48 résultats
1960133246Italy: Nepi Film 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid on-the-set photograph of director Michelangelo Antonioni cinematographer Gianni Di Venanzo Jeanne Moreau and others working on a balcony shot part of the long party sequence that makes up the last third of the film. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1975137579N.p.: N.p. 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger" in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine Prisco de Majo and Daniel Angeli four two and two photographs respectively on the verso. <br/><br/>The archive shows three distinct events during the festival as well as other candid and posed images of Schneider. These include the premiere of the film a press conference and a party on a boat. Numerous photographs also feature Antonioni and co-star Jenny Runacre. Sadly Nicholson is nowhere to be found we assume because he was too busy hanging out with Ken Russell and The Who as "Tommy" was screening out of competition. <br/><br/>Other photographs show Schneider with Bernardo Bertolucci who had directed her to instant stardom three years earlier in "Last Tango in Paris" as well as a single photograph of Schneider with Dustin Hoffman starring in the also Palme d'Or nominated "Lenny" directed by Bob Fosse. <br/><br/>Also included in the archive are four large negatives of photographs from the archive a strip of five negatives of a beach and two strips of color negatives containing four and five images respectively as well as three large negative of what appears to be a photoshoot of Schneider at the beach. These images are distinct from the photographs in the archive and we can find no corresponding images online. <br/><br/>Photograph sizes vary between 9.5 x 7.25 and 8 x 12 inches with most being 10 x 8 inches. Near Fine. N.p. unknown books
1960134674Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60."<br/><br/>The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. <br/><br/>9.25 x 11.75 inches. Near Fine. <br/><br/>Criterion Collection 98. Cino del Duca unknown books
1960138792Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1976134986Rome: Produzioni Europee Associati PEA 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. <br/><br/>Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s including Pedro Almodovar Joe D'Amato Marco Ferreri and Pier Paolo Pasolini among others. <br/><br/>Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi Sutherland was cast in the role requiring that he shave his head and wear both prosthetic nose and chin. <br/><br/>Fellini had to re-shoot parts of this movie including the elaborate Venice carnival scene when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino Rome on August 27 1975. Also stolen were portions of Pasolini's "Salo or the 120 Days of Sodom" and Damiano Damiani's Euro Western "A Genius Two Partners and a Dupe."<br/><br/>11.5 x 7.75 inches. Fine. Produzioni Europee Associati [PEA] unknown books
19665202New York. George Braziller. n.d. 1966 Bound in 1/2 brown morocco and cloth covered boards.Raised bands. Gilt titles.Original cloth and paper slipcase. Thick Folio. Illustrated with facsimile plates of the artist's drawings most fold-out and tissue guarded. A lovely and concise compilation of Michelangelo's drawings handsomely presented. Mild wear to spine else Fine in scuffed but Very Good slipcase. George Braziller. hardcover books
1996103995New York: Harry N. Abrams 1996. First edition. Hardcover. First printing. Monograph with 399 illustrations including 52 in color. Photographs by Albert Hirmer and Irmgard Ernstmeier-Hirmer. Translated from the German by Russell Stockman. A comprehensive look at Michelangelo's work. A very near fine copy in very near fine dust jacket. Harry N. Abrams unknown books
1993116558Lisboa Lisbon Portugal: Museu Calouste Gulbenkian 1993. Softcover. VG but for light sunning to page and cover edges;. White wraps with color-illustrated cover; protective cover; 111 pp. with 20 works pictured in color and bw;. Text in both Portuguese and English; works are in large color plates with Portuguese descriptions followed in the back by small bw reproductions with English translations of descriptions; includes an index of the works and an essay;. Museu Calouste Gulbenkian paperback books
1986260587New York: Rizzoli 1986. First. hardcover. fine/fine. Photographs by Paolo Marton. profusely illustrated with 463 images most in color. 513 pages. Very thick square folio purple gilt-lettered cloth d.w. New York: Rizzoli 1986. First American edition. A fine copy in a fine dust wrapper.<br/><br/> Rizzoli unknown books
1963Embry 155222Stanford U. Press 1963. First edition first printing. Spines very slightly sunned else fine in near fine lightly rubbed publisher's slipcase. Brown cloth. Translated from the original Tuscan Edited & Annotated by E. H. Ramsden. Stanford U. Press, 1963. First edition, first printing. hardcover books
198815973Milano: Institute for Contemporary Art and Fabbri Editori 1988. First edition. Paperback. Very Good . Very tall paperbound quarto. 219 pp. Text in English. Terrific illustrated monograph on Pistoletto. Very good indeed in glossy bound photo-illustrated wrappers. Small light stains to top-edge. French flaps. A large and heavy volume - additional postage charges may apply for international buyers. <br/><br/> Institute for Contemporary Art and Fabbri Editori paperback books
