18 résultats
2003190962Philadelphia Museum of Art 2003-10-01. Paperback. Very Good. Clean has a good binding and crisp pages no marks or notations. TP HS Philadelphia Museum of Art paperback books
1966111137Chicago IL & Philadelphia PA: The Art Institute of Chicago & Philadelphia Museum of Art 1966. First edition. Softcover. Exhibition catalog for a show that ran November 3 through December 11 1966 and traveled to Chicago for January 13 through February 191967. Text by Hanson. Profusely illustrated in black and white. A very good copy with some creasing to the bottom rear corner of a few pages as well as to the top corner of the rear panel. The Art Institute of Chicago & Philadelphia Museum of Art unknown books
2003142700Chicago IL and Philadelphia PA and Amsterdam: Philadelphia Museum of Art 2003. First edition. Softcover. 271 pages. Exhibition catalog for a show that ran October 20 2003 through January 19 2004 at The Art Institute of Chicago and then traveled to Philadelphia and Amsterdam for additional dates. Text by Juliet Wilson-Bareau and David Degener and with additional contributions by Lloyd DeWitt Richard Dorment Douglas W. Druick Gloria Groom John Leighton Joseph J. Rishel Bill Scott Ann Temkin John Zarobell. Includes 119 color plates along with 74 black and white figures. A fine copy in wrappers. A fresh copy. Philadelphia Museum of Art unknown books
1954WRCLIT44331New Haven: Yale University Press 1954. Large octavo. Gilt navy cloth. Double- spread title-page. Plates. First edition. Backstrip somewhat sunned a few marks and faint damp blemishes at lower edges of boards ink name and date on endsheet otherwise better than a very good copy. Yale University Press hardcover books
198917099Basel: Galerie Beyeler 1989. First edition. Paperback. Orig. illustrated stiff wrappers. Fine. Approx. 48 pages. 12 x 10". 8 pages of color plates many are double-paged. Galerie Beyeler paperback books
199146468London: Macdonald Illustrated 1991. 4to pp. 318. List of plates. With 240 full-color illustrations. Black paper over boards. Two short splits at side of spine o/w a VG tight copy in little scuffed and chipped dj. Heavy. Excerpts from Manet's correspondence and conversations with a selection of his work in all media. Macdonald Illustrated unknown books
194625411New York: National Urban League. 1946. First Edition; First Printing. Softcover. Wraps title and publisher neatly pencilled at head and foot of front wrap both somewhat lost in the busy cover art otherwise close to fine.; 4to 11" - 13" tall; 32 pp . National Urban League paperback books
1930183093Paris: Librarie de France 1930. Softcover. VG- shelfwear to wraps library bookplate inside front cover light age toning but plates are otherwise clear. Red and black illustrated portfolio wraps 5 pp followed by 24 unnumbered bw plates. Les Albums d' art Druet series Volume 14. Text is in French. Notice de Florent Fels. Librarie de France unknown books
1352New York. Harry N. Abrams Inc. Publishers. 1983. 4to. Hardcover. In fine condition. unknown books
198447039NY: Abrams 1984. Third printing. 4to. 548 pp w/indexes. Fine in very near fine dust jacket. 138 illustrations in full color 323 black-and-white. NY: Abrams unknown books
1990D15124San Francisco: Alan Wofsy 1990. Revised Edition. Hardcover. Fine/Near Fine. Handsome clean copy in DJ spine lightly toned. Illustrated throughout. <br/><br/> Alan Wofsy hardcover books
1929283120Paris: Maurice Legarrec 1929. Limited. paperback. very good. Edouard Manet. 8 page preface by Jean Guiffrey Curator of Paintings at the Louvre Museum. Unpaginated. 19 mounted facsimile letters mostly addressed to Mademoiselle Lemonnier and 3 additional color illustrations. Tall 8vo original plain wrappers protected in a brown cloth folder. Paris: Maurice Legarrec publisher 1929. Limited edition -- number 55 of 300 copies beautifully printed by Daniel Jacomet and Co. A very good clean copy.<br/><br/> Maurice Legarrec unknown books
1929319368Paris: Maurice Legarrec 1929. #266 of 300 copies. 22 facsimile reproductions of letters decorated with watercolour drawings. Small 4to. Modern quarter blue morocco and linen sides. VG. #266 of 300 copies. 22 facsimile reproductions of letters decorated with watercolour drawings. Small 4to. Maurice Legarrec unknown books
1926139394Paris: Henri Laurens Editeur 1926. Limited edition of 700 copies unnumbered. Softbound. Good binding solid clean and bright pages tears along fold with some peeling at each end of paper spine. Glassine cover torn with loss over half of spine and portion of lower front cover. Wraps cover by printed wrapper with portrait illustration on cover glassine over-wrap. 153 pp. deckled edges 161 monotone engravings with tissue protectors. Includes historical photographs along with many images of his works. Text in French. Henri Laurens, Editeur paperback books
