1 041 résultats
193227820Paris: Editions Des Cahiers Libres. 1932. First Edition; First Printing. Softcover. Wraps most of spine chipped away front wraps chipped a fair copy only. This is copy No. 258 out of 600. Bunuel's disapproval of Dali's scenario for this film ended their collaboration.; 8vo 8" - 9" tall; 58 pp . Editions Des Cahiers Libres paperback books
193217421ABParis, Editions des Cahier Libres, 1932. 20 : 15 cm. 58 papinas, 2 hojas. Camisa original.
194816481948. Lithograph in colors on lightweight wove paper 11 x 7 7/8 inches 278 x 197 mm sheet full margins. An illustration from Billy Rose's autobiography Wine Women and Words with text on the verso. Inscription in blue ink on the verso light handling creases along with a dampstain that extends into the lower left corner of the image mostly outside of the image area otherwise in good condition. unknown
1997x-0415145015Routledge 1997. Hardcover. New. 1st edition. 199 pages. 9.75x6.50x0.75 inches. Routledge hardcover
1997Q-0415145015Routledge 1997-07-31. Hardcover. New. In shrink wrap. Looks like an interesting title! Routledge hardcover
1997DADAX0415145015Routledge 1997-07-31. 1. hardcover. New. 6.50x0.75x9.75. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
19492092902137306765Bijutsu shubbansha 1949. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
1973255439Calig Verlag 1973. Hardcover Plastik Ringmappe ohne Schutzumschlag Großformat Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten sehr gut. Calig Verlag, hardcover
1974102785Aschaffenburg, Pattloch 1974. 193 Seiten. Leinen
198247611ABMünchen, Alter Herkulessaal Residenz 1982. Gr.-4°. (208 S.) mit sehr zahlr. (meist farb.) Abb., OPp. EA. OPp. EA.
19335493171933. Unbound. Fine. Broadside. Yellow quarto sheet printed recto only. Folded twice and with a very tiny stain else fine. A statement prepared by Salvador Dali before his arrival in New York in anticipation of his first solo exhibition at the Lucien Levy Gallery from November 21 to December 8 1933. The statement quotes fellow surrealist and later antagonist Andre Breton includes Dali's denial as to the meaning of his works: "I never have the slightest idea what my pictures mean"; how after painting his wife one autumn afternoon he was "finally able to attain images sufficiently lucid and ‘appetizing' for exhibition in New York"; and ending with a final question; "New York: why why did you erect my statue long ago long before I was born higher than another more desperate than another" Confusion about this statement abounds with some claiming the broadside was distributed at the 1939 World's Fair where Dali had a pavilion or later in 1941 calling it a response to criticism from a statement by Breton. Our research - and Dali's own printed words "I have never been to America" - supports Dali biographer Ian Gibson's belief that this broadside was issued in late 1933 as advance publicity for the painter's first solo American exhibition close on the heels of increased interest in the artist following the Surrealist show the year before that debut his icon painting The Persistence of Memory. Rare. OCLC locates two copies and we have located at third the Queen's Public Library in New York. unknown
193831189Editions G.L.M / Guy Lévis Mano1936. In-8 broché de 60 pages au format 19,5 x 14 cm. Couverture avec titre imprimé. Dos carré muet. Plats et intérieur frais. Exemplaire non coupé. Numéro avec textes inédits de Paul Eluard, René Char, Jean Scutenaire, Pierre Mabille, Maurice Blanchard, Herman Grégoire, Louis Parrot ( texte consacré à Federico Garcia Lorca avec ex-libris, inédit, illustré par Salvador Dali. Cahier central avec 8 superbes photographie en noir par Man Ray. Catalogue éditeur sur papier rose en fin de volume. Un des 25 exemplaires numérotés sur Normandy Vellum ( n° 31 ), seul grand papier après 10 numérotés sur Hollande Pannekeok. Rare édition originale en état magnifique, proche du neuf.
