65 résultats
1986260587New York: Rizzoli 1986. First. hardcover. fine/fine. Photographs by Paolo Marton. profusely illustrated with 463 images most in color. 513 pages. Very thick square folio purple gilt-lettered cloth d.w. New York: Rizzoli 1986. First American edition. A fine copy in a fine dust wrapper.<br/><br/> Rizzoli unknown books
1999041488Cologne: Könemann 1999. 2d Revised English Language Edition. 359p. 400 colored illus. dj quarto format. Könemann unknown books
1980UMICCOM00HMRPrinceton University Press 1980. Very Good. Michelangelo. Complete Poems and Selected Letters of Michelangelo. Gilbert translator Creighton. Princeton New Jersey: Princeton University Press 1980. 317pp. 8vo. Paperback. Book condition: Very good with bumped corners. Princeton University Press paperback books
19132293316Constable & Company Ltd 1913. First Edition. Hard Cover. Near Fine/No Jacket. First edition. Front hinge repaired spine a bit faded. 1913 Hard Cover. xiv 2 335 1 pp. 8vo. A biography of the famous painter of the Sistine Chapel sculptor of the Medicean tombs architect and writer compiled from his own letters and papers. Translated and edited by Robert W. Carden. Includes frontispiece and 11 plates. Constable & Company Ltd hardcover books
2016Embry 192037Black Dog 2016. First printing thus. Bookplate slight rubbing still fine. Stiff wrappers. Black Dog, 2016. First printing thus. unknown books
Embry 176220Reynal and Company N.d. First edition. Fine in fine dust jacket in mylar cover. Illustrated throughout with hundreds of b&w reproductions and full page color reproductions. Reynal and Company, N.d. First edition. unknown books
196283562Garden City:: Doubleday & Company. Near Fine in Very Good dust jacket. 1962. Hardcover. B000RB4GYI . Two volumes. THE AGONY AND THE ECSTASY was made into the 1965 film by the same title. I MICHELANGELO SCULPTOR is from the translation by Charles Speroni. THE AGONY AND THE ECSTASY is a later printing. I MICHELANGELO SCULPTOR is a stated first edition. The first volume is near fine in a near fine dust jacket the second is near fine in a very good areas of age toning small chip at the base of the spine dust jacket. Housed in a very good minor shelf wear publisher's illustrated slipcase. . Doubleday & Company, hardcover books
199750611New York: Harry N. Abrams Inc 1997. First English Language Edition. Quarto 32.5cm.; publisher's boards in pictorial dust jacket; 207pp.; color illus. throughout including 150 colorplates. Text block slightly cocked mild toning to margins of text block otherwise boards and text block tight clean and unmarked. Quarter inch nick to front flap of jacket text unaffected else Fine book in Fine jacket. Harry N. Abrams, Inc unknown books
199637882New York: Abbeville Press Publishers 1996. First American Edition. Folio 33.5cm.; publisher's boards in pictorial dust jacket; 271pp.; color illus. throughout including folding leaves. Near Fine condition. Abbeville Press Publishers unknown books
1960133246Italy: Nepi Film 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid on-the-set photograph of director Michelangelo Antonioni cinematographer Gianni Di Venanzo Jeanne Moreau and others working on a balcony shot part of the long party sequence that makes up the last third of the film. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1960138792Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1960134674Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60."<br/><br/>The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. <br/><br/>9.25 x 11.75 inches. Near Fine. <br/><br/>Criterion Collection 98. Cino del Duca unknown books
187849827London: Smith Elder & Co 1878. First thus. Hardcover. Good/No dust jacket. Now for the First Time Translated into Rhymed English. London: Smith Elder & Co 1878. First thus. Hardcover. 8vo. Purple cloth. Heel and corners worn through head and bottom corner front board more so with chip to head; spine toned; middle of textblock sprung between signatures but still holding; interior lightly toned. Still a good copy of an interesting title. Good/No dust jacket. Smith, Elder & Co hardcover books
1982Embry 193176Rizzoli 1982. First U.S. edition. Two small faint stains to fore-edge else fine in fine dust jacket in mylar cover. B&W photographs by Liberto Perugi. Rizzoli, 1982. First U.S. edition. unknown books
1963Embry 155222Stanford U. Press 1963. First edition first printing. Spines very slightly sunned else fine in near fine lightly rubbed publisher's slipcase. Brown cloth. Translated from the original Tuscan Edited & Annotated by E. H. Ramsden. Stanford U. Press, 1963. First edition, first printing. hardcover books
2005228242New York: Rizzoli 2005. Paperback. 191p. preface essay and bio appendix chronology. geographical locations writings concise bibliography profusely illustrated with color plates fine first edition trade paperback in Frenchfold pictorial green wraps. Art Classics series. Rizzoli paperback books
306280New York Harry N. Abrams Publishers 1976 1968. Revised edition. 4to. 18 tipped in color plates; 314 b/w illustrations. Biographical chronology; bibliography. Dust jacket unclipped. Fine. 310 pages. No signatures or bookplates. Hardcover. Fine/Fine. New York, Harry N. Abrams, Publishers [1976, 1968]. hardcover books
198069479Princeton:: Princeton University Press. Very Good. 1980. Hardcover. 0691072345 . Translated from the Italian with foreword and notes by Creighton Gilbert. Edited with biographical introduction by Robert N. Linscott. First edition thus. Very good or better in burgundy cloth. No dust jacket. . Princeton University Press, hardcover books
196972641London:: Peter Owen. Very Good in Very Good dust jacket. 1969. Hardcover. 0720666163 . Translated from the Italian into verse with notes and introduction by Joseph Tusiani. Second impression thus. Previous owner's book-plate on front free endpaper else very good in a very good light ring stain on front panel minor edge wear dust jacket. . Peter Owen, hardcover books
198671431London:: Peter Owen. Near Fine in Near Fine dust jacket. 1986. Hardcover. 0720666163 . Translated from the Italian into verse with notes and introduction by Joseph Tusiani. Third impression thus. Brief gift inscription on front free endpaper else near fine in a near fine price clipped dust jacket. . Peter Owen, hardcover books
19665202New York. George Braziller. n.d. 1966 Bound in 1/2 brown morocco and cloth covered boards.Raised bands. Gilt titles.Original cloth and paper slipcase. Thick Folio. Illustrated with facsimile plates of the artist's drawings most fold-out and tissue guarded. A lovely and concise compilation of Michelangelo's drawings handsomely presented. Mild wear to spine else Fine in scuffed but Very Good slipcase. George Braziller. hardcover books
17838Michelangelo. Edited by Cesare Guasti. CXXXV pp. introductory text 367 pp. transcriptions of the poems copious notes indices 2 facsimile plates. 4to. Orig. printed wrpps. somewhat worn and rubbed. Florence Le Monnier 1863. The fine scholarly edition of Michelangelo's poems by the noted historian and critic of Florentine art. unknown books
1942117902Torino: Societa Editrice Internazionale 1942. Softcover. Good clean interior but with staining and two tears to spine;. Paper wraps with red and black lettering; 335 pp. with duotone illustrations;. Text in Italian; edited by Guido Vitaletti; divided into 6 sections. Societa Editrice Internazionale unknown books
162367330Rime di Michelagnolo Buonarroti Now Hailed a Classic in Modern Gay Literature MICHELANGELO BUONAROTTI. Rime di Michelagnolo Buonarroti. Raccolta da Michelagnolo suo Nipote. Florence: Appresso i Giunti 1623. First edition. Small quarto 9 1/4 x 6 1/4 inches. 12 88 pp. Woodcut device on title-page decorative woodcut head- and tail-pieces and initials typographic ornaments throughout. Uncut and bound in modern full brown speckled calf decoratively blindstamped on covers gilt-stamped on spine with five raised bands. Minimal foxing throughout. We read in the preface that the intent of Michelangelo's heirs was to publish a definitive volume of verses as an antidote to the many spurious editions produced since his death. Michelangelo's grandnephew goes on to say that these verses were in large part taken from a manuscript in the Vatican Library most of which is in his granduncle's hand. While this book is now hailed as a classic in modern gay literature for many years this was not the case due to some creative editing by Michelangelo the Younger. The homoeroticism of Michelangelo's poetry was obscured when his grand nephew Michelangelo the Younger published an edition of the poetry in 1623 with the gender of pronouns changed from male to female. John Addington Symonds reclaimed Michelangelo's homoeroticism by translating his sonnets into English and writing a two-volume biography and publishing it in 1893. "But when the queer art historian John Addington Symonds was granted access to the Buonarroti family archives in Florence in 1863 he discovered a note written in the margin of the poems by MichelangeloÃs grand-nephew called Michelangelo the Younger saying that the poems must not be published in their original form because they expressed ëamor .†.†. virileà literally ëmasculine loveà a Renaissance polite euphemism for paiderastia better translated as ëmaleñmale desireÃ. Symonds thus was able to make public the fact that when Michelangelo the Younger prepared his great-uncleÃs poetry for posthumous publication in 1623 he had changed all the masculine pronouns in the love poems to feminine pronouns thus ensuring that any sentiments in the poems that could not be interpreted as being merely platonic would at least be interpreted as being normal i.e. heterosexual" Rictor Norton. This edition was printed by one of the most famous printers of their day the Giunti family whose device on the title page included the Florentine giglio or lily. These fine productions are still known to book collectors as "Giuntine." Gamba 248. HBS 67330 $5000 Appresso i Giunti hardcover books
186353056London: Bohn 1863. Hardcover. Fair. frontis portrait 14p. plus 60 plates. Cloth. 34cm. Moderate to heavy foxing. Hinges weak. Frontispiece & free endpaper detached. Shaken. Name and gift inscription on endpaper. The "Outlines" are line drawings of Michaelangelo's works. <br/><br/> Bohn hardcover books
