page. Prima edizione First Edition. Exposition universelle 2010 à"; Shanghai : la vision sophistiquée et épurée de Bettina Rheims la plume vivante et vagabonde de Serge Bramly saisissent et racontent la métropole extrême-orientale. Shanghai fascine comme New York mais Shanghai c'est aussi la fusion surprenante de traditions millénaires et d'une modernité effrénée - un monde en soi. Bettina Rheims visite Shanghai en captant des corps ou des visages de femmes de tous les milieux et de tous les univers: danseuse abbesse promeneuse lycéenne surveillante de quartier actrice etc. Ses photographies toutes posées et mises en scène rendent compte d'une intimité presque éternisée tandis que le texte de Serge Bramly raconte des moments des découvertes rapporte des scènes ou trace des portraits. Avec une couverture moelleuse ce livre conçu par Bettina Rheims est en lui-même une luxueuse invitation au voyage. World Expo 2010 a Shanghai: la visione sofisticata e senza fronzoli di Bettina Rheims la penna vivace ed errante di Serge Bramly cattura e racconta la storia della metropoli dell'Estremo Oriente. Shanghai è affascinante come New York ma è anche una sorprendente fusione di tradizioni millenarie e modernità sfrenata: un mondo a sé. Bettina Rheims visita Shanghai catturando i corpi e i volti di donne di tutti i ceti sociali: ballerina badessa passeggiatrice scolaretta vigilessa di quartiere attrice e così via. Le sue fotografie tutte in posa riflettono un'intimità quasi eterna mentre il testo di Serge Bramly racconta momenti scoperte riporta scene o tracce di ritratti. Con la sua copertina morbida questo libro disegnato da Bettina Rheims è di per sé" un lussuoso invito al viaggio. Editions Robert Laffont, hardcover

Studio Bibliografico Marini · Italie130,00 €

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