Academie Nationale de ReimsBiblio.com
329 résultats
0364560630.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
195039473Paris France: Me. Maurice Rheims Commissaire-Priseur / Galerie Charpentier. As New. 1950. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in French. 72 lots catalogued; none illustrated. Among the artists represented: Brouwer; Claesz; Steen; Teniers the Younger; and others. -- with a bonus offer-- . Me. Maurice Rheims, Commissaire-Priseur / Galerie Charpentier paperback
1995Q-1557042675Newmarket Press 1995-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Newmarket Press paperback
2004BN158381Powerhouse Books 2004. 2004. Softcover. Shanghai With a text by Serge Bramly <br/><br/>Shanghai With a text by Serge Bramly Bettina Rheims Powerhouse Books paperback
BN65697Steidl. Shanghai <br/><br/> Steidl unknown
2004051036Powerhouse Books. Very Good with no dust jacket. 2004. Hardcover. 1576872335 . Hardcover. Color photo illustrated padded boards show edge wer and scuffing. Photo pages are clean. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; 4to 11" - 13" tall; 252 pages . Powerhouse Books hardcover
Q-1576872335powerHouse Books. Hardcover. New. In shrink wrap. Looks like an interesting title! powerHouse Books hardcover
2003224451Parigi: Editions Robert Laffont 2003. Rilegato hardback. Molto buono Very Good. Testo di <strong>Serge Bramly</strong>. Fotografie a colori a piena pagina di Bettina Rheims. 4to cm 34x29. pp. 240 ca. Molto buono Very Good. Timbro al frontespizio Stamp on the title-page. Prima edizione First Edition. <em>Exposition universelle 2010 à"; Shanghai : la vision sophistiquée et épurée de Bettina Rheims la plume vivante et vagabonde de Serge Bramly saisissent et racontent la métropole extrême-orientale. Shanghai fascine comme New York mais Shanghai c'est aussi la fusion surprenante de traditions millénaires et d'une modernité effrénée - un monde en soi. Bettina Rheims visite Shanghai en captant des corps ou des visages de femmes de tous les milieux et de tous les univers: danseuse abbesse promeneuse lycéenne surveillante de quartier actrice etc. Ses photographies toutes posées et mises en scène rendent compte d'une intimité presque éternisée tandis que le texte de Serge Bramly raconte des moments des découvertes rapporte des scènes ou trace des portraits. Avec une couverture moelleuse ce livre conçu par Bettina Rheims est en lui-même une luxueuse invitation au voyage.<br /><br /></em> <em>World Expo 2010 a Shanghai: la visione sofisticata e senza fronzoli di Bettina Rheims la penna vivace ed errante di Serge Bramly cattura e racconta la storia della metropoli dell'Estremo Oriente. Shanghai è affascinante come New York ma è anche una sorprendente fusione di tradizioni millenarie e modernità sfrenata: un mondo a sé. Bettina Rheims visita Shanghai catturando i corpi e i volti di donne di tutti i ceti sociali: ballerina badessa passeggiatrice scolaretta vigilessa di quartiere attrice e così via. Le sue fotografie tutte in posa riflettono un'intimità quasi eterna mentre il testo di Serge Bramly racconta momenti scoperte riporta scene o tracce di ritratti. Con la sua copertina morbida questo libro disegnato da Bettina Rheims è di per sé" un lussuoso invito al viaggio.</em> Editions Robert Laffont, hardcover
2004360857NY: PowerHouse 2004. 1st. Hardcover. Very Good/None. Women's liberation in Shanghai China as captured through the lens of Bettina Rheims with beautiful full-page photographs throughout. Textual insight in English by Serge Bramly. 11-1/4 x 13"; 252 pages. Rheims beautifully stages photographs of real women from all walks of life. Record # 360857 PowerHouse hardcover
20023Paris: Societe Industrielle Remoise Du Linoleum Sarlino Nd. Stiff Boards. Orig. cloth spine two-toned boards green and black against white background. Very good. 20 x 16 cm. Approximately 72 pages of linoleum and carpet plates printed recto only -- color lithographs many are tipped-in one a fold-out. Array of modern and oriental designs. Boards lightly soiled. Societe Industrielle Remoise Du Linoleum Sarlino unknown
34587BERTELSMANN CARL. 1. hardcover. BERTELSMANN, CARL hardcover
2010BN133463Bibliothèque nationale de France 2010. 2010. Softcover. ROSE C'EST PARIS <br/><br/>ROSE C'EST PARIS Bettina Rheims Serge Bramly Bibliothèque nationale de France paperback
