1 046 résultats
196367259Un des 3900 exemplaires sur Vélin pur chiffon de Rives numérotés de 866 à 4765 (numéros 1528), 6 vol. in-4 reliure de l'époque demi-maroquin à bandes en trois tons (bordeaux, rouge et brun), couvertures et dos conservés, dos lisses ornés et mosaïqué, têtes dorées, reliure signée de F. Durand, Editions d'Art Les Heures Claires, Paris, 1963, avec les 100 planches hors texte en couleurs
19562198Paris, Albin Michel, 1956. Un volume in-8 (203 x 135 mm) broché, couverture illustrée imprimée. ÉDITION ORIGINALE. EXEMPLAIRE DE TÊTE COMPRENANT LA LITHOGRAPHIE ORIGINALE JUSTIFIÉE À 40 EX. ET SIGNÉE PAR JOAN MIRÓ. - TIRAGE : un des 37 exemplaires de tête sur vélin du marais (+ 3 nominatifs, soit 40 ex), celui-ci n° 14, les seuls à comporter la lithographie. - ILLUSTRATION : une lithographie originale en couleurs signée de Joan Miró ; 8 reproductions photographiques. ÉTAT DE NEUF, non coupé. RARISSIME. Bibliographie: Malet-Cramer, Miró, n° 35. - ENGLISH: PÉRET, Benjamin, and Joan MIRÓ: Anthologie de l’amour sublime (Anthology of Sublime Love). Paris, Albin Michel, 1956. One volume (203 x 135 mm), paperback, illustrated printed cover. HEAD COPY INCLUDING THE ORIGINAL LITHOGRAPHY JUSTIFIED 14/40 AND SIGNED BY JOAN MIRÓ. ORIGINAL FIRST EDITION. - EDITION: one of the 37 head copies on vellum of the marsh, this one n° 14, the only ones to include the lithograph.(+ 3 added nominative copies hc). - ILLUSTRATION: an original lithograph in colors numbered 14/40 and signed by Joan Miró; 8 photographic reproductions. NEW CONDITION, uncut. Very scarce. Bibliography: Malet-Cramer, Miró, n° 35.
1968003145<p>Paris: Editions Argillet 1968. Book. Fine. Hardcover. Signed by Illustrators. Loose sheets in wrapper chemise and clamshell box. Clamshell box with gilt embossed illustration on front cover and gilt titles on spine. Chemise with gilt signature of Dali on front cover. Wrapper repeating the illustration on the box in blindstamp. Clamshell box with light wear. With 18 original engravings in black and white by Salvador Dali of which 10 full page and 8 smaller etchings 7 out of tekst and 1 in text. The 10 full page engravings with the blindstamped signature of Dali in the margin. All etchings protected by tissue guards. Hand signed in pencil by Dali on the limitation page also containing the publisher's stamp and Dali's blindstamped signature. Limited edition of 299 copies printed by the Presses du Palais Royal. This is number 90 and one of the limited edition of 75 copies printed on Arches teinte. With an extra suite of 6 out of 10 etchings on loose sheets in wrapper. All engravings with strong impressions 1 etching with light crease to corner not affecting the print. Sheets measure 383 x 285 cm. Box 405 x 305 cm. Very fine collectible copy.</p> Editions Argillet hardcover
19341495Éditions surréalistes, Paris, 1934. Petit in-4 (284 x 228 mm), broché, couverture décorée imprimée rempliée, chemise demi maroquin titrée au dos et étui. Édition originale. Tirage à 77 exemplaires (3 Chine + 7 Monvtal + 40 Arches + 25 HC). UN DES 40 EXEMPLAIRES NUMÉROTÉS SUR VERGÉ D'ARCHES COMPORTANT UNE EAU-FORTE ORIGINALE NUMÉROTÉE ET SIGNÉE DE SALVADOR DALI. L'exemplaire porte un magnifique envoi signé de Georges Hugnet au photographe surréaliste belge Léo Dohmen : "…Et des membres virils surgissaient dans tous les lieux où Onan répandait à terre sa semence, en vérité je vous le dis… des deux mains Georges Hugnet". Le maître surréaliste ne pouvait donner qu'une explication "dalinienne" sur la conception de sa gravure, "Espasmo-graphisme obtenu les yeux fermés avec la main gauche pendant que, avec la main droite je me masturbe jusqu'au sang, jusqu'à l'os, jusqu'aux délices du calice" !
193653047GLM | Paris 1936 | 12.50 x 17 cm | broché
193388275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
1967183326Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1185. unknown
1967183329Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1190. unknown
1967183324Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition Field 67-6; Michler & Lopsinger 1191. unknown
19391435-2Paris, NRF, Gallimard, 1939. in-4 broché, 70 pages, couverture imprimée. ÉDITION ORIGINALE de ce recueil contenant : "Trois chevaux aigus. Nous sommes. Nulle rupture. À l'ombre de ma porte. Poème perpétuel. L'or et l'eau froide. Trois poèmes inachevés. Les vainqueurs d'hier périront". Tirage : 5 Japon nacré et 15 vergé d'Arches numérotés et signés + les exemplaires non numérotés sur vélin du Marais (tirage probable à 500 ex.). Le notre, sur vélin du Marais est accompagné DES 4 SUPERBES LITHOGRAPHIES ORIGINALES DE MAX ERNST TIRÉES EN NOIR À PLEINE PAGE SUR VERGÉ DE HOLLANDE (seuls les 20 premiers exemplaires en grand papier contiennent ces lithographies). - Note bibliographique et historique : Max Ernst avait prévu une série de douze lithographies, mais seules quatre d’entre elles furent publiées dans l’édition de luxe à petit nombre. Un an plus tôt, en 1938, désapprouvant ses positions trotskystes, Éluard avait rompu avec Breton : À sa suite Max Ernst quitte le groupe surréaliste outré d’avoir à subir l’exigence de « saboter la poésie de Paul Éluard par tous les moyens » (in Centre Georges Pompidou, Paul Éluard et ses amis peintres, 1982, p.109).
