[SINO-JAPANESE PAINTING MANUAL]Biblio.com
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1735911581735. ZUE TOKAI åœ–æœƒå®—å½ SOU-I 7 vols in one. Edo Suharaya Shimbei Kyouho 20 1735. Oohon 27.0 x 17.5 cm. Originally published as a series of artists's guides in a set in China in 1607 it was redone in Japan in 1702 then reprinted as here in 1735. Like the HASSHU GAFU å…«ç¨®ç”»èœ it had a large influence in Japan particularly on Nanga style artists. Everything human animal and vegetable is rendered in beautiful sumi-e woodblock prints. There are extracts from classic Chinese texts on painting technique going back centuries. A vade mecum for the Edo artist interested in the techniques and theory of Chinese painting. The seven volumes of the original are here rebound into a single volume with the original worn cover and title label. This gappon volume is complete and has been cleaned internally to neutralize staining. There are some pages that remain stained but the book is still a remarkable work which is quite scarce. Most copies referenced online are incomplete or microfilmed. See Mitchell 566 for his information on the original Chinese edition. It should be noted that the copy he saw of the Genroku 1702 edition was incomplete. Not a common set. Mitchell misreads ZUE as ZUKAI in the title. unknown
1770161411770. Etching and engraving. Unfinished working proof. In fair condition with the exception of being trimmed within the platemark. Laid onto contemporary backing card. Tear along middle of image which has been expertly repaired. Some creases in image. A rare working proof by John Browne the celebrated English landscape engraver.<br/> <br/>One of the most esteemed English landscape engravers John Browne was born in Finchfield Essex in 1741. In 1756 he was apprenticed to the engraver John Tinney but then went to work for the influential landscape engraver William Woollett. It is believed that many of Woollett's most admired plates were in fact engraved by Browne. He devoted himself entirely to engraving landscape and genre scenes in particular after works by the French and Dutch masters. In 1770 he was elected an associate engraver of the Royal Academy exhibiting thirteen plates between 1767 and 1801. This stunning genre scene is a wonderful example of his skilled hand and a rare working proof. This intriguing print shows a unique step in the printmaking process before an image is ready for publication. Before the image is completed the engraver has printed a trial impression to view this stage of the engraved plate. It is incredibly rare to find prints in this unfinished experimental stage; impressions which were pulled as working proofs are unique and were almost never duplicated.<br/> <br/>Dictionary of National Biography. unknown books
1770161411770. Etching and engraving. Unfinished working proof. In fair condition with the exception of being trimmed within the platemark. Laid onto contemporary backing card. Tear along middle of image which has been expertly repaired. Some creases in image. A rare working proof by John Browne the celebrated English landscape engraver.<br/> <br/> One of the most esteemed English landscape engravers John Browne was born in Finchfield Essex in 1741. In 1756 he was apprenticed to the engraver John Tinney but then went to work for the influential landscape engraver William Woollett. It is believed that many of Woollett's most admired plates were in fact engraved by Browne. He devoted himself entirely to engraving landscape and genre scenes in particular after works by the French and Dutch masters. In 1770 he was elected an associate engraver of the Royal Academy exhibiting thirteen plates between 1767 and 1801. This stunning genre scene is a wonderful example of his skilled hand and a rare working proof. This intriguing print shows a unique step in the printmaking process before an image is ready for publication. Before the image is completed the engraver has printed a trial impression to view this stage of the engraved plate. It is incredibly rare to find prints in this unfinished experimental stage; impressions which were pulled as working proofs are unique and were almost never duplicated.<br/> <br/> Dictionary of National Biography. unknown
179597740Sienne Pazzini Carli 1795 1 vol. relié in-8, demi-veau raciné, dos à nerfs avec pièce de titre de basane marron et fleurons dorés, tranches rouges, XXIV + 320 pp., frontispice gravé par G. Vascellini et 16 portraits gravés par Mochetti des peintres présentés : pour les grecs, Polignoto Tasio, Zeusi, Parrasio, Apelle, Protogene Caunio, Timante, Melanto, Pausia, Nicia, Atenione, Timomaco, etc. ; pour les romains : Fabio, Quinto Pedio, Ludio, Agatarco, etc. Mors usés, sinon intérieur très propre.
179597740Sienne Pazzini Carli 1795 1 vol. relié in-8, demi-veau raciné, dos à nerfs avec pièce de titre de basane marron et fleurons dorés, tranches rouges, XXIV + 320 pp., frontispice gravé par G. Vascellini et 16 portraits gravés par Mochetti des peintres présentés : pour les grecs, Polignoto Tasio, Zeusi, Parrasio, Apelle, Protogene Caunio, Timante, Melanto, Pausia, Nicia, Atenione, Timomaco, etc. ; pour les romains : Fabio, Quinto Pedio, Ludio, Agatarco, etc. Mors usés, sinon intérieur très propre.
1752F2146Paris, Durand & Pissot, 1752 ; in-12, LXXX-178-150 pp., reliure demi-veau d'époque, dos lisse (état moyen, épidermures ça et là). Ce texte technique est attribué au graveur François-Bernard Lepicie qui fut secrétaire perpétuel et historiographe de l'Académie Royale de peinture et de sculpture. Le texte traite de Le Brun, Mignard, Coypel, Boullongne, Le Moyne, Pelligrini. État moyen.
17642111902160200912Hanaya Kyujiro 1764. Soft Cover. Fine. Size: 22.7cmx15.5cm Number of books: 2 Hanaya Kyujiro paperback
1734371Où sont contenusles fondemens de la peinture par le R.P. Bernard LAMY, prêtre de l'oratoire de FAY G D R à Amsterdam, chez Pierre Mortier - 1734. Format : 10.5 x 18 cm, 18 pages de préface et de table des chapitres + 160 pages sont reliées in-fine 20 planches dépliantes (COMPLET). reliure plein veau glacé d'époque, gardes marbrées, coiffes manquantes, 2 planches détachées, cahiers un peu lache pas de manque, pas de déchirure, annotations manuscrites au crayon sur les gardes et la dernière planche, petit manque à la pièce de titre. édition illustrée de 20 planches dépliantes
17801438Paris, Chez le Citoyen Jean, s.d. (ca 1780). In-folio - 26,5 x 40 cm. Cartonnage moderne plein papier à dos carré, pièce de titre de cuir marron sur le dos. 8 pp. ; 62 pl ; 14 pl. Exemplaire bien complet de ses 76 (62 +14) planches gravées et de son titre frontispice. Ouvrage très rare.
178611791In Bologna, Nell'Istituto delle Scienze, 1786. In-folio de XXIII-[1]-202-[2] pages, cartonnage recouvert de papier dominoté brun, étiquette de titre verte, reliure un peu frottée, rousseurs aux premiers et derniers feuillets. Non rogné. Inscription ancienne à la plume au verso du premier feuillet de garde.
1782038401London: John Boydell 1782. First Edition . No Binding. Very Good . An Engraving 35.8 X 26.7 Cm. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Victor Marie Picot Publisher/Printer; Printmaker; 1744 - 1802 Was Born At Monthières In The Somme Presumably Trained In Paris And Was In England By 1766 When He Married Angelique Daughter Of Simon François Ravenet. He Was A Partner With Jean Marie Delattre In A Print-Selling Business In St Martin's Lane London. He Returned To France C.1790 And Lived In Abbeville; He Died In Amiens. <br/> <br/> John Boydell unknown
1784FF084London:: Printed for J. F. and C. Rivington . . . 1784. 1784. 16mo. 80 x 140 mm. viii 317 23 pp. Original full crimson turkey morocco with massed gilt stamping on both covers and spine all edges gilt two clasps black leather spine label; head of spine a bit chipped at corner clasps missing the movable element pages trimmed closely with occasional loss but a very good copy with a lovely period binding. Bookplate of Oscar Ehrhardt Lancaster. Very good. With a fore-edge painting of Richmond Bridge Surrey. Painted circa 1948-50 by Stevens. Printed for J. F. and C. Rivington . . . , 1784. hardcover books
1784FF2537London:: Printed for J. F. and C. Rivington . . . 1784. 1784. 16mo. 80 x 140 mm. viii 317 23 pp. Original full crimson turkey morocco with massed gilt stamping on both covers and spine all edges gilt two clasps black leather spine label; head of spine a bit chipped at corner clasps missing the movable element pages trimmed closely with occasional loss but a very good copy with a lovely period binding. Bookplate of Oscar Ehrhardt Lancaster. Good. With a fore-edge painting of Richmond Bridge Surrey. Painted circa 1948-60 by Samuel E. Stevens. PROVENANCE: Pre-fore-edge: Mary Strand 1790 – Mary S. Partridge 1792; After fore-edge: Oscar Ehrhardt Lancaster 1887- Lancaster collected fore-edge paintings. Printed for J. F. and C. Rivington . . ., 1784. hardcover
