Antiquariat.de
178 résultats
16970928-17[ca. 1697]. Orig.-Kupferstichportrait v. Benoit Audraun nach van der Werff. 45 x 28, 5 cm. (Blattgr.) 31 x 18 cm. (Bildgr.). Gerahmt. [2 Warenabbildungen]
16970939-17[1697]. Orig.-Kupferstichportrait v. Pieter van Gunst nach Adriaen van der Werff. 44, 5 x 27, 5 cm. (Blattgr.); 31 x 18 cm. (Bildgr.). Gerahmt.
170027536AB(Nürnberg, Endter, um 1700). 4° (37 x 22,5 cm auf 41 x 25,5 cm grossem Blatt). Unter Passepartout. Ränder beschnitten, leicht gebräunt. Rechte untere Ecke ergänzt, Einriß hinterlegt.
16500991-15[ca. 1650]. Orig.-Kupferstich. 22 x 1 6 cm. Blattgr. Ger. Geringf. stockfl.
170027533AB(Nürnberg, Endter, um 1700). 4° (33 x 21,5 cm auf 38,5 x 23,5 cm grossem Blatt). Unter Passepartout. Ränder beschnitten, leicht gebräunt.
16970940-17[ca. 1697]. Orig.-Kupferstichportrait v. G. Valck nach A. van der Werff. 45 x 27 cm. (Blattgr.); 30 x 18, 5 cm. (Bildgr.). Gerahmt. In sehr gutem Zustand.
17000410-18Nürnberg, Fleischmann [ca. 1700]. Orig.-Kupferstichportrait v. August Christian Fleischmann. 39 x 28 cm. (Blattgr.); 28,3 x 18, 5 cm. (Bildgr.). Gerahmt.
16970938-17[1697]. Orig.-Kupferstichportrait von Vermeulen nach Werff. 44, 5 x 27 cm. (Blattgr.); 31 x 18 cm. (Bildgr.). Gerahmt.
16361486-16[Augsburg, Kilian 1636]. Orig.-Kupferstich. 25 x 16 cm. Geglätteter Mittelfalz. Knapp zu den Rändern beschnitten.
16900936-17[ca. 1690]. Orig.-Kupferstichportr. von Edelinck nach Hyacinthe Rigaud. 38 x 30 cm. (Blattgr.); 24 x 18, 5 cm. (Bildgr.). Gerahmt.
170027534AB(Nürnberg, Endter, um 1700). 4° (33 x 21 cm auf 39 x 25 cm grossem Blatt). Unter Passepartout. Ränder beschnitten, leicht gebräunt. Rechte untere Ecke ergänzt.
1700686AGO.J. (um 1700). Kupferstich (Brustbild mit Lorbeerkranz umrandet). Bildgrösse: 16,5 x 9,8 cm. Blattgrösse: 18,5 x 10 cm.
1700686AGO.J. (um 1700). Kupferstich (Brustbild mit Lorbeerkranz umrandet). Bildgrösse: 16,5 x 9,8 cm. Blattgrösse: 18,5 x 10 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1697ST19416Rotterdam: Reinier Leers 1697- ca. 1713. 390 x 245 mm. 15 3/8 x 9 5/8". <br/> APPEALING CONTEMPORARY MARBLED CALF GILT covers with border roll of alternating diamonds and lilies raised bands spine compartments with thistle tulip and acorn centerpiece foliate cornerpieces burgundy morocco spine label marbled endpapers all edges gilt. WITH 66 SENSITIVELY DRAWN AND EXPERTLY ENGRAVED PORTRAITS of notable personages after Adriaen van der Werff created for Larrey's "Histoire." Brunet III 852; Graesse IV 110-11; Lowndes II 1313 all citing Larrey’s "Histoire". Leather with a few minor scratches a half dozen plates lightly browned isolated mild marginal foxing but A VERY FINE COPY--the plates especially clean and fresh with rich impressions of the engravings and in a lustrous unrestored contemporaneous binding.<br/> <br/> These brilliant portraits by Dutch Baroque painter Adriaen van der Werff 1659-1722 were unanimously deemed by Brunet Graesse and Lowndes to be the only valuable part of Larrey's otherwise disappointing history of England Scotland and Ireland; and our former owner seems to have agreed choosing to have them bound--quite beautifully--apart from the text. The engravings here are mostly of 16th and 17th century kings queens religious figures and statesmen of England but they also include some continental European monarchs such as Holy Roman Emperor Charles V Philip II of Spain and Frederick the Great of Prussia. The plates are not only beautifully engraved—by accomplished Dutch engravers Pieter van Gunst Cornelis Vermeulen and Gerard Valck—but are wonderfully convincing images with considerable personality. For once Queen Elizabeth I looks like a real woman as opposed to a tightly cinched flattened figure floating above a farthingale and dwarfed by mountainous ruffs. And Henry VII looks much less regal than he does haggard and rueful. According to the "Handbook of Painting" van der Werrf's portraits "were so highly admired by princes and men of fortune that he found it impossible to execute all the commissions given him." His fortune was made when John William Elector of the Palatinate commissioned his own portrait: so pleased was the elector with this work that he put the artist on a generous retainer presented him with a portrait executed in diamonds and awarded him a knighthood. Larrey's "Histoire d'Angleterre d'Ecosse et d'Irlande" was issued between 1697 and 1713 with a second edition in 1723. Brunet notes that the work was available with and without plates suggesting the suite of engravings was issued apart from the text; it is obvious our set has been together from the beginning in its present early 18th century binding. Reinier Leers unknown
169516796La Haye, Etienne Foulque, 1695. In-12 de [10]-525 pages, plein veau brun du temps, dos à nerfs orné de filets et fleurons dorés.
169517644La Haye, Etienne Foulque, 1695. In-12 de [1]-525 pages, pleine basane brune, dos à nerfs orné de fleurons et petits fers dorés, tranches mouchetés de rouge.
166017510Paris, Louis Boissevin, [1660]. In-4 de 66 feuillets, plein vélin ivoire.
16692866A Paris, Chez François Mauger, 1669. 2 vol. in-12 de [12]-332 p. + [4]- de 333 à 651 pages. Pleine basane marron, dos à nerfs ornés de fleurons, tomaison, titre et encadrements dorés. Coiffe supérieure vol. 1 manquante, accroc à la coiffe supérieure du vol. 2, dos frottés, mors du 1er plat vol. 1 fendu, galeries de vers au bas des dos.
16040276-25o. O. [1604]. Kupferstich. 21, 5 x 15 cm. Blattgr. Knapp beschnitten, am linken Rand mit Ppaierstreifen verstärkt. Kl. Löchlein im oberen Hintergrund.
16176232s.l.: s.n. 16th and 17th century. In-4° portraits de papes de rois d'hommes politiques Pierre Séguier Chancellier de France e.a. d'hommes de lettres Molière Ronsard. Les dames Catherine de Medicis e.a. en fin de volume. Reliure en plein veau blond dos à cinq nerfs compartiments ornés. Portraits of popes kings politicians writers. Ladies at the end of the volume. Full blond calf binding decorated back s.n. unknown
16860273-25Amsterdam, [ca. 1686]. Kupferstich. 35, 5 x 26 cm. Knapp bis in den Plattenrand beschnitten, unterer Rand etwas gebräunt.
165015658Beau portrait. Beau tirage XVIIè sur vergé. en feuille Très bon Paris Balthasar Montcornet 1650 17 x 12,5 cm
16801010DGca. 1680. Kupferstich von Nicolas II de Larmessin (1632–1694). Bildgrösse: 18 x 13,5 cm. Blattgrösse: 20,5 x 17,5 cm.
16801010DGca. 1680. Kupferstich von Nicolas II de Larmessin (1632?1694). Bildgrösse: 18 x 13,5 cm. Blattgrösse: 20,5 x 17,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abbildung
1650102BGO.J. (um 1650). Kupferstich (Brustbild im Profil). Bildgrösse: 13,5 x 9,5 cm. Blattgrösse: 19 x 15 cm.