BN97510Rose c'est Paris Hardcover-Ausgabe komplett mit DVD! <br/><br/>Rose c'est Paris Hardcover-Ausgabe komplett mit DVD! hardcover
0271087188.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1919CNBR440Ditchling Sussex: S. Dominic's Press 1919. First Edition. Wraps. Fine. Gill Eric. Twenty-fourmo size 28 pp. The Saint Dominic's Press founded by Harry Hilary Douglas Clarke Pepler flourished at Ditchling Sussex from 1916 to 1936. The first home of the Press was "a disused stable" with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand believing that such would both produce the best results and also be a "more individual or 'humane'.product". He therefore "preferred the handpress to the machine handmade to machine-made paper and handset founder's type to the products of typesetting machines." N.b. quotes and information from "Three Private Presses" by Brocard Sewell. <br /> <br /> Per Taylor and Sewell "The Welfare Handbooks were a series of pamplets mainly concerned with social questions written from a Distributist and Roman Catholic standpoint." This volume contains scriptural passages pertaining to the age-old question of the relative merits of wealth vs. poverty vis-a-vis one's relationship with God. Per the title page "Being extracts from The New Testament of Our Lord and Saviour Jesus Christ as translated from the Latin Vulgate by the English College at Rheims A.D. 1582." <br /> <br /> ___DESCRIPTION: Brown wrappers printed in black string-bound with one engraving Gill's "Christ and the Money-Changers" P 152; Caslon O.F. type on Batachelor hand-made paper twenty-fourmo size 5 3/8" by 4 1/4" pagination: i-iv 1 2-24. <br /> <br /> ___CONDITION: Fine overall the wraps clean except for one small spot on the front wrap and without wear or sunning the string binding strong the interior is clean and bright and entirely free of prior owner markings; perhaps a touch of sunning around the spine and the aforementioned small spot else fine. <br /> <br /> ___CITATION: Taylor and Sewell no. A50; Eric Gill Bibliography no. 270. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press unknown
73-4987Reims: Ville de Reims 1995. 60x40 cm. Very Good. Color poster. Text in French. Reims: Ville de Reims, 1995 unknown
181847393A Charleville chez Raucourt 1818. Bonded Leather. <b>Livre en français</b>. Couverture rigide. Reliure plein veau d'époque quelques épidermures. 731 pages. Quelques rousseurs. <i>ref. 47393</i> A Charleville, chez Raucourt hardcover
195192856Paris: Editions Arts Du Monde. Near Fine. 1951. First Edition. Hardcover. Hardcover portfolio of unbound pages of text and images notable for its etchings by the French artist Cecile Reims. One of a limited edition of 400 copies this copy marked #336 . Book is in fine condition printed on Rives Velin paper with eleven delicate etchings--ten full-page ones and a smaller one on title page each etching protected by a laid-in glassine sheet. Title and rear page are wrapped in glassine as well. The slipcase is missing from this book and the spine is slightly darkened. Text is in French and Hebrew. Introduction in French only by Raymond Cogniat. A very nice copy of a scarce item by a fine artist. . Editions Arts Du Monde hardcover
1951499080Paris: Editions Arts du Monde 1951. Softcover. Near Fine. First edition. Introduction by Raymond Cogniat. Folio. Loose folded sheets laid into printed folio as issued. Illustrated with eleven original etchings by Cecile Reims: ten full-page etchings and with a smaller etching on the title page. The text is in French and Hebrew.<br /> <br /> The etchings and binding are fine very fresh and bright in the publisher's unprinted glassine and in publisher's tan paper-covered chemise and publisher's slipcase box. Spine of chemise has light wear on spine with small light brown stain on lower spine else very good slipcase is rubbed at extremities and is else very good. <br /> <br /> Limited to 400 numbered copies sur velin de rives paper of the artist's first book. Cecile Reims a French-Jewish artist was born in Paris in 1927. Following the occupation of France she joined the Jewish combat organization in 1943 and at the conclusion of the war in 1945 she discovered that her entire family had been massacred.