151 résultats
1998KFZZQ100897Yomiuri Shimbun 1998. Soft Cover. Fine. KFZZQ100897 Yomiuri Shimbun paperback
1984KFZZQ100446CM 1984. Soft Cover. Fine. KFZZQ100446 CM paperback
1969KFZZQ100677Asahi Newspaper Company 1969. Soft Cover. Fine. KFZZQ100677 Asahi Newspaper Company paperback
1985DYTWW10416Asahi Shimbun Company 1985. Soft Cover. Fine. Number of books£º1 Asahi Shimbun Company paperback
197283020Paris: Gallimard 1972. Fine. Gallimard Paris 1972 11 x 16.50 cm broché The first edition of which there were no deluxe copies. Second cover uniformly soiled. Handsome autograph inscription dated and signed by Eduardo Manet to a man named Jean-Claude: "". qui a eu la gentillesse de trouver cette vieille pièce que j'aime bien."" "". who was kind enough to find this old play that I like very much."" Gallimard unknown
1959467334Faber & Faber 1959. First Edition. Hardcover. Near fine cloth copy in a good if somewhat edge-torn and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 20 p. 32 leaves of plates : col. ill. ; 28 cm. Subjects; Criticism and interpretation. Painting. Artist. French. French art. Impressionism. 19th century. Art criticism. Faber & Faber hardcover
196546450New York: Tudor Publishing Company 1965. First Edition; First Printing. Softcover. Very Good in wrappers. ; Petite Encyclopedie De L' Art; 16mo 6" - 7" tall. Tudor Publishing Company unknown
199675848Princeton: Princeton University Press 1996. First edition. xxi 318 pp w/select bibliography. Near fine in full blue cloth with gilt stamping to spine. No dust jacket. Princeton: Princeton University Press hardcover
1941mon0000574648Eugen Rentsch Verlag 1941-01-01. Hardcover. Acceptable. in x in x in. GERMAN LANGUAGE. 432pp. Ex-library REFERENCE book usual marking. Clean copy in good condition. Library rebind. Some marking due to age on pages but overall book remains in good condition considering age. Eugen Rentsch Verlag hardcover
197282726Paris: Gallimard 1972. Fine. Gallimard Paris 1972 11 x 16.50 cm broché First edition of which there were no deluxe copies a Service de Presse advance copy. Handsome copy. Fine autograph inscription signed by Eduardo Manet to Guy Dumur: "". à qui nous devons tous une sincère gratitude pour sa courageuse défense de 'l'autre' théâtre."" "". to whom we all owe sincere gratitude for his courageous defense of 'the other' theater."" Gallimard unknown
199677619Paris: Grasset 1996. Fine. Grasset Paris 1996 14 x 22.50 cm broché The first edition of which there were no deluxe copies. Handsome copy with newspaper clipping attached. Signed autograph inscription from Eduardo Manet to René de Obaldia: "". avec une très grande admiration et une amitié qui devient fraternelle."" "". with great admiration and a friendship that becomes fraternal."" Grasset unknown
198480721Paris: Gallimard 1984. Fine. Gallimard Paris 1984 14 x 20.50 cm broché The first edition of which there were no deluxe copies. Handsome copy pencil reading marks in margins of some leaves. Autograph inscription signed by Eduardo Manet to Jacques Duchâteau. Gallimard unknown
1948518136Paris: Librairie des Arts Decoratifs A. Calavas Editeur 1948. Hardcover. Near Fine. First edition. Folio. Introduction by Jean Leymarie text in French. 54 black and white plates laid into a portfolio of paper covered boards. Also laid in are three bifolia making 12 pages printing the title page introduction and list of plate titles. Bifolia and plates toned around the edges else near fine in a good or better portfolio with soiling and toning particularly along the spine edgewear and the hinges starting. Black and white reproductions of some of the most celebrated pieces by the Impressionists. Librairie des Arts Decoratifs, A. Calavas, Editeur hardcover
1996Q-2246533619B. Grasset 1996-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! B. Grasset paperback
198712027new oversize hc expedited and international shipping not available--MANET Editions Scala hardcover
19933164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
1991655BB1991. First English Edition. London Barrie and Jenkins 1991. 24.5cm x 33cm. 160 pages with 115 illustrations. Original Hardcover with original dustjacket in protective collector's mylar. Very good condition with only minor signs of wear. Édouard Manet 23 January 1832 - 30 April 1883 was a French painter. One of the first 19th-century artists to approach modern and postmodern-life subjects he was a pivotal figure in the transition from Realism to Impressionism. His early masterworks The Luncheon on the Grass Le déjeuner sur l'herbe and Olympia engendered great controversy and served as rallying points for the young painters who would create Impressionism. Today these are considered watershed paintings that mark the genesis of modern art. Wikipedia hardcover
198447039NY: Abrams 1984. Third printing. 4to. 548 pp w/indexes. Fine in very near fine dust jacket. 138 illustrations in full color 323 black-and-white. NY: Abrams unknown
20002080202104503380Hakugado 2000. Soft Cover. Fine. Number of pages: 1 book Size: 34 cm Number of books: 1 book Hakugado paperback
19862082402113509634art life 1986. Soft Cover. Fine. Volume: 1 art life paperback
1928437017Paris: Louis Rouart et Fils 1928. Hardcover. Near Fine. First edition. Large quarto. Half cloth and decorated paper over boards with original wrappers bound in. Light pencil inscription in French on front fly a bit of edgewear on the boards a very good or better copy. Louis Rouart et Fils hardcover
19830610W600239Abrams. Very Good. 1983. Paperback. 0870993496 . Cloth. Abrams 1983. Fine copy with dj discolored on back panel.; 11.0 X 8.6 X 1.6 inches; 548 pages . Abrams paperback
19195695AParis, Bernheim-Jeune, 1919. Ca. 26 x 20,5 cm. 4 Blätter, 306 Seiten, mit 42 (2 farbigen) Tafeln. Halbpergamentband der Zeit mit goldgeprägtem Rückentitel und Buntpapierbezug. Nouvelle édition.
192320992ABBerlin, Paul Cassirer, 1923. 4to. 134 S. Mit 50 Abbildungen und 1 farb. Orig.-Holzschnitt ("Olympia"). Orig.-Halbpergament.