1967297501New York: Reynal 1967. hardcover. near fine/very good. Michelangelo. 32 color plates and 1020 gravure illustrations. 600 pages. Thick folio natural cloth edgeworn d.w. New York: Reynal and Company 1967. Near fine in a very good dust wrapper.<br/><br/> The most comprehensive work on Michelangelo with text by de Tolnay Angelis d'Ossat Baldini et al.<br/><br/> Reynal unknown books
1970976University Park PA: Pennsylvania State University Press 1970. Cloth. Near Fine in Very Good DJ. Lg. 4to. 81902pp. plus 171 plates many in color. Index. Olive cloth gilt spine. D.j. some tears. Pennsylvania State University Press hardcover books
196283562Garden City:: Doubleday & Company. Near Fine in Very Good dust jacket. 1962. Hardcover. B000RB4GYI . Two volumes. THE AGONY AND THE ECSTASY was made into the 1965 film by the same title. I MICHELANGELO SCULPTOR is from the translation by Charles Speroni. THE AGONY AND THE ECSTASY is a later printing. I MICHELANGELO SCULPTOR is a stated first edition. The first volume is near fine in a near fine dust jacket the second is near fine in a very good areas of age toning small chip at the base of the spine dust jacket. Housed in a very good minor shelf wear publisher's illustrated slipcase. . Doubleday & Company, hardcover books
1963244433Geneva: Skira 1963. First. hardcover. near fine/near fine. With 125 illustrations including 85 mounted color plates. 218 pages. Small folio gilt-lettered red cloth d.w. board slipcase. Geneva: Skira 1963. First edition. A near fine copy.<br/><br/> Skira unknown books
1986145930Siracusa: Chiesa dei Cavalieri di Malta 1986. First edition. Softcover. Exhibition catalog for a group show that ran January 18 through February 19 1986. Text in Italian. Includes numerous color and black and white illustrations after works by Mimmo Paladino Gilbert & George Gehrard Richter Mario Merz Giuseppe Penone Sol Lewitt Giulio Paolini Jannis Kounellis Anish Kapoor Arnulf Rainer Michelangelo Pistoletto Emilio Vedova and Gilberto Zorio. A near fine copy in wrappers. Chiesa dei Cavalieri di Malta unknown books
1999041488Cologne: Könemann 1999. 2d Revised English Language Edition. 359p. 400 colored illus. dj quarto format. Könemann unknown books
1970174231University Park: Pennsylvania State University Press 1970. Hardcover. Good/Fair staining to block edges and general wear paper dust jacket under mylar has tears and tanning to edges interior clean and tight. Tan cloth boards with gilt lettering on front cover and spine white illustrated dust jacket with mylar cover 189 pp profusely illustrated in bw. "This monograph the first dedicated to Paolo Veneziano is intended to offer and interpretation of the artist and his works which takes into account the multiple relationships existing between the artistic activity of Maestro Paolo and the political social and cultural events of his time."- Dust jacket Includes bibliographical references pages 169-179. Pennsylvania State University Press hardcover books
1986005882Udine: Magnus Edizioni 1986. First edition. Hardcover. Fine/Near Fine. Folio. Luxuriously illustrated of opulent Palladian palazzi in the Veneto. <br/><br/> Magnus Edizioni hardcover books
1982Embry 193176Rizzoli 1982. First U.S. edition. Two small faint stains to fore-edge else fine in fine dust jacket in mylar cover. B&W photographs by Liberto Perugi. Rizzoli, 1982. First U.S. edition. unknown books
199637882New York: Abbeville Press Publishers 1996. First American Edition. Folio 33.5cm.; publisher's boards in pictorial dust jacket; 271pp.; color illus. throughout including folding leaves. Near Fine condition. Abbeville Press Publishers unknown books
19132293316Constable & Company Ltd 1913. First Edition. Hard Cover. Near Fine/No Jacket. First edition. Front hinge repaired spine a bit faded. 1913 Hard Cover. xiv 2 335 1 pp. 8vo. A biography of the famous painter of the Sistine Chapel sculptor of the Medicean tombs architect and writer compiled from his own letters and papers. Translated and edited by Robert W. Carden. Includes frontispiece and 11 plates. Constable & Company Ltd hardcover books
198616902Koln: Konneman 1986. First edition. Hardcover. Orig. tan cloth. Fine in fine dust wrapper. 497 pages. Folio 463 illustrations 438 in color. Index of Names Places and Subjects. A meticulously detailed survey of nearly eighty villas in the province of the Veneto -- many are Palladian. The arrangement is chronological. The color photographs excellent. English text. Konneman hardcover books
1983044534Montreal: Plato Academic Press 1983. 241p. original stiff printed wrappers Bibliotheca romanica. Plato Academic Press unknown books
199750611New York: Harry N. Abrams Inc 1997. First English Language Edition. Quarto 32.5cm.; publisher's boards in pictorial dust jacket; 207pp.; color illus. throughout including 150 colorplates. Text block slightly cocked mild toning to margins of text block otherwise boards and text block tight clean and unmarked. Quarter inch nick to front flap of jacket text unaffected else Fine book in Fine jacket. Harry N. Abrams, Inc unknown books