307 résultats
1750150CG(London), J. Smith, o.J. (um 1750). Kupferdruck in Schabkunst von Russell nach Gottfried Kniller. Bildgrösse: 35 x 25,5 cm. Blattgrösse: 42 x 29 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1774184CGLondon, P. Sion, 1774. Kupferdruck in Schabkunst. Bildgrösse: 46 (50 Platte) x 35 cm. Blattgrösse: 54,5 x 39 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 184C-Gr
1780031157London: T. Cadell 1780. 1st Edition 1st Printing. Hardcover. Very Good. X Xix 480 588 Pp. Original Quarter Calf Over Marbled Boards 5 Bands Spines Elaborately Gilt But Re-Backed With Remains Of Original Heavily Gilt Spines. All Edges Of Page Block Colored Red. Elaborately Marbled. Multicolor Endpapers Also Apparently Original As They Match The Worn And Faded Marbled Boards. Both Volumes With Elaborate Bookplates And Also Handwritten Name Signatures Of Paul Panton Esq. Who Is Named In The List Of Subscribers At The Beginning Of Volume I. Bindings Worn Except For Professional Re-Backing Material Hinges Tight Contents Fine Immaculate And Square. This First Edition Is Rare; Worldcat Shows Only Three Institutional Holdings Two In Uk One In Canada; All Copies Of This 1780 First Printing May Have Been Subscribers' Copies. <br/> <br/> T. Cadell hardcover
1790186CGO.J. (um 1790). Kupferstich von Luigi Rados nach Roberto Focosi. Bildgrösse: 34 x 29 cm. Blattgrösse: 67 x 48 cm.
174010569A Amsterdam, chez François l'Honoré & fils, 1740. 6 volumes in-16, plein veau glacé, dos lisses ornés de fleurons, filets, roulettes, titre et tomaison dorés, double filet doré encadrant les plats, filet doré sur les coupes, roulette intérieure dorée, toutes tranches dorées. Menus défauts (petites galeries de vers, quelques discrets petits frottements, manque à une coiffe), bel aspect général cependant.
172820656Graz, Widmanstetter, 1728. 4°. Mit gefalt. gest. Frontispiz v. And. u. Jos. Schmutzer, 22 Portrait-Kupfertafeln v. Ch. Dietell u. zahlr. Holzschn.-Initialen bzw. -Vignetten. 4 Bll., 185 (1); 123 (1); 84 S., OLdr. m. blindgepr. Rücken auf 6 Bünden m. dreiseitigem Goldschnitt.
1790186CGO.J. (um 1790). Kupferstich von Luigi Rados nach Roberto Focosi. Bildgrösse: 34 x 29 cm. Blattgrösse: 67 x 48 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abbildung
179732790AB[Ohne Ort, vor 1797]. 2°. Ca. 60 x 44 cm auf 64 x 47 cm grossem Blatt. Angestaubt u. gebräunt, teils leicht geknickt bzw. mit kleineren Schabspuren. Die Ränder verstärkt/hinterlegt.
17172666-12Wien, Schönewetter 1717. 4°. 6 Bll., 187 S., 6 Bll. Mit gest, Frontisp., Vignetten u. 17 blattgr. gest. Portraits. Ldr. d. Zt. Alter hs. Besitzverm. Berieb. Kl Fehstelle am unt. Kap. im unt. w. Rd. durchgeh. braunfleckig.
1783230727k043xbvkIa/Ib. Berlin und Leipzig, bei George Jacob Decker - Königl. Hof-Buchdrucker, 1773-1781. / II. -, 1783. Ia. Titelblatt, Widmungsblatt, (4) S. Widmung, XVI S., 436 (7) Seiten, mit einigen beidseitigen Medaillen-Kupferstichen im Text. / Ib. 1 unbedrucktes Blatt, Doppeltitelblatt, (8) S. 'Vorrede' und 'Inhalt', 576 (7) Seiten, 3 einseitig bedruckte Kupfertafeln auf kräftigerem Papier. / II. Titelblatt, (6) 226 Seiten, 1 Kupfertafel (Medaillen ''zu Thurneisers Lebensbeschr[eibung]''). - Ia. Schwarzer Halbleineneinband Ende des 19. Jahrhunderts mit dezenter Rückenvergoldung und goldgeprägtem Rückentitel, dunkler Kopffarbschnitt, unbedruckte Endblätter; 4to (ca. 25 x 22 x 3 cm, ca. 1.3 kg.). / Ib.;II. Kräftiger Halbpergamenteinband der Zeit über 5 durchstochene Bünde mit braunem Deckelbezugspapier, großen Pergamentecken und grünem Rundum-Farbschnitt; 4to (ca. 25 x 22 x 5 cm, ca. 1.8 kg.).
178720106Liège, C. Plomteux, 1787 ; 2 tomes in-8, veau fauve moucheté, dos lisse à faux nerfs dorés, fleurons “à la lyre” pièces de titre grenat et de tomaison vert empire (reliure de l’époque) ; VIII, 230 ; [4], 231 pp.
173519619Augsburg, ohne Drucker, o. J. (um 1735). 4°. Mit gest. illustr. Titel u. 33 (die ersten 24 num.) Kupfertafeln von Lukas Kilian, Wolfgang Kilian, Elias Heinzelmann, Leonhard Heckenauer, J. A. Pfeffel, J. J. Kleinschmidt, H. Sperling u.a. Mod. HLdr.
179113195Madrid: Imprenta Real a cargo de Lázaro Gacquer 1791. 430x320mm. 17x12½". Madrid Imprenta Real a cargo de Lázaro Gacquer 1791. En folio mayor 430 x 320mm. 9 láminas calcográficas. Encuadernación en holandesa. Primera edición. Colección de 9 retratos de personajes relacionados con América: Vasco Núñez de Balboa Hernán Cortés Bartolomé de Las Casas Hernando de Soto Francisco Pizarro Pedro Méndez de Avilés Juan de Palafox y Mendoza Jorge Juan y Antonio de Ulloa. Esta magnífica obra se publicó en 18 entregas con un total de 118 láminas. La presente colección contiene los retratos de los españoles ilustres relacionados con América. Imprenta Real a cargo de Lázaro Gacquer unknown
177871348In der Platte bez.: "Dom. Cunego sculp. 1778". 30 x 21,2 cm.
17771152481777 A Paris, chez les Libraires Associés - M. DCC. LXXVII. (1777) - 7 volumes in-12 (17 x 10 cm), reliure plein veau marbré de l'époque; dos à 5 nerfs avec pièce de titre; caissons, fleurons et tomaison en dorés; filets dorés sur les tranches de la reliure, tranches des ouvrages rouges; signets verts - 288 pp. / 292 pp. + 288 pp. / 255 pp. + 232 pp. / 230 pp. + 216 pp. / 216 pp. + 248 pp. / 259 pp. + 296 pp. / 278 pp. + 260 pp. / 268 pp. - Avec figures
178611139A Genève et à Paris, chez Barde, Manget & Comp./ chez Buisson, 1786. 4 volumes petit in-8 de XII-380; [4]-404; [4]-393 et [4]-303 pages, demi-veau à coins, dos lisses ornés de filets, pastilles, roulettes, étoiles, filets et titre dorés, étiquettes de titre brunes, de tomaison tabac. Reliures un peu frottées.
17661124581766 A Paris, Chez les Libraires Associés - M. DCC. LXVI. (1766) - 7 volumes in-12 (10x16cm environ), reliure pleine peau brune, caissons et fleurons dorés au dos avec pièce de titre - xxxii / 244 pp. + 222 pp. / 224 pp. + 207 pp. / 188 pp. + 184 pp. / 232 pp. + 232 pp. / 223 pp. + 220 pp. / 300 pp. + 192 pp. / 216 pp. - Avec figures (bandeaux, lettrines, cul-de-lampe et gravures)
175613690ABKempten, 1756, 1756. Folio. 24 S. Titel in Rot und Schwarz gedruckt. Mit 1 gest., allegorischen Frontisp., 1 gest. Titelvignette, 60 Kupfer-Portraits (in Schabmanier) nach J. C. Füssli von Val. Dan. Preisler und Sebastian Walch, 13 leere Blatt. Halbpergamentband der Zeit.
178611167A Genève et à Paris, chez Barde, Manget & Comp./ chez Buisson, 1786. 2 volumes in-4 de [2]-VI-[2]-428 et [4]-382-[2] pages, demi-veau brun à coins, dos lisses ornés de filets, fleurons, roulettes, titre ("Voyage de Will: Coxe") et tomaison dorés, étiquettes de titre tabac, de tomaison brunes, tranches teintées vertes. Reliures un peu frottées, haut de 2 feuillets de table des matières déchirés, avec atteinte au texte, en fin du premier volume.
17885750Paris, Le Jay et Maradan, 1788. 2 vol. in-8 de [4]-282p. + [4]-274-[6] pages, demi-veau brun, dos lisses ornés de filets dorés, pièces de titre et tomaison beiges, salissure en marge des p. 28/29; excepté de minimes défauts, l'exemplaire est en parfaite condition. Ex-libris H. Tronchin.
17070027941707 Ultrajecti [Utrecht], Typis Gerardi Muntendam, 1707. In-quarto (181 X 240) basane fauve, dos cinq nerfs ornés, caissons dorés avec fleuron central, pièce de titre maroquin rouge, roulette dorée sur les coupes, tranches mouchetées (reliure de l'époque) ; (1), frontispice, titre, 6 pages non chiffrées (dédicace et préface), 199 pages, 1 page non chiffrée (index des gravures et errata), (1).
1714ST19517bAmsterdam: Pierre Humbert 1714. FIRST EDITION. 290 x 220 mm. 11 1/2 x 8 3/4". Two volumes. <br/> Excellent contemporary calf raised bands spine lavishly gilt in compartments with unusual architectural centerpiece intricate scrolling cornerpieces with lancet accents two red morocco labels marbled endpapers. Title pages with engraved vignette of the council dedication page with engraved royal arms of Frederick William of Prussia decorative engraved initials and 19 ENGRAVED PORTRAITS BY BERNARD PICART. A Large Paper Copy. Front pastedowns with private library shelf label of Bessinge. Title pages of both volumes with signature of Charles Richard Tronchin. Brunet III 976. ◆Volume II with half-inch split at head of front joint and small patch of lost patina from insect activity on front board joints and extremities of both volumes a little rubbed boards with light chafing or faint scratches isolated mild browning or other trivial imperfections but still AN EXTREMELY APPEALING SET--entirely clean and fresh internally with especially ample margins with sharp impressions of unusually bright plates and with bindings showing no significant signs of use and looking very attractive on the shelf.<br/> <br/> This is a handsomely illustrated history of the Council of Constance the 15th century ecumenical council that resolved the Western Schism elected a new pope for the unified Roman Catholic Church and condemned reformer Jan Hus as a heretic. It is enlivened with beautiful portraits of the participants by an artist Ray considers "the outstanding professional illustrator of the first third of the eighteenth century." Our author French Protestant divine Jacques Lenfant 1661-1728 drew heavily on writings by those present at the council for this account which is considered a fair recording of the proceedings. Lenfant likely felt some sympathy for Hus tried and burned at the stake for heresy and for his countryman Jerome of Prague who came to support Hus and ended up meeting the same fate. Picart has referenced their martyrdom in his portraits depicting Hus' execution in a vignette beneath his portrait and balancing the tondo portrait of Jerome on a pile of burning logs. Similarly the radical English theologian John Wycliffe posthumously convicted of heresy at the council is pictured over a stack of burning books his writing having been condemned to this fate. But in addition to the harsh reality of burning execution Picart employs gentler details: Parisian Jean Gerson the formidable Chancellor of Paris is in sober robes but the adorable fluffy puppy beneath his portrait softens his image considerably. The cardinal of Foix who had negotiated the end of the schism involving rival popes in Rome and Avignon is flanked by a cherub holding an olive branch looking askance at a slain dragon which has been relieved of his many heads. The new pope Martin V is shown with the insignia of the papacy and a dove clasping an olive branch in its beak. The portrait of Italian humanist Poggio Bracciolini is shown hanging in an open window that looks out on his city of Florence with a stack of books by Quintilian and other classical authors Poggio had rescued from obscurity on the windowsill. Throughout Picart's facial images are strikingly individuated--these are convincing portraits that project history from the book's pages. Picart 1673-1733 was born in Paris where he learned engraving from his father Etienne and from Sébastian Le Clerc and "early acquired a reputation both as an artist and engraver." He moved to the busy publishing city of Amsterdam sometime before 1712 and established himself as both printseller and illustrator/engraver. There he designed and engraved an impressive body of illustrations for Dutch printers at a time when in Ray's words "designs for the finest illustrated books were typically drawn by leading painters." Our previous owner Charles Richard Tronchin 1763-1835 was a Swiss politician of great wealth who donate very substantial sums to relieve the sick and destitute. Pierre Humbert unknown
17777733A paris, Chez Nyon l'aîné, 1777. 6 forts volumes in-4 non paginé, plein veau marbré, dos à 5 nerfs ornés de filets, roulettes, encadrements et décors dorés, étiquettes de titre et tomaison vertes, titre et numéros dorés, triple filet doré sur les plats, double sur les coupes. Coiffes manquantes, coins frottés, quelques épidermures, intérieur très frais, à part le portrait de Charlotte -Marguerite de Montmorency, décalqué (proprement!) au recto du feuillet.
173916586(48 x 34,5 cm), par Pierre-Imbert Drevet en 1739 d’après le tableau de Hyacinthe Rigaud en 1721.
174018992AB1740. Rom Rubeis ca. 1740. 325 : 23 cm. Title-page and 69 engraved plates. Contemporary boards with title-label on spine. An elegant collection of portraits of cardinals printed on strong paper and with wide margins. Following a chronological order the first cardinal depicted is Alderano Cybo 1645i while the last is Henricus de la Grande d'Aroqvan 1695 Henry Stuart 1747. The engraqved plates show pope Innocent XI and his cardinals. - Complete copies are rare. - Plates 47 till 69 with a brown stain in the lower left part but the images are not effected. hardcover