1938005815Paris Guy Lévis Mano 1938 In-8 Broché Edition originale
193332705Paris.: Editions des Cahiers Libres. 1933. Original publisher's pink printed wrappers with titles in black to front cover within ruled borders title to spine and publisher's vignette to rear wrapper. 8vo. 172 x 112 mm. Half-title with 'Du Même Auteur' and list of works verso leaf with monochrome frontispiece portrait of Deharme by Valentine Hugo verso printed title with copyright verso leaf with quotation and Deharme's verse leaf with 'Table' recto and verso final leaf with justification and achevé d'imprimer. Salvador and Gala Dali's copy with a presentation from Lise Deharme.From the first edition limited to 310 copies with this unopened copy one of 300 on 'Ingres rose' paper and with a presentation in purple ink from Deharme to Salvador and Gala Dalí on front free endpaper: 'Pour le seul peintre / Dalí / Avec: l'admiration profonde / de son amie / Lise / Pour Gala tendrement'.Lise Deharme who published her first book 'Images dans le Dos du Cocher' in 1921 her second book 'Il Etait une Petite Pie' with illustrations by Joan Miró is often - erroneously - described as her first under her maiden name Lise Hertz was a muse to the Surrealists and editor of Le Phare de Neuilly a periodical published in the Paris suburb of Neuilly. Immortalised by Breton in 'Nadja' as 'la dame au gant' Deharme was a prolific poetess and novelist. 'Cahier d'une Curieuse Personne' was her third published book. Editions des Cahiers Libres. unknown
1996AME_9780804725576SUP 1996. 1. Hardcover. New/New. SUP hardcover
1996x-0804725578Stanford Univ Pr 1996. Hardcover. New. 351 pages. 9.75x6.50x0.75 inches. Stanford Univ Pr hardcover
1998Q-0804734704Stanford University Press 1998-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Stanford University Press paperback
1996Q-0804725578Stanford University Press 1996-07-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Stanford University Press hardcover
1967163543Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
19763142009Madrid.: Ultramar. 1976. Paperback. Good. 19 cm. 126 p. il. Encuadernación en tapa blanda de editorial ilustrada. Dalí Salvador 1904-1989. Versión del francés de Agustin Martinez Torres sobre la traducción directa de Enrique Gainza . ISBN: 8473860470 Dibujo. Diseño. Artes aplicadas y artesanía. Dali Salvador 74 Dali Salvador 74 Literatura francesa. Otros géneros. Siglo XX. 840-6"19" 821.133.1-4/-9 Ultramar. paperback
1995ABE-177185147892576 PAGES-23,7 CM X 30 CM-79 LOTS-PHOTO POUR CHAQUE LOT-(E25)
19807396Londres, Tate Gallery editor 1980. Plaquette in-4 de 4 pages au format 42 x 29,5 cm. Couvertures avec photographies de Salvador Dali en noir. Plats et intérieur frais. La publication a été pliée en son milieu. Cette publication fut éditée pour la première exposition majeure consacrée à l'artiste et qui eut lieu du 14 mai au 29 juin 1980 à la Tate Gallery de Londres.Contient une chronologie de Salvador Dali, accompagnée de photographies de l'artiste etr de reproductions d’œuvres en noir. Texte en anglais. Edition originale en très bel état général.
1991ABE-1563100139225FORMAT 21 CM X 27 CM-EN PREMIER PLAT ILLUSTRATION PAR MIRO-EN DEUXIEME PLAT OEUVRE DE FERNAND LEGER-TEXTE EN FRANCAIS-329 LOTS POUR LA VENTE DE LIVRES ILLUSTRES-PHOTOGRAPHIE SUR DEMANDE POUR LE LOT 155 (DEUX TRAVESTIS, PAR JEAN COCTEAU)-PAGE DE RESULTATS-66 LOTS POUR LA DEUXIEME VENTE-MAX ERNST-JEAN COCTEAU-FRANCOIS HUGO-PICASSO-SALVADOR DALI-ROY LICHTENSTEIN-(PRCV5)
198861339ABCadaques/Wien, Museu Perrot-Moore/Habarta, 1988. 1. ed. 4° [circa 500] S. überw. Ill. (z.T. farb.). Buchblock gebrochen, Schnitt leicht fleckig. Kapitale minimal best. 1
198837029BBCadaques/Wien, Museu Perrot-Moore/Habarta, 1988. 1. ed. 4° nn, überw. Ill. (z.T. farb.). OPappband. Einband gering berieben und bestossen, leichte Textbräunung. 1