133966Committee to Spread Jewish Art n.d. Hardcover. VG/good- ex-library with minimal markings. Original wrapper worn through/torn at edges. Unpaginated text. 14 bw plates. In English and. Original boards and paper dust jacket. In black cloth library portfolio. Oversize. Heri Daniels / Hershl Danilevitsh / Hershel Danilowitz. From World Cat: "A record of the past life of the Jews in Kolo near Lodz Poland in 14 lithographs. Harry Daniels grew up in the little town of Kolo Poland. He emigrated to the USA and spent his remaining years in New York City and the Catskill Mountains of New York. His paintings serigraph paintings lithographs handmade prints and portfolios are a record of a segment of the past life of the Jews in Kolo. Harry Daniels is a listed artist whose work may be found in the Jewish Museum in New York City and in the Jewish Museum in Belgium. These prints and serigraphs were hand made by Harry Daniels in his studio in the Catskill Mountains. Sadly his studio burned to the ground shortly after his death and the original plates were destroyed in the fire. Few of his prints survive." With reminiscences by Manet Katz and Moses Soyer as well as a personal statement by Daniels. Text in both English and Hebrew. Committee to Spread Jewish Art hardcover books
1884281623Paris: A. Quantin 1884. First. hardcover. very good. Edouard Manet. Illustrated with two original Manet etchings "L'Odalisque Couchee" and "La Convelescente." 3 etched plates by Henri Guerard after Manet 6 heliogravure plates after Manet a facsimile letter and other illustrations throughout. 150 pages. 8vo contemporary half black calf over green boards; some scuffing to extremities. Paris: A. Quantin 1884. First edition complete with all illustrations. A very good copy of this scarce book with very clean interior. Inscribed by the author to Gustav Geoffrey on a preliminary page.<br/><br/> The first biography of Manet written by his good friend Edmond Bazire and published just 9 months after Manet's death. --Guerin 50 & 65.<br/><br/> A. Quantin unknown books
296355unbound. very good. A.L.S. 8vo. 1 page no place/no date in French translated c. early 1883 at a time when he suffered from a host of ailments and was unable to complete even the most rudimentary commission without difficulty in full: "I will implore you to delay until later the visit you promised to make me Thursday in my workshop. I am not yet advanced enough with my painting. 'Til next Thursday therefore.Please convey to Mademoiselle the assurance of my regards." By early 1883 Manet developed severe pain and partial paralysis in his legs and was suffering from Locomotor Ataxia a known side affect of Syphilis. He suffered severely from the affects of Rheumatism which made it at times difficult for him to even hold a quill in his hand which may account for the unusual sloppiness of his penmanship in this letter. Item is evenly toned on lined paper which made it easier for Manet to control his handwriting when constructing sentences. Very good.<br/><br/> French Modernist painter who became a pivotal figure in the transition from Realism to Impressionism during the second half of the 19th century.<br/><br/> unknown books
186336847Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on watermarked laid paper. Full sheet in excellent condition. This is a rich early impression before letters of Manet's famous print "The Gypsies."<br/> <br/>One of the most influential artists of the impressionist movement Manet is also regarded as one of the most important printmakers of the modernist era. This famous etching reproduces a painting that Manet executed in 1862. This print is the only evidence we have of the composition of the work since the original oil only exists today in separate fragments. According to Harris we know that the oil painting must have resembled the composition of the etching because a contemporary cartoonist penned a sketch of the work when it was on display in Manet's one-man show at the Pont de L'Alma. This image is considered one of the boldest etchings of Manet's oeuvre and technically it is a tour de force with its deeply bitten lines and open hatching. This effect creates a lively play of light across the surface producing a dynamic tension within the image that is truly compelling. In this finished state Manet has reworked the whole plate adding additional lines and hatching to reinforce the dark shadows within the image. He has added foliage and other details that did not exist in the trial proof state of this print creating a sense of depth within image which was lacking in the earlier state. Harris does not describe this state listing only a lettered impression published by Cadart for the Societe des Aqua-Fortistes publication in 1862 and 1863. She mentions a few known impressions before letters for the 1863 Manet portfolio but these images were printed on chine. Harris describes later printings published by Cadart in 1874 Gennevilliers in 1890 Dumont in 1894 and Strolin in 1905 where the lettering has been effaced but this cannot be a pull from those publications since the impression is so rich and the frontispiece states that it is the 1862-1863 edition. This rare image is a true collector's item from one of the greatest masters of modern art. It not only epitomizes Manet's revolutionary work but also demonstrates his skill as an engraver. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/>Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. IX p. 207 no. 4 i/I; Harris Edouard Manet Graphic Works; A Definitive Catalogue Raisonne no.18 ii/ii. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown books