580 résultats
1913F0057Berlin, Julius Bard, 1913. 100 Tafeln in Kupferdruck, 1 weißes Bl., 2 Bl., III, 37 (1) S., 1 Bl., 39-59 (1) S., 1 leeres Bl., Nr. 29 von 100 Ex. Original-Kalbslederband auf 5 falschen Bünden mit Deckel-, Rücken- und Innenkantenvergoldung, Kopfgoldschnitt. ZUSTAND 1.
17726586D’après un dessin de Fragonard. Quelques rousseurs. 1772 20,5 x 14,5
7032, Berlin/ Bologna, Verlag Julius Bard/ Casa Editrice Apollo, 1923.**, Relie en toile bleu, cadre fleuronne d' argent, dos orne de fil. argent, 25,5x32,5cm, 36pp + 100pp planches n/b.
19591223211959 Editions du Crédit Lyonnais - 1959 - In-folio, chemise papier verte, feuillets libres, dans un emboitage cartonné - 40 planches illustrées hors-texte
16025P., chez Helleu et Sergent, 1927, grand In-4, en feuilles, sous chemise bleue éditeur.
1932159Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1932160Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1932162Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1932161Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19001358Paris 1900. Etching on a large sheet of light cream wove paper 4 3/4 x 3 1/2 inches 120 x 90 mm full margins. In good condition with minor edge wear well outside of image area. An etching after the c1780 illustration by Fragonard likely printed early 20th century. The British Museum offers the following biographical information regarding the artist:<br /> <br /> "Painter draughtsman etcher curator and author. Worked as a diplomat in Naples 1779-85 where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793 prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business and published two catalogues of his work in 1793 and in 1803. Appointed in 1803 as first director of the Louvre and put in charge of the Gobelins Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin' which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions. unknown
19001381Paris 1900. Etching on a large sheet of light cream wove paper 4 3/4 x 3 1/2 inches 120 x 90 mm full margins. In good condition with minor edge wear well outside of image area. An etching after the c1780 illustration by Fragonard likely printed early 20th century. The British Museum offers the following biographical information regarding the artist:<br /> <br /> "Painter draughtsman etcher curator and author. Worked as a diplomat in Naples 1779 - 1785 where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793 prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business and published two catalogues of his work in 1793 and in 1803. Appointed in 1803 as first director of the Louvre and put in charge of the Gobelins Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin' which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions. unknown
19001383Paris 1900. Etching on a large sheet of light cream wove paper 4 3/4 x 3 1/2 inches 120 x 90 mm full margins. In good condition with minor edge wear well outside of image area. An etching after the c1780 illustration by Fragonard likely printed early 20th century. The British Museum offers the following biographical information regarding the artist:<br /> <br /> "Painter draughtsman etcher curator and author. Worked as a diplomat in Naples 1779-85 where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793 prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business and published two catalogues of his work in 1793 and in 1803. Appointed in 1803 as first director of the Louvre and put in charge of the Gobelins Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin' which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions. unknown
18-5608Washington D.C.: National Gallery of Art 1978. 4to 180 pp. Very Good. Soft Covers. Illustrated paper wraps. Pages fine. Color and B&W plates throughout. Washington, D.C.: National Gallery of Art, 1978. paperback
197957710Washington D. C.: National Gallery of Art. As New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 72 works catalogued and illustrated. -- with a bonus offer-- . National Gallery of Art paperback
1945005646New York: Spiral Press 1945. Limited Edition. Cloth. Fine -/Near Fine . one of 1200 copies dw spine darkened and a bit of toning around the edges bookplate on ffe else fine and clean. Spiral Press unknown books
1945138064London: Kegan Paul Trench Trubner & Co 1945. Hardcover. G- No dj; cover has some white soil marks on it; interior is good with only light tanning to page edges; not pretty but serviceable. Three-quarters black cloth with white spine gilt letters on spine 80 pp. of text 137 BW plates. Considers these drawings by French painter Jean-Honore Fragonard 1732-1906. With essays: Fragonard the Draughtsman / Elizabeth Mongan ; Illustrated Editions of "Orlando Furioso" / Philip Hofer ; and Fragonard as an Interpreter of Ariosto / Jean Seznec. Text preceeds illustration section. Kegan Paul, Trench, Trubner & Co hardcover books
18-5340Philadelphia: Rosenbach Museum & Library 1985. 4to 41 pp. Very Good. Soft Covers. Printed paper wraps. Staple binding. Pages fine. B&W plates throughout. Philadelphia: Rosenbach Museum & Library, 1985. paperback
1921M183941921 Couverture souple 1921 P , Boutitie , 1921 , in12 broché , 153 pp . Editon numérotée sur vergé d 'arches. Exemplaire non coupé et non reimposé. Couverture en très mauvais état . Livre à l' état neuf . Langue: Français
1798250Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1798253Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1798251Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1798252Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
17-2126Grasse : MuseÌe Jean-HonoreÌ Fragonard 2019. 4to. 30 pp. Oblong. Near Fine. Soft Cover. Illustrated paper wraps. Staple binding. Color and B&W plates throughout. Extremely Scarce.ISBN: 9782956144045 2956144049.Collection from San Francisco Museum of Modern Art. Grasse : MuseÌe Jean-HonoreÌ Fragonard, 2019. paperback
1809040Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1763. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown