PinssioLivre Rare Book
8 980 résultats
11489Comte de Brissac En feuille Très bon XVIIIè Feuille 27 x 21 cm
1970003266New York: Outerbridge and Dienstfrey 1970. First US Edition. Hardcover. Near Fine/very good . Heyman Ken. Oblong 8vo. Unpaged. Bound in gray boards title in white on spine in silver foil dust jacket printed in black on cover and spine. Black and white photographs by Ken Heyman throughout. Near Fine light age-toning and wear to extremities of binding internally clean and sharp in Very Good dust jacket with overall scuffing light wear to extremities. Sharp copy. <br/><br/> Outerbridge and Dienstfrey hardcover
1670306CG(um 1670). Kupferstich (Brustbild in ovaler Umrahmung). Bild- und Blattgrösse: 18,5 x 13 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1670306CG(um 1670). Kupferstich (Brustbild in ovaler Umrahmung). Bild- und Blattgrösse: 18,5 x 13 cm.
187BGO.J. Kupferstich (Brustbild). Bildgrösse: 14 x 8,5 cm. Blattgrösse: 15 x 9,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
187BGO.J. Kupferstich (Brustbild). Bildgrösse: 14 x 8,5 cm. Blattgrösse: 15 x 9,5 cm.
Incisione tratta dalla celebre Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa nel 1645. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto econ i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
5715Beau portrait d’après Van Dyck. Coupé au cuivre, infime manque à l’angle supérieur gauche. 23,8 x 16
15498Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
15496Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
15494Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
15528Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
15492Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
15490Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
15489Beau portrait. Beau tirage XVIIIè sur vergé. en feuille Très bon 20 x 14 cm (28 x 21,5 cm la feuille)
16101636AGO.O., um 1610. Kupferstich. Bildgrösse: 13,7 x 9,2 cm.
16101636AGO.O., um 1610. Kupferstich. Bildgrösse: 13,7 x 9,2 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 1636AG
Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
196784311Velber, Friedrich Verlag, 1967. 188 S., davon 170 S. s/w. Foto-Taf. 4to. 32,5 cm. OPp.
1333378343.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
387 p. Hardcover Good condition
1780031157London: T. Cadell 1780. 1st Edition 1st Printing. Hardcover. Very Good. X Xix 480 588 Pp. Original Quarter Calf Over Marbled Boards 5 Bands Spines Elaborately Gilt But Re-Backed With Remains Of Original Heavily Gilt Spines. All Edges Of Page Block Colored Red. Elaborately Marbled. Multicolor Endpapers Also Apparently Original As They Match The Worn And Faded Marbled Boards. Both Volumes With Elaborate Bookplates And Also Handwritten Name Signatures Of Paul Panton Esq. Who Is Named In The List Of Subscribers At The Beginning Of Volume I. Bindings Worn Except For Professional Re-Backing Material Hinges Tight Contents Fine Immaculate And Square. This First Edition Is Rare; Worldcat Shows Only Three Institutional Holdings Two In Uk One In Canada; All Copies Of This 1780 First Printing May Have Been Subscribers' Copies. <br/> <br/> T. Cadell hardcover
19160005542Oxford: University Press 1916. First edition. Hardcover. Very Good. engravings. Quarto 231pp. three quarter blue crushed morocco marbled endpapers; scuffed with top joint repaired coat of arms in gilt on top cover. <br/><br/>"The nucleus of the Welbeck collection of miniatures consists of portraits of members and connexions of the families of Cavendish and Holles which were inherited by the Lady Henrietta Cavendish Holles wife of Edward Harley second Earl of Oxford and Earl Mortimer. To them were added miniatrues of the Harley family into which she married and those painted for and acquired by her husband he being the son of Robert Harley who was successively Speaker Secretary of State Chancellor of the Exchequer and Lord High Treasurer in the reign of Queen Anne and who was created Earl of Oxford and Earl Morimer in 1711." 29 plates of portraits - most multiple images including British royalty Shakespeare Inigo Jones Abraham Cowley and European royalty. Laid-in is a sheet of stationery from Welbeck Abbey presenting this volume "With the Duke of Portland's Compliments" in holograph. University Press hardcover
19831324778San Francisco: Harper & Brothers 1983. First Edition First Printing. Hardcover. Octavo 240 pages; VG/VG; spine dark blue pictorial with white lettering; dust jacket protected with a mylar covering price uncut '$14.95'; bookseller sticker to front pastedown; interior clean; shelved Taoism. 1324778. Shelved Dupont Bookstore. Harper & Brothers hardcover books
A clean, unmarked book with a tight binding. 11"w x 8 1/2"h. Black and white photos of soldiers, Viet Nam, hippies, students, protests, cops, People's Park, Jerry Rubin, Huey Newton, portraits and street scenes.