1967163543Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967173254Paris & New York: Leon Amiel 1967. From Dali's "Twelve Signs of the Zodiac" portfolio Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. This is one of 12 plates from the Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches watermaked paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 67-6. unknown
1967163542Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967173250Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. Edition of 250. Coloured lithograph after an original gouache on Arches watermaked paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967163540Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 67-6. unknown
196895382France: Draeger 1968. First edition of this lavishly illustrated work by Salvador Dali. Quarto original illustrated boards 271 illustrations with 80 color plates and 23 in toned gravure. Boldly signed by Salvador Dali opposite the title page in red paint "Dali 1971." Dali has added a crown to the flourish in the letter 'D'. Arranged and edited by Max Gerard. Near fine in a very good dust jacket. Housed in the original slipcase. The infamous Surrealist in full colour and in his own words Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter sculptor writer and film maker Salvador Dali 1904-1989 was one of the century's greatest exhibitionists and eccentrics -- and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. He brought extraordinary sensitivity imagination and concern for precision to bear upon submerged levels of consciousness. Draeger hardcover books
1962139499New York: Harper and Row Publishers 1962. First edition of this wonderfully illustrated work of Dali. Quarto original cloth illustrated. Presentation copy boldly signed and inscribed by Dali on two pages "Pour Seth Dennis hommage de Salvador Dali 1963" with a large drawing. Fine in a very good dust jacket. A unique example. Prominent Spanish surrealist painter Salvador Dalí was a skilled draftsman best known for the striking images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. Dalí's expansive artistic repertoire included film sculpture and photography in collaboration with a range of artists in a variety of media. Harper and Row, Publishers hardcover
19705071970 [Genève, Graphik Europa Anstalt, 1970] ; 16 planches format in-folio (365 x 275 mm), chemise de soie moirée ivoire à lacet.
1967003131Paris : Cercle du Livre Precieux 1967. Book. Fine. Hardcover. 1st Edition. Loose sheets in illustrated wrappers. In gray silk covered chemise and matching slipcase with both sides decorated with a velvet floral design. Artist book comprising 14 full-page color engravings and 7 engraved vignettes at the beginning of each story. All full page engravings are signed in the plate and protected by tissue guards. Text by Giacomo Casanova. This is number 262 of a limited edition of 390 copies. Printed on Rives paper. Tiny tear in the bottom edge of the wrapper otherwise in very fine collectible condition. . Cercle du Livre Precieux Hardcover
193388275Le Phare de Neuilly | Neuilly-sur-Seine S.d. [1933] | 18.20 x 25.10 cm | 3 volumes brochés
196630521966 Paris, C. de Acevedo, 1966. En feuilles : 29x39 cm. Ensembles de 20 fables choisies, chacune illustrée par un artiste différent (1 in-texte et 1 hors-texte pour chacune des fables, soit 40 illustrations au total). Couverture rempliée. Avec une SUITE DES ILLUSTRATIONS sur pur fil d'Arches, une SUITE DES ILLUSTRATIONS sur pur fil de Lana, une DECOMPOSITION de l'un des hors-texte sur pur fil d'Arches, et la SIGNATURE AUTOGRAPHE au crayon de chacun des vingt peintres sur leur hors-texte respectif. Le tout dans un emboîtage en chagrin orangé imitant la forme d'un grand livre et portant le titre en lettres dorées sur le dos. Petites traces de frottement sur le dos de l'emboîtage. Contenu en parfait état.
196884456Paris: Le Soleil Noir 1968. Fine. Le Soleil Noir Paris 1968 29 x 31 cm reliure de l'éditeur - Dali's famous snail drawing -First edition. Publisher's binding smooth spine with its illustrated dust jacket. Numerous illustrations. Outstanding signed and inscribed copy across the title page and facing endpaper by Salvador Dali to Ms Elisa Hanioti painter herself and close friend of Gen Paul. Dali's intial D takes the form of his famous ""snail drawing"". Former British officer Captain Moore alleged secret agent during WW2 and Dali's secretary from 1956 to 1974 added the words ""Paris 1969"" and signed at the bottom of the title page. Le Soleil Noir unknown
195944671Les Heures Claires En feuilles, chemises titrées Paris 1959 Ed. numérotée
1969173928Switzerland: Graphic Europa Anstalt 1969. Edition of 100 signed in pencil lower right by Dalí numbered lower left Dali blind stamp lower right. One of 11 plates from the Hippies portfolio. Hand coloured drypoint etching on Japon paper. Plate size: 39.4 x 31.5 cm. Sheet size: 66 x 51 cm. Framed size: 75.8 x 59.4 cm. Tape residue to extreme upper edge from previous hinging otherwise in excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 69-13K. Michler & Lopsinger 381. unknown
195816677JGreenwich: New York Graphic Society 1958. First Edition First Printing. Signed presentation copy with a vigorous 2 page original signed pencil drawing on the title pages by Salvador Dali. Inscribed “Pour Len homage Dali.†The drawing is one of Dali’s stark landscapes with two of his swirling figures and a large Daliesque ant like those depicted in his famous oil painting Persistence of Memory. Large oblong folio with fine black & white gravure illustrations and 17 tipped-in color plates. Fine in the original clear acetate dust jacket and in the especially rare cardboard box with printed label which is in very good condition. New York Graphic Society unknown