<br /> <br /> Jean-Noel Jeannerey President of the French National LIbrary stated the following at the opening of the French National Library exhibit "Cecile Reims Engraver" at the Louvre in 2004: "When she was very young her energy was forged in France in the Resistance movement then in Palestine- but shortly thereafter health deficiencies forced her to take up less. intense strenuous combats in the field of art. Initiated in burin engraving in Paris by Joseph Hecht a rigorous master she produced over 60 original works between 1950 and 1960 which attracted much attention. Her encounter with Hans Bellmer afterwards was decisive. No one can deny that her work contributed greatly to extending the universal success of Bellmer. In the same way after 1971 she worked with many drawings by her husband Fred Deus and by Leonor Fini. For the past few years she is once again doing engravings based on her own compositions. Her talent as an interpreter first secretly then revealed ties her to a splendid tradition. Her own talent as an inventor showing both virtuosity and elegance deserves being acknowledged." Psaumes 1951 is her first published work following her first exhibition at the Le Fanal Gallery. Later in the same year the Bezalel Museum in Jerusalem presented her first exhibit of engravings. Uncommon. OCLC locates five holdings. Editions Arts du Monde unknown
1999BN138409Gruner und Jahr 1999. 1999. Portfolio. Bibliothek der Fotografie No. 15 - Bettina Rheims - femmes fatales. <br/><br/>Portfolio. Bibliothek der Fotografie No. 15 - Bettina Rheims - femmes fatales. Bettina Rheims Gruner und Jahr unknown
169724013à Paris: Chez Jean Anisson 1697. Fine. Chez Jean Anisson à Paris 1697 10 x 17 cm relié First edition. Contemporary full sheep binding. Spine with raised bands decorated. A crowned fleur-de-lys at foot. Headcaps worn. Two theses were published in 1696 by Jesuits of Reims on the doctrinal preeminence of Molina concerning grace and announced it as dogma for the Catholic church. Concerned about the danger these theses posed to the church and the theological university of Reims the Archbishop of Reims thought it wise to study their content and expose it. This theological quarrel illustrates the latent conflict between the Jesuits and the prelates of the Catholic church. The owner's name has been crossed out on the title page. Chez Jean Anisson hardcover
1977386217London : Thames and Hudson 1977. 1st edition. Hardcover. Provenance: Bookplate of John Francis Ashby. Fine cloth copy in a good if somewhat edge-torn and dust-dulled dust-wrapper. Remains particularly and surprisingly well-preserved; tight bright clean and strong. Physical description; 430 pp. illustrations some col ports 31 cm. Notes; Translation of: 'La sculpture au XIXe siècle'. Paris : Arts et métiers graphiques' 1972. Contents; Neoclassicism -- Romanticism -- David d'Angers -- Realism or Postivist Art -- Carpeaux -- Symbolism -- Pre-Raphaelites; Art Nouveau -- Art in fusion: Rodin and his disciples -- The eve of the twentieth century; Expressionism; the return to the Greeks -- The world of work -- Historical and military subjects -- Sculpture in the streets -- Decorative sculpture -- Portraits -- Caricature -- Animal sculpture -- Sculpture and religion -- Funerary art -- Sensualism -- Kitsch -- The unusual; the bizarre -- Precious materials.Subjects; Sculpture Modern 19th century Europe. Rodin Auguste 1840-1917. Pre-Raphaelites. Kitsch Art. Funerary sculpture. London : Thames and Hudson hardcover
2738481728.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200439977AB2004. deutsche Erstausgabe München Schirmer/Mosel 2004 4° 240 S. mit 217 ganzs. Farb- und auch einigen Doutone-Abb. die Bildunterschriften zweisprachig: deutsch-englisch sonst enthält das Buch keinen Text original Pappband mit illustr. original Schutzumschlag Hardcover der Umschlag vorne oben mit kleinem herstellungsbedingtem Fältchen Fußschnitt mit schwarzem Strichlein Remi sonst ein sehr schönes sauberes Exemplar Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. hardcover
200252491Göttingen: Steidl 2002. First edition. Softcover. Fine. 12mo. 7" x 5-1/2". 40pp. Dark gray wrappers with lighter lettering. Stabbed and tied at inner margin with red thread. Housed in publisher's red metal clamshell case lettered in black. Completely illustrated with color photographs. <br /> <br /> Explicit lesbian sex.<br /> <br /> A fine as new copy. Steidl unknown