17972090202122800695Naniwa Shorin Shinsaibashi Street Otsukaya / Sobei 1797. Soft Cover. Fine. Size: 26x18 Naniwa Shorin Shinsaibashi Street Otsukaya / Sobei paperback
1775FF2385Glasgow:: Printed by A. Adam for Morison and MacCallum 1775. 1775. 8vo. vii 1 xi-xiii 1 368 miss-numbered 268 pp. Original full red polished calf gilt tooled with decorative border and center device raised bands gilt dec. spine dark title spine label a.e.g.; hinges a bit worn. Former ownership name removed from title. Very good. This volume has a DOUBLE FORE-EDGE PAINTING by the American Doubler painter with scenes of New York and Philadelphia painted sometime after WWII and before November 1965 a date in the back of the book shows that time presumed to be a bookseller's mark. JWRB Printed by A. Adam, for Morison and MacCallum, 1775. hardcover books
1800227046Edinburgh: Printed by Sir J.H. Blair and J. Bruce 1800. 1 vols. 18mo. Near contemporary blue cloth with floral gilt tooled border rose silk endsheets with gilt tooled braid borders title page with ornamental gilt tooled border a.e.g. wih a vertical fore-edge painting of a flower. Provenance: Ownership signature of "Mary Lister May 18 1804" on first blank. 1 vols. 18mo. Fore Edge Painting on Early Cloth Binding. An early cloth binding with the unusual addition of gilt tooling on the endleaves and title page. Printed by Sir J.H. Blair and J. Bruce unknown books
1800227046Edinburgh: Printed by Sir J.H. Blair and J. Bruce 1800. 1 vols. 18mo. Near contemporary blue cloth with floral gilt tooled border rose silk endsheets with gilt tooled braid borders title page with ornamental gilt tooled border a.e.g. wih a vertical fore-edge painting of a flower. Provenance: Ownership signature of "Mary Lister May 18 1804" on first blank. 1 vols. 18mo. An early cloth binding with the unusual addition of gilt tooling on the endleaves and title page. Printed by Sir J.H. Blair and J. Bruce unknown
17926999London: Printed by T. Davidson for L. Wayland 1792. First thus. Near Fine. Handsomely bound in contemporary full dark blue straight-grained morocco. Small quarto 250 x 155 mm. collating complete with thirteen fine engraved plates including frontispiece. Geometric gilt design to boards gilt spine with five raised bands and turn-ins with gilt floral roll. With a very fine double fore-edge painting by Martin Frost. The painting which fans open to 4 in. 100 mm. captures two views: the first is of the Cantebury and Salisbury Cathedrals and the second of Westminster Abbey and Chester Cathedral. A Near Fine copy clean and bright throughout with just a bit of edgewear and some foxing to versos of plates. In a custom silk-lined dark blue linen clamshell case with gilt-lettered leather spine label.<br /> <br /> Martin Frost is a master craftsman who was awarded the MBE in the New Years Honours list in 2019 for his work to preserve the art of fore-edge painting. This lovely colorful double-view example demonstrates the height of his skill as an artist presented here on an attractively printed and elegantly bound volume. Near Fine. Printed by T. Davidson for L. Wayland unknown
178126467Oxford: Printed at the Clarendon Press by W. Jackson and A. Hamilton Printers to the University: Sold by W. Dawson at the Bible Warehouse Paternoster Row London 1781. Hardcover. Otherwise very good condition. A handsome Book of Common Prayer in full black gilt calf with an early foredge painting of St. Albans Abbey and recording the births and deaths of an English family from 1787 to 1830. The end paper has a note in an early hand stating the foredge is of "St. Albans Abbey" with the surrounding district. The original owners name has been crossed out but the last pages of the book include record the births and deaths of the Osmond Family of Hungerford. <br /> <br /> 8vo 568pp. Printed in a large and attractive type on laid paper marbled endpapers. A little light soiling thumbing on the first few pages on the lower right corner but the whole in very clean without foxing. Period full black calf gilt tooled binding marbled end papers gilt inner and outer dentelles all edges gilt. Housed in a later cloth slip case. Spine a touch dry the binding is tight yet opens comfortably. <br /> <br /> ESTC T166750 - No pagination provided ; 8° the final leaf = Ll4. 8vo 21 cm 568p. Signatures: a-b8A-2K82L4; OCLC: 19077869. <br /> <br /> Full title - The Book of Common Prayer And Administration of the Sacraments and other Rites and Ceremonies of the Church According to the Use of the Church of England: Together with The Psalter or Psalms of David Pointed as they are to be Sung or Said in Churches.<br /> <br /> The family genealogy on the last two leaves are for John Osmond baptised 1 Apr 1787 in Hungerford Berkshire England whose parents were Joseph & Mary Osmond. FHL Film Number: 88273 from Ancestry. John Osmond married Sarah Coxhead in Hungerford on 27 Jul 1809. As is sadly the case in those times there are many more births and deaths of children recorded than there are surviving children recorded on the family tree on Ancestry. Printed at the Clarendon Press, by W. Jackson and A. Hamilton, Printers to the University: Sold by W. Dawson, at the Bible Wareh hardcover
17932110502150900667Souzanbozo 1793. Soft Cover. Fine. Number of books: 5 Souzanbozo paperback
178242587La Haye, Paris, Hardouin, 1782. In-12 de VIII-143 pp., veau fauve, dos lisse, titre doré en long, armes sur les plats (reliure du XIXe siècle).
17922110502150906716Not Available 1792. Soft Cover. Fine. Number of books: 1 width Not Available paperback
1790FF087London:: Printed for Edwards 1790. 1790. Small 8vo. v 323 iv pp Frontispiece portrait of Sir Thomas Wyat and plate of Henry Howard Earl of Surry. Original straight grained dark green morocco stamped in blind fancy raised bands with simple gilt rule on bands gilt title all edges gilt; hinges rubbed. Bookplate of Jarrard Edward Strickland. Very good. With a DOUBLE FORE-EDGE PAINTING showing a "View of York" and a "View of Halifax." Although this fine book was printed for Edwards of Halifax with scene was painted by an unknown artist who was very active circa 1948-50. Provenance: Jarrard Edward Strickland of Loughlynn 1782-1844 m. 18.08.1814 to Anne Cholmeley daughter of Francis Cholmeley of Brandsby. Printed for Edwards, 1790. hardcover books
1794FF159London:: Printed for C. Dilly in the Poultry 1794. 1794. 8vo. x 402 pp. Engraved frontispiece by Singleton. Modern full crushed chocolate brown Oasis morocco raised bands gilt spine title all edges gilt bound by David Weinstein. Two former ownership signatures. With a fine fore-edge painting hand painted by Martin Frost in 2006 depicting an eighteenth century scene of "St. Mary's Abbey York." Signed by the artist and with a presentation label describing the scene. See: Weber Jeff Annotated Dictionary pp. 151-3 Frost fl. 1973-2018. Printed for C. Dilly, in the Poultry, 1794. hardcover books
1794FF159London:: Printed for C. Dilly in the Poultry 1794. 1794. 8vo. x 402 pp. Engraved frontispiece by Singleton. Modern full crushed chocolate brown Oasis morocco raised bands gilt spine title all edges gilt bound by David Weinstein. Two former ownership signatures. With a fine fore-edge painting hand painted by Martin Frost in 2006 depicting an eighteenth century scene of "St. Mary's Abbey York." Signed by the artist and with a presentation label describing the scene. See: Weber Jeff Annotated Dictionary pp. 151-3 Frost fl. 1973-2018. Printed for C. Dilly, in the Poultry, 1794. hardcover
