48 résultats
1969142495Roma: Edizioni dell'Art Club 1969. Softcover. NF interior but with light wear to covers and art museum ex-lib. stamps on front cover. BW card wraps with white lettering. Square. 36 pp. with 14 color plates. Text in Italian. Catalogue from Dec. 4-13 1969 of the works of 14 contemporary Italian artists. Edizioni dell'Art Club paperback books
1955285853Milano: Electa Editrice 1955. hardcover. very good. In Italian. 263 color and black & white plates. 20pp of text thick 12mo gilt-lettered boards; some toning to edges. Milano: Electa Editrice 1955. A very good copy.<br/><br/> Electa Editrice unknown books
198069479Princeton:: Princeton University Press. Very Good. 1980. Hardcover. 0691072345 . Translated from the Italian with foreword and notes by Creighton Gilbert. Edited with biographical introduction by Robert N. Linscott. First edition thus. Very good or better in burgundy cloth. No dust jacket. . Princeton University Press, hardcover books
1980UMICCOM00HMRPrinceton University Press 1980. Very Good. Michelangelo. Complete Poems and Selected Letters of Michelangelo. Gilbert translator Creighton. Princeton New Jersey: Princeton University Press 1980. 317pp. 8vo. Paperback. Book condition: Very good with bumped corners. Princeton University Press paperback books
196972641London:: Peter Owen. Very Good in Very Good dust jacket. 1969. Hardcover. 0720666163 . Translated from the Italian into verse with notes and introduction by Joseph Tusiani. Second impression thus. Previous owner's book-plate on front free endpaper else very good in a very good light ring stain on front panel minor edge wear dust jacket. . Peter Owen, hardcover books
198671431London:: Peter Owen. Near Fine in Near Fine dust jacket. 1986. Hardcover. 0720666163 . Translated from the Italian into verse with notes and introduction by Joseph Tusiani. Third impression thus. Brief gift inscription on front free endpaper else near fine in a near fine price clipped dust jacket. . Peter Owen, hardcover books
1975018439London: Trustees of the British Museum 1975. Book. Very good condition. Paperback. First edition later printing. Quarto 4to. 160 pages of text. Trade paperback binding with minimal shelfwear; almost near fine condition. Illustrated with dozens of black & white reproductions. This exhibition catalogue was for the 6th February-27th April 1975 exhibit. The text is clean and unmarked. Trustees of the British Museum Paperback books
19665202New York. George Braziller. n.d. 1966 Bound in 1/2 brown morocco and cloth covered boards.Raised bands. Gilt titles.Original cloth and paper slipcase. Thick Folio. Illustrated with facsimile plates of the artist's drawings most fold-out and tissue guarded. A lovely and concise compilation of Michelangelo's drawings handsomely presented. Mild wear to spine else Fine in scuffed but Very Good slipcase. George Braziller. hardcover books
1976134986Rome: Produzioni Europee Associati PEA 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. <br/><br/>Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s including Pedro Almodovar Joe D'Amato Marco Ferreri and Pier Paolo Pasolini among others. <br/><br/>Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi Sutherland was cast in the role requiring that he shave his head and wear both prosthetic nose and chin. <br/><br/>Fellini had to re-shoot parts of this movie including the elaborate Venice carnival scene when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino Rome on August 27 1975. Also stolen were portions of Pasolini's "Salo or the 120 Days of Sodom" and Damiano Damiani's Euro Western "A Genius Two Partners and a Dupe."<br/><br/>11.5 x 7.75 inches. Fine. Produzioni Europee Associati [PEA] unknown books
1963268295New York: Trident 1963. First. hardcover. very good/very good. Introduction by Peggy Guggenheim photographs by Ugo Mulas & translated by Isabel Quigly. Profusely illustrated in color & handsome photogravure. 285 pages. 4to dark green cloth head of spine bumped with small damage; d.w. also worn at ends; embossed name on title. New York: Trident Press 1963. As usual the pages are toned at edges still a very good copy.<br/><br/> Trident unknown books
1963Embry 86200Paul Hamlyn 1963. Owner's gift inscription else fine in fine dust jacket with one tiny tear to head of spine and near fine publisher's cardboard slipcase with one short tear. Full page color and black & white photographs. Paul Hamlyn, 1963. unknown books
1973170010Torino: Galleria Narciso 1973. First edition. Small softcover. Exhibition catalog for a show that ran February 17 through March 24 1973. Text in Italian with an essay by Michelangelo Masciotta. Includes numerous black and white illustrations. A near fine copy in wrappers. Galleria Narciso unknown books
1960134674Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60."<br/><br/>The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. <br/><br/>9.25 x 11.75 inches. Near Fine. <br/><br/>Criterion Collection 98. Cino del Duca unknown books
1960133246Italy: Nepi Film 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid on-the-set photograph of director Michelangelo Antonioni cinematographer Gianni Di Venanzo Jeanne Moreau and others working on a balcony shot part of the long party sequence that makes up the last third of the film. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1960138792Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1983044534Montreal: Plato Academic Press 1983. 241p. original stiff printed wrappers Bibliotheca romanica. Plato Academic Press unknown books
1942117902Torino: Societa Editrice Internazionale 1942. Softcover. Good clean interior but with staining and two tears to spine;. Paper wraps with red and black lettering; 335 pp. with duotone illustrations;. Text in Italian; edited by Guido Vitaletti; divided into 6 sections. Societa Editrice Internazionale unknown books
19711326200London: The Folio Society 1971. Hardcover. Octavo; pp 158; VG-; reddish brown spine with gilt text bands and decorations to spine; no jacket; brown slipcase shows slight sun fading toward edges; minor wear to fore corners; intact panels; cloth has clean exterior; gilt lettering and illustrative designs to front; strong boards; text block blue painted head exterior edge; fore and tail edges clean; interior clean; previous owner's bookplate to front pastedown; frontispiece; illustrated; arts- Biography; Renaissance;. 1326200. Shelved Dupont Bookstore. The Folio Society hardcover books
1975137579N.p.: N.p. 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger" in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine Prisco de Majo and Daniel Angeli four two and two photographs respectively on the verso. <br/><br/>The archive shows three distinct events during the festival as well as other candid and posed images of Schneider. These include the premiere of the film a press conference and a party on a boat. Numerous photographs also feature Antonioni and co-star Jenny Runacre. Sadly Nicholson is nowhere to be found we assume because he was too busy hanging out with Ken Russell and The Who as "Tommy" was screening out of competition. <br/><br/>Other photographs show Schneider with Bernardo Bertolucci who had directed her to instant stardom three years earlier in "Last Tango in Paris" as well as a single photograph of Schneider with Dustin Hoffman starring in the also Palme d'Or nominated "Lenny" directed by Bob Fosse. <br/><br/>Also included in the archive are four large negatives of photographs from the archive a strip of five negatives of a beach and two strips of color negatives containing four and five images respectively as well as three large negative of what appears to be a photoshoot of Schneider at the beach. These images are distinct from the photographs in the archive and we can find no corresponding images online. <br/><br/>Photograph sizes vary between 9.5 x 7.25 and 8 x 12 inches with most being 10 x 8 inches. Near Fine. N.p. unknown books
1986145930Siracusa: Chiesa dei Cavalieri di Malta 1986. First edition. Softcover. Exhibition catalog for a group show that ran January 18 through February 19 1986. Text in Italian. Includes numerous color and black and white illustrations after works by Mimmo Paladino Gilbert & George Gehrard Richter Mario Merz Giuseppe Penone Sol Lewitt Giulio Paolini Jannis Kounellis Anish Kapoor Arnulf Rainer Michelangelo Pistoletto Emilio Vedova and Gilberto Zorio. A near fine copy in wrappers. Chiesa dei Cavalieri di Malta unknown books
1996103995New York: Harry N. Abrams 1996. First edition. Hardcover. First printing. Monograph with 399 illustrations including 52 in color. Photographs by Albert Hirmer and Irmgard Ernstmeier-Hirmer. Translated from the German by Russell Stockman. A comprehensive look at Michelangelo's work. A very near fine copy in very near fine dust jacket. Harry N. Abrams unknown books
199750611New York: Harry N. Abrams Inc 1997. First English Language Edition. Quarto 32.5cm.; publisher's boards in pictorial dust jacket; 207pp.; color illus. throughout including 150 colorplates. Text block slightly cocked mild toning to margins of text block otherwise boards and text block tight clean and unmarked. Quarter inch nick to front flap of jacket text unaffected else Fine book in Fine jacket. Harry N. Abrams, Inc unknown books
19132293316Constable & Company Ltd 1913. First Edition. Hard Cover. Near Fine/No Jacket. First edition. Front hinge repaired spine a bit faded. 1913 Hard Cover. xiv 2 335 1 pp. 8vo. A biography of the famous painter of the Sistine Chapel sculptor of the Medicean tombs architect and writer compiled from his own letters and papers. Translated and edited by Robert W. Carden. Includes frontispiece and 11 plates. Constable & Company Ltd hardcover books
199637882New York: Abbeville Press Publishers 1996. First American Edition. Folio 33.5cm.; publisher's boards in pictorial dust jacket; 271pp.; color illus. throughout including folding leaves. Near Fine condition. Abbeville Press Publishers unknown books
1993116558Lisboa Lisbon Portugal: Museu Calouste Gulbenkian 1993. Softcover. VG but for light sunning to page and cover edges;. White wraps with color-illustrated cover; protective cover; 111 pp. with 20 works pictured in color and bw;. Text in both Portuguese and English; works are in large color plates with Portuguese descriptions followed in the back by small bw reproductions with English translations of descriptions; includes an index of the works and an essay;. Museu Calouste Gulbenkian paperback books
